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Fanfare Archive Subscriber-Only Features

 Listen to Audio & Video 

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


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Performer: Konstantin Ivanov

SHOSTAKOVICH: Song of the Forests... (Yuri Ulanov) (Review by James A. Altena)

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BEETHOVEN, LUDWIG VAN: Concerto In C for Piano, Violin, Cello, and Orchestra, op. 56 (Review by David K. Nelson)

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ESHPAI: Double Bass Concerto (Review by David Denton)

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ESHPAI: Flute Concerto (Review by David Denton)

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ESHPAI: Songs of the Mountain and Meadow Mari (Review by David Denton)

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ESHPAI: Symphonic Dances on Mari Themes (Review by Andrew Quint)

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ESHPAI: Symphonies No. 1 in E minor; No. 3 (In Memory of My Father) (Review by John Ditsky)

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ESHPAI: Symphony No. 1 (Review by David Denton)

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ESHPAI: Symphony No. 2, "Praise to Light" (Review by Andrew Quint)

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ESHPAI: Violin Concerto No. 4 (Review by Andrew Quint)

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MENDELSSOHN, FELIX: Concerto in E Minor for Violin and Orchestra, op. 64 (Review by David K. Nelson)

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MIASKOVSKY: Symphony No. 5 in D, Op. 18 (Review by Royal S. Brown)

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MURADELI: Symphony No. 1 in B minor (Review by John Ditsky)

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RACHMANINOFF: Piano Concertos (Review by Peter J. Rabinowitz)

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RIMSKY-KORSAKOV: Le Coq D'Or (Review by Ron McDonald)

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RIMSKY-KORSAKOV: Symphonies (Review by John Ditsky)

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SHOSTAKOVICH: The Song of the Forests, op. 81. The Sun Shines over the Motherland, op. 90 (Review by John W. Lambert)

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STRAVINSKY, IGOR: The Firebird (Review by Ron McDonald)

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STRAVINSKY, IGOR: The Firebird (Review by Peter J. Rabinowitz)

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TCHAIKOVSKY: Capriccio italien, op. 45. The Voyevode—Symphonic Ballad in A Minor, op. 78. Romeo and Juliet— Fantasy Overture. Francesca da fiimini— Symphonic Fantasia after Dante, op. 32 (Review by Robert McColley)

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TCHAIKOVSKY: Symphony No. 6 in B Minor, Op. 74 (“Pathétique“) (Review by Elliott Kaback)

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