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Performer: Kenneth Hamilton BACH/BUSONI: Chorale Preludes (Review by Colin Clarke) | piano | BACH/RACHMANINOFF: Partita in E, BWV 1006 (Review by Colin Clarke) | piano | BACH/STEVENSON: Komm, süsser Tod (Review by Henry Fogel) | piano | BACH/STEVENSON: Komm, süsser Tod (Review by Peter Burwasser) | piano | BACH/STEVENSON: Komm, süsser Tod (Review by Colin Clarke) | piano | BACH/STEVENSON: Komm, süsser Tod (Review by Peter J. Rabinowitz) | piano | CASKEN: Shadowed Pieces. Stolen Airs. Six Wooded Pieces. Serpents of Wisdom. Piano Trio (Review by Colin Clarke) | piano | CHOPIN/BUSONI: Polonaise in A♭, op. 53 (Review by Colin Clarke) | piano | CHOPIN/BUSONI: Polonaise in A♭, op. 53 (Review by Michael Ullman) | piano | CHOPIN, FRÉDÉRIC: Ballade No. 1 in g, op. 23 (Review by Colin Clarke) | piano | CHOPIN, FRÉDÉRIC: Barcarolle, op. 60 (Review by Colin Clarke) | piano | CHOPIN, FRÉDÉRIC: Barcarolle, op. 60 (Review by Michael Ullman) | piano | CHOPIN, FRÉDÉRIC: Nocturnes (Review by Colin Clarke) | piano | CHOPIN, FRÉDÉRIC: Piano Sonatas Nos. 2 and 3. Preludes (Review by Colin Clarke) | piano | CHOPIN, FRÉDÉRIC: Piano Sonatas Nos. 2 and 3. Preludes (Review by Michael Ullman) | piano | CHOPIN, FRÉDÉRIC: Polonaise-Fantaisie, op. 64 (Review by Colin Clarke) | piano | CHOPIN, FRÉDÉRIC: Preludes, op. 28/1, 4, 9, 10, 15, 16, 20, 21, 23 (Review by Colin Clarke) | piano | CHOPIN, FRÉDÉRIC: Variations on “Je vends des scapulaires,” op. 12 (Review by Colin Clarke) | piano | CHOPIN, FRÉDÉRIC: Waltzes (Review by Colin Clarke) | piano | CHOPIN/LISZT/STAVENHAGEN: Mes joies (Review by Colin Clarke) | piano | CHOPIN/LISZT/STAVENHAGEN: Mes joies (Review by Michael Ullman) | piano | GOMES, PEDRO: Sonatina (Review by Colin Clarke) | piano | GOMES, PEDRO: Suite J (Review by Colin Clarke) | piano | LISZT: Fantasy and Fugue on the Theme BACH, S 260 (Review by Colin Clarke) | piano | LISZT: Variations on Weinen, Klagen, Sorgen, Zagen, S 180 (Review by Colin Clarke) | piano | MERRICK/STEVENSON: Hebridean Seascape (Review by Henry Fogel) | piano | MERRICK/STEVENSON: Hebridean Seascape (Review by Peter Burwasser) | piano | MERRICK/STEVENSON: Hebridean Seascape (Review by Colin Clarke) | piano | MERRICK/STEVENSON: Hebridean Seascape (Review by Peter J. Rabinowitz) | piano | NOVELLO/STEVENSON: We’ll Gather Lilacs (Review by Colin Clarke) | piano | NOVELLO/STEVENSON: We’ll Gather Lilacs (Review by Peter Burwasser) | piano | PURCELL/STEVENSON: Hornpipe. Three Grounds (Review by Henry Fogel) | piano | PURCELL/STEVENSON: Hornpipe. Three Grounds (Review by Peter Burwasser) | piano | PURCELL/STEVENSON: Hornpipe. Three Grounds (Review by Colin Clarke) | piano | PURCELL/STEVENSON: Hornpipe. Three Grounds (Review by Peter J. Rabinowitz) | piano | PURCELL/STEVENSON: Toccata. The Queen’s Dolour (Review by Henry Fogel) | piano | PURCELL/STEVENSON: Toccata. The Queen’s Dolour (Review by Peter Burwasser) | piano | PURCELL/STEVENSON: Toccata. The Queen’s Dolour (Review by Colin Clarke) | piano | PURCELL/STEVENSON: Toccata. The Queen’s Dolour (Review by Peter J. Rabinowitz) | piano | RACHMANINOFF: Lilacs, op. 21/5 (Review by Colin Clarke) | piano | RACHMANINOFF: Lilacs, op. 21/5 (Review by Peter Burwasser) | piano | STEVENSON, RONALD: Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH (Review by Henry Fogel) | piano | STEVENSON, RONALD: Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH (Review by Peter Burwasser) | piano | STEVENSON, RONALD: Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH (Review by Colin Clarke) | piano | STEVENSON, RONALD: Keening Sang for a Makar. Norse Elegy for Ella Nygard. Chorale-Pibroch for Sorley MacLean. Toccata-Reel, “The High Road to London.” Barra Flyting Toccata. Little Jazz Variations on Purcell’s New Scotch Tune. Threepenny Sonatina. Recitative and Air on DSCH (Review by Peter J. Rabinowitz) | piano | STEVENSON, RONALD: Peter Grimes Fantasy. 3 Scottish Ballads. Beltane Bonfire. Heroic Song for Hugh MacDiarmid. Symphonic Elegy for Liszt. Chorale and Fugue in Reverse on Themes of Robert and Clara Schumann. 3 Elizabethan Pieces after John Bull (Review by Colin Clarke) | piano | STEVENSON, RONALD: Peter Grimes Fantasy. 3 Scottish Ballads. Beltane Bonfire. Heroic Song for Hugh MacDiarmid. Symphonic Elegy for Liszt. Chorale and Fugue in Reverse on Themes of Robert and Clara Schumann. 3 Elizabethan Pieces after John Bull (Review by Peter Burwasser) | piano | TAUBER/STEVENSON: Tauberiana (My Heart and I) (Review by Colin Clarke) | piano | TAUBER/STEVENSON: Tauberiana (My Heart and I) (Review by Peter Burwasser) | piano |
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