Fanfare Magazine Home Page

IssuesConductorsPerformersEnsembles and OrchestrasInstrumentalistsInstruments

SingersVoicesVocal RolesSACDsReviewersLabels

Archive Home

Feature ArticlesComposersCollectionsJazzVideoBollywoodBook ReviewsThe Want ListsThe Hall of Fame

All Performers

a

b

c

d

e

f

g

h

i

j

k

l

m

n

o

p

q

r

s

t

u

v

w

x

 

y

z

 

         

Fanfare Archive Subscriber-Only Features

 Listen to Audio & Video 

Anthony Newman: Works for Organ

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Antonello: Collected Works

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

Serafin String Quartet: Selected Works

The Crossing: Selected Works

Thomas Murray: Symphonic Masterworks of Grieg & Franck

Varda Kotler: YouTube Channel


Fanfare Archive Advertisers

Buy & Sell Classical CDs at Princeton Record Exchange

Performer: Christopher Hogwood

HAYDN’S MUSIC FOR ENGLAND: A Pastoral Song / The Mermaid’s Song. Lord Cathcart’s Welcome and Home. “London” Trio III, Hob. IV (Review by James H. North)

conductor 

HAYDN’S MUSIC FOR ENGLAND: A Pastoral Song / The Mermaid’s Song. Lord Cathcart’s Welcome and Home. “London” Trio III, Hob. IV (Review by James H. North)

fortepiano 

BARBARA BONNEY SINGS MOZART: Arias and ensembles from (Review by Walter Simmons)

conductor 

HAYDN’S MUSIC FOR ENGLAND: CD1 (Review by James H. North)

conductor 

HAYDN’S MUSIC FOR ENGLAND: CD1 (Review by James H. North)

fortepiano 

HAYDN’S MUSIC FOR ENGLAND: CD2 (Review by James H. North)

conductor 

HAYDN’S MUSIC FOR ENGLAND: CD2 (Review by James H. North)

fortepiano 

HAYDN’S MUSIC FOR ENGLAND: English Canzonetta (Review by James H. North)

conductor 

HAYDN’S MUSIC FOR ENGLAND: English Canzonetta (Review by James H. North)

fortepiano 

HAYDN’S MUSIC FOR ENGLAND: String Quartet in E♭, op. 71/3 (Review by James H. North)

conductor 

HAYDN’S MUSIC FOR ENGLAND: String Quartet in E♭, op. 71/3 (Review by James H. North)

fortepiano 

HAYDN’S MUSIC FOR ENGLAND: Symphony No. 94 in G, “Surprise” (arr. Salomon) (Review by James H. North)

conductor 

HAYDN’S MUSIC FOR ENGLAND: Symphony No. 94 in G, “Surprise” (arr. Salomon) (Review by James H. North)

fortepiano 

ALBINON112 Concertos, op. 9: (Review by Robert Maxham)

director 

AN EVENING WITH THE ROYAL OPERA: (Review by Lynn René Bayley)

soprano 

DAVID MUNROW INTRODUCES AND PERFORMS MEDIAEVAL...: (Review by Edward Strickland)

keyboard 

FITZWILLIAM VIRGINAL BOOK: (Review by Bertil van Boer)

keyboard 

HAYDN, FRANZ JOSEPH: Symphonies Nos. A, B, 1–25, 27–34,... (Christopher Hogwood) (Review by James A. Altena)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies Nos. A, B, 1–25, 27–34,... (Christopher Hogwood) (Review by James A. Altena)

fortepiano 

HOLST, GUSTAV: The Planets... (Bernard Herrmann) (Review by Richard A. Kaplan)

conductor 

MEDIAEVAL AND RENAISSANCE SOUNDS, Volume One: (Review by Edward Strickland)

harpsichord 

MEDIAEVAL AND RENAISSANCE SOUNDS, Volume One: (Review by Edward Strickland)

regal 

MUSIQUE POUR LA CHAMBER DU ROY: Music at Versailles... (Christopher Hogwood) (Review by Bertil van Boer)

conductor 

PORTRAIT OF EMMA KIRKBY: (Review by J. F. Weber)

director 

THE FITZWILLIAM VIRGINAL BOOK (selections): (Review by Edward Strickland)

harpsichord 

THE FITZWILLIAM VIRGINAL BOOK (selections): (Review by Edward Strickland)

organ 

THE FITZWILLIAM VIRGINAL BOOK (selections): (Review by Edward Strickland)

spinet 

THE FITZWILLIAM VIRGINAL BOOK (selections): (Review by Edward Strickland)

virginal 

ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland)

chamber organ 

ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland)

conductor 

ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland)

fortepiano 

ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland)

harpsichord 

ANONYMOUS: Gaillard “La Royne d'Ecosse.“ The Queen of Bohemia's Dumpe. The Queen's Jigge (Review by Edward Strickland)

virginal 

ARNE, THOMAS: Keyboard Sonatas (Review by Bertil van Boer)

harpsichord 

ARNE, THOMAS: Rosamond (Review by Ralph V. Lucano)

conductor 

ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland)

clavichord 

ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland)

fortepiano 

ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland)

harpsichord 

ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland)

organ 

ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland)

spinet 

ARNE, THOMAS: Sonata No. 3 in G. Sonata No. 6 in G Minor (Review by Edward Strickland)

virginal 

BACH, CARL PHILIPP EMANUEL: Eight Symphonies, Wq. 174, 176, 182, nos. 1-6 (Review by John Bauman)

conductor 

BACH, CARL PHILIPP EMANUEL: Eight Symphonies, Wq. 182, Nos. 1-6; Wq. 174; and Wq. 176 (Review by William H. Youngren)

director 

BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland)

clavichord 

BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland)

fortepiano 

BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland)

harpsichord 

BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland)

organ 

BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland)

spinet 

BACH, CARL PHILIPP EMANUEL: Fantasy in C. Sonata No. 2 (from Versuch über die wahre Art das Clavier zu spielen) (Review by Edward Strickland)

virginal 

BACH, CARL PHILIPP EMANUEL: Flute Quartets in a and D, Wq 93–94. Nicholas McGegan (fl); Catherine Mackintosh (vn); Anthony Pleeth (vc) (Review by James A. Altena)

fortepiano 

BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson)

clavichord 

BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson)

harpsichord 

BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson)

square piano 

BACH, CARL PHILIPP EMANUEL: Prussian Sonata in C, Wq 48 No. 5 (Review by James A. Altena)

harpsichord 

BACH, CARL PHILIPP EMANUEL: Quartets for Flute, Viola, Cello and Piano (Review by William H. Youngren)

fortepiano 

BACH, CARL PHILIPP EMANUEL: Sinfonias in C and D, Wq 174, 176 (Review by James A. Altena)

conductor 

BACH, CARL PHILIPP EMANUEL: Sinfonias in G, B♭, C, A, b, E, Wq 182 Nos. 1–6 (Review by James A. Altena)

conductor 

BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland)

chamber organ 

BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland)

conductor 

BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland)

fortepiano 

BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland)

harpsichord 

BACH, CARL PHILIPP EMANUEL: Sonata V in C (Review by Edward Strickland)

virginal 

BACH, CARL PHILIPP EMANUEL: Sonatas and Sonatinas from “Essay on the True Art of Playing Keyboard Instruments“ (Review by William H. Youngren)

clavichord 

BACH, CARL PHILIPP EMANUEL: Sonatas in C, D, A, b, E♭, f, Wq 63 Nos. 1–6 (Review by James A. Altena)

clavichord 

BACH, CARL PHILIPP EMANUEL: Sonatine nuove in G, E, D, B♭, F, d, Wq 63 Nos. 7–12 (Review by James A. Altena)

clavichord 

BACH, CARL PHILIPP EMANUEL: Trio in E for 2 Flutes and Continuo, Wq 162. Nicholas McGegan (fl); Catherine Mackintosh (vn); Anthony Pleeth (vc) (Review by James A. Altena)

harpsichord 

BACH, CARL PHILIPP EMANUEL: Trio in E (Review by Royal S. Brown)

harpsichord 

BACH, JOHANN CHRISTIAN: 4 Flute Sonatas, op. 18 (Review by James A. Altena)

fortepiano 

BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson)

clavichord 

BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson)

harpsichord 

BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson)

square piano 

BACH, JOHANN CHRISTIAN: Nicholas McGegan (fl) (Review by James A. Altena)

fortepiano 

BACH, JOHANN CHRISTIAN: Overtures in D, D, D, C, G, D for 2 Oboes/Flutes, 2 Horns, Strings, and Continuo (Review by James A. Altena)

conductor 

BACH, JOHANN CHRISTIAN: Stephen Preston, Nicholas McGegan (fl); Clare Shanks, Sophia McKenna (ob); Alan Civil, Shirley Hopkins (hn); Hansjurg Lange, Jeremy Ward (bsn) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: (4) Trio Sonatas (Review by Michael Ullman)

harpsichord 

BACH, JOHANN SEBASTIAN: (4) Trio Sonatas (Review by Michael Ullman)

organ 

BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland)

chamber organ 

BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland)

conductor 

BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland)

fortepiano 

BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland)

harpsichord 

BACH, JOHANN SEBASTIAN: A Musical Offering (Review by Edward Strickland)

virginal 

BACH, JOHANN SEBASTIAN: Allemande, BWV 819a (Review by James A. Altena)

harpsichord 

BACH, JOHANN SEBASTIAN: Bist du bei mir, BWV 508 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Brandenburg Concertos Nos. 1–3 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Brandenburg Concertos Nos. 4–6 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Brandenburg Concertos (Review by Edward Strickland)

harpsichord 

BACH, JOHANN SEBASTIAN: Cantatas, BWV 82, 210. Emma Kirkby (sop) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by Edward Strickland)

director 

BACH, JOHANN SEBASTIAN: Christmas Oratorio, BWV 248 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Chromatic Fantasia and Fugue, BWV 903a (Rust version). Adagio in G, BWV 968. Fugue in g, BWV 1000. Allemande in g, BWV 836. Menuet 1, BWV 841. Menuet 3, BWV 843. Partite diverse sopra il Corale, “O Gott, du frommer Gott,“ BWV 767. Partita in a (after BWV 1004, arr. Mortensen) (Review by Jerry Dubins)

clavichord 

BACH, JOHANN SEBASTIAN: Coffee Cantata, BWV 211 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concerto for 2 Harpsichords, BWV 1060, 1062 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concerto for 2 Harpsichords, BWV 1061a (Review by James A. Altena)

harpsichord 

BACH, JOHANN SEBASTIAN: Concerto for 2 Violins, BWV 1043. Jaap Schröder, Christopher Hirons, Catherine Mackintosh (vn); Stephen Hammer (ob); Christophe Rousset, Christopher Hogwood (hpd) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concerto for 3 Violins (arr. Hogwood); BWV 1063 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concerto for 4 Harpsichords, BWV 1065. Christopher Hirons, Monica Huggett, Catherine Mackintosh (vn); Christophe Rousset, Davitt Moroney, Colin Tilney, Christopher Hogwood (hpd) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concerto for Flute, Violin, and Harpsichord, BWV 1044 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concerto for Harpsichord and 2 Recorders, BWV 1057 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concerto for Violin and Oboe, BWV 1060R (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson)

clavichord 

BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson)

harpsichord 

BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson)

square piano 

BACH, JOHANN SEBASTIAN: Concertos for 3 Harpsichords, BWV 1063, 1064 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Concertos for Harpsichord and Strings“ (Review by Brian Robins)

conductor 

BACH, JOHANN SEBASTIAN: Concertos for Three Harpsichords, Strings, and Continuo (Review by Heuwell Tircuit)

harpsichord 

BACH, JOHANN SEBASTIAN: Concertos for Violin, Strings, and Continuo (Review by Edward Strickland)

director 

BACH, JOHANN SEBASTIAN: Concertos for Violin, Strings, and Continuo (Review by George Chien)

director 

BACH, JOHANN SEBASTIAN: Concertos (Review by George Chien)

harpsichord 

BACH, JOHANN SEBASTIAN: Double Concertos (Review by George Chien)

harpsichord 

BACH, JOHANN SEBASTIAN: French Suites Nos. 1 and 2, BWV 812–813 (Review by James A. Altena)

harpsichord 

BACH, JOHANN SEBASTIAN: French Suites Nos. 4–6, BWV 814–817 (Review by James A. Altena)

harpsichord 

BACH, JOHANN SEBASTIAN: French Suites, BWV 812-17. Suites (Review by Edward Strickland)

harpsichord 

BACH, JOHANN SEBASTIAN: Fugue in B Minor on a Theme of Corelli, BWV 579 (arr. Hogwood) (Review by Richard Burke)

conductor 

BACH, JOHANN SEBASTIAN: Fugue in b, BWV 579. St Paul Ch O (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Gedenke doch, mein Geist zurücke, BWV 509 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Harpsichord Concertos, BWV 1052, 1054, 1056. Christophe Rousset (hpd) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Harpsichord Concertos, BWV 1053, 1055, 1058. Christophe Rousset (hpd) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Jaap Schröder (vn) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Musical Offering, BWV 1079 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Orchestral Suites Nos. 1 and 3, BWV 1066, 1068 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Orchestral Suites Nos. 2 and 4, BWV 1067, 1069 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Overtures (Orchestral Suites), BWV 1066-1069 (Review by George Chien)

director 

BACH, JOHANN SEBASTIAN: Peasant Cantata, BWV 212. Emma Kirkby (sop) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Simon Standage (vn); Rachel Brown (fl); Christophe Rousset (hpd) (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Sinfonia in F, BWV 1046a. Concertos (Review by Edward Strickland)

harpsichord 

BACH, JOHANN SEBASTIAN: Suite in E♭, BWV 819 (Review by James A. Altena)

harpsichord 

BACH, JOHANN SEBASTIAN: The Art of Fugue (Review by James A. Altena)

harpsichord 

BACH, JOHANN SEBASTIAN: Trio Sonata in G, BWV 1039 (Review by Royal S. Brown)

harpsichord 

BACH, JOHANN SEBASTIAN: Trio Sonata in G, BWV 1039. Jane Ryan (vdg); Stephen Preston (fl); Nicholas McGegan (fl) (Review by James A. Altena)

harpsichord 

BACH, JOHANN SEBASTIAN: Violin Concertos, BWV 1041, 1042 (Review by James A. Altena)

conductor 

BACH, JOHANN SEBASTIAN: Wedding Cantata, BWV 202 (Review by James A. Altena)

conductor 

BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson)

clavichord 

BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson)

harpsichord 

BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson)

square piano 

BACH, WILHELM FRIEDEMANN: Duo in F. Trio in A Minor (Review by Royal S. Brown)

harpsichord 

BARBER, SAMUEL: Capricorn Concerto (Review by Alan Swanson)

conductor 

BEETHOVEN, LUDWIG VAN: Symphonies (Review by James Miller)

conductor 

BEETHOVEN, LUDWIG VAN: Symphonies (Review by Mortimer H. Frank)

director 

BEETHOVEN, LUDWIG VAN: Symphonies (Review by Mortimer H. Frank)

director 

BEETHOVEN, LUDWIG VAN: Symphonies (Review by Michael Ullman)

conductor 

BEETHOVEN, LUDWIG VAN: Symphony No. 3 in E♭, Op. 55 (“Eroica“) (Review by Mortimer H. Frank)

director 

BEETHOVEN, LUDWIG VAN: Symphony No. 6 in F, op. 68 (“Pastorale“). Overtures (Review by Mortimer H. Frank)

director 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (“Choral') (Review by William Zagorski)

conductor 

BEETHOVEN, LUDWIG VAN: The Five Piano Concertos (Review by Leslie Gerber)

conductor 

BIZET: (ed. Hogwood) L’Arlesienne (Review by Ron McDonald)

conductor 

BIZET: L'arlésienne (Review by David L. Kirk)

conductor 

BOYCE: Eight Symphonies, op. 2 (Review by Nils Anderson)

conductor 

BOYCE: Symphonies (Review by Nils Anderson)

conductor 

BRITTEN: Sinfonietta, op. 1 (Review by James H. North)

conductor 

BULL, JOHN: Fantasia (Review by Edward Strickland)

clavichord 

BULL, JOHN: Fantasia (Review by Edward Strickland)

fortepiano 

BULL, JOHN: Fantasia (Review by Edward Strickland)

harpsichord 

BULL, JOHN: Fantasia (Review by Edward Strickland)

organ 

BULL, JOHN: Fantasia (Review by Edward Strickland)

spinet 

BULL, JOHN: Fantasia (Review by Edward Strickland)

virginal 

BYRD, WILLIAM: La Volta (Review by Edward Strickland)

chamber organ 

BYRD, WILLIAM: La Volta (Review by Edward Strickland)

conductor 

BYRD, WILLIAM: La Volta (Review by Edward Strickland)

fortepiano 

BYRD, WILLIAM: La Volta (Review by Edward Strickland)

harpsichord 

BYRD, WILLIAM: La Volta (Review by Edward Strickland)

virginal 

BYRD, WILLIAM: My Ladye Nevells Booke (Review by Edward Strickland)

keyboard 

BYRD, WILLIAM: O Lord how vain are all our frail delights. Though Amaryllis dance in green (Review by Joel Kasow)

conductor 

BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland)

clavichord 

BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland)

fortepiano 

BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland)

harpsichord 

BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland)

organ 

BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland)

spinet 

BYRD, WILLIAM: Parana's delight; Galiarda (Review by Edward Strickland)

virginal 

BYRD, WILLIAM: The Fourth Pavane and Galliard. Qui Passe. The Battel!. Sellinger's Round. Monsieur's Alman. Hugh Ashton's Ground. A Gailiard's Gigge. The Second Ground. The Fifth Pavane and Galliard. The Carman's Whistle. A Voluntary (Review by Edward Strickland)

keyboard 

CAMPION, THOMAS: Never weather-beaten Saile. The Sypres Curten of the Night (Review by Joel Kasow)

conductor 

CARISSIMI: Eight Cantatas (Review by J. F. Weber)

harpsichord 

CARISSIMI: Eight Cantatas (Review by J. F. Weber)

organ 

CASELLA, ALFREDO: Scarlattiana (Review by James H. North)

conductor 

COPLAND, AARON: Appalachian Spring (orig. version); Music for the Theatre (Review by Alan Swanson)

conductor 

CORELLI, ARCANGELO: Trio Sonata in B Minor, op. 3, no. 4. Concerto Grosso in F, op. 6, no. 2 (Review by Richard Burke)

conductor 

COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland)

chamber organ 

COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland)

conductor 

COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland)

fortepiano 

COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland)

harpsichord 

COUPERIN, FRANÇOIS: Concert Royal IV (Review by Edward Strickland)

virginal 

COUPERIN, FRANÇOIS: Sonate “La Françoise.“ The Nations (Review by Edward Strickland)

harpsichord 

COUPERIN, FRANÇOIS: Troix Leçons de Ténèbres; Motet pour le jour de Paques, 'Victoria Christo resurgenti (Review by J. F. Weber)

chamber organ 

COUPERIN, LOUIS: Suites for Harpsichord (Review by Edward Strickland)

harpsichord 

DESTOUCHES: Les Élémens (Review by Barry Brenesal)

conductor 

DESTOUCHES: Les Éléments (Review by Edward Strickland)

director 

DOWLAND, JOHN: Come again. If my complaints. Away with these self-loving lads. Flow my tears (Review by Joel Kasow)

conductor 

DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland)

chamber organ 

DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland)

conductor 

DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland)

fortepiano 

DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland)

harpsichord 

DOWLAND, JOHN: Queen Elizabeth's Gaillard (Review by Edward Strickland)

virginal 

DVOŘÁK: Serenade in D minor for Two Oboes, Two Clarinets, Two Bassoons, Contrabassoon, Three Horns, Cello, and Double Bass, Op. 44. Serenade in E for Strings, Op. 22 (Review by George Chien)

conductor 

FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland)

clavichord 

FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland)

fortepiano 

FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland)

harpsichord 

FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland)

organ 

FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland)

spinet 

FARNABY, R.: Gäes Farnaby's dreame; His rest. Farnabye's conceit; His humour (Review by Edward Strickland)

virginal 

FORQUERAY LE FILS, JEAN-BAPTISTE ANTOINE: Suite No. 1 (Review by Edward Strickland)

harpsichord 

FREDERICK II: Sonata in B (Review by Edward Strickland)

chamber organ 

FREDERICK II: Sonata in B (Review by Edward Strickland)

conductor 

FREDERICK II: Sonata in B (Review by Edward Strickland)

fortepiano 

FREDERICK II: Sonata in B (Review by Edward Strickland)

harpsichord 

FREDERICK II: Sonata in B (Review by Edward Strickland)

virginal 

FRESCOBALDI: Keyboard Music (Review by William H. Youngren)

harpsichord 

FRESCOBALDI: Keyboard Music (Review by William H. Youngren)

virginal 

FRØHLICH, J. F.: Symphony in E♭ (Review by John Bauman)

conductor 

GADE, NIELS W.: In the Highlands (Review by Richard Burke)

conductor 

GADE, NIELS W.: Symphonies, Vol. 2 (Review by Martin Anderson)

conductor 

GADE, NIELS W.: Symphonies (Review by Robert McColley)

conductor 

GADE, NIELS W.: Symphonies (Review by Richard Burke)

conductor 

GADE, NIELS W.: Symphonies (Review by Robert McColley)

conductor 

GADE, NIELS W.: Symphony No. 4 in B♭ (Review by John Bauman)

conductor 

GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland)

clavichord 

GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland)

fortepiano 

GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland)

harpsichord 

GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland)

organ 

GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland)

spinet 

GIBBONS, ORLANDO: Fantasia. The Italian Ground. Lincoln's Inn masque. The Queen's command (Review by Edward Strickland)

virginal 

GLUCK: Orfeo (Review by George Chien)

conductor 

GOUNOD, CHARLES: Symphony No. 1 in D. Petite Symphonie pour Instruments à vent (Review by Ron McDonald)

conductor 

HANDEL-MOZART: Acis und Galatea (Review by Ralph V. Lucano)

conductor 

HANDEL, GEORGE FRIDERIC: (8) Trio Sonatas (Review by Michael Ullman)

harpsichord 

HANDEL, GEORGE FRIDERIC: (8) Trio Sonatas (Review by Michael Ullman)

organ 

HANDEL, GEORGE FRIDERIC: (arr. Mozart) Alexander's Feast. Ode for St. Cecilia's Day (Review by Michael Carter)

conductor 

HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by James Reel)

conductor  

HANDEL, GEORGE FRIDERIC: Alessandro Severo (Review by Ralph V. Lucano)

conductor 

HANDEL, GEORGE FRIDERIC: Athalia (Review by Edward Strickland)

director 

HANDEL, GEORGE FRIDERIC: Athalia (Review by Lynn René Bayley)

conductor 

HANDEL, GEORGE FRIDERIC: Comfort Ye My People; Ev'ry Valley Shall Be Exalted; And the Glory of the Lord; But Who May Abide the Day of His Coming; Behold, a Virgin Shall Conceive; O Thou That Teilest Good Tidings; For unto Us a Child Is Born; Rejoice Greatly, O Daughter ofZion; Why Do the Nations So Furiously Rage Together? Let Us Break Their Bonds Asunder; Hallelujah! I Know That My Redeemer Liveth; Behold I Tell You a Mystery; The Trumpet Shall Sound; Worthy Is the Lamb That Was Slain (Review by George Chien)

conductor 

HANDEL, GEORGE FRIDERIC: Comfort ye my people; Ev'ry valley shall be exalted; And the glory of the Lord; But who may abide the day of his coming; Behold a virgin shall conceive; O thou that teilest good tidings; For unto us a child is born; Rejoice greatly, 0 daughter of Zion; Why do the nations so furiously rage together? Let us break their bonds asunder; Hallelujah; I know that my redeemer liveth; Behold I tell you a mystery; The trumpet shall sound; Worthy is the Lamb that was slain (Review by George Chien)

conductor 

HANDEL, GEORGE FRIDERIC: Concerti Grossi (Review by Nils Anderson)

conductor 

HANDEL, GEORGE FRIDERIC: Concerti a Due Cori (Review by Edward Strickland)

leader 

HANDEL, GEORGE FRIDERIC: Duetto XV (Review by J. F. Weber)

harpsichord 

HANDEL, GEORGE FRIDERIC: Esther (Review by Vincent Alfano)

conductor 

HANDEL, GEORGE FRIDERIC: Italian Cantatas (Review by J. F. Weber)

conductor 

HANDEL, GEORGE FRIDERIC: Italian Cantatas (Review by Edward Strickland)

director 

HANDEL, GEORGE FRIDERIC: La Resurrezione (The Resurrection) (Review by John Bauman)

conductor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John W. N. Francis)

conductor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

conductor 

HANDEL, GEORGE FRIDERIC: Messiah. (Foundling Hospital Version, 1754) (Review by John Bauman)

conductor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by George Chien)

conductor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by George Chien)

conductor 

HANDEL, GEORGE FRIDERIC: Orlando (Review by Jonathan Woolf)

conductor 

HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson)

conductor 

HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Brian Robins)

conductor 

HANDEL, GEORGE FRIDERIC: Six Concerti Grossi, op. 3. Movement published by Walsh as second movement of op.3, no. 6 (Review by Nils Anderson)

conductor 

HANDEL, GEORGE FRIDERIC: Solomon (Review by George Chien)

conductor 

HANDEL, GEORGE FRIDERIC: Sonatas for Recorder and Continuo (Review by George Chien)

harpsichord 

HANDEL, GEORGE FRIDERIC: Theatre Music, Volume II (Review by George Chien)

conductor 

HANDEL, GEORGE FRIDERIC: Tu fedel? tu costante? HWV 171. Mi palpita il cor, HWV132B. Alpestre monte, HWV 81. Tra le fiamme, HWV 1 70 (Review by J. F. Weber)

conductor 

HANDEL, GEORGE FRIDERIC: Twelve Concerti Grossi, op. 6 (Review by Nils Anderson)

conductor 

HANDEL, GEORGE FRIDERIC: Water Music (Review by Mortimer H. Frank)

director 

HANDEL, GEORGE FRIDERIC: Water Music (Review by George Chien)

director 

HANDEL, GEORGE FRIDERIC: Water Music (Review by Edward Strickland)

director 

HAYDN-SALOMON: Symphonies (Review by John Bauman)

fortepiano 

HAYDN, FRANZ JOSEPH: Arias and Cantatas (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Arias and Cantatas (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Berenice, che fai (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Berenice, che fal? Hob. XXIVa.10. Son pietosa, son bonina, Hob. XXXIIb (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Cello Concertos (Review by Michael Carter)

conductor 

HAYDN, FRANZ JOSEPH: Cello Concertos (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Concerto in E♭ for Trumpet and Orchestra, H. Vlle (Review by Edward Strickland)

chamber organ 

HAYDN, FRANZ JOSEPH: Concerto in E♭ for Trumpet and Orchestra, H. Vlle (Review by Edward Strickland)

harpsichord 

HAYDN, FRANZ JOSEPH: Concertos for Cello and Orchestra (Review by William H. Youngren)

conductor 

HAYDN, FRANZ JOSEPH: L'anima del filosofo (Orfeo ed Euridice), Hob. XXVIII (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Music for England (Review by William H. Youngren)

director 

HAYDN, FRANZ JOSEPH: Music for England (Review by William H. Youngren)

fortepiano 

HAYDN, FRANZ JOSEPH: Symphonies Nos. 100, 104 (Review by James A. Altena)

fortepiano 

HAYDN, FRANZ JOSEPH: Symphonies Nos. 1–75, 94, 96, 100, 104, 107, 108 (Review by James A. Altena)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies Nos. 82–104. Sinfonia concertante (Review by James A. Altena)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies Nos. 82–104. Sinfonia concertante (Review by James A. Altena)

fortepiano 

HAYDN, FRANZ JOSEPH: Symphonies, Vol. 10 (Review by Bernard Jacobson)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies, Volume 7 (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by John Bauman)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by Mortimer H. Frank)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by John Bauman)

fortepiano 

HAYDN, FRANZ JOSEPH: Symphonies (Review by Mortimer H. Frank)

fortepiano 

HAYDN, FRANZ JOSEPH: Symphonies (Review by John Bauman)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by John Bauman)

fortepiano 

HAYDN, FRANZ JOSEPH: Symphonies (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by Edward Strickland)

fortepiano 

HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Trio in A for Violin, Cello, and Piano, H. XV.18. String Quartet in E-Flat, Op. 71, no. 3. Symphony No. 94 in G (“The Surprise“; arr. Salomon). Assorted songs and shorter works (Review by William H. Youngren)

director 

HAYDN, FRANZ JOSEPH: Trio in A for Violin, Cello, and Piano, H. XV.18. String Quartet in E-Flat, Op. 71, no. 3. Symphony No. 94 in G (“The Surprise“; arr. Salomon). Assorted songs and shorter works (Review by William H. Youngren)

fortepiano 

HOLST, GUSTAV: A Fugal Concerto (Review by Richard A. Kaplan)

conductor 

HOLST, GUSTAV: St. Paul's Suite, op. 29, no. 2. A Fugal Concerto, op. 40, no. 2 (Review by Richard Burke)

conductor 

HONEGGER, ARTHUR: Symphony No. 4, “Deliciae basilienses“ (Review by Paul Ingram)

conductor 

IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland)

chamber organ 

IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland)

conductor 

IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland)

fortepiano 

IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland)

harpsichord 

IVES, SIMON: The Fancy. The Virgin. Pavan. Ayre (Review by Edward Strickland)

virginal 

JENKINS, JOHN: Fantasy No. 9 (Review by Joel Kasow)

conductor 

JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland)

chamber organ 

JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland)

conductor 

JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland)

fortepiano 

JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland)

harpsichord 

JOHNSON, EDWARD: Eliza is the Fairest Queen (Review by Edward Strickland)

virginal 

LAMPE: Britannia (Review by Ralph V. Lucano)

conductor 

LANIER: Mark How the Blushful Morn (Review by Edward Strickland)

chamber organ 

LANIER: Mark How the Blushful Morn (Review by Edward Strickland)

conductor 

LANIER: Mark How the Blushful Morn (Review by Edward Strickland)

fortepiano 

LANIER: Mark How the Blushful Morn (Review by Edward Strickland)

harpsichord 

LANIER: Mark How the Blushful Morn (Review by Edward Strickland)

virginal 

LECLAIR: Sonata in D (Review by Edward Strickland)

harpsichord 

MALIPIERO: Ricercari (Review by James H. North)

conductor 

MARAIS: Suite in F. Le Tableau de l'Opération de la Taille. La Sonnerie de Sainte-Geneviève du Mont de Paris (Review by Edward Strickland)

harpsichord 

MARCELLO: Concerio in D Minor for Oboe, Strings, and Continuo (Review by Nils Anderson)

conductor 

MARTINŮ: Concerto da camera (Review by Barry Brenesal)

conductor 

MARTINŮ: Concerto for Flute, Violin, and Orchestra (Review by Barry Brenesal)

conductor 

MARTINŮ: Concerto for Violin and Piano (Review by Barry Brenesal)

conductor 

MARTINŮ: Concerto in D for 2 Violins (Review by Barry Brenesal)

conductor 

MARTINŮ: Czech Rhapsody (orch. ·traus) (Review by Barry Brenesal)

conductor 

MARTINŮ: Duo concertante (Review by Barry Brenesal)

conductor 

MARTINŮ: Le raid merveilleux. La revue de cuisine. On tourne! (Review by Barry Brenesal)

conductor 

MARTINŮ: Rhapsody-Concerto (Review by Barry Brenesal)

conductor 

MARTINŮ: Sinfonietta “La Jolla. “ La Revue de cuisine. Toccata e due canzoni. Merry Christmas 1941 (arr. Ruggeri). Tre ricercar! (Review by Peter J. Rabinowitz)

conductor 

MARTINŮ: Suite concertante (1939 & 1944 versions) (Review by Barry Brenesal)

conductor 

MARTINŮ: Suite concertante, Version 2; Violin Concerto No. 1 (Review by Christopher Williams)

conductor 

MARTINŮ: Toccata e due canzoni (Review by Paul Ingram)

conductor 

MARTINŮ: Violin Concertos (Review by Barry Brenesal)

conductor 

MENDELSSOHN, FELIX: Concertos for 2 Pianos and Orchestra (Review by Scott Noriega)

conductor 

MENDELSSOHN, FELIX: Sonata No. 1 in F Minor for Violin and Piano, Op. 4 (Review by John Bauman)

fortepiano 

MENDELSSOHN, FELIX: Sonata No. 1 in F Minor for Violin and Piano, Op. 4 (Review by John Bauman)

fortepiano 

MONTÉCLAIR: Cantatas (Review by Edward Strickland)

harpsichord 

MORLEY: It was a lover and his lass (Review by Joel Kasow)

conductor 

MOZART: Adagio for Glass Harmonica, K 356 (Review by Brian Robins)

clavichord 

MOZART: Allegro in g, K 312 (Review by Brian Robins)

clavichord 

MOZART: Andante and 5 Variations, K 501 (Review by Brian Robins)

clavichord 

MOZART: Andante for Flute and Orchestra in C, K 315 (Review by Bernard Jacobson)

conductor 

MOZART: Andantino, K 236 (Review by Brian Robins)

clavichord 

MOZART: Bassoon Concerto. Clarinet Concerto. Flute Concerto No. 1 in G, K 313 (Review by Bernard Jacobson)

conductor 

MOZART: Concerto in C for Flute, Harp, and Orchestra, K. 299. Andante in C for Flute and Orchestra, K. 315. Concerto in B♭ for Bassoon and Orchestra, K. 191. Concerto No. 1 in G for Flute and Orchestra, K. 313 (Review by Leslie Gerber)

conductor 

MOZART: Concertos for Piano and Orchestra (Review by Bernard Jacobson)

conductor 

MOZART: Coronation Mass, K. 317. Vesperae Solennes de Confessore, K. 339 (Review by J. F. Weber)

conductor 

MOZART: Das Alexander-Fest, K 592 (arr. of Handel's HWV 76). Cäcilien-Ode, K 591 (arr. of Handel's HWV 75) (Review by Bernard Jacobson)

conductor 

MOZART: Die Entführung aus dem Serail, K. 384 (Review by James Camner)

conductor 

MOZART: Epistle Sonatas (Review by Edward Strickland)

chamber organ 

MOZART: Epistle Sonatas (Review by Edward Strickland)

conductor 

MOZART: Epistle Sonatas (Review by Edward Strickland)

fortepiano 

MOZART: Epistle Sonatas (Review by Edward Strickland)

harpsichord 

MOZART: Epistle Sonatas (Review by Edward Strickland)

virginal 

MOZART: Exsultate jubilate, K 165. Regina coeli, K 108. Ergo interest, K 143. Regina coeli, K 127 (Review by Bob Rose)

conductor 

MOZART: Exsultate, Jubilate, K. 165. Regina Coeli, K. 108. Ergo Interest, K. 143. Regina Coeli, K. 127 (Review by J. F. Weber)

conductor 

MOZART: Fantasia in d, K 397 (2 versions) (Review by Brian Robins)

clavichord 

MOZART: Flute and Harp Concerto. Horn Concertos Nos. 1-4. Rondo for Horn and Orchestra in D, K 514 (Review by Bernard Jacobson)

conductor 

MOZART: Il re pastore (Review by Bob Rose)

conductor 

MOZART: Keyboard Concertos Nos. 1-4, K 37, 39-41 (Review by Bernard Jacobson)

conductor 

MOZART: Klavierstücke in F, K 33b (Review by Brian Robins)

clavichord 

MOZART: La clemenza di Tito, K. 621 (Review by James Camner)

conductor 

MOZART: La‚t uns mit geschlungen Händen, K 623 (Review by Brian Robins)

clavichord 

MOZART: Marche funèbre, K 453a (Review by Brian Robins)

clavichord 

MOZART: Mass in C Minor, K. 427 (Review by J. F. Weber)

conductor 

MOZART: Minuetto in D, K 355 (Review by Brian Robins)

clavichord 

MOZART: No. 6 in F, K. 43; No. 7 in D, K. 45; in F, K. 42a (K. 76); in B-Flat, K. 45b (A. 214); in D, K. 46a (K. 51); in G (“New Lambach“); in B-Flat, K. 74g (A. 216); in G, K. 425a (K. 444); No. 8 in D,K 48; No. 40 in G Minor, K. 550 (2nd version) (Review by Edward Strickland)

harpsichord 

MOZART: Oboe Concerto in C, K 314 (Review by Bernard Jacobson)

conductor 

MOZART: Piano Concertos (Review by Bernard Jacobson)

conductor 

MOZART: Requiem, K. 626. (ed. Maunder) (Review by J. F. Weber)

conductor 

MOZART: Rondeau for Horn and Orchestra in E♭, K 371 (Review by Bernard Jacobson)

conductor 

MOZART: Rondo in F, K 494 (Review by Brian Robins)

clavichord 

MOZART: Rondos (Review by Michael Carter)

conductor 

MOZART: Rondos (Review by Michael Carter)

harpsichord 

MOZART: Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Notturno for Four Orchestras, K. 286 (269a). Serenata notturna, K. 239 (Review by Mortimer H. Frank)

director 

MOZART: Serenade in D, K. 185. March in D, K. 189 (Review by Edward Strickland)

conductor 

MOZART: Serenade in D, K. 185. March in D, K. 189 (Review by Edward Strickland)

harpsichord 

MOZART: Sonata in D, K 381 (Review by Brian Robins)

clavichord 

MOZART: Symphonies (Review by John Bauman)

conductor 

MOZART: Symphonies (Review by John Bauman)

continuo 

MOZART: Symphonies (Review by Edward Strickland)

continuo 

MOZART: Symphonies (Review by Elliott Kaback)

conductor 

MOZART: Symphonies (Review by Elliott Kaback)

continue 

MOZART: Symphonies (Review by Edward Strickland)

conductor 

MOZART: Symphonies (Review by Edward Strickland)

harpsichord continuo 

MOZART: Symphonies (Review by William H. Youngren)

conductor 

MOZART: Symphonies (Review by William H. Youngren)

continue 

MOZART: Symphonies (Review by Edward Strickland)

harpsichord 

MOZART: Symphonies (Review by Edward Strickland)

violin 

MOZART: Symphonies (Review by Edward Strickland)

conductor 

MOZART: Symphonies (Review by Edward Strickland)

harpsichord continuo 

MOZART: Symphonies (Review by Edward Strickland)

harpsichord 

MOZART: Symphonies (Review by Edward Strickland)

harpsichord continuo 

MOZART: Symphony No. 25 in G Minor, K. 173dB (K. 183). Symphony in D, K. 213A (K. 204), Symphony No. 30 in D,K. 186b (K. 202).Symphony in D, K. 189b (K. 203). Symphony No. 29 in A, K. 186 (K. 201). Symphony in C, K. 189k (K. 173e-K. 200). Symphony in D, K 207a (K. 196-K. 121) (Review by John Bauman)

director 

MOZART: Symphony No. 32 in G, K.318. Symphony No. 33 in B Flat, K. 319. SymphonyNo. 34 in C, K. 338. Symphony No. 35 in D, K. 385 (“Haffner“). March in D, K. 408, no. 2. Symphony No. 36 in C, K. 425 (“Linz“). Symphony in D, K. 248b/K. 250 (Symphony after the “Haffner“ Serenade). Symphony in D, K. 320 (Symphony after the “Posthorn“ Serenade). Symphony in C, K. 213c/K. 208 (Symphony after “Il re pastore“) (Review by John Bauman)

conductor 

MOZART: Symphony No. 35 in D, K. 385 (“Haffner“). Symphony No. 36 in C, K. 425 (“Linz “) (Review by Edward Strickland)

harpsichord continuo 

MOZART: THE SYMPHONIES, Volume Four (Review by Edward Strickland)

director 

MOZART: THE SYMPHONIES, Volume Four (Review by Edward Strickland)

harpsichord continuo 

MOZART: THE SYMPHONIES, Volume One (Review by Edward Strickland)

harpsichord continuo 

MOZART: THE SYMPHONIES, Volume Seven (Review by Edward Strickland)

harpsichord 

MOZART: THE SYMPHONIES, Volume Two (Review by Edward Strickland)

conductor 

MOZART: THE SYMPHONIES, Volume Two (Review by Edward Strickland)

harpsichord continuo 

MOZART: THE SYMPHONIES, (Review by John Bauman)

continuo 

MOZART: THE SYMPHONIES, (Review by Edward Strickland)

continuo 

MOZART: The Symphonies, Volume 6 (Review by Edward Strickland)

conductor 

MOZART: The Symphonies, Volume 6 (Review by Edward Strickland)

harpsichord 

MOZART: The Symphonies, Volume Five (Review by Edward Strickland)

conductor 

MOZART: The Symphonies, Volume Five (Review by Edward Strickland)

harpsichord continuo 

MOZART: The Symphonies, Volume I (Review by John Bauman)

conductor 

MOZART: The Symphonies, Volume II (Review by John Bauman)

conductor 

MOZART: The Symphonies, Volume IV (Review by John Bauman)

director 

MOZART: The Wind Concertos (Review by Bernard Jacobson)

conductor 

MOZART: Theme and 2 Variations in A, K 460 (Review by Brian Robins)

clavichord 

MOZART: Violin Concertos (Review by Michael Carter)

conductor 

MOZART: Violin Concertos (Review by Michael Carter)

harpsichord 

MUFFAT: Florilegium Secundum (Review by George Chien)

director 

MUFFAT: Sonatas (Review by George Chien)

director 

PACHELBEL: Kanon and Gigue (Review by George Chien)

conductor 

PERGOLESI: Stabat Mater. Salve Regina in C Minor (Review by J. F. Weber)

conductor 

PHILIPS: Gallarda passamezzo (Review by Edward Strickland)

clavichord 

PHILIPS: Gallarda passamezzo (Review by Edward Strickland)

fortepiano 

PHILIPS: Gallarda passamezzo (Review by Edward Strickland)

harpsichord 

PHILIPS: Gallarda passamezzo (Review by Edward Strickland)

organ 

PHILIPS: Gallarda passamezzo (Review by Edward Strickland)

spinet 

PHILIPS: Gallarda passamezzo (Review by Edward Strickland)

virginal 

PURCELL: Birthday Odes for Queen Mary (Review by Michael Ullman)

harpsichord 

PURCELL: Birthday Odes for Queen Mary (Review by Michael Ullman)

organ 

PURCELL: Dido and Aeneas (Review by James Reel)

conductor  

PURCELL: Don Quixote. Judith Nelson and Emma Kirkby, sopranos; James Bowman, counter-tenor; Martyn Hill, tenor; David Thomas, bass (Review by Mortimer H. Frank)

director 

PURCELL: Fairest isle. She loves and she confesses too. Dido and Aeneas (Review by Joel Kasow)

conductor 

PURCELL: Hark! Hark! How All Things. Crown the Altar, Deck the Shrine. If Music Be the Food of Love. Not All My Torments. The PlainHO, O Let Me Weep!). I Attempt from Love's Sickness to Fly. Olinda in the Shades Unseen. Urge Me No More. Bess of Bedlam. Lovely, Lovely Albina. Sweeter Than Roses. Dear Pretty Youth. When First Amintas Sued fora Kiss. The Cares of Lovers. An Evening Hymn. Ye Gentle Spirits of the Air (Review by Elliott Kaback)

organ 

PURCELL: Hark! Hark! How All Things. Crown the Altar, Deck the Shrine. If Music Be the Food of Love. Not All My Torments. The PlainHO, O Let Me Weep!). I Attempt from Love's Sickness to Fly. Olinda in the Shades Unseen. Urge Me No More. Bess of Bedlam. Lovely, Lovely Albina. Sweeter Than Roses. Dear Pretty Youth. When First Amintas Sued fora Kiss. The Cares of Lovers. An Evening Hymn. Ye Gentle Spirits of the Air (Review by Elliott Kaback)

spinet 

PURCELL: Hark! Hark! How all things. Crown the altar, deck the shrine. If music be the food of love. Not all my torments. O let me weep. I attempt from love's sickness to fly. Olinda in the shades unseen. Urge me no more. Bess of Bedlam. Lovely, lovely Albína. Sweeter than roses. Dear pretty youth. When first Amintas sued for a kiss. The cares of lovers. Ye gentle spirits of the air. An Evening Hymn (Review by Michael Ullman)

harpsichord 

PURCELL: Hark! Hark! How all things. Crown the altar, deck the shrine. If music be the food of love. Not all my torments. O let me weep. I attempt from love's sickness to fly. Olinda in the shades unseen. Urge me no more. Bess of Bedlam. Lovely, lovely Albína. Sweeter than roses. Dear pretty youth. When first Amintas sued for a kiss. The cares of lovers. Ye gentle spirits of the air. An Evening Hymn (Review by Michael Ullman)

organ 

PURCELL: If music be the food of love. Abdelazer (Review by Joel Kasow)

conductor 

PURCELL: Music for Strings; Three Elegies. Martyn Hill, tenor; Christopher Keyte, bass (Review by Mortimer H. Frank)

director 

PURCELL: Overture in G Minor, Z 772. Theodosius or The Force of Love, Z. 606. The Libertine or The Libertine Destroyed, Z. 600. The Massacre of Paris, Z. 604. Oedipus, Z. 583 (Review by Mortimer H. Frank)

conductor 

PURCELL: Sonatas of Three Parts, 1683 Z790-801 (Review by Robert Maxham)

chamber organ 

PURCELL: Songs and Airs (Review by Elliott Kaback)

organ 

PURCELL: Songs and Airs (Review by Elliott Kaback)

spinet 

PURCELL: The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell (Review by Michael Ullman)

conductor 

PURCELL: Theatre Music, Vol. IV (Review by Mortimer H. Frank)

director 

PURCELL: Theatre Music (Review by Mortimer H. Frank)

director 

PURCELL: Theatre Music—Volume 8 (Review by Michael Ullman)

director 

RAMSEY, R.: What Tears, Dear Prince, Can Serve (Review by Edward Strickland)

chamber organ 

RAMSEY, R.: What Tears, Dear Prince, Can Serve (Review by Edward Strickland)

conductor 

RAMSEY, R.: What Tears, Dear Prince, Can Serve (Review by Edward Strickland)

fortepiano 

RAMSEY, R.: What Tears, Dear Prince, Can Serve (Review by Edward Strickland)

harpsichord 

RAMSEY, R.: What Tears, Dear Prince, Can Serve (Review by Edward Strickland)

virginal 

REBEL, J. F.: Les Elements (Review by Edward Strickland)

director 

REBEL, J. F.: Les Élémens (Review by Barry Brenesal)

conductor 

SCARLATTI, D.: Sonatas (Review by Edward Strickland)

chamber organ 

SCARLATTI, D.: Sonatas (Review by Edward Strickland)

conductor 

SCARLATTI, D.: Sonatas (Review by Edward Strickland)

fortepiano 

SCARLATTI, D.: Sonatas (Review by Edward Strickland)

harpsichord 

SCARLATTI, D.: Sonatas (Review by Edward Strickland)

virginal 

SCHUBERT: Sonata in A for Violin and Piano, D. 574 (Op. 162) (Review by John Bauman)

fortepiano 

SCHUBERT: Sonata in A for Violin and Piano, D. 574 (Op. 162) (Review by John Bauman)

fortepiano 

SCHUBERT: Three Sonatas for Violin and Piano, Op. 137 (Review by Paul Turok)

fortepiano 

SCHUBERT: Violin Sonatas (Review by Robert Maxham)

fortepiano 

SCHULZ: Death of Christ. Lord, when I consider your kindness. Allegretto. To Nature. Evening Song. New Year’s Song. Andante sostenuto. May Song. The Harvest Feast—Overture (Review by J. F. Weber)

conductor 

SCHULZ: Nine works (Review by J. F. Weber)

conductor 

STAMITZ: Sinfonia Pastorale in D, Op. 4, no. 2. Symphony in D, Op. 3, no. 2. Symphony in G. Concerto in B Flat for Clarinet and Orchestra (Review by John Bauman)

conductor 

STRAUSS: Le bourgeois gentilhomme (Review by David L. Kirk)

conductor 

STRAVINSKY: Concerto in D (Review by Paul Ingram)

conductor 

STRAVINSKY: Pulcinella. Fireworks (Review by Ronald E. Grames)

conductor 

STRAVINSKY: Pulcinella (Review by James H. North)

conductor 

STRAVINSKY: Suites for Small Orchestra (Review by James H. North)

conductor 

TELEMANN, GEORG PHILIPP: Concertos (Review by Nils Anderson)

conductor 

TIPPETT, M.: Divertimento on “Sellinger's Round“ (Review by James H. North)

conductor 

TIPPETT, M.: Fantasia Concertante on a Theme of Corelli (Review by Richard Burke)

conductor 

TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland)

chamber organ 

TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland)

conductor 

TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland)

fortepiano 

TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland)

harpsichord 

TOMPKINS: A Sad Pavan for These Distracted Times (Review by Edward Strickland)

virginal 

VIVALDI, ANTONIO: 12 Concertos, Op. 3 (L'Estro armonico) (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: 12 Concertos, Op. 8 (“Il Cimento dell' Armonia e dell' Inventione“) (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: 6 Violin Concertos, op. 12 (Review by Robert Maxham)

director 

VIVALDI, ANTONIO: Concerto in A Minor for Bassoon, RV 498;Concerto in C Minor for Flute, RV 441;Concerto in F for Oboe, RV 456; Concerto in F for Two Oboes, Bassoon, Two Horns, and Violin, RV 569 (Review by George Chien)

harpsichord 

VIVALDI, ANTONIO: Concerto in B Minor for Four Violins and Cello, Op. 3, no. 10. Concerto in C for Two Trumpets and Strings, RV. 537 (Review by George Chien)

conductor 

VIVALDI, ANTONIO: Concerto in B Minor for Four Violins, Strings, and Continuo, op. 3, no. 10 (Review by Heuwell Tircuit)

harpsichord 

VIVALDI, ANTONIO: Concerto in C for Two Trumpets, Strings, and Continuo, RV. 537 (P. 75); Concerto in D Minor for Strings and Continuo, RV. 129 (P. 86) “Madrigalesco“; Concerto in G Minor for Two Cellos, Strings, and Continuo, RV. 531 (P. 411); Concerto in C for Two Flutes, Strings, and Continuo, RV. 533 (P. 76); Concerto in G for Strings and Continuo, RV. 151 (P. 143) (“Alla Rustica“); Concerto in D for Two Violins, Two Cellos, Strings, and Continuo, RV. 564 (P. 188) (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Concerto in C for Two Trumpets, Strings, and Continuo, RV. 537 (P. 75); Concerto in D Minor for Strings and Continuo, RV. 129 (P. 86) “Madrigalesco“; Concerto in G Minor for Two Cellos, Strings, and Continuo, RV. 531 (P. 411); Concerto in C for Two Flutes, Strings, and Continuo, RV. 533 (P. 76); Concerto in G for Strings and Continuo, RV. 151 (P. 143) (“Alla Rustica“); Concerto in D for Two Violins, Two Cellos, Strings, and Continuo, RV. 564 (P. 188) (Review by Nils Anderson)

harpsichord 

VIVALDI, ANTONIO: Concerto in C for Two Trumpets, Strings, and Continuo, RV. 537 (P. 75); Concerto in D Minor for Strings and Continuo, RV. 129 (P. 86) “Madrigalesco“; Concerto in G Minor for Two Cellos, Strings, and Continuo, RV. 531 (P. 411); Concerto in C for Two Flutes, Strings, and Continuo, RV. 533 (P. 76); Concerto in G for Strings and Continuo, RV. 151 (P. 143) (“Alla Rustica“); Concerto in D for Two Violins, Two Cellos, Strings, and Continuo, RV. 564 (P. 188) (Review by Nils Anderson)

organ 

VIVALDI, ANTONIO: Concertos for Cello, Strings, and Continuo (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Concertos for Oboe, Strings, and Continuo (Review by George Chien)

conductor 

VIVALDI, ANTONIO: Concertos for Violin, Strings, and Continuo, Op. 4 (“La Stravaganza“) (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Concertos for Violin, Strings, and Continuo, Op. 4 (“La Stravaganza“) (Review by Nils Anderson)

harpsichord 

VIVALDI, ANTONIO: Concertos (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Concertos (Review by Nils Anderson)

harpsichord 

VIVALDI, ANTONIO: Concertos (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Concertos (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Concertos (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Four Concertos, Op. 8, Nos. 1-4(“The Four Seasons“) (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: L'Estro Armonico, Op. 3 (Review by John Bauman)

conductor 

VIVALDI, ANTONIO: L'estro armonico, op. 3 (Review by Robert Maxham)

director 

VIVALDI, ANTONIO: L'estro armonico, op. 3 (Review by Robert Maxham)

harpsichord 

VIVALDI, ANTONIO: L'estro armonico, op. 3 (Review by Robert Maxham)

organ 

VIVALDI, ANTONIO: Oboe Concertos (Review by George Chien)

conductor 

VIVALDI, ANTONIO: Six Sonatas for Cello and Continuo, "op. 14." (Review by Nils Anderson)

harpsichord 

VIVALDI, ANTONIO: Sonata in D Minor for 2 Violins and Continuo, Op. 1, no. 12 (“La Follia “). Cantata for Soprano and Continuo (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Sonatas (Review by Nils Anderson)

harpsichord 

VIVALDI, ANTONIO: Trio Sonatas, op. 1/7-12 (Review by Robert Maxham)

harpsichord 

VIVALDI, ANTONIO: Trio Sonatas, op. 1/7-12 (Review by Robert Maxham)

organ 

VIVALDI, ANTONIO: Twelve Concertos, op. 9 ("La Cetra") (Review by Nils Anderson)

conductor 

VIVALDI, ANTONIO: Violin Concerto in A, RV 335, "The Cuckoo" (Review by Robert Maxham)

director 

VIVALDI, ANTONIO: Violin Concertos, op. 6 (Review by Robert Maxham)

director 

WEBER: 6 Pieces for Piano Duet, op. 10 (Review by Michael Ullman)

fortepiano 

WEBER: Die Temperamante beim Verluste der Geliebten. Meine Farben. Über die Berge mit Ungestüm. Die gefangenen Sänger. Die freien Sänger. Die Zeit. Das Veilchen im Thale. Mein Schatzerl is hübsch. Ich denke dein. Elfenlied (Review by Raymond Beegle)

fortepiano 

WEBER: Piano Sonata No. 1 in C (Review by Michael Ullman)

fortepiano 

WEBER: Sechs Lieder, op. 15 (Review by Raymond Beegle)

fortepiano 

WEBER: Sechs Lieder, op. 30 (Review by Raymond Beegle)

fortepiano 

WEBER: Songs (Review by John Yohalem)

fortepiano 

WEBER: Symphonies (Review by James H. North)

conductor 

WEBER: Symphonies (Review by James H. North)

natural horn 

WEBER: Variations on an Original Theme, op. 2 (Review by Michael Ullman)

fortepiano 

 

Our Advertisers
About Fanfare / Contact Us
Advertise in the Fanfare Archive


NOT TO BE MISSED!

Reviews and interviews
Just click and read!

If you don't see images below, please disable your browser's Ad Blocker for this site