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Fanfare Archive Subscriber-Only Features

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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


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Performer: André Kostelanetz

BEVERLY SILLS: PLAISIR D'AMOUR (Beverly Sills) (Review by Marc Mandel)

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JOHANN STRAUSS COLLECTION: EARLY RECORDINGS ON... (Karl Alwin) (Review by Boyd Pomeroy)

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LILY PONS: COLORATURA ASSOLUTA (Lily Pons) (Review by James Camner)

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BARTLET, JAMES CARROLL: A Dream (Review by John W. Lambert)

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BARTLET, JAMES CARROLL: A Dream (Review by James Camner)

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BIZET: Carmen (Review by John W. Lambert)

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BIZET: Carmen (Review by James Camner)

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BIZET: Ouvre ton coeur (Review by John W. Lambert)

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BIZET: Ouvre ton coeur (Review by James Camner)

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BIZET: The Pearl Fishers (Review by James Miller)

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BORODIN: Prince Igor (Review by John Ditsky)

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BRAHMS, JOHANNES: Wiegenlied (Review by John W. Lambert)

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BRAHMS, JOHANNES: Wiegenlied (Review by James Camner)

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BRANDL-KREISLER: The Old Refrain (Review by John W. Lambert)

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BRANDL-KREISLER: The Old Refrain (Review by James Camner)

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CHARLES, ERNEST: When I have sung my songs (Review by John W. Lambert)

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CHARLES, ERNEST: When I have sung my songs (Review by James Camner)

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DVOŘÁK-CREYKE: Humoresque No. 7, "Christina’s Lament" (Review by John W. Lambert)

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DVOŘÁK-CREYKE: Humoresque No. 7, "Christina’s Lament" (Review by James Camner)

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EDEN: What’s in the air today (Review by John W. Lambert)

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EDEN: What’s in the air today (Review by James Camner)

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GERSHWIN: Concerto in F (Review by Michael Ullman)

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GERSHWIN: Concerto in F (Review by James H. North)

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GERSHWIN: Rhapsody in Blue. Concerto in F. Porgy and Bess (Review by Leslie Gerber)

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GERSHWIN: Rhapsody in Blue. Second Rhapsody. Concerto in F for Piano and Orchestra. Three Preludes. Variations on “I Got Rhythm“ (CD only) (Review by James Miller)

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GLUCK: Alceste (Review by John W. Lambert)

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GLUCK: Alceste (Review by James Camner)

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GROFE: Grand Canyon Suite. Mississippi Suite (Review by Paul Turok)

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GROFE: Grand Canyon Suite. Mississippi Suite (Review by John Bauman)

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GROSVENOR: Here’s to Romance (Review by John W. Lambert)

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GROSVENOR: Here’s to Romance (Review by James Camner)

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HOVHANESS, ALAN: Floating World—Ukiyo (Review by James H. North)

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HOVHANESS, ALAN: The Rubaiyat of Omar Khayyam; Sunrise; Meditation on Orpheus, Op. 155; And God Created Great Whales; Fantasy on Japanese Woodprints, Op. 211 ; Floating World, Op. 209 (Review by Peter Frank)

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HUMPERDINCK: Hansel and Gretel (Review by James Miller)

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JACOBS-BOND, CARRIE: I love you truly (Review by John W. Lambert)

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JACOBS-BOND, CARRIE: I love you truly (Review by James Camner)

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KÁLMÁN, EMMERICH: Countess Marïtza (Review by John Ditsky)

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LEHÁR: Die lustige Witwe (Review by John W. Lambert)

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LEHÁR: Die lustige Witwe (Review by James Camner)

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LEHÁR: The Merry Widow (Review by John Ditsky)

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LEONCAVALLO, RUGGERO: Pagliacci (Review by James Miller)

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LEVANT: Concerto for Piano and Orchestra (1942). Carnival (Review by James Miller)

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LISZT: Concerto No. 1 in E-Flat for Piano and Orchestra; Hungarian Fantasia for Piano and Orchestra (Review by Peter J. Rabinowitz)

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LOCKHART-MANNING: In Luxembourg Gardens (Review by John W. Lambert)

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LOCKHART-MANNING: In Luxembourg Gardens (Review by James Camner)

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MANA-ZUCCA: The big brown bear (Review by John W. Lambert)

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MANA-ZUCCA: The big brown bear (Review by James Camner)

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MASCAGNI-WETHERLEY: Ave Maria (adapted from Cavalleria rusticana)’ (Review by John W. Lambert)

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MASCAGNI-WETHERLEY: Ave Maria (adapted from Cavalleria rusticana)’ (Review by James Camner)

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MASCAGNI, PIETRO: Cavalleria rusticana (Review by James Miller)

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MASCAGNI, PIETRO: Cavalleria rusticana (Review by John W. Lambert)

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MASCAGNI, PIETRO: Cavalleria rusticana (Review by James Camner)

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MOZART: Don Giovanni (Review by John W. Lambert)

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MOZART: Don Giovanni (Review by James Camner)

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MUSSORGSKY: Khovanshchina (Review by James H. North)

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NEVIN: The Rosary (Review by John W. Lambert)

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NEVIN: The Rosary (Review by James Camner)

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OFFENBACH: La Belle Helene (Review by John Ditsky)

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OFFENBACH: Tales of Hoffmann (Review by James Miller)

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PADILLA: La violetera (Review by John W. Lambert)

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PADILLA: La violetera (Review by James Camner)

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PONCE: Estrellita (Review by John W. Lambert)

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PONCE: Estrellita (Review by James Camner)

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PUCCINI: La Bohème (Review by James Miller)

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RACHMANINOFF: Aleko (Review by James H. North)

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REGER, MAX: Maria Wegenlied (Review by John W. Lambert)

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REGER, MAX: Maria Wegenlied (Review by James Camner)

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REZNICEK: Donna Diana (Review by John Ditsky)

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RIEGO, DEL: Homing (Review by John W. Lambert)

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RIEGO, DEL: Homing (Review by James Camner)

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RIMSKY-KORSAKOV: The Tsar's Bride (Review by John Ditsky)

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RODGERS, RICHARD: On Your Toes (Review by Dave Saemann)

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RODGERS, RICHARD: Victory at Sea (Review by Dave Saemann)

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ROMANI: Fedra (Review by John W. Lambert)

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ROMANI: Fedra (Review by James Camner)

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SAINT-SAËNS: La Princesse Jaune (Review by John Ditsky)

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SAINT-SAËNS: Samson et Dalila (Review by James Miller)

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SAINT-SAËNS: Samson et Dalila (Review by John W. Lambert)

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SAINT-SAËNS: Samson et Dalila (Review by James Camner)

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SANDOVAL: Ave Maria (Review by John W. Lambert)

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SANDOVAL: Ave Maria (Review by James Camner)

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SCHÄFER: The cuckoo clock (Review by John W. Lambert)

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SCHÄFER: The cuckoo clock (Review by James Camner)

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SCHUBERT: Der Erlkönig (Review by John W. Lambert)

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SCHUBERT: Der Erlkönig (Review by James Camner)

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SHOSTAKOVICH: Festive Overture (Review by John Ditsky)

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SIECZYNSKI: Wien, Wien nur du allein (Review by John Ditsky)

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SPROSS: Will-o’-the-Wisp (Review by John W. Lambert)

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SPROSS: Will-o’-the-Wisp (Review by James Camner)

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STRAUS: The Chocolate Soldier (Review by John W. Lambert)

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STRAUS: The Chocolate Soldier (Review by James Camner)

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STRAUSS II, JOHANN: The Blue Danube Waltz (Review by John W. Lambert)

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STRAUSS II, JOHANN: The Blue Danube Waltz (Review by James Camner)

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STRAUSS, J.: The Blue Danube Waltz, Op. 314; Tritsch-Tratsch Polka, Op. 214; Die Fledermaus (Review by John Ditsky)

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TAYLOR: Through the Looking Glass Suite (Review by James H. North)

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TCHAIKOVSKY: None but the lonely heart (Review by John W. Lambert)

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TCHAIKOVSKY: None but the lonely heart (Review by James Camner)

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TCHERVANOW-KOUNTZ: The Sleigh (Review by John W. Lambert)

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TCHERVANOW-KOUNTZ: The Sleigh (Review by James Camner)

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TOSTI: Good-bye. L’ultima canzone (Review by John W. Lambert)

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TOSTI: Good-bye. L’ultima canzone (Review by James Camner)

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TRADITIONAL: Comin’ thro’ the rye (Review by John W. Lambert)

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TRADITIONAL: Comin’ thro’ the rye (Review by James Camner)

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TRADITIONAL: Danny Boy (arr Wetherley) (Review by John W. Lambert)

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TRADITIONAL: Danny Boy (arr Wetherley) (Review by James Camner)

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TRADITIONAL: La golondrina (arr Serradell) (Review by John W. Lambert)

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TRADITIONAL: La golondrina (arr Serradell) (Review by James Camner)

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TRADITIONAL: The Last Rose of Summer (Review by John W. Lambert)

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TRADITIONAL: The Last Rose of Summer (Review by James Camner)

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VALVERDE: Clavelitos (Review by John W. Lambert)

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VALVERDE: Clavelitos (Review by James Camner)

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VERDI: Aida (Review by James Miller)

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WALTON: Johannesburg Festival Overture (Review by John Ditsky)

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WOLF-FERRARI: The Secret of Susanne (Review by John Ditsky)

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