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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

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Performer: Peter Holman

HANDEL IN HAMBURG: Almira, HWV 1; Suite (reconstructed by Holman) (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Almira, HWV 1; Suite (reconstructed by Holman) (Review by David Johnson)

director 

HANDEL IN HAMBURG: Der beglückte Florindo/Die verwandelte Daphne, HWV 3/4 (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Der beglückte Florindo/Die verwandelte Daphne, HWV 3/4 (Review by David Johnson)

director 

HANDEL IN HAMBURG: Oboe Concerto in g, HWV 287 (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Oboe Concerto in g, HWV 287 (Review by David Johnson)

director 

HANDEL IN HAMBURG: Rodrigo, HWV 5 (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Rodrigo, HWV 5 (Review by David Johnson)

director 

HANDEL IN HAMBURG: Suite in g, HWV 453 (possibly from Nero, HWV 2; reconstructed by Holman) (Review by Bernard Jacobson)

director 

HANDEL IN HAMBURG: Suite in g, HWV 453 (possibly from Nero, HWV 2; reconstructed by Holman) (Review by David Johnson)

director 

AN ENGLISHMAN ABROAD- CONSORT MUSIC COMPOSED,...: (Review by Tom Moore)

director 

FAIREST ISLE: A New National Songbook (Catherine Bott) (Review by Ian Lace)

director 

HAYDN AND HIS ENGLISH FRIENDS: (Review by Craig Zeichner)

director 

VITAL SPARK OF HEAV'NLY FLAME: (Review by J. F. Weber)

conductor 

WHILE SHEPHERDS WATCHED: (Review by J. F. Weber)

director 

ANONYMOUS: Ballet des Baccanales (Review by Robert Maxham)

director 

ANONYMOUS: Ballet des Baccanales (Review by Robert Maxham)

harpsichord 

ANONYMOUS: Ballet du Roy pour sonner après (Review by Robert Maxham)

director 

ANONYMOUS: Ballet du Roy pour sonner après (Review by Robert Maxham)

harpsichord 

ANONYMOUS: Ballet (Review by Robert Maxham)

director 

ANONYMOUS: Ballet (Review by Robert Maxham)

harpsichord 

ANONYMOUS: Courante (Review by Robert Maxham)

director 

ANONYMOUS: Courante (Review by Robert Maxham)

harpsichord 

ANONYMOUS: Sonata in D “con concertino“ (Review by Edward Strickland)

director 

ANONYMOUS: Sonata in D.William (Review by J. F. Weber)

director 

ARNE, THOMAS: To fair Fidele's grassy tomb. When daisies pied and violets blue. When icicles hang on the wall. Honour, riches, marriage-blessing. Where the bee sucks, there lurk I (Review by Barry Brenesal)

conductor 

BACH, JOHANN CHRISTIAN: Concerted Symphony in E♭ for Clarinet and Orchestra (Review by Martin Anderson)

conductor 

BALTZAR, THOMAS: Pavan and Galliard in C (Review by Edward Strickland)

director 

BALTZAR, THOMAS: Pavane and Galliard in C (Review by J. F. Weber)

director 

BARRETT: Sonata in D (Review by Michael Ullman)

conductor 

BARRETT: Tunbridge Walks (Review by Brian Robins)

director 

BESARD, JEAN-BAPTISTE: Ballo del Gran Duca. Une jeune fillette. Bransles de Village (Review by Robert Maxham)

director 

BESARD, JEAN-BAPTISTE: Ballo del Gran Duca. Une jeune fillette. Bransles de Village (Review by Robert Maxham)

harpsichord 

BIBER, HEINRICH IGNAZ FRANZ VON: 12 Sonatas for Trumpets, Strings, Timpani, and Continuo (“Sonatae tam aris, quam aulis servientes“) (Review by Nils Anderson)

conductor 

BIBER, HEINRICH IGNAZ FRANZ VON: Sonatas (Review by Nils Anderson)

conductor 

BIBER, HEINRICH IGNAZ FRANZ VON: Twelve Sonatas for Trumpets, Strings, Timpani, and Continuo (Review by Michael Ullman)

director 

BLOW, JOHN: Chaconne a 4 in G (Review by Edward Strickland)

director 

BLOW, JOHN: Chaconne à 4 in G (Review by J. F. Weber)

director 

BLOW, JOHN: Mark how the lark and linnet sing (Review by Michael Ullman)

conductor 

BLOW, JOHN: The Glorious Day Is Come (Review by Elliott S. Hurwitt)

conductor 

BOEHM, GEORG: Ouverture a 5 in D (Review by George Chien)

director 

BOND, CAPEL: Concertos (Review by Robert Maxham)

director 

BOND, CAPEL: Six Concertos in Seven Parts (Review by Robert Maxham)

director 

BOYCE: Peleus and Thetis. Florizel and Perdita (Review by Tom Moore)

director 

BOYCE: Sonatas (Review by Robert Maxham)

director 

BOYCE: Trio Sonatas (Review by Robert Maxham)

director 

BOYCE: Trio Sonatas (Review by Bertil van Boer)

conductor 

BROOKS: Concerto No. 1 in D for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

BROOKS: Violin Concerto No. 1 (Review by Robert Maxham)

conductor 

BROOKS: Violin Concerto No. 1 (Review by Robert Maxham)

fortepiano 

CAMPION, FRANCOIS: Courante (Review by Robert Maxham)

director 

CAMPION, FRANCOIS: Courante (Review by Robert Maxham)

harpsichord 

CAROUBEL: Passamezze. Gaillarde. Gaillarde. Bransles. Bransle simple (Review by Robert Maxham)

director 

CAROUBEL: Passamezze. Gaillarde. Gaillarde. Bransles. Bransle simple (Review by Robert Maxham)

harpsichord 

CASTELLO, DARIO: Exultate Deo (Review by Brian Robins)

organ 

CAVALLI: Messa Concertata. Canzonas. O quam suavis est. O bone Jesu (Review by J. F. Weber)

director 

CAZZATI: Sonata à 4 ¡n g, “La sampiera.“ (Review by Brian Robins)

director 

CAZZATI: Sonata à 4 ¡n g, “La sampiera.“ (Review by Brian Robins)

organ 

CHILCOT, THOMAS: Pardon, goddess of the night. Orpheus with his lute. Hark, hark, the lark (Review by Barry Brenesal)

conductor 

CLARKE, JEREMIAH: Come, come along for a dance and a song (Review by Michael Ullman)

conductor 

CLARKE, JEREMIAH: Titus Andronicus (Review by Barry Brenesal)

conductor 

CORBETT, WILLIAM: Suite in D (Review by Michael Ullman)

conductor 

CORBETT, WILLIAM: Suite in D (Review by Brian Robins)

director 

COURTEVILLE, RAPHAEL: Creep Softly, Purling Streams (Review by James A. Altena)

conductor 

CROFT: For Rural and Sincere Joys (Review by James A. Altena)

conductor 

CROFT: Overture in D (Review by Michael Ullman)

conductor 

CROFT: Overture in D (Review by Brian Robins)

director 

CROFT: The Twin Rivals (Review by J. F. Weber)

director 

CROFT: The Twin Rivals (Review by Edward Strickland)

director 

DIBDIN: The Ephesian Matron. The Brickdust Man. The Grenadier (Review by John Bauman)

conductor 

DOWLAND, JOHN: Courante (Review by Robert Maxham)

director 

DOWLAND, JOHN: Courante (Review by Robert Maxham)

harpsichord 

DOWLAND, JOHN: Lachrimae (Review by J. F. Weber)

director 

DOWLAND, JOHN: Lachrimae, or 7 Teares (Review by J. F. Weber)

director 

DRAGHI: From Harmony, from Heav'nly Harmony (Review by Elliott S. Hurwitt)

conductor 

DRAGHI: Where Art Thou, God of Dreams? Trio Sonata in g (Review by James A. Altena)

conductor 

ECCLES, JOHN: Can life be a blessing? (Review by Barry Brenesal)

conductor 

ECCLES, JOHN: Suite (Review by Michael Ullman)

conductor 

ECCLES, JOHN: Suite “made for the Queens Coronation.“ (Review by Brian Robins)

director 

ECCLES, JOHN: Symphony for Mercury from “The Judgment of Paris.“ (Review by Edward Strickland)

director 

ECCLES, JOHN: The Judgment of Paris (Review by J. F. Weber)

director 

FERRABOSCO II, ALFONSO: Pavan in C. Alman in C (Five-part Violin Band) (Review by Robert Maxham)

director 

FESCH, WILLEM DE: All fancy sick (Review by Barry Brenesal)

conductor 

FINGER, GOTTFRIED: 3 Sonatas in C (Review by Michael Ullman)

conductor 

FINGER, GOTTFRIED: Sonata in C for Trumpet, Violin, Oboe, Bass Violin, and Harpsichord. Sonata in C for Trumpet, Violin, Bass Violin, and Organ. Sonata in C for Trumpet, Oboe, Bass Violin, and Organ (Review by Brian Robins)

director 

FINGER, GOTTFRIED: Sonata in C (Review by Michael Ullman)

conductor 

FINGER, GOTTFRIED: Suite in G Minor (“Farewell“) (Review by Michael Ullman)

conductor 

FISCHER, JOHANN CASPAR FERDINAND: Ouverture a 5 in G Minor (Review by George Chien)

director 

FISCHER, JOHANN CHRISTIAN: Ouverture a 5 in G Minor (Review by Tom Moore)

director 

GIBBONS, ORLANDO: Fantasias “for the Great Double Bass“ (Review by Tom Moore)

director 

GRANDI, ALESSANDRO: Amo Christum. Ave maris Stella (Review by Brian Robins)

organ 

GREENE: Orpheus with his lute (Review by Barry Brenesal)

conductor 

GROSSI: Sonata à 5 in D, op. 3/10. JACCHI-Nl (Review by Brian Robins)

director 

GROSSI: Sonata à 5 in D, op. 3/10. JACCHI-Nl (Review by Brian Robins)

organ 

HALL, HENRY: Yes, my Aminta, 'tis too true (Review by Michael Ullman)

conductor 

HANDEL, GEORGE FRIDERIC: Venus and Adonis (Review by James A. Altena)

conductor 

HAYDN, FRANZ JOSEPH: 6 English Psalms (Review by Bernard Jacobson)

director 

HAYDN, FRANZ JOSEPH: Give to God our thankful songs (arr. by William Gardiner of Poco adagio from String Quartet in C, op. 76/3) (Review by Bernard Jacobson)

director 

HAYDN, FRANZ JOSEPH: String Quartet in C, op. 76/3 (Review by Bernard Jacobson)

director 

HAYDN, FRANZ JOSEPH: What art expresses (Review by Bernard Jacobson)

director 

HAYM: Have Mercy Upon Me, O God (Review by James A. Altena)

conductor 

HOOK, JAMES: Concerto in E♭ for Clarinet and Orchestra (Review by Martin Anderson)

conductor 

JENKINS, JOHN: Fantasia Suites for Three Violins, Bass Viol, and Continuo (Review by Tom Moore)

director 

JENKINS, JOHN: Late Consort Music (Review by Tom Moore)

director 

JOHNSON, ROBERT: The Prince's Alman. The Prince's Coranto. Air in G Minor (Five-part Violin Band, Two Lutes, Theorbo, Harpsichord). Fantasia in G Minor for Three Trebles (Three Violins). The Temporiser. The Witty Wanton (Two Violins, Viola, Bass Violin, Lute, Theorbo, Harpsichord) (Review by Robert Maxham)

director 

KELLER, GODFREY: Sonata No. 1 in D. Nicola (Review by J. F. Weber)

director 

KELLER, GOTTFRIED: Sonata No. 1 (Review by Edward Strickland)

director 

LAMPE: Pyramus and Thisbe. Concerto in G for Flute and Strings (Review by David Johnson)

conductor 

LAWES, WILLIAM: Alman in D for the Violins of Two Trebles (Two Violins, Two Violas, Bass Violin, Lute, Theorbo, Harpsichord). Air in C Minor. Air in C Minor. Air in C. Air in C (Two Violins, Bass Viol, Three Theorbos) (Review by Robert Maxham)

director 

LAZZARI: Sonata à 6 in D. (Review by Brian Robins)

director 

LAZZARI: Sonata à 6 in D. (Review by Brian Robins)

organ 

LEGRENZI: O mirandum mysterium (Review by Brian Robins)

organ 

LEGRENZI: Sonata in E, op. 10/17 (Review by Brian Robins)

director 

LEGRENZI: Sonata in E, op. 10/17 (Review by Brian Robins)

organ 

LEGRENZI: Sonata in G "La Pezzoli" (Review by Brian Robins)

organ 

LEVERIDGE: When daisies pied and violets blue (Review by Barry Brenesal)

conductor 

LINEY: Concerto in F for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

LINLEY JR, THOMAS: The Song of Moses. Let God Arise (Review by David Johnson)

conductor 

LINLEY JR, THOMAS: The Song of Moses. Let God Arise (Review by Patrick Rucker)

conductor 

LINLEY JR, THOMAS: Violin Concerto in F (Review by Robert Maxham)

conductor 

LINLEY JR, THOMAS: Violin Concerto in F (Review by Robert Maxham)

fortepiano 

LOCKE, MATTHEW: The Broken Consort, Part I (1661 ). Duos for Two Bass Viols (1652). Fantasia and Corant in D Minor (1665) (Review by Robert Maxham)

chamber organ 

LUPO: Fantasy-Airs a 3, Nos. 16, 17, 20. Fantasy-Airs a 4, Nos. 4-7, 9, 11-12 (Review by Tom Moore)

director 

MAHON: Concerto No. 2 in F for Clarinet and Orchestra. Duets for Two Clarinets and Orchestra (Review by Martin Anderson)

conductor 

MARINI: Jesus dulcis memoria (Review by Brian Robins)

organ 

MARINI: Sonata "per sonore con due corde." F. M (Review by Brian Robins)

organ 

MATTEIS: Divisions on a Ground in D minor (Review by J. F. Weber)

director 

MATTEIS: Divisions on a Ground in D minor (Review by Edward Strickland)

director 

MATTEIS: Suite in d (Review by James A. Altena)

conductor 

MELANI, ALESSANDRO: Sonata à S in C. (Review by Brian Robins)

director 

MELANI, ALESSANDRO: Sonata à S in C. (Review by Brian Robins)

organ 

MONTEVERDI: Pianta della Madonna (Review by Brian Robins)

organ 

MONTEVERDI: Sacred Vocal Music (Review by J. F. Weber)

director 

MONTEVERDI: Sacred vocal music (Review by J. F. Weber)

conductor 

MONTEVERDI: Su le penne de' venti. Confìtebor tibi. Iste confessor. Laudate Dominum. Confìtebor tibi. Confìtebor tibi. Ab aeterno ordinata sum. Nisi Dominus. Deus tuorum militum (Review by J. F. Weber)

conductor 

MONTEVERDI: Su le penne. Confitebor II. Iste confessor II. Laudate Dominum IV. Confitebor V. Confitebor III alla francese. Ab aeterno. Nisi Dominus I. Deus tuorum militum II (Review by J. F. Weber)

director 

MORGAN: Mr. Henry Purcell's Farewell Tune (Review by Michael Ullman)

conductor 

MUFFAT: Armonico Tributo (Salzburg 1682) (Review by William Zagorski)

director 

MUFFAT: Armonico Tributo (Review by George Chien)

harpsichord 

MUFFAT: Armonico Tributo (Review by George Chien)

organ 

MUFFAT: Armonico tributo (Review by Edward Strickland)

harpsichord 

MUFFAT: Armonico tributo (Review by Edward Strickland)

organ 

NAU: Suite in F. Ballet in F (Five-part Violin Band). Pavan in D Minor. Galliard in O Minor. (Five-part Violin Band, Two Lutes, Theorbo, Harpsichord) (Review by Robert Maxham)

director 

NOTARI: Variations on the Ruggiero (Violin, Lute, Theorbo, Harpsichord) (Review by Robert Maxham)

director 

PAISIBLE: Sonata in D (Review by Michael Ullman)

conductor 

PAISIBLE: Sonata in D (Review by Brian Robins)

director 

PEPUSCH: Sonata in D, “Smallcoal” (Review by James A. Altena)

conductor 

PRAETORIUS, MICHAEL: 3 Courantes (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: 3 Courantes (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: Ballet des Feus. Ballet des Matelotz. Ballet des Coqs (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: Ballet des Feus. Ballet des Matelotz. Ballet des Coqs (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: Bransles de Villages (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: Bransles de Villages (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: Dances from Terpsichore (1612) (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: Dances from Terpsichore (1612) (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: La Bourrée. La Sarabande. La Canarie (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: La Bourrée. La Sarabande. La Canarie (Review by Robert Maxham)

harpsichord 

PRAETORIUS, MICHAEL: Pavane de Spaigne. Spagnoletta (Review by Robert Maxham)

director 

PRAETORIUS, MICHAEL: Pavane de Spaigne. Spagnoletta (Review by Robert Maxham)

harpsichord 

PURCELL: Abdelazar (Review by Edward Strickland)

director 

PURCELL: Ayres for the Theatre. Chacony in G minor (Review by Edward Strickland)

director 

PURCELL: Ayres for the Theatre. Chacony in G minor (Review by Edward Strickland)

director 

PURCELL: Cibell in C, Z. 678 (Review by J. F. Weber)

director 

PURCELL: Cibell in C, Z678 (Review by Edward Strickland)

director 

PURCELL: Dear pretty youth (Review by Barry Brenesal)

conductor 

PURCELL: Hark how the wild musicians sing (Symphony Songs) (Review by Eric Van Tassel)

director 

PURCELL: Hark, Damon, hark, Z. 541. Hark, how the wild musicians sing, Z. 542. How pleasant is this flowery plain and grove, Z. 543. If ever I more riches did desire, Z. 544. We reap all the pleasures, Z. 547. Oh! What a scene does entertain my sight, Z. 506. See where she sits, Z. 506. Soft notes and gently raised, Z. 510. Four Pavans, Z. 751-54 (Review by Eric Van Tassel)

director 

PURCELL: King Arthur (Review by Michael Ullman)

conductor 

PURCELL: Suites from Abdelazar, The Gordian Knot Unty'd, Bonduca, and The Virtuous Wife. Timon of Athens. Overture and Certain Tune (Review by Edward Strickland)

director 

PURCELL: Tell Me, Some Pitying Angel (Review by James A. Altena)

conductor 

PURCELL: The Indian Queen (Review by Brian Robins)

director 

PURCELL: The Indian Queen (Review by Michael Ullman)

conductor 

PURCELL: The Yorkshire Feast Song (Review by Michael Ullman)

conductor 

RIGATTI: Cum invocarum. Nunc dimittis (Review by Brian Robins)

organ 

ROSENMÜLLER: Ascendit Christus in altum (Review by Brian Robins)

organ 

ROSENMÜLLER: Sonata da Camera a 5 in D (Review by George Chien)

director 

ROSENMÜLLER: Sonata da Camera a 5 in D (Review by Tom Moore)

director 

ROVETTA: Salve Regina (Review by Brian Robins)

organ 

SCARLATTI, A.: Sonata à 4 in f (Review by Brian Robins)

director 

SCARLATTI, A.: Sonata à 4 in f (Review by Brian Robins)

organ 

SCHMELZER, JOHANN HEINRICH: Sonata a 5 in G (Review by George Chien)

director 

SCHMELZER, JOHANN HEINRICH: Sonata a 5 in G. BÖHM (reconstructed by Peter Holman) (Review by Tom Moore)

director 

SHAW: Concerto in G for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

SHAW: Violin Concerto in G (Review by Robert Maxham)

conductor 

SHAW: Violin Concerto in G (Review by Robert Maxham)

fortepiano 

SMITH, JOHN CHRISTOPHER: You spotted snakes. Full fathom five (Review by Barry Brenesal)

conductor 

STRADELLA: Sinfonia in D (from “La barcheggio“). (Review by Brian Robins)

director 

STRADELLA: Sinfonia in D (from “La barcheggio“). (Review by Brian Robins)

organ 

TELEMANN, GEORG PHILIPP: Ouverture a 4 in C (Review by George Chien)

director 

TELEMANN, GEORG PHILIPP: Ouverture a 4 in C (Review by Tom Moore)

director 

TELEMANN, GEORG PHILIPP: Sulte In A Minor for Recorder, Strings, and Continuo. Concertos for Recorder, Strings, and Continuo (Review by Tom Moore)

director 

TORELLI: Sonata à 5 in D. (Review by Brian Robins)

director 

TORELLI: Sonata à 5 in D. (Review by Brian Robins)

organ 

VALLET: 2 Ballets (Review by Robert Maxham)

director 

VALLET: 2 Ballets (Review by Robert Maxham)

harpsichord 

VALLET: Est ce Mars. Courante de Mars (Review by Robert Maxham)

director 

VALLET: Est ce Mars. Courante de Mars (Review by Robert Maxham)

harpsichord 

VALLET: Gaillarde (Review by Robert Maxham)

director 

VALLET: Gaillarde (Review by Robert Maxham)

harpsichord 

VALLET: Un jour de la semaine. Allons aux noces (Review by Robert Maxham)

director 

VALLET: Un jour de la semaine. Allons aux noces (Review by Robert Maxham)

harpsichord 

VITALI: Sonata in a, “La sassatelli,“ op. 5/10 (Review by Brian Robins)

director 

VITALI: Sonata in a, “La sassatelli,“ op. 5/10 (Review by Brian Robins)

organ 

VIVALDI, ANTONIO: Concerto in C, RV 537 (Review by Brian Robins)

director 

VIVALDI, ANTONIO: Concerto in C, RV 537 (Review by Brian Robins)

organ 

VIVALDI, ANTONIO: Concertos (Review by Nils Anderson)

conductor 

WEBSTER: Alman in D Minor. Galliard in B♭ after Bocquet. Echo No. 1 in D Minor. Echo No. 2 in G (Two Violins, Bass Viol, Three Theorbos) (Review by Robert Maxham)

director 

WELDON: Suite in d (Review by James A. Altena)

conductor 

WELDON: Take, O take those lips away. Dry those eyes which are o'er-flowing (Review by Barry Brenesal)

conductor 

WESLEY, SAMUEL: Concerto No. 2 in D for Violin and Orchestra (Review by Robert Maxham)

fortepiano 

WESLEY, SAMUEL: Violin Concerto No. 2 (Review by Robert Maxham)

conductor 

WESLEY, SAMUEL: Violin Concerto No. 2 (Review by Robert Maxham)

fortepiano 

WOODCOCK, ROBERT: Concerto No. 9 in e (Review by Barry Brenesal)

conductor 

 

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