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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

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Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

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Performer: Vernon Handley

THE DELIUS COLLECTION—Volume 6: Paris—The Song of a Great City (ed. Beecham). An Arabesque. Suite for Violin and Orchestra. Fennimore and Gerda (Review by Adrian Corleonis)

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THE DELIUS COLLECTION—Volume 7: Songs of Farewell, for Chorus & Orchestra . Cynara, for Baritone and Orchestra . Two Aquarelles, for Orchestra . Caprice and Elegy, for Cello and Orchestra . Légende, for Violin and Orchestra . Life's Dance, for Orchestra (Review by Adrian Corleonis)

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ANONYMOUS: Adagio and Allegro for 8 Kettledrums, 5 Cellos, and Bass (Review by Paul A. Snook)

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ANONYMOUS: Adagio and Allegro for Eight Timpani, Five Celfos, and Double Bass (Review by John Bauman)

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ARNOLD, MALCOLM: A Grand, Grand Overture, op. 57. Concerto for Two Pianos (Three-Hands) and Orchestra, op. i04. Carnival of Animals, op. 72. Symphony No. 2, op. 40 (Review by Robert McColley)

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ARNOLD, MALCOLM: Symphonies (Review by Robert McColley)

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ARNOLD, MALCOLM: Symphonies (Review by Robert McColley)

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ARNOLD, MALCOLM: Symphonies (Review by Robert McColley)

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ARNOLD, MALCOLM: Symphony No. 6. Fantasy on a Theme of John Field. Sweeney Todd (Review by Paul A. Snook)

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ARNOLD, MALCOLM: Symphony No. 9, op. 128. Fantasy for Oboe, op. 90. Concertino for Oboe and Strings, op. 28a (arr. Steptoe) (Review by Robert McColley)

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BAINTON: Symphony No. 2 (Review by Ian Lace)

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BANTOCK: 2 Hebridean Sea Poems (Review by Martin Anderson)

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BANTOCK: 2 Hebridean Sea Poems (Review by Ian Lace)

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BANTOCK: Celtic Symphony. The Witch of Atlas. The Sea Reivers. Hebridean Symphony (Review by Michael Carter)

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BANTOCK: Hebridean Symphony. Celtic Symphony. The Witch of Atlas. The Sea Reivers (Review by David Johnson)

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BANTOCK: Omar Khayyam (Review by Martin Anderson)

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BANTOCK: Omar Khayyam (Review by Ian Lace)

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BANTOCK: Overture to a Greek Tragedy. Christus (Review by Henry Fogel)

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BANTOCK: Overture to a Greek Tragedy (Review by Arthur Lintgen)

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BANTOCK: Sapphic Poem (Review by Martin Anderson)

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BANTOCK: Sapphic Poem, for Cello and Orchestra (Review by David Johnson)

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BANTOCK: Sapphic Poem, for Cello and Orchestra (Review by Joel Kasow)

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BANTOCK: Sappho (Review by Martin Anderson)

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BANTOCK: Sappho—Prelude and 9 Fragments for Mezzo-soprano and Orchestra (Review by David Johnson)

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BANTOCK: Sappho—Prelude and 9 Fragments for Mezzo-soprano and Orchestra (Review by Joel Kasow)

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BANTOCK: Symphony No. 3 (“The Cyprian Goddess“). Helena. Dante and Beatrice (Review by Martin Anderson)

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BANTOCK: The Song of Songs (Review by Martin Anderson)

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BANTOCK: The Song of Songs (Review by Ian Lace)

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BAX: (orch. Parlett) (Review by John Ditsky)

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BAX: 3 Northern Ballads. Nympholept. Red Autumn (orch. Parlett) (Review by Arthur Lintgen)

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BAX: Concertante for Piano (Left Hand) and Orchestra (Review by Martin Anderson)

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BAX: Enchanted Summer. Walsinghame. Fatherland (Review by John Ditsky)

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BAX: In Memoriam (Review by Martin Anderson)

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BAX: In the Faery Hills. November Woods. The Garden of Fand. Sinfonietta (Review by Arthur Lintgen)

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BAX: Irish Landscape. Overture to Adventure. Rogue’s Comedy Overture. Work in Progress Overture (Review by Arthur Lintgen)

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BAX: Phantasy for Viola and Orchestra (Review by Peter J. Rabinowitz)

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BAX: Spring Fire. Symphonic Scherzo. Northern Ballad No. 2 (Review by Peter J. Rabinowitz)

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BAX: Symphonies (Review by Peter J. Rabinowitz)

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BAX: Symphony No. 6 (Review by Arthur Lintgen)

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BAX: The Bard of the Dimbovitza (Review by Martin Anderson)

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BAX: The Happy Forest. Into the Twilight (Review by Arthur Lintgen)

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BEETHOVEN, LUDWIG VAN: Concerto in D for Violin and Orchestra, op. 61 (Review by David K. Nelson)

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BEETHOVEN, LUDWIG VAN: Egmont, op. 84 (Review by William Zagorski)

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BLISS, ARTHUR: Cello Concerto (Review by Raymond Tuttle)

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BLISS, ARTHUR: Checkmate (Review by John Ditsky)

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BLISS, ARTHUR: Checkmate—Ballet Suite. Adam Zero— Ballet excerpts. Meditations on a Theme of John Blow (Review by David Johnson)

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BLISS, ARTHUR: Checkmate—Ballet Suite. Adam Zero—Ballet Suite (Review by John Ditsky)

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BLISS, ARTHUR: Concerto for Cello and Orchestra. The Enchantress. Hymn to Apollo (Review by Paul A. Snook)

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BLISS, ARTHUR: Meditations on a Theme of John Blow. Edinburgh Overture. Discourse for Orchestra (Review by John Ditsky)

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BORODIN: In the Steppes of Central Asia. Prince Igor (Review by Ron McDonald)

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BOUGHTON: Symphony No. 3 in B Minor. Concerto No. 1 in C for Oboe and String Orchestra* (Review by David Johnson)

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BOWEN: Violin Concerto in e. Piano Concerto No. 1 in E♭ (Review by Barry Brenesal)

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BOWEN: Violin Concerto in e. Piano Concerto No. 1 in E♭ (Review by Michael Carter)

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BRAHMS, JOHANNES: Serenade No. 1 in D, op. 11. Variations on a Theme by Haydn, op. 56a (Review by John Bauman)

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BRAHMS, JOHANNES: Variations on a Theme by Haydn, op. 56a (Review by Paul Sargent Clark)

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BRIDGE, FRANK: Phantasm for Piano and Orchestra (Review by Robert McColley)

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BRIDGE, FRANK: The Sea—Suite (Review by John Ditsky)

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BRITTEN: Peter Grimes (Review by John Ditsky)

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BRUCH: Concerto No. 1 in G Minor for Violin and Orchestra, op. 26 (Review by David K. Nelson)

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BUSCH, WILLIAM: Cello Concerto. Piano Concerto (Review by Arthur Lintgen)

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BUTTERWORTH: Love Blows As the Wind Blows (Review by Paul Turok)

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CANTELOUBE: L'aio de rotso, Ouno“ onorèn gorda? Obal din fou Limouzi, Jou l'pount do Mirabel. Chut, chut. Lou boussu. Postouro, sé tu m'aymo. La deláissádo. L'Antouèro. Passo pel prat. Lo fìolairé. Brezairola. Pastourelle. Louz coucut. Tè, l'co, tè. Malutous qu'o uno f enno (Review by James Miller)

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CANTELOUBE: Songs of the Auvergne (17) (Review by James Miller)

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CANTELOUBE: Songs of the Auvergne (Review by James Miller)

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CHAUSSON: Poème (Review by Robert Maxham)

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CHOPIN, FRÉDÉRIC: Fantasia on Polish Airs (Review by Peter J. Rabinowitz)

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CLIFFORD: Symphony 1940 (Review by Ian Lace)

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DELIUS: Brigg Fair. Eventyr. A Song of Summer. In a Summer Garden (Review by Adrian Corleonis)

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DELIUS: Concerto for Cello and Orchestra (Review by Adrian Corleonis)

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DELIUS: Concerto for Violin and Orchestra. Suite for Violin and Orchestra. Légende for Violin and Orchestra (Review by Adrian Corleonis)

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DELIUS: Florida Suite. North Country Sketches (Review by Adrian Corleonis)

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DELIUS: Florida Suite. North Country Sketches (Review by Adrian Corleonis)

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DELIUS: Hassan (Review by Peter J. Rabinowitz)

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DELIUS: Hassan (Review by Adrian Corleonis)

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DELIUS: Irmelin Prelude. Concerto for Violin and Orchestra . A Song of Summer'. A Late Lark, for Tenor and Orchestra . Concerto for Piano and Orchestra (Review by Adrian Corleonis)

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DELIUS: On Hearing the First Cuckoo in Spring. Fennimore and Gerda (Review by Paul Turok)

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DELIUS: Summer Night on the River (Handley). On Hearing the First Cuckoo in Spring (Handley; Beecham) (Review by John Bauman)

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DELIUS: Summer Night on the River (Handley). On Hearing the First Cuckoo in Spring (Handley; Beecham) (Review by ROGER DETTMER)

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DELIUS: Two Pieces for Small Orchestra (Review by John Ditsky)

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DVOŘÁK, ANTONIN: Carnival Overture, op. 92 (Review by Paul Sargent Clark)

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DVOŘÁK, ANTONIN: In Nature's Realm, Op. 91. Carnival, Op. 92. Othello, Op. 93. Scherzo Capriccioso, Op. 66 (Review by John Bauman)

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DVOŘÁK, ANTONIN: In Nature's Realm, Op. 91. Carnival, Op. 92. Othello, Op. 93. Scherzo Capriccioso, Op. 66 (Review by John Bauman)

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DVOŘÁK, ANTONIN: Symphony No. 8 in G, Op. 88 (Handley) (Review by John Bauman)

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DVOŘÁK, ANTONIN: Symphony No. 8 in G, Op. 88 (Handley) (Review by ROGER DETTMER)

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DVOŘÁK, ANTONIN: Symphony No. 8 in G, Op. 88. Nocturne in B minor, Op. 40 (Review by ROGER DETTMER)

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DVOŘÁK, ANTONIN: Symphony No. 8 in G, Op. 88; Notturno for Strings, Op. 40 (Review by ROGER DETTMER)

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DVOŘÁK, ANTONIN: The Water Goblin, op. 107. The Golden Spinning Wheel, op. 109. The Wood Dove, op. 110 (Review by John Bauman)

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ELGAR: Cello Concerto (Review by Paul Ingram)

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ELGAR: Chanson de matin (arr. Milone) (Review by Paul Ingram)

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ELGAR: Choral Songs (Review by Bernard Jacobson)

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ELGAR: Collector’s Edition (Review by Peter J. Rabinowitz)

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ELGAR: Concerto in B minor for Violin and Orchestra, Op. 61 (Review by Peter J. Rabinowitz)

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ELGAR: Concerto in E Minor for Cello and Orchestra, op. 85 (arr. Tertis). Three Characteristic Pieces, op. 10 (Review by Peter J. Rabinowitz)

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ELGAR: Enigma Variations, Op. 36. Introduction and Allegro, Op. 47. Serenade in E minor, Op. 20 (Review by James Miller)

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ELGAR: Introduction and Allegro, op. 47. Violin Concerto (Review by Robert Maxham)

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ELGAR: La capricieuse (arr. Milone) (Review by Paul Ingram)

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ELGAR: Pleading, Op. 48/1. O soft was the song, Op. 59/3. Was it some golden star?, Op. 59/S. Twilight, Op. 59/6. Two Songs, Op. 60 (Review by Paul Turok)

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ELGAR: Pomp and Circumstance Marches 1-5. Sea Pictures (Review by Paul Turok)

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ELGAR: Romance. In Moonlight (arr. Milone) (Review by Paul Ingram)

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ELGAR: Salut d’amour (arr. Milone) (Review by Paul Ingram)

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ELGAR: Sea Pictures. Symphony No. 1 (Review by Peter J. Rabinowitz)

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ELGAR: Six Orchestral Songs (Review by Paul Turok)

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ELGAR: Sonata in G for Organ, op. 28 (orch. Jacob). The Wand of Youth (Review by Peter J. Rabinowitz)

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ELGAR: Sospiri (arr. Milone) (Review by Paul Ingram)

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ELGAR: Symphony No. 1 in A♭, op. 55 (Review by Peter J. Rabinowitz)

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ELGAR: The Shower. The Fountain. My Love Dwelt in a Northern Land. Yea, Cast Me from Heights. Whether I Find Thee. After Many a Dusty Mile. It’s Oh to Be a Wild Wind. Feasting I Watch. Death on the Hills. Go, Song of Mine. The Wanderer. Zut, zut, zut. Love’s Tempest. Serenade (Review by Bernard Jacobson)

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ELGAR: The Starlight Express (Review by Peter J. Rabinowitz)

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ELGAR: The Starlight Express, Complete Incidental Music, Op.78 (Review by Joel Flegler)

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ELGAR: The Starlight Express, Op. 78 (Review by John Ditsky)

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ELGAR: There Is Sweet Music. Deep in My Soul. O Wild West Wind. Owls. The Reveille. The Herald. Weary Wind of the West. Evening Scene. The Prince of Sleep (Review by Bernard Jacobson)

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ELGAR: Violin Concerto (Review by Robert Maxham)

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FINZI: Cello Concerto (Review by Barry Brenesal)

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FINZI: Cello Concerto (Review by Raymond Tuttle)

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FINZI: Concerto for Cello and Orchestra (Review by Walter Simmons)

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FINZI: Concerto for Cello and Orchestra, Op. 40 (Review by John Ditsky)

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FINZI: Concerto for Clarinet and Strings; Grand Fantasia and Toccata for Piano and Orchestra; Eclogue for Piano and Strings (Review by John W. Charles)

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FINZI: Dies Natalis (Review by Walter Simmons)

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FINZI: Farewell to Arms (Review by Ian Lace)

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FINZI: Farewell to Arms. Two Milton Sonnets. Let Us Garlands Bring. In Terra Pax (Review by Walter Simmons)

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FINZI: In Terra Pax (Review by Ian Lace)

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FINZI: Interlude for Oboe and Strings (Review by Walter Simmons)

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FINZI: Intimations of Immortality (Review by Walter Simmons)

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FINZI: Intimations of Immortality, Ode for Tenor, Chorus & Orchestra (Review by John W. Charles)

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FINZI: Let Us Garlands Bring (Review by Walter Simmons)

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FINZI: Let Us Garlands Bring (Review by Ian Lace)

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FINZI: Love’s Labour’s Lost (Review by Ian Lace)

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FINZI: Two Milton Sonnets (Review by Ian Lace)

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FINZI: Two Milton Sonnets. Farewell to Arms (Review by Walter Simmons)

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FINZI: When I Set Out for Lyonnesse (Review by Walter Simmons)

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GLINKA: Russlan and Ludmila (Review by Ron McDonald)

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GOUGH: Serenade for Small Orchestra (Review by Ian Lace)

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GRIEG, EDVARD: Cello Concerto (after Cello Sonata, op. 36, orch. Joseph Horovitz). Lasr (after Cello Sonata, op. 36, orch. Joseph Horovitz) (Review by Michael Fine)

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GRIEG, EDVARD: Concerto in A Minor for Piano and Orchestra, op. 16. Peer Gynt (Review by Jon Tuska)

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GRIEG, EDVARD: Ich liebe Dich, op. 5/3 (Review by Michael Fine)

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GRIEG, EDVARD: Ingrid’s Lament, op. 55/1 (Review by Michael Fine)

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GRIEG, EDVARD: Last Spring, op. 34/1 (Review by Michael Fine)

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GRIEG, EDVARD: Norwegian, op. 53/1 (arr. Benjamin Wallfisch) (Review by Michael Fine)

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GRIEG, EDVARD: Peer Gynt (Review by George Chien)

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GRIEG, EDVARD: Peer Gynt (Review by Paul Sargent Clark)

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GRIEG, EDVARD: Solveig’s Song, op. 55/4 (Review by Michael Fine)

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GRIEG, EDVARD: Spring, op. 43/6 (Review by Michael Fine)

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GRIEG, EDVARD: The First Meeting, op. 53/2 (Review by Michael Fine)

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GRIEG, EDVARD: The Wounded Heart, op. 34/2 (Review by Michael Fine)

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HERTEL, JOHANN WILHELM: Concerto for 8 Kettledrums, 2 Oboes, 2 Trumpets, and Strings (Review by Paul A. Snook)

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HERTEL, JOHANN WILHELM: Concerto for Eight Timpani, Wind, and Strings (Review by John Bauman)

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HOLBROOKE, JOSEF: The Birds of Rhiannon (Review by Arthur Lintgen)

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HOLST, GUSTAV: Invocation for Cello and Orchestra, Op. 19, no. 2 (Review by Adrian Corleonis)

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HOLST, GUSTAV: St. Paul’s Suite (Review by Peter J. Rabinowitz)

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HOLST, GUSTAV: The Planets (Review by Peter J. Rabinowitz)

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HOWELLS: Concerto No. 2 for Piano and Orchestra. Three Dances for Violin and Orchestra. Concerto for String Orchestra (Review by Paul A. Snook)

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HOWELLS: Concerto for Strings. 3 Dances for Violin and Orchestra. Piano Concerto No. 2 in c (Review by Michael Carter)

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HOWELLS: Hymnus Paradisi. An English Mass (Review by Robert McColley)

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IRELAND: Concerto in E♭ for Piano and Orchestra (Review by Robert McColley)

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JOUBERT: Symphony No. 1 (Review by Arthur Lintgen)

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JOUBERT: Symphony No. 1 (Review by Colin Clarke)

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JOUBERT: Symphony No. 1, op. 20 (Review by Barry Brenesal)

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LEIGHTON, KENNETH: Veris gratia—Suite, Op. 9 (Review by John Ditsky)

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LISZT: Mephisto Waltz No. 1. 5 Hungarian Folk Songs. Ab irato. Années de pèlerinage, Book II (Review by Peter J. Rabinowitz)

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MACKENZIE: MacKENZIE Violin Concerto in c♯ (Review by David Johnson)

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MACKENZIE: Violin Concerto in elf, op. 32 (Review by Martin Anderson)

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MACKENZIE: Violin Concerto (Review by Robert Maxham)

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MACONCHY: Proud Thames (Review by Arthur Lintgen)

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MACONCHY: Serenata concertante (Review by Arthur Lintgen)

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MACONCHY: Symphony for Double String Orchestra (Review by Arthur Lintgen)

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MCCABE: Flute Concerto (Review by Peter J. Rabinowitz)

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MCCABE: Symphony No. 4, "Of Time and the River" (Review by Peter J. Rabinowitz)

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MOERAN: Concerto for Violin and Orchestra. Two Pieces for Small Orchestra (Review by Robert McColley)

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MOERAN: First Rhapsody. Second Rhapsody. Rhapsody in F♯ for Piano and Orchestra. In the Mountain Country—Symphonic Impression (Review by John Ditsky)

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MORGAN: Concerto for Violin and Orchestra; Contrasts (Review by John Ditsky)

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MORGAN: Violin Concerto (Review by Robert Maxham)

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MOZART: Symphony No. 39 in E♭, K. 543 (Handley; Beecham—second and third movements only) (Review by John Bauman)

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MOZART: Symphony No. 39 in E♭, K. 543 (Handley; Beecham—second and third movements only) (Review by ROGER DETTMER)

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MOZART: Symphony No. 40 in G Minor, K. 550 (Review by William Zagorski)

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MUSSORGSKY: A Night on the Bare Mountain (Review by Ron McDonald)

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PRIN: L'Echo de Psyche—Suite for Timpani, Trumpet and Organ (Review by John Bauman)

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PROKOFIEV: Symphony No. 5 in B♭ op. 100. Lieutenant Kije (Review by Peter J. Rabinowitz)

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RACHMANINOFF: Symphony No. 2 (Review by James H. North)

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RACHMANINOFF: Symphony No. 2 (Review by Richard A. Kaplan)

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RIMSKY-KORSAKOV: Capriccio espagnol, op. 34. Russian Easter Overture, op. 36 (Review by Ron McDonald)

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RIMSKY-KORSAKOV: Le Coq d'Or (Review by John Bauman)

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RIMSKY-KORSAKOV: Le Coq d'Or (Review by ROGER DETTMER)

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ROOTHAM: Symphony No. 1 (Review by Arthur Lintgen)

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RUBBRA, EDMUND: Concerto for Violin and Orchestra, op. 103. Concerto in A for Viola and Orchestra, op. 75 (Review by Raymond Tuttle)

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RUBBRA, EDMUND: Symphonies (Review by John Bauman)

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RUBBRA, EDMUND: Symphony No. 2 in D, Op. 45; Festival Overture, Op. 62 (Review by Walter Simmons)

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SAINT-SAËNS: Concerto for Violin and Orchestra No. 3 in B Minor, Op. 61; Introduction and Rondo Capriccioso, Op. 28; Havanaise, Op. 83 (Review by James Hinds)

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SCHUBERT: Symphony No. 8 in B Minor, D. 759 (“Unfinished“) (Review by William Zagorski)

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SIBELIUS: Six Humoresques for Violin and Orchestra, Opp. 87 and 89. Two Pieces for Violin and Orchestra, Op. 77. Two Serenades for Violin and Orchestra, Op. 69 (Review by John Bauman)

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SIBELIUS: Two Serious Melodies, op. 77; No. 1, Cantique; No. 2, Devotion. Two Serenades, op. 69 (Review by David K. Nelson)

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SIBELIUS: Works for Violin and Orchestra (Review by David K. Nelson)

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SIMPSON, ROBERT: Symphonies (Review by Martin Anderson)

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SIMPSON, ROBERT: Symphonies (Review by Paul Rapoport)

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SIMPSON, ROBERT: Symphonies (Review by Paul Rapoport)

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SIMPSON, ROBERT: Symphonies (Review by Martin Anderson)

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SIMPSON, ROBERT: Symphonies (Review by Paul Rapoport)

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SIMPSON, ROBERT: Symphonies (Review by Paul Rapoport)

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SIMPSON, ROBERT: Symphony No. 10 (Review by Paul Rapoport)

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SIMPSON, ROBERT: Symphony No. 9 (Review by Paul Rapoport)

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STANFORD, CHARLES VILLIERS: Concerto No. 2 in C Minor for Piano and Orchestra, op. 126. Concert Variations upon an English Theme for Piano and Orchestra, op. 71 (Review by David Johnson)

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STANFORD, CHARLES VILLIERS: Irish Rhapsody No. 3 (Review by Raymond Tuttle)

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TCHAIKOVSKY: Romeo & Juliet—Fantasy Overture (Review by Paul Sargent Clark)

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THÄRICHEN: Concerto for Kettledrums and Orchestra (Review by Paul A. Snook)

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THÄRICHEN: Concerto for Timpani and Orchestra, Op. 34 (Review by John Bauman)

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VAUGHAN WILLIAMS: Fantasia on Sussex Folk Tunes for Cello and Orchestra (Review by Adrian Corleonis)

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VAUGHAN WILLIAMS: On Wenlock Edge (Review by Paul Turok)

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VAUGHAN WILLIAMS: Symphony No. 2 in G Minor (“London“) (Review by Lewis Foreman)

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VAUGHAN WILLIAMS: The Wasps (Review by John Bauman)

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VAUGHAN WILLIAMS: The Wasps (Review by ROGER DETTMER)

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VAUGHAN WILLIAMS: The Wasps (Review by John Ditsky)

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VAUGHAN WILLIAMS: The Wasps—Aristophanic Suite. The Lark Ascending. Five Variants of “Dives and Lazarus“ (Review by James Miller)

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WAGNER: Die Walküre (Review by Colin Clarke)

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WAGNER: Lohengrin (Review by Colin Clarke)

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WAGNER: Rienzi (Review by Colin Clarke)

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WAGNER: Siegfried Idyll. Der fliegende Holländer (Review by Colin Clarke)

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WAGNER: Tannhäuser (Review by Colin Clarke)

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WALTON: Sinfonia Concertante for Orchestra with Piano (original version) (Review by Robert McColley)

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WALTON: Spitfire (Review by James Miller)

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WALTON: Symphony No. 1 in B♭ Minor (Review by Royal S. Brown)

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WALTON: Symphony No. 1 in B♭ Minor. Variations on a Theme of Hindemith (Review by James Miller)

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WALTON: Symphony No. 1 (Review by James Miller)

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WALTON: Symphony No. 1 (Review by James Miller)

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WEBER-LISZT: Polonaise brillante? (Review by Peter J. Rabinowitz)

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