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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

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Performer: Gunnar Johansen

BARTÓK: String Quartet No. 5. Sonata for Solo Violin (Review by William Zagorski)

piano 

BERG, ALBAN: Lyric Suite. (Review by William Zagorski)

piano 

BUSONI: Piano Concerto (Review by Adrian Corleonis)

piano 

GODOWSKY: Symphonic Metamorphosis on Themes from Künsterleben (after Strauss) (Review by Adrian Corleonis)

piano 

HERZ: La Marquise de Blocqueville, portrait en musique (1835) (Review by Adrian Corleonis)

piano 

JOHANSEN: Sonata No. 108 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 8. Two Polonaises, S. 223. Mazurka brûlante, S. 221. Années de pèlerinage, deuxième année (Review by Peter J. Rabinowitz)

piano 

LISZT: ALBUM 01. Harmonies poétiques et religieuses (1845-52), S. 173. Weihnachtsbaum (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 01. Harmonies poétiques et religieuses (1845-52), S. 173 (Review by Peter J. Rabinowitz)

piano 

LISZT: ALBUM 02. Fantasy and Fugue on the chorale “Ad nos, ad salutarem undam“ for organ (theme from Meyerbeer's “Le Prophète), S. 259 (trans. Busoni). Fantasy and Fugue on B-A-C-H, S. 529. Variations on a Theme of Bach (the basso continuo of his cantata “Weinen, Klagen, Sorgen, Zagen“ and of the “Crucifixus“ of the B Minor Mass), S. 180 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 02. Fantasy and Fugue on“Adnos, ad salutaremundam“for Organ, S. 259 (trans. Busoni). Fantasy and Fugue on B-A-C-H, S. 529. Variations on “Weinen, Klagen, Sorgen, Sagen,“ S. 180 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 03. Sonata in B Minor, S. 178. En rêve, nocturne, S. 207. Nuages gris, S. 199. Schlaflos, Frage und Antwort, S. 203. Bagatelle sans tonalité, S. 216a. Csárdás obstiné, S. 225, no. 2 (arr. Johansen). Unstern, S. 208. Valse oubliée No. 4, S. 215, No. 4 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 03. Sonata in B Minor, S. 178. En rêve, nocturne, S. 207. Nuages gris, S. 199. Schlaflos, Frage und Antwort, S. 203. Bagatelle sans tonalité, S. 216a. Csárdás obstiné, S. 225, no. 2 (arr. Johansen). Unstern, S. 208. Valse oubliée No. 4, S. 215, no. 4 (Review by Peter J. Rabinowitz)

piano 

LISZT: ALBUM 04. Etudes d'exécution transcendante (Final Version), S. 139 (Review by Peter J. Rabinowitz)

piano 

LISZT: ALBUM 04. Études d'exécution transcendante (final version), S. 139 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 05. Album d'un voyageur (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 06. Années de pèlerinage (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 07. Années de pèlerinage (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 07. Années de pèlerinage; troisième année, S. 163 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 08. Two Polonaises, S. 223. Mazurka brillante, S. 221. Années de pèlerinage (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 09. Glanes de Woronince, S. 249. Ballade No. 1,S.170. Ballade No. 2, S. 171 Apparitions, S. 155 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 10. Trois études de concert (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 10. Trois études de concert (Review by Peter J. Rabinowitz)

piano 

LISZT: ALBUM 11. Ab irato, S. 143. Consolations, S. 172. La lugubre gondola (first and second versions), S. 200. Légendes, S. 175 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 11. Ab irato, S. 143. Six Consolations, S. 172. La lugubre gondola (first and second versions), S. 200. Two Legends, S. 175. [Available on cassette only.] (Review by Peter J. Rabinowitz)

piano 

LISZT: ALBUM 12. Grosses Konzertsolo, S. 176. Berceuse (second version, 1862), S. 174. Grandes Études de Paganini (1851), S. 141 (arr. Busoni, Johansen) (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 13. Mephisto Waltz No. 1,S.110. Mephisto Waltz No. 2, S. 111. Mephisto Walts No.3, S. 216. Mephisto Waltz No. 4, S. 696 [torso completed Johansen]. “Mephisto WaltzNo. S“ (Bagatelle sans tonalité), S. 216a. Mephisto Polka, S. 217. Der Tanz in der Dorfschenke (Mephisto Waltz No. 1), S. 514 (trans. Busoni) (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 14. Trois Caprices-Valses, S. 21'4. Albumblatt in Waltz Form, S. 166. Waltz in A Major (1842). Valse Impromptu, S. 213. 4 valses oubliées, S. 215 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 15. Csárdás, S. 225, no. 1. Klavierstück in F-sharp, S. 193. Romance, S. 169. Romance Oubliée, S. 527. Scherzo und Marsch, S. 177. Liebesträume, 3 Notturnos, S. 541. Totentanz, S. 525 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 16. Weinen, Klagen, Sorgen, Sagen; Prelude after J.S. Bach, S. 179. Gaudeamus igitur, S. 240. Albumblatt in E, S. 164. Feuille d'album in A Minor, S. 167. Abschied, S. 251. Sancta Dorothea, S. 187. Recueillement, S. 204. Rhapsodie espagnole, S. 254 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 16. “Weinen, Klagen, Sorgen, Zagen,“ Präludium (1859), S. 179. Gaudeamus igitur, S. 240. Albumblatt (based on the Valse melancholique), S. 164. Feuille dalbum (based on the song “Die Zelle in Nonnenwerth“), S. 167. Abschied, S. 251. Sancta Dorothea, S. 187. Recueillement (Andacht), S. 204. Rhapsodie espagnole, S. 254 (Review by Peter J. Rabinowitz)

piano 

LISZT: ALBUM 17. Canzone Napolitana, S. 248. 6 Chants polonais (after Chopin), S. 480. Petite valse favorite (“Souvenir de Petersbourg“), S. 212. Berceuse (first version), S. 174. Rondeau fantastique sur un thème espagnol, El Contrabandista (after Garcia), S. 252 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 18. Magyar Dallok, Nos. 1-11, S. 242. Five Hungarian Folksongs, S. 245 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 19. Magyar Rhapsodiák, Nos. 12-17, S. 242 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 20. Hungarian Rhapsodies, Nos. 1-6, S. 244 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 21. Hungarian Rhapsodies, Nos. 7-12, S. 244 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 22. Hungarian Rhapsodies, Nos. 13-19, S. 244 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 23. Historical Hungarian Portraits, S. 205. Puszta-Wehmut, S. 246. Mazurka (after Wielhorsky), S. 384. Autrefois, Romance (after Wielhorsky), S. 577. Roumanian Rhapsody (arr. Busoni) (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 24. Chanson bohémienne, S. 250, HO. 2. Ländler in A-Flat, S. 211. La cloche sonne, S. 238. Ave Maria IV, S. 341 [trans. Johansen]. Wiegenlied, S. 198. Elegy on themes by Louis Ferdinand of Prussia (first version, 1842), S. 168. Grosse Konzertfantasie über Spanische Weisen, S. 253 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 25. Elegy on themes by Louis Ferdinand of Prussia (second version, 1852). Festvorspiel—Preludio pomposo, S. 226. Albumleaf (~\ 842). Ave Maria for the piano school of Lebert and Stark, S. 182. Csárdás macabre, S. 224. Sarabande and Chaconne (after Handel), S. 181. Second Elegy, S. 197. Galop in A Minor, S. 218. Grand Galop chromatique, S. 219 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 26. Les Morts, S. 516. Le Rossignol (after Alabieff, late version). R.W .-Venezia, S. 201. Am Grabe Richard Wagnœrs, S. 202. La Romanesca, S. 247. Faribolo Pastour, S. 236. Three Verbunkos [arr. Johansen] (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 27. Eight variations on an original theme in A-Flat, S. 148. Three Petrarch Sonnets (first version, C. 1839), S. 158. Variations on a waltz by DiabeUi (1822), S. 147. Scherzo in G Minor, S. 153. Ungarish (after Ferd. David), S. 484 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 28. Le Rossignol (after Alabieff, 1842), S. 250, no. 1. Toccata, S. 197a. Lieder von Robert und Clara Schumann (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 29. Ich liebe dich (ded. Countess Olga von Meyendorff). Szózat und Ungarischer Hymnus (after Egressy and Erkel), S. 486. Alleluja et Ave Maria (after Arcadelt), S. 183. Rondo di bravura, S. 152. Galop de Bai, S. 220. Russian Galop (afterBulhakov), S. 478. Fantasy and Fugue in G Minor (after Bach), S. 463 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 30. Von der Wiege bis zum Grabe (From the Cradle to the Grave), 512. Fantasy on themes from “The Ruins of Athens“ (after Beethoven), S. 389. Réminiscences de Don Juan (after Mozart), S. 418 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 31 Aus tiefer Not, for Organ [after Bach, trans. Johansen]. Hussitenlied, S. 234. Two pieces in Hungarian style, S. 241. Nuits d'été à Pausilippe (after Donizetti), S. 399. Transcriptions (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 32. Romance (1866). Der blinde Sänger, S. 350 [arr. Johansen], Soirées italiennes (after Mercandante), S. 411. Transcription (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 33. Buch der Lieder, S. 531. Seven Songs [trans. Johansen] (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 34. Huldigungsmarsch, S. 228. Festmarsch zur Saecularfeier von Goethes Geburtstag, S. 227. Kunstlerfestzug zur Schillerfeier, S. 520. Faust Symphony (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 35. Christus, S. 3 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 36. In the Sütine Chapel, S. 461. Coronation Mass, S. 11 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 37. DieMacht derMusik, S. 302. Salve Regina for Mixed Chorus, S. 66. Johansen]. Ane Maris Stella, S. 506. Tscherkessenmarsch fromRusslan and Ludmilla (after Glinka), S. 406. Mendelssohn Songs (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 38. Wagner Transcriptions. Ballad from The Flying Dutchman, S. 441 ; Spinning Song fromThe Flying Dutchman, S. 440; Liebestod from Tristan, S. 447; Am stillen Herd from Die Meistersinger, S. 448; O du mein holder Abendstern from Tannhäuser, S. 444; Tannhäuser Overture, S. 442 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 39. (12) Lieder (after Franz), S. 489. Mendelssohn Songs, S. 547 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 40. Epithalam, S. 526. Fantasy on Themes from the Opera Szép Ilonka (after Mosonyi), S. 417. Introduction and Hungarian March (after Széchényi), S. 573. Tarentella (after Dargomizhsky), S. 483. Tanzmomente (after Herbeck), S. 492. Tarentella (after Cui), S. 482 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 41. Schubert Song Transcriptions. Six Songs fromDie Schöne Müllerin, S. 565. Sechs Melodien, S. 563 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 44. Schubert Song Transcriptions. Zwölf Lieder, S. 558 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 45. Schubert Song Transcriptions. Schwanengesang, S. 560 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 46. Transcriptions. Soirées de Vienne (after Schubert), S. 427 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 47. Transcriptions. Soirées de Vienne (after Schubert), S. 427 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 48. Transcriptions. 6 geistUcheUeder (after Beethoven), S. 467. Polonaise from Eugene Onegin (after Tchaikovsky ), S. 429. Wasserfahrt und Der Jäger Abschied (after Mendelssohn), S. 548. Berceuse front La Reine de Saba (after Gounod), S. 408. Waltz from Faust (after Gounod), S. 407 (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 49. Verdi Transcriptions. Réminiscences de Boccanegra, S. 438. Aida (Review by Adrian Corleonis)

piano 

LISZT: ALBUM 50. Hexameronfafter Bellini; in collaboration with Thalberg, Pixis, Herz, Czerny and Chopin), S. 392. Danse macabre (after Saint-Saëns), S. 555. [Liszt's last recital program] Liebestraum No. 1, S. 541. Chant polonais No. 5 (“Meine Freuden“; after Chopin), S. 480. Soirée de Vienne No. 6 (after Schubert), S. 427 (Review by Adrian Corleonis)

piano 

LISZT: ALBUMS 42/43. Schubert Song Transcriptions. Twelve Songs from Die Winterreise, S. 561. Schwanengesang (Review by Adrian Corleonis)

piano 

LISZT: Elegy on Themes of Prince Louis Ferdinand (Second Version) -iPrelude in C; Albumleaf ; Ave Maria for the Grosse Klavierschule by Leben and Stark; Csardas macabre; Sarabande and Chaconne; Second Elegy; Galop in A Minor; Grand Galop Chromatique (Review by Peter J. Rabinowitz)

piano 

LISZT: La Marquise de Blocqueville, portrait enmusique, S. 190 (Review by Adrian Corleonis)

piano 

LISZT: THE WORKS FOR PIANO PERFORMED BY GUNNAR JOHANSEN (Review by Peter J. Rabinowitz)

piano 

LISZT: THE WORKS FOR PIANO PERFORMED BY GUNNAR JOHANSEN (Review by Adrian Corleonis)

piano 

LISZT: The Works for Piano Performed by GUNNAR JOHANSEN (Review by Peter J. Rabinowitz)

piano 

LISZT: The Works for Piano Performed by Gunnar Johansen (Review by Peter J. Rabinowitz)

piano 

LISZT: The Works for Piano Performed by Gunnar Johansen (Review by Adrian Corleonis)

piano 

LISZT: The Works for Piano Performed by Gunnar Johansen (Review by Peter J. Rabinowitz)

piano 

LISZT: The Works for Piano (Review by Adrian Corleonis)

piano 

LISZT: The Works for Piano (Review by Adrian Corleonis)

piano 

PLANTÉ: La Marquise de Blocqueville, portrait en musique (1868) (Review by Adrian Corleonis)

piano 

RAFF: Polka de la Reine (Review by Adrian Corleonis)

piano 

SCHOENBERG, ARNOLD: String Quartets (Review by William Zagorski)

piano 

SCHUBERT: Octet in F, op. 166 (Review by William Zagorski)

piano 

WEBERN: 5 Movements for String Quartet, op. 5. 6 Bagatelles for String Quartet, op. 9. (Review by William Zagorski)

piano 

 

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