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Performer: Aron Kallay SCHANKLER: Because Patterns/Deep State... (Isaac Shankler) (Review by Raymond Tuttle) | prepared piano | SCHANKLER: Because Patterns/Deep State... (Isaac Shankler) (Review by Huntley Dent) | prepared piano | SCHANKLER: Because Patterns/Deep State... (Isaac Shankler) (Review by Colin Clarke) | prepared piano | ALVES: Paths of the Wind (Review by Colin Clarke) | piano | BORECKI: Accidental Mozart (Review by Marc Medwin) | piano | BORECKI: Accidental Mozart (Review by Peter Burwasser) | piano | CAGE, JOHN: 45’ for a Speaker. 31’ 57.9864” for a Pianist. 34’ 46.776” for a Pianist . 26’ 1.1499” for a String Player. 27’ 10.544 for a Percussionist (Review by Robert Carl) | piano | CAGE, JOHN: 45’ for a Speaker. 31’57.9864” for a pianist. 34’46.776” for a pianist. 26’1.1499” for a string player. 27’10.554” for a percussionist (Review by Raymond Tuttle) | prepared piano | CAGE, JOHN: The Ten Thousand Things (Review by Raymond Tuttle) | prepared piano | CARL, ROBERT: Clouds of Clarification (Piano Sonata No. 3) (Review by Colin Clarke) | piano | FELSENFELD, DANIEL: Down to You is Up (Review by Marc Medwin) | piano | FELSENFELD, DANIEL: Down to You is Up (Review by Peter Burwasser) | piano | FLAHERTY: Barstow Bagatelle (Review by Robert Carl) | piano | FLAHERTY: Rainbow Tangle. Igor to Please (Review by Marc Medwin) | piano | FLAHERTY: Rainbow Tangle. Igor to Please (Review by Peter Burwasser) | piano | GANN: Echoes of Nothing (Review by Robert Carl) | piano | GOLDEN: I’m Worried Now (Review by Colin Clarke) | piano | HARRINGTON: Preludes (Review by Colin Clarke) | piano | HEATH: Color Variations (Review by Robert Carl) | piano | IVANOVA, VERA: 6 Fugitive Memories (Review by Marc Medwin) | piano | IVANOVA, VERA: 6 Fugitive Memories (Review by Peter Burwasser) | piano | IVANOVA, VERA: Mbira (or in Cage with Adams) (Review by Robert Carl) | piano | JOHNSON, AARON: Ostinato Quasi Octatonica (Review by Robert Carl) | piano | KRAUSAS: Une Petite Bagatelle. Terços (Review by Colin Clarke) | piano | LENTZ: In the Sea of Ionia. 51 Nocturnes. Pacific Coast Highway. Dorchester Tropes (Review by Raymond Tuttle) | piano | MATHESON: Bagatelle (Review by Marc Medwin) | piano | MATHESON: Bagatelle (Review by Peter Burwasser) | piano | MAZZOLI, MISSY: Bolts of Loving Thunder (Review by Marc Medwin) | piano | MAZZOLI, MISSY: Bolts of Loving Thunder (Review by Peter Burwasser) | piano | MILLER, A. E.: The Blur of Time and Memory (Review by Colin Clarke) | piano | MOE: The Weasel of Melancholy (Review by Colin Clarke) | piano | NORTON: Involuntary Bohlen Piercing (Review by Colin Clarke) | piano | NORTON: Piano Piece for Mr. Carter’s 100th Birthday (Review by Marc Medwin) | piano | NORTON: Piano Piece for Mr. Carter’s 100th Birthday (Review by Peter Burwasser) | piano | OLIVEIRA, JOÃO: Titanium (Review by Robert Carl) | piano | ROHDE, KURT: Altromondo (Review by Robert Carl) | piano | SCHANKLER: Alien Warp Etude (Review by Robert Carl) | piano | SCHNEIDER, JOHN: Lament (Review by Robert Carl) | piano | SHEPARD: All the Pretty Colours of the Rainbow (Review by Robert Carl) | piano | SHOCKLEY, ALAN: Nothing hidden that will not be revealed (Review by Robert Carl) | piano | YATES: Epitaphs and Youngsters (Review by Marc Medwin) | piano | YATES: Epitaphs and Youngsters (Review by Peter Burwasser) | piano |
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