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Fanfare Archive Subscriber-Only Features

 Watch Reviewed Videos

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

Varda Kotler: YouTube Channel

Performer: Mack Harrell

BRUNO WALTER: The Complete Columbia Album Collection (Bruno Walter) (Review by James A. Altena)

baritone 

BACH, JOHANN SEBASTIAN: Arias etc. with Oboe Obbligato (Review by Bernard Jacobson)

bass 

BACH, JOHANN SEBASTIAN: Comments by William H. Scheide (WQXR, 1948; WNBC, 1949 and 1950). Excerpts from A Robert Bloom Birthday Party with Robert Sherman, Julius Baker, Bernard Greenhouse, Susan Starr, and Sara Lambert Bloom, WQXR, May 1988 (Review by Bernard Jacobson)

bass 

BACH, JOHANN SEBASTIAN: Passion according to St. Matthew (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Henry Fogel)

Jesus 

BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, Op. 123. Symphony No. 1 in C, Op. 21 (Review by Mortimer H. Frank)

bass 

BERG, ALBAN: Wozzeck (Review by James H. North)

baritone 

BERG, ALBAN: Wozzeck (Review by Christopher Abbot)

Wozzeck 

BLOCH, ERNEST: Three Jewish Poems (Review by James H. North)

baritone 

BRAHMS, JOHANNES: A German Requiem, Op. 45 (Review by Mortimer H. Frank)

baritone 

BRUCKNER, ANTON: Symphony No. 7; Te Deum (Review by Stephen Allen Wheaton)

baritone 

MOZART: Don Giovanni (Review by James A. Altena)

Masetto 

OFFENBACH: Les contes d’Hoffmann (Review by Henry Fogel)

Lindorf 

OFFENBACH: Les contes d’Hoffmann (Review by James Forrest)

Lindorf 

STRAVINSKY, IGOR: The Rake’s Progress (Review by James A. Altena)

Nick Shadow 

THOMSON, VIRGIL: Four Songs from William Blake (1951); Three Portraits; Three Pictures for Orchestra (Review by Peter Frank)

baritone 

THOMSON, VIRGIL: Three Pictures for Orchestra. Three Portraits for Orchestra. Four Songs from William Blake (Review by James H. North)

baritone 

WAGNER: Die Meistersinger von Nürnberg (Review by Ken Meltzer)

Kothner 

WAGNER: Die Meistersinger von Nürnberg (Review by Henry Fogel)

Kothner 

 

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