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Performer: James Griffett BEETHOVEN, LUDWIG VAN: Sally in our alley, Op. 108, no. 25. The FarewellSong, WoO 154, no. 3. Come Darby dear, easy, be easy, WoO 153, no. 17. To the Aeolian harp, WoO 155, no. 9. Cease your funning, WoO 156, no. 5. The soldier, WoO 157, no. 2. The shepherd's song, Op. 108, no. 23. Sympathy, Op. 108, no. 10. The British light dragoons, WoO 153, no. 3 (Review by Paul Turok) | tenor | BEETHOVEN, LUDWIG VAN: To the Aeolian harp. Cease your funning. Sally in Our Alley. The Soldier. Sympathy. The Farewell Song. Come, Darby dear, easy. The shepherd's song. The British light dragoons (Review by David Mason Greene) | tenor | BLOW, JOHN: Welcome Ev'ry Guest. Ah, Heav'n! What Is't I Hear? Loving Above Himself. If I My Celia Could Persuade. The Fair Lover and His Black Mistress. Why Weeps Asteria? The Spheres, Those Instruments Divine. Hark! How the Waken'd String Resound (Review by Tom Moore) | tenor | HAYDN, FRANZ JOSEPH: Folksongs of the British Isles (Review by Paul Turok) | tenor | HAYDN, FRANZ JOSEPH: The glancing of her apron, H.la (Review by Paul Turok) | tenor | HAYDN, FRANZ JOSEPH: Will ye go to Flanders. The glancing of her apron. Jockie and Sandy. O can ye sew cushions. Margret's ghost. Up in the morning early. Barbara Allen. Green grow the rashes. Lizae Bailey. Blue bonnets (Review by David Mason Greene) | tenor | PURCELL, HENRY: Ah! How Happy Are We. Sighs for Our Late Sovereign, King Charles II. So! Whsn the Glitt'ring Queen of Night. In Vain the Am'rous Flute. Yes, Daphne. Crown the Altar. After War's Alarms Repeated (Review by Tom Moore) | tenor | PURCELL, HENRY: Incidental Music from Oedipus. Christchurch Bells. I gave her cakes and ale. 'Tis wine was made to rule the day. He that drinks is immoral. Tom the Taylor. Sir Walter. Arise ye subterranean winds. Lost is my quiet for ever. When the cock begins to crow. My lady's coachman John. As Roger last night. Hark, how the wild musicians. Not all my torments. Laudate Cecíliám (Review by Michael Ullman) | tenor | STAINER: The Crucifixion—A Meditation on the Sacred Passion of the Holy Redeemer (Review by John Ditsky) | tenor | STANFORD, CHARLES VILLIERS: Songs from the Elfin Pedlar, Books I and II, Op. POSth. Fairy Lures. The Monkey's Carol, Op. 175, DO. 4. The UnknownSea, Op. 175, no. 6. The Irish Reel. The Bold Unbiddable Child, Op. 140, No. 5. A Japanese Lullaby. Witches' Charms, Op. posth. The Fairy Lough, Op. 77, DO. 2. Songs of Erin, Op. 76; More of Cloyne; Lullaby. The Poison on the Darts. Thief of the World, Op. 140, no. 2. The City Child, Op. 112, no. 1 (Review by John Bauman) | tenor | STANFORD, CHARLES VILLIERS: Songs (Review by John Bauman) | tenor | STANFORD, CHARLES VILLIERS: Tronin' to the Fair and 19 other Songs (Review by John Bauman) | tenor | VAUGHAN WILLIAMS: On Wenlock Edge (Review by James A. Altena) | tenor | WARLOCK: 5 Nursery Jingles (Review by James A. Altena) | tenor | WARLOCK: 7 Songs (Review by James A. Altena) | tenor | WARLOCK: CENETENARY ISSUE. Alan Barlow conducting the Royal Philharmonic Orchestra (Review by Adrian Corleonis) | tenor | WARLOCK: Capriol Suite, for Orchestra. The Curlew, for Tenor, Flute, English horn, and String Quartet“. Songs for Tenor (Review by Adrian Corleonis) | tenor | WARLOCK: The Curlew (Review by James A. Altena) | tenor | WARLOCK: The Curlew. The Water Lily. Mourn No Moe. Chopcherry. My Ghostly Fader. Five Nursery Jingles. The Birds. Sleep. The Fairest May (Review by Ralph V. Lucano) | tenor |
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