Fanfare Magazine Home Page

IssuesConductorsPerformersEnsembles and OrchestrasInstrumentalistsInstruments

SingersVoicesVocal RolesSACDsReviewersLabels

Archive Home

Feature ArticlesComposersCollectionsJazzVideoBollywoodBook ReviewsThe Want ListsThe Hall of Fame

All Performers

a

b

c

d

e

f

g

h

i

j

k

l

m

n

o

p

q

r

s

t

u

v

w

x

 

y

z

 

         

Fanfare Archive Subscriber-Only Features

 Listen to Audio & Video 

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


Fanfare Archive Advertisers

Buy & Sell Classical CDs at Princeton Record Exchange

Performer: Philippe Huttenlocher

BACH; St. John Passion, BWV245: (Review by Edward Strickland)

bass 

BACH; St. John Passion, BWV245: (Review by Edward Strickland)

Peter 

BACH; St. John Passion, BWV245: (Review by Edward Strickland)

Pilate 

GEISTLICHE MUSIK DER BACH FAMILIE: (Review by George Chien)

baritone 

BACH, CARL PHILIPP EMANUEL: Magnificat (Auger, Watts, Equiluz, Schöne; GKS; BCS) (Review by George Chien)

baritone 

BACH, GEORG CHRISTOPH: Psalmkonzert (Review by George Chien)

baritone 

BACH, GEORG CHRISTOPH: Siehe, wie fein und lieblich ist’s (Review by Lynn René Bayley)

baritone 

BACH, JOHANN CHRISTIAN: Introitus und Kyrie de Totenmesse (Baldin; GKS; BCS). Dies irae (Auger, Watts, Baldin; Schöne; GKS; BCS) (Review by George Chien)

baritone 

BACH, JOHANN CHRISTOPH FRIEDRICH: Motet (Review by George Chien)

baritone 

BACH, JOHANN ERNST: Cantata (Review by George Chien)

baritone 

BACH, JOHANN LUDWIG: Cantata (Review by George Chien)

baritone 

BACH, JOHANN NIKOLAUS: Missa brevis “Allein Gott in der Höh sei Ehr“ (Spreckelsen, Schmidt-Valentin, Baldin, Tüller; GKS; BCS) (Review by George Chien)

baritone 

BACH, JOHANN SEBASTIAN: Ach Gott, wie Herzeleid II, BWV 58 (Reichelt, Schöne); Wer mich liebet, der wird mein Wort halten I, BWV 59 (Augér, Tüller); O Ewigkeit, du Donnerwort II, BWV 60 (Watts, Kraus, Huttenlocher); Nun Komm, der Heiden Heiland I, BWV 61 (Donath, Kraus, Schöne); Nun komm, der Helden Heiland II, BWV 62 (Nielsen, Watts, Baldin); Christen, ätzet diesen Tag, BWV 63 (Augér, Hamari, Laurich, Kraus, Heldwin, Schöne); Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 (Augér, Murray, Huttenlocher); Sie werden aus Saba alle Kommen, BWV 65 (Kraus, Schöne); Erfreut euch, ihr Herzen, BWV 66 (Schreckenbach, Kraus, Huttenlocher. Schöne) (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: COMPLETE CANTATAS, Volume 24 -- Christus, der ist mein Leben, BWV 95; Herr Christ, der Ginge Gottessohn, BWV 96; In ollen meinen Tüten) BWV 97; Was Gott tutf dos ist wohlgetan, BWV 98 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: COMPLETE CANTATAS, Volume 25. Was Gott tut, das ist wohlgetan (II), BWV 99; Was Gott tut, das ist wohlgetan (III), BWV 100;Nimm von uns, Herr, du treuer Gott, BWV 101 ; Herr, deine Augen sehen nach dem Glauben, BWV 102 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: COMPLETE CANTATAS, Volume 26. Ihr werdet weinen und heulen, BWV 103; Du Hirte Israel, höre, BWV 104; Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105; Gottes Zeit ist die allerbeste Zeit, BWV 106 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: COMPLETE CANTATAS, Volume 29 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: COMPLETE CANTATAS, Volume 30. Gott, man lobet dich in der Stille, BWV 120; Christum wir sollen loben schon, BWV 121; Das neugeboťne Kindelein, BWV 122; Liebster Immanuel, Herzog der Frommen, BWV 123 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: COMPLETE CANTATAS, (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, BWV 1-3 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 15 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 16 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 20 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 21 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 22 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 22 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 23 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 26 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 28 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 29 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 31 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 33 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 34 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 35 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 36 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 37 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 38 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 40 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 42 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 43 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 45 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 48 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 49 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 50 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 51 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 53 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 56 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 57 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 58 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 59 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 60 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 63 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 64 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 66 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 68 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas, Volume 69 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas (Review by William P. Larson)

bass 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Christian, ätzet diesen Tag, BWV 63. Himmelskönig, sei willkommen, BWV 182. Weinen, Klagen, Sorgen, Zagen, BWV 12. Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172. Lobe den Herrn, meine seele, BWV 143. Ich hatte viel Bekümmernis, BWV 21. Widerstehe doch der Sünde, BWV 54 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Easter Oratorio (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Ein feste Burg ist unser Gott, BWV 80; Jesus schläft, was soll ich hoffen?, BWV 81 ; Ich habe genung, BWV 82; Erfreute Zeit im neuen Bunde, BWV 83 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Es ist euch gut, dass ich hingehe.BWV 108 (Watkinson, Schreier, Huttenlocher); Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109 (Schreckenbach, Equiluz); Unser Mund sei voll Lachens, BWV 110 (Graf, Gardow, Baldin, Schöne); Was mein Gott will, das g'scheh allzeit, BWV 111 (Augér, Watts, Harder, Huttenlocher); Der Herr ist mein getreuer Hirt, BWV 112 (Nielsen, Schreckenbach, Baldin, Heldwein); Herr Jesu Christ, du höchestes Gut, BWV 113(Augér, Schreckenbach, Kraus, Tüller); Ach, lieben Christen, seid getrost, BWV 114(Schnaut, Hamari, Equiluz, Schöne); Mache dich, mein Geist, hereit, BWV 115 (Augér, Watts, Harder, Schöne) (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Halt im Gedächtnis Jesum Christ, BWV 67 (Augér, Mitsui, Murray, Kraus, Heldwein); Also hat Gott die Welt geliebt, BWV 68 (Augér, Huttenlocher); Lobe den Herrn, meine Seele I, BWV 69 (Donath, Hamari, Kraus, Schöne); Wachet! betet! betet! wachet! BWV 70 (Auger, Gohl, Harder, Nimsgern); Gott ist mein König, BWV 71 (Graf, Augér, Gardow, Schwarz, Schreckenbach, Senger, Kraus, Harder, Tüller, Hutten-locher); Alles nur nach Gottes Willen, BWV 72 (Augér, Laurich, Schöne); Herr, wie du willt, so Schicks mit mis, BWV 73 (Schreiber, Kraus, Schöne); Wer mich liebet, der wird mein Wort halten II, BWV 74 (Donath, Laurich, Kraus, Huttenlocher) (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV243 (with chorale interpolations) (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Meine Herze schwimmt in Blut, BWV 199. O heil'ges Geist- und Wasserbad, BWV 165. Barmherziges Herze der ewigen Liebe, BWV 185. Der Himmel lacht! die Erde jubilieret, BWV 31. Non komm, der Heiden Heiland, BWV 61. Tritt auf die Glaubensbahn, BWV 152. Komm, du süsse Todesstunde, BWV 161. Ach, ich sehe, izt, da ich zur Hochzeit gehe, BWV 162. Nur jedem das Seine!, BWV 163 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Motet (Review by George Chien)

baritone 

BACH, JOHANN SEBASTIAN: Passion According to Saint Matthew, BWV 244 (Review by Edward Strickland)

bass 

BACH, JOHANN SEBASTIAN: Sacred Cantatas, Volume 2 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Sacred Cantatas, Volume 3 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: St. John Passion, BWV 245 (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: St. Matthew Passion, BWV244 (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: The Cantatas, Volume 1 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: The Cantatas, Volume 14 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: The Cantatas, Volume 8 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: The Cantatas, Volume 9 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Wie Schön leuchtet der Morgenstern, BWV 1 (Nielsen, Kraus, Huttenlocher); Ach Gott, vom Himmel sieh darein, BWV 2 (Watts, Baldin, Heldwein); Ach Gott, wie manches Herzeleid, BWV 3 (Augér, Schreckenbach, Harder, Huttenlocher); Christ lag in Todesbanden, BWV 4 (Wiens, Watkinson, Schreier, Schöne); Wo soll ich fliehen hin, BWV 5 (Augér, Watkinson, Baldin, Schöne); Blieb bei uns, denn es will Abend werden, BWV 6 (Wiens, Watkinson, Kraus, Heldwein); Christ unser Herr zum Jordan Kam, BWV 7 (Watts, Kraus, Schöne); Liebster Gott, wann werd ich sterben, BWV 8 (Augér, Watts, Kraus, Huttenlocher) (Review by George Chien)

bass 

BACH, WILHELM FRIEDEMANN: Cantata (Review by George Chien)

baritone 

BACH, WILHELM FRIEDEMANN: Erzittert und fallet (Review by Lynn René Bayley)

baritone 

BACH, WILHELM FRIEDRICH ERNST: Vater unser (Kraus, Schöne; FGS; BCS) (Review by George Chien)

baritone 

BUSONI: Arlecchino, or The Window—a theatrical caprice in one act, op. 50. Turandot—a Chinese fable in two acts (Review by Adrian Corleonis)

baritone 

BUSONI: Arlecchino, or The Window—a theatrical caprice in one act, op. 50. Turandot—a Chinese fable in two acts (Review by Adrian Corleonis)

Dottor Bombaste 

CHARPENTIER, MARC-ANTOINE: David et Jonathas (Review by John Yohalem)

baritone 

CHARPENTIER, MARC-ANTOINE: David et Jonathas (Review by John Yohalem)

Saul 

CHARPENTIER, MARC-ANTOINE: David et Jonathas, H. 490 (Review by David Johnson)

baritone 

CHARPENTIER, MARC-ANTOINE: David et Jonathas, H. 490 (Review by David Johnson)

Saul 

CHARPENTIER, MARC-ANTOINE: Judith (Review by David Johnson)

bass 

CHARPENTIER, MARC-ANTOINE: The Last Judgment, H.401). Beatus Vir, (H.224) (Review by J. F. Weber)

bass 

CIMAROSA: Il Maestro di Cappella; Il Matrimonio Segreto (Review by J. F. Weber)

baritone 

CORRETTE, MICHEL: Laudate Dominum (Review by David Johnson)

bass 

FAURÉ, GABRIEL: Requiem, Op. 48. Elegy in C minor for Cello and Orchestra, Op. 24. Messe basse, for Female Voices and Organ (Review by Adrian Corleonis)

baritone 

GRÉTRY: La Caravane du Caire (Review by David Johnson)

baritone 

GRÉTRY: La Caravane du Caire (Review by David Johnson)

Florestan 

HALLER: Ed è subito sera. Per la Camerata. Three Nocturnes for Viola and Piano. Six Inventions for Flute and Harpsichord (Review by Benjamin Pernick)

baritone 

HANDEL, GEORGE FRIDERIC: Dettingen Te Deum (Review by J. F. Weber)

bass 

HAYDN, FRANZ JOSEPH: The Creation (Review by John Bauman)

Adam 

HAYDN, FRANZ JOSEPH: The Creation (Review by Mortimer H. Frank)

bass 

HAYDN, FRANZ JOSEPH: The Creation (Review by John Bauman)

bass 

HAYDN, FRANZ JOSEPH: The Seasons (Review by Mortimer H. Frank)

bass 

LEKEU: Andromède—Cantate du Prix de Rome, Bruxelles 1892. Introduction symphonique aux “Burgraves (Review by Adrian Corleonis)

baritone 

LEKEU: Andromède—Cantate du Prix de Rome, Bruxelles 1892. Introduction symphonique aux “Burgraves (Review by Adrian Corleonis)

narrator 

LISZT: Sonetti del Petrarca (2nd version), S. 270/2. Angiolin dal biondo crin (revised version), S. 269/2. Du bis wie eine Blume, S. 287. Vergiftet sind meine Lieder, S. 289. Wie Singt die Lerche schön, S. 312. Die tote Nachtigall (1 st version), S. 291/1. Wo weilt er?, S. 295. Ich möchte hingehn, S. 296. Wer nie sein Brot mit Tränen Ass (2nd version), S. 297/2. Die vätergruft, S. 281. Über allen Gipfeln ist Ruh, S. 306. Es rauschen die Winde (2nd version), S. 294/2. Die Lore/ey (revised version), S. 273 (Review by Peter J. Rabinowitz)

baritone 

LISZT: Songs (Review by Peter J. Rabinowitz)

baritone 

LISZT: Songs, Volume I (Review by Peter J. Rabinowitz)

baritone 

LULLY: Phaeton (Review by David Johnson)

bass 

LULLY: Phaeton (Review by David Johnson)

Mérops 

LULLY: Te Deum (Review by J. F. Weber)

bass 

MARAIS: Alcyone (Review by David Johnson)

baritone 

MARAIS: Alcyone (Review by David Johnson)

Pelée 

MENDELSSOHN, FELIX: Psalm 115, Nicht unserm Namen, Herr. Psalm 95, Kommt, lasst uns anbeten (Review by J. F. Weber)

baritone 

MENDELSSOHN, FELIX: Psalm 115 (Review by David Johnson)

baritone 

MILHAUD: The Misfortunes of Orpheus (Review by James H. North)

Orpheus 

MONDONVILLE: Titon et l'Aurore (Review by David Johnson)

bass 

MONDONVILLE: Titon et l'Aurore (Review by David Johnson)

Eole 

MONDONVILLE: Titon et l'Aurore (Review by David Johnson)

Prométhee 

MONTEVERDI: L'Orfeo (Review by J. F. Weber)

baritone 

MONTEVERDI: L'Orfeo (Review by J. F. Weber)

ORFEO 

MONTEVERDI: L’Orfeo (Review by Barry Brenesal)

ORFEO 

MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber)

baritone 

MOSER: Doric Rhapsody, for Organ. Spielmusik, for String Orchestra. Three Women's Choruses. Concerto No. 2 for Cello and Orchestra. The Thirty-third Psalm. Passacglia for Cellos. Three Mixed Choruses. Olympic Hymn (Review by Paul A. Snook)

bass 

MOZART: Cosi Fan Tutte (Review by Leonard J. Brandt)

baritone 

MOZART: Cosi Fan Tutte (Review by Leonard J. Brandt)

Guglielmo 

PUCCINI: Messa di Gloria (Review by John Ditsky)

bass 

PURCELL: If music be the food of love. Ah! How pleasant't is to love. Nymphs and shepherds, come away. Sweet, be no longer sad. There's not a swain on the plain. I saw that you were grown so high. I'll sail upon the dog-star. I see she files me ev'rywhere. More love or more disdain I crave. Sylvia, now your scorn give over. Turn then thine eyes. Music for a while. Sweeter than roses. Man is for the woman made. Fairest isle of isles excelling. Now that the sun hath veil'd his light. Incassum, Lesbia, incassum rogas. Lord, what is man (Review by Michael Ullman)

baritone 

PURCELL: Sweeter Than Roses (Review by Michael Ullman)

baritone 

RAVEL: L'Enfant et les Sortileges (Review by James Miller)

baritone 

RAVEL: L'Enfant et les Sortileges (Review by James Miller)

Clock 

RAVEL: L'Enfant et les Sortileges (Review by James Miller)

Male Cat 

RAVEL: L'Heure espagnole. Don Quichotte à Dulcinée (Review by James Miller)

baritone 

REICHEL: Goethe Lieder (Review by Paul A. Snook)

baritone 

SCHUBERT: Stabat Mater, D. 383- Intende voci, D. 963. Magnificat, D. 486 (Review by J. F. Weber)

baritone 

STRADELLA: San Giovanni Battista (Review by David Johnson)

bass 

STRADELLA: San Giovanni Battista (Review by David Johnson)

Erode 

STRAVINSKY, IGOR: L'Histoire du soldat. Renard (Review by George Chien)

baritone 

STRAVINSKY, IGOR: Les Noces; Renard; Ragtime for 11 Instruments (Review by Elliott Kaback)

baritone 

VIVALDI, ANTONIO: Beatus Vir, RV. 597; Lauda Jerusalem, RV. 609.; Nulla in mundo pax, RV. 630 (Review by Nils Anderson)

bass 

VIVALDI, ANTONIO: Beatus vir in B♭, RV598. Gloria in D, RV 589 (Review by George Chien)

bass 

VIVALDI, ANTONIO: Sacred Music Volume 2 (Review by Nils Anderson)

bass 

 

Our Advertisers
About Fanfare / Contact Us
Advertise in the Fanfare Archive


NOT TO BE MISSED!

Reviews and interviews
Just click and read!

If you don't see images below, please disable your browser's Ad Blocker for this site