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Fanfare Archive Subscriber-Only Features

 Listen to Audio & Video 

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


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Performer: Jay Johnson

GERSHWIN, T: Summertime (Review by Mike Silverton)

human percussion 

GERSHWIN, T: Summertime (Review by Mike Silverton)

voice 

GIBBONS, ORLANDO: What I'm Getting At (Review by Mike Silverton)

human percussion 

GIBBONS, ORLANDO: What I'm Getting At (Review by Mike Silverton)

voice 

GOLDSTEIN, PERRY: Total Absorption (Review by Mike Silverton)

human percussion 

GOLDSTEIN, PERRY: Total Absorption (Review by Mike Silverton)

voice 

KITZKE: Regina Takes the Holy Road, 3 December 1994 (Review by Mike Silverton)

human percussion 

KITZKE: Regina Takes the Holy Road, 3 December 1994 (Review by Mike Silverton)

voice 

KREIGER, ARTHUR: Joint Session (Review by Mike Silverton)

human percussion 

KREIGER, ARTHUR: Joint Session (Review by Mike Silverton)

voice 

LOWENSTERN: Spasm. But Would She Remember You (Review by Mike Silverton)

human percussion 

LOWENSTERN: Spasm. But Would She Remember You (Review by Mike Silverton)

voice 

LUBET: Two Octave Etudes, for Piano (Review by John Ditsky)

percussion 

LUBET: Two Octave Etudes, for Piano (Review by Stephen Ellis)

percussion 

MEANS: Future Perfect (Review by Stephen Ellis)

percussion 

MEANS: Future Perfect (Review by John Ditsky)

percussion 

NEAR: Short Festival Te Deum and Jubilate Deo, for Chorus & Organ (Review by Stephen Ellis)

percussion 

NEAR: Short Festival Te Deum and Jubilate, for Soprano, Organ, & Chorus (Review by John Ditsky)

percussion 

PASKE: An Open Door, For Voice, Flute, Found Percussion, Electronic Instruments, and tape (Review by John Ditsky)

percussion 

PASKE: An Open Door, for Performers, Audience, Outdoor Sounds, and Electronics (Review by Stephen Ellis)

percussion 

ROWE: Shells (Review by Mike Silverton)

human percussion 

ROWE: Shells (Review by Mike Silverton)

voice 

STOKES: Tintinnabulary, for Ringing Percussion (Review by Stephen Ellis)

percussion 

STOKES: Tintinnabulary, for Taped Percussion (Review by John Ditsky)

percussion 

WINKLER, PETER: Solitaire (Review by Mike Silverton)

human percussion 

WINKLER, PETER: Solitaire (Review by Mike Silverton)

voice 

 

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