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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

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The Crossing: Selected Works

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Performer: Leslie Howard

BACH/GRAINGER: Blithe Bells (Review by Susan Kagan)

piano 

BACH/GRAINGER: Blithe Bells (Review by Leslie Gerber)

piano 

BACH/LISZT: Sur Preludes and Fugues. Fantasia and Fugue in G Minor (Review by Peter J. Rabinowitz)

piano 

BAX: Legend (Review by William Zagorski)

piano 

BEETHOVEN-LISZT: March from Kotzebue's The Ruins of Athens, S. 388a. Capriccio alla turca from The Ruins of Athens, S. 388. Fantasia on The Ruins of Athens, S. 389 (Review by Adrian Corleonis)

piano 

BEETHOVEN, LUDWIG VAN: Adelaide, S. 466. Six Gellert Songs, S. 467. An die ferne Geliebte, S. 469. Six Goethe Songs, S. 468 (Review by Peter J. Rabinowitz)

piano 

BEETHOVEN, LUDWIG VAN: Notturno, op. 42 (Review by Robert Maxham)

piano 

BEETHOVEN, LUDWIG VAN: Septet, op. 20 (S. 465) (Review by Peter J. Rabinowitz)

piano 

BERLIOZ-LISZT: Francs Juges Overture, S. 471. Harold in Italy (Review by Peter J. Rabinowitz)

piano 

BERLIOZ-LISZT: Symphonie fantastique, S. 470 (Review by Adrian Corleonis)

piano 

BIZET-MOSZKOWSKI: Carmen (Review by Leslie Gerber)

piano 

BORODIN: Polka (Review by Peter J. Rabinowitz)

piano 

BRIDGE, FRANK: Pensiero. Allegro appassionato (Review by William Zagorski)

piano 

BRITTEN: Elegy (torsolo viola) (Review by William Zagorski)

piano 

BRUCKNER, ANTON: Erinnerung (Review by Susan Kagan)

piano 

BRUCKNER, ANTON: Erinnerung (Review by Leslie Gerber)

piano 

BÜLOW-LISZT: Dantes Sonett “Tanto gentile e tanto onesta,“ S. 479 (Review by Adrian Corleonis)

piano 

BUSONI: Serenade from Mozart's “Don Giovanni.“ (Review by Susan Kagan)

piano 

CHOPIN-LISZT: Six Chants polonais, S. 480 (Review by Peter J. Rabinowitz)

piano 

CLARKE, REBECCA: Lullaby. Morpheus. Sonata (Review by William Zagorski)

piano 

CONRADI-LISZT: Zigeuner-Polka, S. 481 (Review by Adrian Corleonis)

piano 

DESSAUER: Three Songs, S. 485 (Review by Peter J. Rabinowitz)

piano 

DONIZETTI/LISZT: Réminiscences de Lucia de Lammermoor, S. 397. Marche funèbre et cavatine de Lucia de Lammermoor, S. 398 (Review by Adrian Corleonis)

piano 

DONIZETTI/LISZT: Spirto gentil de La Favorite, S. 400a (Review by Adrian Corleonis)

piano 

DONIZETTI/LISZT: Spirto gentil de La Favorite, S. 400a (Review by Adrian Corleonis)

piano duo 

DONIZETTI/LISZT: Valse a Capriccio sur deux motifs de “Lucia et Parisina.“ (Review by Leslie Gerber)

piano 

DONIZETTI/LISZT: Valse à Capriccio sur deux motifs de Lucia et Parisina (Review by Susan Kagan)

piano 

FRANZ, ROBERT: Er ist gekommen, S. 488. Twelve Songs, S. 489 (Review by Peter J. Rabinowitz)

piano 

FRIEDMAN/GÄRTNER: Viennese Dance No. 2 (Review by Susan Kagan)

piano 

FRIEDMAN/GÄRTNER: Viennese Dance No. 2 (Review by Leslie Gerber)

piano 

GERSHWIN: Promenade (Review by Susan Kagan)

piano 

GERSHWIN: Promenade (Review by Leslie Gerber)

piano 

GLAZUNOV: Piano Sonatas (Review by John Bauman)

piano 

GLINKA-LISZT: Chernomor's march from Russian and Ludmila, S. 406 (Review by Adrian Corleonis)

piano 

GOLDSCHMIDT, ADALBERT: Die sieben Todsünden (Review by Peter J. Rabinowitz)

piano 

GOUNOD-LISZT: Les Sabéennes— Berceuse de La Reine de Saba, S. 407 (Review by Adrian Corleonis)

piano 

GOUNOD-LISZT: Les Sabéennes— Berceuse de La Reine de Saba, S. 407 (Review by Adrian Corleonis)

piano duo 

GRAINGER: Country Gardens. Molly on the Shore. Irish Tune from County Deny. Handel in the Strand. Mock Morris. Shepherd's Hey. Harvest Hymn. We Were Dreamers. Youthful Suite. Blithe Bells. Lincolnshire Posy. Walking Tune. The Man I Love (arrangement). Knight and Shepherd's Daughter. Children's March (Review by John Ditsky)

piano 

GRAINGER: The Sussex Mummer's Christmas Carol. Arrival Platform Humlet (for solo viola) (Review by William Zagorski)

piano 

GRIEG, EDVARD: Ich liebe Dich, Op. 41, No. 3 (Review by Susan Kagan)

piano 

GRIEG, EDVARD: ich liebe dich, Op. 41, No. 3 (Review by Leslie Gerber)

piano 

HERBECK-LISZT: Tanzmomente, S. 492. Tanzmomente No. 4 in A (alternative text), S. 492/4bis (Review by Adrian Corleonis)

piano 

HERZ: Album Leaf, for Marquise de Blocqueville (Review by Adrian Corleonis)

piano 

HUMMEL, JOHANN NEPOMUK: Septet, op. 74 (S. 493) (Review by Peter J. Rabinowitz)

piano 

LASSEN-LISZT: Löse, Himmel, meine Seele, S. 494 (two versions). Ich weil' in tiefer Einsamkeit, S. 495 (Review by Adrian Corleonis)

piano 

LASSEN-LISZT: Symphonic Intermezzo from Cal-deron's Above All Magic, Love, S. 497. From the Music for Hebbel's Nibelungen and Goethe's Faust, S. 496 (Review by Adrian Corleonis)

piano 

LESSMANN-LISZT: Drei Lieder aus Julius Wolffs “Tannhäuser,“ S. 498 (Review by Adrian Corleonis)

piano 

LISZT-FÁY/BIHARI: Two Hungarian Recruiting Dances (Review by Adrian Corleonis)

piano 

LISZT-THALBERG-PIXIS-HERZ-CZERNY-CHOPIN: Hexaméron—Grandes Variations de Bravoure pour Piano sur la Marche des Puritains de Bellini, S. 392 (Review by Adrian Corleonis)

piano 

LISZT: 2 Marches dans le genre hongrois, S 693 (ed. and compi. Howard) (Review by Peter J. Rabinowitz)

piano 

LISZT: Album of Princess Marie zu Sayn-Wittgenstein. Zigeuner-Epos, S 695b. Célèbre mélodie hongroise, S 243a. Troisième Année de pèlerinage (3 drafts). 3 Album-Leaves. O lieb, so lang du lieben kannst! (Review by Adrian Corleonis)

piano 

LISZT: Années de pèlerinage, Book II (Review by Peter J. Rabinowitz)

piano 

LISZT: Ballades (Review by Adrian Corleonis)

piano 

LISZT: Complete Music for Piano Solo, Vol. 56 (Review by Adrian Corleonis)

piano 

LISZT: Complete Music for Solo Piano, Vol. 50 (Review by Peter J. Rabinowitz)

piano 

LISZT: Complete Music for Solo Piano, Vol. 54 (Review by Peter J. Rabinowitz)

piano 

LISZT: Complete Music for Solo Piano, Volume 13 (Review by Peter J. Rabinowitz)

piano 

LISZT: Complete Music for Solo Piano, Volume 15 (Review by Peter J. Rabinowitz)

piano 

LISZT: Complete Music for Solo Piano, Volume 22 (Review by Peter J. Rabinowitz)

piano 

LISZT: Complete Music for Solo Piano, Volume 24 (Review by Peter J. Rabinowitz)

piano 

LISZT: Complete Music for Solo Piano, Volume 30 (Review by Peter J. Rabinowitz)

piano 

LISZT: Deux Mélodies russes (Arabesques), S. 250 (Review by Peter J. Rabinowitz)

piano 

LISZT: Excelsior!— Preludio [to the Bells of Strasburg Cathedral], S. 500. Die Zelle in Nonnenwerth (second version, with alternate text), S. 534bis. Consolations (first version), S. 171a. Geharnischte Lieder, S. 511. Rosario, S. 670 Schlummerlied im Grabe, S. 195a. Entwurf der Ramann—Elegie, S. 796a. Weimars Volkslied No. 2, S. 542a. National Hymne (Review by Peter J. Rabinowitz)

piano 

LISZT: Fantaisie romantique sur deux mélodies suisses, S. 157. Album d'un voyageur, S. 156 (Review by Adrian Corleonis)

piano 

LISZT: Fantasy on Themes from Figaro and Don Giovanni, S. 697 (ed. Howard). Ernani Paraphrase, S. 432. Miserere du Trovatore—Paraphrase, S. 433. Rigoletto Paraphrase, S. 434. Réminiscences de Boccanegra, S. 438. Valše de concert on Two Themes from Lucia and Parisina, S. 214/3. Réminiscences de Robert le Diable (Review by Peter J. Rabinowitz)

piano 

LISZT: Five Hungarian Folksongs, S. 245. Historical Hungarian Portraits, S. 205 (Review by Adrian Corleonis)

piano 

LISZT: Gaudeamus Igitur—Paraphrase. S. 240. Una Stella Amica—Valzer (after Pezzini), S 551. La marche pour le Sultan Abdul Médjid-Khan (after Giuseppe Donizetti), S. 403. Seconda Mazurka di Tirindelli, Variata da F. Liszt, S. 573a. Seconde Marche hongroise—Ungarischer Sturmmarsch (first version), S. 232. Nocturne (Impromptu, first version), S. 190a. Festmarsch zur Säkularfeier von Goethes Geburtstag (first version), S. 227. Le Rossignol—Mr russe (after Alyabiev) (first version), S. 250a. Galop russe (after Bulhakov) (first version), S. 478Ì. Lyubila ya (after Wielhorsky) (first version), S. 577Í. Gaudeamus Igitur— Humoreske, S. 509. Ballade No. 2 (first version) S. 170a (Review by Peter J. Rabinowitz)

piano 

LISZT: Grandes Études de Paganini, S 141 (1851) (Review by Adrian Corleonis)

piano 

LISZT: Grosse Concert-Phantasie über spanische Weisen, S 253. La Romanesca (first and second versions), S 252a and b. Rapsodie espagnole, S 254. Feuille morte—Elégie d'après Soriano, S 428. Rondeau fantastique sur un thème espagnole “El contrabandista,“ S 252 (Review by Peter J. Rabinowitz)

piano 

LISZT: Illustrations du Prophète (after Meyerbeer), S. 414 (Review by Adrian Corleonis)

piano 

LISZT: Illustrations du Prophète (after Meyerbeer), S. 414 (Review by Adrian Corleonis)

piano duo 

LISZT: L'Idée fixe (after Berlioz), S. 395 (Review by Peter J. Rabinowitz)

piano 

LISZT: Liebesträume, drei Notturnos, S. 541 (Review by Adrian Corleonis)

piano 

LISZT: Mazeppa, S 138 (intermediate version) (Review by Adrian Corleonis)

piano 

LISZT: Mephisto Waltzes, Nos. 1-4. Valses oubliées, Nos. 1-4. Bagatelle sans tonalité. Ländler in A. Album Leaf in Waltz Form. Valse-impromptu. Valse mélancolique. Valse de bravoure (Review by Adrian Corleonis)

piano 

LISZT: Mephisto Waltzes, Nos. 1-4. Valses oubliées, Nos. 1-4. Bagatelle sans tonalité. Ländler in A (Review by Adrian Corleonis)

piano 

LISZT: Music for Piano and Orchestra, Vol. 1 (Review by Adrian Corleonis)

piano 

LISZT: Music for Piano and Orchestra, Vol. 2 (Review by Adrian Corleonis)

piano 

LISZT: Pastora/e— Reaper's Chorus from Herder's Prometheus Bound, S. 508 (Review by Adrian Corleonis)

piano 

LISZT: Préludes et Harmonies poétiques et religieuses, S 171d. Concerto sans orchestre, S 524a. Album-Leaves (Review by Adrian Corleonis)

piano 

LISZT: Réminiscences de Don Juan (after Mozart), S. 418. Sarabande and Chaconne from Almira (after Handel), S. 181. Bénédiction et serment, deux motifs de Benvenuto Cellini (after Berlioz), S. 396. Illustrations de l'Africaine (after Meyerbeer), S. 415 (Review by Adrian Corleonis)

piano 

LISZT: San Francesco—Preludio per il Cantico del Sol, S. 499a. Cantico del Sol di San Francesco d'Assisi, S. 499. From the Cradle to the Grave, S. 512. O Sacrum convivium, S. 674a [two versions). Salve regina, S. 669, no. 1. Ave maris stella, S. 669, no. 2. Gebet, S. 265. Ora pro nobis—Litanei, S. 262. Resignazione, S. 187b (second version). Il m'aimait tant, S. 533. Romance (O pourquoi donc), S. 169. Ich liebe dich, S. 546a. Dle Zelle in Nonnenwerth, S. 543 (fourth version) (Review by Peter J. Rabinowitz)

piano 

LISZT: Scherzo and March, S. 177. Petite Valse favorite (second version), S. 212a. Mazurka brillante, S. 221. Grand Galop chromatique, S. 219. Galop in A Minor, S. 218. Festpolonaise, S. 230a. Csardas, S. 225, no. 1. Csárdás obstinée, S. 225, no. 2. Csárdás macabre, S. 224. Mephisto Polka, S. 217. Festvorspiel, S. 226. Heroischer Marsch im ungarischen Styl, S. 231. Ungarischer Sturmmarsch (second version), S. 524. Goethe-Festmarsch (second version), S. 521. Zweite Festmarsch nach Motiven von E.HZ.S-C-G, S. 522. Marche héroïque, S. 510. Huldigungsmarsch, S. 228. Ungarischer Marsch zur Krönungsfeier in Ofen-Pest, S. 523. Siegesmarsch, S. 233a. Ungarischer Geschwindmarsch, S. 233. Vom Fels zum Meer! S. 229. Bülow-Marsch, S. 230. Künstlerfestzug, S. 520. Rakoczi-Marsch nach der Orchesterbearbeitung, S. 244b, no. 1 (Review by Peter J. Rabinowitz)

piano 

LISZT: Schlaflos.—Frage und Antwort, S. 203. Nuages gris, S. 199. Recueillement, S. 204. Toccata, S. 197a. Resig-nazione, S. 187a. Wiegenlied, S. 198. Unstern!—Sinistre, S. 208. Carrousel de Madame P-N, S. 214a. Fünf Klavierstücke, S. 192 (Review by Adrian Corleonis)

piano 

LISZT: Schuberts Ungarische Melodien (second version), S. 425a. Marche Hongroise (Richault edition), S. 425/2ÌH. Marche Hongroise (“Troisième Édition“), S. 425/2v. Meerestille (first version), S. 557b. Frühlingsglaube (first version), S. 557c. Schwanengesang, S. 560. Ständchen (“Leise Flehen“) (fourth version), S. 56017a. Zwölf Lieder aus Winterreise, S. 561. Vier Geistliche Lieder, S. 562. Sechs Melodien von Franz Schubert, S. 563. Die Forelle (second version), S. 564. Six Mélodies favorites de la Belle Meunière, S. 565 (Review by Peter J. Rabinowitz)

piano 

LISZT: Soirées de Vienne, S. 427. Soirée de Vienne No. 6 (version for Sophie Menter), S. 427/6H. Mélodies hongroises d'après Franz Schubert, S. 425 (first version). Marche hongroise (Lucca Edition), S. 425/2H. Marche hongroise (version for Sophie Menter), S. 425/2iv. Franz Schuberts Marsche Für Das Pianoforte Übertragen, S. 426. Marche militaire, S. 426a. Die Rose (first version), S. 556i. Der Gondelfahrer, S. 559. Ave Maria (first version), S. 557d. Ständchen (“Leise Felhen“) (first version), S. 559a. Erlkönig (first version), S. 557a (Review by Peter J. Rabinowitz)

piano 

LISZT: Sonata In B minor, S. 178. Élégies (Review by Adrian Corleonis)

piano 

LISZT: Symphonic Poem No. 3 (Les Préludes), S. 51 la. Trois Études de concert, S. 144 (Review by Peter J. Rabinowitz)

piano 

LISZT: Szózat und Ungarischer Hymnus, S. 486. God Save the Queen, S. 235. Canzone napolttana, S. 248 (two versions). Ungarische Nationalmelodien, S. 243 (Review by Adrian Corleonis)

piano 

LISZT: Technische Studien, S 146 (Review by Adrian Corleonis)

piano 

LISZT: The Complete Music for Solo Piano, Vol. 45 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Vol. 46 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Vol. 46 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Vol. 52 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 10 (Review by Adrian Corleonis)

piano 

LISZT: The Complete Music for Solo Piano, Volume 11 (Review by Adrian Corleonis)

piano 

LISZT: The Complete Music for Solo Piano, Volume 12 (Review by Adrian Corleonis)

piano 

LISZT: The Complete Music for Solo Piano, Volume 16 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 23 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 25 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 27 (Review by Adrian Corleonis)

piano 

LISZT: The Complete Music for Solo Piano, Volume 28 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 31 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 32 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 35 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 37 (Review by Adrian Corleonis)

piano 

LISZT: The Complete Music for Solo Piano, Volume 40 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 41 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume 43 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Music for Solo Piano, Volume ft (Review by Adrian Corleonis)

piano 

LISZT: The Complete Music for Solo Piano—Volume 19 (Review by Adrian Corleonis)

piano 

LISZT: The Complete Piano Music, Volume 33 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Piano Music, Volume 34 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Piano Music, Volume 36 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Piano Music, Volume 38 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Piano Music, Volume 39 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Works for Solo Piano, Vol. 48 (Review by Adrian Corleonis)

piano 

LISZT: The Complete Works for Solo Piano, Vol. 57 (Review by Peter J. Rabinowitz)

piano 

LISZT: The Complete Works for Solo Piano, Volume 14 (Review by Adrian Corleonis)

piano 

LISZT: The Legend of St. Elisabeth, S. 2 (Review by Adrian Corleonis)

piano 

LISZT: Transcriptions (Review by Peter J. Rabinowitz)

piano 

LISZT: Twelve Songs, S. 558 (with later versions of six songs, S. 558bis). Müllerlleder, S. 565bis (second version). Die Nebensonnen (Albumblatt Version), S. 561/2a. Schwanengesang (alternative texts), S. 560bis. Die Gestirne (alternative text), S. 562/3bis. Meeresstille (first version, alternative text), S. 577b/bis. Meeresstille (second version, alternative text), S. 558/5bis. Die Forelle (first version, alternative text), S. 563/6bis. Die Rose (second version), S. 556H. Lob der Tränen, S. 567. Winterreise (Review by Peter J. Rabinowitz)

piano 

LISZT: Twelve Transcendental Études. Mariotte—Valse de Marie. Adagio in C. Élégie sur des motifs du Prince Louis Ferdinand de Prusse (Review by Neil Levenson)

piano 

LISZT: Un Portrait un musique de la Marquise de Blocqueville, S. 190 (Review by Adrian Corleonis)

piano 

LISZT: Ungarischer Romanzerò, S 241a (ed. and compi. Howard) (Review by Peter J. Rabinowitz)

piano 

LISZT: Valse Oubliée No. 4. Soirées de Vienne (Valse Caprices d'après Franz Schubert) (Review by Susan Kagan)

piano 

LISZT: Valse oubliée No. 4 (Review by Leslie Gerber)

piano 

LISZT: Variation on a Waltz by Diabelli, S. 147. Eight Variations, S. 148. Seven Brilliant Variations on a Theme by Rossini, S. 149. Impromptu brillant on Themes by Rossini and Spontini, S. 150. Allegro di bravura, S. 151. Rondo di bravura, S. 152. Étude en douze exercices, S. 136. Scherzo in G Minor, S. 153. Waltz in E♭, S. 209a. Galop de bal, S. 220. Marche hongroise, S. 233b. Klavierstück (aus der Bonn Beethoven-Kantate), S. 507. Klavierstück in D♭, S. 189b. Klavierstück in A♭, S. 189a. Gestorben war ich, S. 192a. Berceuse (first version), S. 174/1. Feuille d'album in E, S. 164. Feuille d'album in A Minor (Die Zelle in Nonnenwerth, third version), S. 167. Feuilles d'album, S. 165. Apparitions, S. 155 (Review by Adrian Corleonis)

piano 

LISZT: Waltzes (Review by Adrian Corleonis)

piano 

LISZT: Waltzes (Review by Adrian Corleonis)

piano 

LISZT: Weihnachtsbaum, S. 186. Weihnachtslied, S. 502. Via Crucis, S. 504a. Chorales, S. 504b (Review by Peter J. Rabinowitz)

piano 

LISZT: tenore, S. 346. Der traurige Mönch (The Sad Monk), S. 348. Helges Treue (Helge's toyalty), S. 686. A holt költó szerelme (The Dead Poet's Love), S. 349. Slyepoi (The Blind Man), S. 350 (Review by Peter J. Rabinowitz)

piano 

LISZT: À la Chapelle Sixtine (after Allegri and Mozart) (Review by Peter J. Rabinowitz)

piano 

LISZT: Élégie sur des motifs du Prince Louis Ferdinand de Prusse (first version), S. 168H. Die Gräberinsel der Fürsten zu Gotha (after Duke Ernst of Saxsen-Coburg-Gotha), S. 485b (Review by Adrian Corleonis)

piano 

LISZT: Études d’après Paganini, S 140 (Review by Adrian Corleonis)

piano 

LISZT: Études d’exécution transcendante d’après Paganini, S 140 (1838) (Review by Adrian Corleonis)

piano 

MENDELSSOHN-LISZT: Wedding March and Dance of the Elves from Shakespeare's A Midsummer Night's Dream, S. 410 (Review by Adrian Corleonis)

piano 

MENDELSSOHN, FELIX: Choruses, op. 50 (Review by Peter J. Rabinowitz)

piano 

MENDELSSOHN, FELIX: Seven Songs, S. 547 (Review by Peter J. Rabinowitz)

piano 

MENDELSSOHN, FELIX: Viola Sonata in c (Review by Robert Maxham)

piano 

MOERAN: Symphony in g (Review by Paul Ingram)

conductor 

MOSZKOWSKI: Chanson boheme de l'opéra “Carmen.“ fi. (Review by Susan Kagan)

piano 

MOZART-BUSONI: Don Giovanni (Review by Leslie Gerber)

piano 

MOZART: Ave Verum Corpus, S. 461a. Requiem, K. 626 (Review by Peter J. Rabinowitz)

piano 

MOZART, F. X.: Five Variations on a Theme from Méhul's “Joseph.“ (Review by Adrian Corleonis)

piano 

PLANTÉ: Album Leaf, for Marquise de Blocqueville (Review by Adrian Corleonis)

piano 

POULENC: Babar the Elephanť (Review by James H. North)

piano 

RACHMANINOFF: Nunc dimittis (Review by Peter Burwasser)

piano 

RACHMANINOFF: Nunc dimittis (Review by Steven E. Ritter)

piano 

RACHMANINOFF: Piano Sonatas (Review by Peter Burwasser)

piano 

RACHMANINOFF: Piano Sonatas (Review by Steven E. Ritter)

piano 

RACHMANINOFF: Romance in E♭ Op. 8, No. 2 (Review by Leslie Gerber)

piano 

RACHMANINOFF: Romance in E♭, Op. 8, No. 2 (Review by Susan Kagan)

piano 

REGER, MAX: Maria Wiegenlied (Review by Susan Kagan)

piano 

REGER, MAX: Maria Wiegenlied, Op. 76, No. 52 (Review by Leslie Gerber)

piano 

RIDOUT: Ferdinand the Bull. Nineteen poems, songs, and what-have-you, from various sources (Review by James H. North)

piano 

ROSSINI: Petite Caprice (Style Offenbach) (Review by Leslie Gerber)

piano 

ROSSINI: Petite Caprice (Review by Susan Kagan)

piano 

ROSSINI: Stabat Mater (Review by Peter J. Rabinowitz)

piano 

RUBINSTEIN, ANTON: Piano Quartets (Review by Daniel Morrison)

piano 

RUBINSTEIN, ANTON: Piano Sonatas (Review by Paul Turok)

piano 

RUBINSTEIN, ANTON: The Complete Piano Sonatas, Volume 1 (Review by David Johnson)

piano 

RUBINSTEIN, ANTON: The Complete Piano Sonatas, Volume 2 (Review by David Johnson)

piano 

RUBINSTEIN, ANTON: Two Songs, S. 554. Clara (Review by Peter J. Rabinowitz)

piano 

RUBINSTEIN, ANTON: Valse-Ca-price (Review by Leslie Gerber)

piano 

RUBINSTEIN, ANTON: Valse-Caprice (Review by Susan Kagan)

piano 

SAINT-SAËNS-LISZT: Danse Macabre, S. 555 (Review by Peter J. Rabinowitz)

piano 

SCHUBERT-LISZT: Soirée de Vienne No. 6 (Review by Leslie Gerber)

piano 

SCHUMANN: Märchenbilder (Review by Robert Maxham)

piano 

SCHUMANN: Seven Songs, S. 569, Nos. 1-7. Provençalisches Minnelied, S. 570. An die Sonnenschein und Rotes Röslein, S. 567. Frühlingsnacht, S. 568. Widmung, S. 566 (Review by Peter J. Rabinowitz)

piano 

SCHUMANN: Three Songs, S. 569, Nos. 8-10 (Review by Peter J. Rabinowitz)

piano 

SPOHR-LISZT: Die Rose—Romance aus Zemire und Azor, S. 571 (Review by Adrian Corleonis)

piano 

SPOHR-LISZT: Die Rose—Romance aus Zemire und Azor, S. 571 (Review by Adrian Corleonis)

piano duo 

TCHAIKOVSKY: The Three Piano Sonatas (Review by Michael Ullman)

piano 

VAUGHAN WILLIAMS: Romance (Review by William Zagorski)

piano 

VERDI-LISZT: Aida (Review by Adrian Corleonis)

piano 

VERDI: Requiem (Review by Peter J. Rabinowitz)

piano 

WAGNER-LISZT: Isoldens Liebestod, S. 447 (Review by Adrian Corleonis)

piano 

WAGNER-LISZT: Spinnerlied as Der fliegende Holländer, S. 440. Ballade aus Der fliegende Holländer, S. 441. Pilgerchor aus Tannhäuser, S. 443 (second version). O du, mein holder Abendstern aus Tannhäuser, S. 444. Walhall aus Der Ring des Nibelungen, S. 449. Feierlicher Marsch zum heiligen Gral aus Parsifal, S. 450 (Review by Adrian Corleonis)

piano 

WAGNER-LISZT: Spinnerlied as Der fliegende Holländer, S. 440. Ballade aus Der fliegende Holländer, S. 441. Pilgerchor aus Tannhäuser, S. 443 (second version). O du, mein holder Abendstern aus Tannhäuser, S. 444. Walhall aus Der Ring des Nibelungen, S. 449. Feierlicher Marsch zum heiligen Gral aus Parsifal, S. 450 (Review by Adrian Corleonis)

piano duo 

WAGNER: Albumblatt (Review by Susan Kagan)

piano 

WAGNER: Albumblatt (Review by Leslie Gerber)

piano 

WEBER-LISZT: Overture to der Freischütz, S. 575 (Review by Adrian Corleonis)

piano 

WEBER-LISZT: “Einsame bin ich, nicht alleine“ from La Preciosa, S. 453 (Review by Adrian Corleonis)

piano 

WEBER: Leyer und Schwert—Heroide (S. 452). Schlummerlied (S. 454) (Review by Peter J. Rabinowitz)

piano 

 

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