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Performer: Camilla Hoitenga

DUSMAN: Dindirindin (Review by Mike Silverton)

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FULLER, WESLEY: The Camargo Trio, for Piano, Percussion, and Computer (Review by Mike Silverton)

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GILBERT, PETER: Channeling the Waters (Review by Marc Medwin)

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GILBERT, PETER: Channeling the Waters (Review by Colin Clarke)

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GILBERT, PETER: the palm of your hand touches my body (Review by Marc Medwin)

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GILBERT, PETER: the palm of your hand touches my body (Review by Colin Clarke)

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KARPEN, RICHARD: Terra Infirma, for Computer-Realized Tape (Review by Mike Silverton)

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LEBARON, ANNE: Pope Joan. Transfiguration (Review by Robert Carl)

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MALCYS: Flute Concerto, “Vox Clamantis in Deserto” (Review by Radu A. Lelutiu)

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MALCYS: Milky Way. Vox Clamantis in Deserto (Review by Colin Clarke)

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NELSON, JON CHRISTOPHER: Waves of Refraction, for Guitar and Tape (Review by Mike Silverton)

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RISSET, JEAN-CLAUDE: Eight Sketches (Review by Mike Silverton)

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SAARIAHO: Jardin secret I. Laconisme de l’aile.. (Review by Robert Carl)

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SAARIAHO: L'Aile du songea Laconisme de l'aile.' 6 Poems by St. John Perse (English; French) (Review by John Story)

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SAARIAHO: L'Aile du songea Laconisme de l'aile.' 6 Poems by St. John Perse (English; French) (Review by John Story)

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SAARIAHO: NoaNoa (Review by Robert Carl)

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SAARIAHO: NoaNoa (Review by Robert Carl)

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SAARIAHO: NoaNoa, for Flute and Electronics (Review by Mike Silverton)

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SAARIAHO: Verblendungen. Jardin secret I. Laconisme de l'aile. . . . sah den Vögeln (Review by Kyle Gann)

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