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Performer: Sylvio Gualda APERGHIS: Quatre petit moments brefs (Review by Kyle Gann) | percussion | BARTÓK: Concerto for Two Pianos, Percussion, and Orchestra. Sonata for Two Pianos and Percussion (Review by Peter J. Rabinowitz) | percussion | BERIO: Points on the Curve to Find for Piano and Orchestra; Concertino for Clarinet, Violin and Orchestra; Chemins IV for Oboe and Orchestra; Linea for Two Pianos, Vibraphone and Marimba (Review by Robert J. Aaron) | marimba | BERIO: Sinfonia (Review by Benjamin Pernick) | percussion | BERNSTEIN, LEONARD: West Side Story (Review by John Ditsky) | percussion | BOUCOURECHLIEV: Anarchipel (Review by Benjamin Pernick) | percussion | BOULEZ, PIERRE: Le Marteau sans maître (Review by Benjamin Pernick) | percussion | CAGE, JOHN: Daughters of the lonesome isle (Review by Benjamin Pernick) | percussion | DUTILLEUX: Métaboles (Review by Benjamin Pernick) | percussion | FERRARI, BENEDETTO: Conversation intime (Review by Kyle Gann) | percussion | LIEBERMANN, ROLF: Furioso, for Orchestra. Enigma, for Large Orchestra. Concerto for Piano and Orchestra. Concerto for Jazzband and Symphony Orchestra (Review by Paul A. Snook) | conductor | LIGETI, GYORGY: Scenes and Interludes from Le Grand Macabre (Review by Benjamin Pernick) | percussion | LUTOSŁAWSKI: Livre pour orchestre (Review by Benjamin Pernick) | percussion | MESSIAEN: Chronochromie (Review by Benjamin Pernick) | percussion | MIEREANU: Trilogie trajectoire. Limping Rock (Review by Kyle Gann) | percussion | OHANA: Sybille (Review by Benjamin Pernick) | percussion | SCHAEFFER/HENRY: Symphonie pour un homme seul (Review by Benjamin Pernick) | percussion | SOLAL: Improvisations Nos. 1 and 2 (Review by Kyle Gann) | percussion | STOCKHAUSEN, KARL-HEINZ: Klavierstück XI (Review by Benjamin Pernick) | percussion | XENAKIS, IANNIS: Metastasis Nuits (Review by Benjamin Pernick) | percussion | XENAKIS, IANNIS: Oophaa (Review by Kyle Gann) | percussion | XENAKIS, IANNIS: Oresteia (Review by William Wians) | percussion | XENAKIS, IANNIS: Oresteia (Review by Robert Carl) | percussion |
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