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Anthony Newman: Works for Organ

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Antonello: Collected Works

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Thomas Murray: Symphonic Masterworks of Grieg & Franck

Varda Kotler: YouTube Channel


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Performer: Michael George

KNIGHTLY PASSIONS: THE SONGS OF OSWALD VON WOLKENSTEIN: Ain guet geporen edelman (monophonie, polyphonic). Der oben swebt. Fröhlich, zärtlich, liplich. Der mai mit lieber zal. Der mai mit lieber zal (organ solo). Wolauf gesell. Du ausserweltes schöns mein herz. Frölich geschrai so well vir machen. Ach senliches leiden. Stand auff, Maredel. Grasselick lif. Wach auff, mein hört. Wach auff, mein hört (organ solo). “Nu huss“sprach der Michel von Wolkenstein. Durch Barbarei, Arabia (Review by Tom Moore)

baritone 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow)

bass 

SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow)

bass 

THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

bass 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

bass 

BACH, JOHANN SEBASTIAN: Cantata No. 208 (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: Cantata No. 63 (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: Cantata No. 63. Sanctus in D, BWV 238. Magnificat in E♭, BWV 243a (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantata (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Cantata (Review by George Chien)

Pan 

BACH, JOHANN SEBASTIAN: Cantatas (Review by Andrew Quint)

bass 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Christmas Oratorio, BWV248 (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by George Chien)

bass 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by Brian Robins)

bass 

BACH, JOHANN SEBASTIAN: Magnificat (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: Magnificat, BWV243 (Review by Andrew Quint)

bass 

BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV 232 (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: Sanctus in C,BWV237. Suite No. 3 in D (Review by Andrew Quint)

bass 

BACH, JOHANN SEBASTIAN: Sanctus, BWV 238 (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano)

bass 

BACH, JOHANN SEBASTIAN: Was mir behagt, BWV 208 (Hunt Cantata) (Review by Edward Strickland)

bass 

BACH, JOHANN SEBASTIAN: Was mir behagt, BWV 208 (Hunt Cantata) (Review by Edward Strickland)

Pan 

BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, Op. 123 (Review by Elliott Kaback)

bass 

BEETHOVEN, LUDWIG VAN: Symphony No. 5 in C Minor, op. 67. Symphony No. 9 in D Minor, op. 125 (Review by Michael Ullman)

baritone 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125, ("Choral") (Review by John Bauman)

bass 

BEETHOVEN, LUDWIG VAN: The Nine Symphonies (Review by Richard Taruskin)

bass 

BOCCHERINI, LUIGI: String Quintetin E (Review by Michael Ullman)

baritone 

BOYCE: David’s Lamentation over Saul and Jonathan. The Charms of Harmony Display—Ode on St. Cecilia’s Day (Review by Brian Robins)

bass 

BOYCE: David’s Lamentations over Saul and Jonathan. Ode for St. Cecilia’s Day, “The Charms of Harmony Display” (Review by Michael Carter)

bass 

BOYCE: Ode for St Cecilia’s Day (Review by Brian Robins)

bass 

BOYCE: Ode for St. Cecilia’s Day (Review by Michael Carter)

bass 

BOYCE: Pindar’s Ode. Ode for the New Year (1774) (Review by Michael Carter)

bass 

BOYCE: Pindar’s Ode. Ode for the New Year, 1774 (Review by Brian Robins)

bass 

BOYCE: Pindar’s Ode. Ode for the New Year, 1774 (Review by Martin Anderson)

bass baritone 

BROWNE, WILLIAM DENIS: Songs (4) (Review by John Ditsky)

bass 

BRUCKNER, ANTON: Requiem in D minor. Psalm 114 (116). Psalm 112 (Review by Peter J. Rabinowitz)

bass 

BUTTERWORTH: Requiescat (Review by John Ditsky)

bass 

CALDARA, A: Stabat Mater (Review by George Chien)

bass 

CHABRIER: Briséïs, ou les amants de Corinthe (Review by Adrian Corleonis)

bass 

CHABRIER: Briséïs, ou les amants de Corinthe (Review by David Johnson)

bass 

CHABRIER: Briséïs, ou les amants de Corinthe (Review by Adrian Corleonis)

Stratoklès 

CHABRIER: Briséïs, ou les amants de Corinthe (Review by David Johnson)

Stratoklès 

CHERUBINI, LUIGI: Anacreon (Review by Michael Ullman)

baritone 

DODGSON, STEPHEN: Concerto for Flute and Strings. Last of the Leaves—Cantata for Bass, Clarinet, and Strings. Duo Concerto for Violin, Guitar, and Strings (Review by Raymond Tuttle)

bass baritone 

FARRAR, ERNEST: Vagabond Songs, Op. 10. Songs (3), Op. 21 (Review by John Ditsky)

bass 

FAURÉ, GABRIEL: Requiem (1893 version) (Review by Adrian Corleonis)

baritone 

FINZI: Let Us Garlands Bring (Review by Walter Simmons)

bass baritone 

FINZI: Requiem da Camera (Review by John Ditsky)

bass 

FRASER-SIMSON, HAROLD: The Maid of the Mountains (Review by David Denton)

Baldassare 

GURNEY: Songs (28) (Review by John Ditsky)

bass 

HANDEL-MOZART: Acis und Galatea (Review by Ralph V. Lucano)

bass 

HANDEL-MOZART: Acis und Galatea (Review by Ralph V. Lucano)

Polyphem 

HANDEL, GEORGE FRIDERIC: Acis and Galatea. Look down, Harmonious Saint (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Acis and Galatea. Look down, Harmonious Saint (Review by Ralph V. Lucano)

Polyphemus 

HANDEL, GEORGE FRIDERIC: Alexander Balus (Review by David Johnson)

Ptolomee 

HANDEL, GEORGE FRIDERIC: Alexander's Feast (Review by David Johnson)

bass 

HANDEL, GEORGE FRIDERIC: Alexander's Feast. Concerto in 8b for Harp, Strings, and Continuo, op. 4, no. 6. Concerto in G Minor for Organ, Strings, and Continuo, op. 4, no. J (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Alexander’s Feast. Harp Concerto in B♭, op. 4/6 (Review by Brian Robins)

bass 

HANDEL, GEORGE FRIDERIC: Apollo e Dafne. Crudel tiranno Amor (Review by David Johnson)

bass 

HANDEL, GEORGE FRIDERIC: Birthday Ode for Queen Anne. Te Deum in D. Wedding Anthem for HRH Prince Frederick (Review by Michael Carter)

bass 

HANDEL, GEORGE FRIDERIC: Chanclos Anthems (Review by J. F. Weber)

bass 

HANDEL, GEORGE FRIDERIC: Chandos Anthems, Nos. 1, 2, 3 (Review by J. F. Weber)

bass 

HANDEL, GEORGE FRIDERIC: Coronation Anthems (Review by Bernard Jacobson)

bass 

HANDEL, GEORGE FRIDERIC: Deborah (Review by Ralph V. Lucano)

Abinoam 

HANDEL, GEORGE FRIDERIC: Deborah (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Esther (Review by Bernard Jacobson)

Haman 

HANDEL, GEORGE FRIDERIC: Eternal Source of Light Divine. Te Deum in D ("Queen Caroline"). Wedding Anthem ("Sing Unto God") (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Jephtha, HWV 70 (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Jephtha, HWV 70 (Review by Ralph V. Lucano)

Zebul 

HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson)

bass 

HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson)

Pharoah 

HANDEL, GEORGE FRIDERIC: Joseph and his Brethren (Review by David Johnson)

Reuben 

HANDEL, GEORGE FRIDERIC: Joshua (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Joshua (Review by Ralph V. Lucano)

Caleb 

HANDEL, GEORGE FRIDERIC: Judas Maccabaeus (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Judas Maccabaeus (Review by Ralph V. Lucano)

Simon 

HANDEL, GEORGE FRIDERIC: La Resurrezione (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: La Resurrezione (Review by Ralph V. Lucano)

Lucifero 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

bass 

HANDEL, GEORGE FRIDERIC: Music for Royal Occasions (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Nisi Dominus. Stlete venti. Dixit Dominus (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: O be joyful in the Lord. In the Lord put I my trust. Have mercy upon me. O sing unto the Lord a new song. I will magnify thee. As pants the hart for cooling streams. My song shall be always. O come, let us sing unto the Lord. O praise the Lord with one consent. The Lord is my light. Let God arise (Review by Michael Carter)

bass 

HANDEL, GEORGE FRIDERIC: O be joyful. In the Lord put I my trust. Have mercy upon me (Review by J. F. Weber)

bass 

HANDEL, GEORGE FRIDERIC: Ode for St. Cecilia's Day (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Organ Concerto in g, op. 4/1 (Review by Brian Robins)

bass 

HANDEL, GEORGE FRIDERIC: Ottone, Re di Germania (Review by David Johnson)

bass 

HANDEL, GEORGE FRIDERIC: Ottone, Re di Germania (Review by David Johnson)

Emireno 

HANDEL, GEORGE FRIDERIC: The Occasional Oratorio (Review by Ralph V. Lucano)

bass 

HAYDN, FRANZ JOSEPH: Harmoniemesse, Hob XXII (Review by James H. North)

bass 

HAYDN, FRANZ JOSEPH: Missa Brevis Sandi Joannis de Deo in Bb, Hob. XXII (Review by James H. North)

bass 

HAYDN, FRANZ JOSEPH: Symphony No. 94 in G (Review by Michael Ullman)

baritone 

HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North)

bass baritone 

HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky)

bass 

HOLST, GUSTAV: At the Boar's Head (Review by John Ditsky)

Poins 

KELLY, FREDERICK SEPTIMUS: Shall I Compare Thee? (Review by John Ditsky)

bass 

KNÜPFER: Sacred Music (Review by Martin Anderson)

bass 

KNÜPFER: Vom Himmel hoch, da komm ich her. Was mine Gott will, das gescheh allzeit. Wenn mein Stündlein vorhanden ist. Ach Herr, strafe mich nicht in deinem Zorn. Quaemadmodum desiderai cervus. Super flumina Babylonis. Jesus Christus, unser Heiland. Die Turteltaube lässt sich hören (Review by Martin Anderson)

bass 

LOCKE, MATTHEW: Psyche (Review by Brian Robins)

bass 

MENDELSSOHN, FELIX: Symphony No. 4 in A, op. 90 ("Italian") (Review by Michael Ullman)

baritone 

MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber)

bass 

MOZART: Coronation Mass, K. 317. Vesperae Solennes de Confessore, K. 339 (Review by J. F. Weber)

bass 

MOZART: idomeneo (Review by Michael Ullman)

baritone 

NEUKOMM, SIGISMUND VON: Napoleon's Midnight Review (Review by Michael Ullman)

baritone 

PÄRT: Passio Domini nostri Jesu Christi secundum Joannem (Review by Paul Rapoport)

bass 

PÄRT: Passio Domini nostri Jesu Christi secundum Joannem (Review by Edward Strickland)

bass 

PURCELL: Behold, I bring you glad tidings, Z. 2. Since God so tender a regard, Z. 143. Early, O Lord, my fainting soul, Z. 132. Sleep, Adam, sleep and take thy rest, Z. 195. Awake, ye dead, Z. 182. The earth trembled, Z. 197. The Way of God Is an undeflled way, Z. 56. Lord, not to us but to thy name, Z. 137. Lord, what is man?, Z. 192. Sing unto God, Z. 52. O all ye people, clap your hands, Z. 138. My heart is inditing, Z. 30 (Review by Michael Ullman)

bass 

PURCELL: Blow up the trumpet in Sion, Z. 10. The Lord is king, be the people never so impatient, Z. 53. Begin the song, and strike the living lyre, Z. 183. Thy word is a lantern unto my feet, Z. 61. Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z. 196. Hear my prayer, O Lord, Z. 15. Lord, I can suffer thy rebukes, Z. 136. O Lord, our Governor, Z. 141. Remember not, Lord, our offences, Z. 50. Hosanna to the highest, Z. 187. O God, thou hast cast us out, Z. 36 (Review by Michael Ullman)

bass 

PURCELL: Complete Odes and Welcome Songs, Volume 5 (Review by Heuwell Tircuit)

bass 

PURCELL: Complete Odes and Welcome Songs, Volume 6 (Review by Michael Ullman)

bass 

PURCELL: Complete Odes and Welcome Songs, Volume 7 (Review by Michael Ullman)

bass 

PURCELL: Dido and Aeneas (Review by Ralph V. Lucano)

bass 

PURCELL: Dioclesian, Z. 627. Timon of Athens, Z. 632 (Review by Eric Van Tassel)

bass 

PURCELL: Diocletian, or The Prophetess. Timon of Athens (Review by David Johnson)

bass 

PURCELL: Draw near, you lovers, Z. 462 . While Thirsis, wrapp'd in downy sleep, Z.437. Love, thou canst hear, Z. 396. I loved fair Celia, Z. 381“. What hope for us remains, Z. 472. Pastora's beauties when unblown, Z. 407. A thousand sev'ral ways I tried, Z. 359. Urge me no more, Z. 426. Farewell, all joys, Z. 368. If music be the food oř to ve (setting 1), Z 379B“. Amidst the shades, Z. 355. They say you're angry, Z. 422. Let each gallant heart, Z. 390. This poet sings the Trojan wars, Z. 423. Ah, how pleasant 'tis to love, Z. 353. My heart, whenever you appear, Z. 399*. On the brow of Richmond Hill, Z. 405. Rashly I swore, Z. 411. Since the pox or the plague, Z. 471. Beneath a dark and melancholy grove, Z. 461. Musing on cares of human fate, Z. 467. Whilst Cynthia sung, Z. 438. How I sigh when I think, Z. 374. Ye happy swains, Z. 443. Beware, poor shepherds, Z. 361. See how the fading glories of the year, Z. 470. Cease, anxious world, Z. 362. 0! fair Cedaria,Z. 402 (Review by Eric Van Tassel)

bass 

PURCELL: I was glad when they said unto me, 1685. O consider my adversity, Z32. Beati omnes qui tlment Dominum, Z131.1 was glad when they said unto me, Z19. In the black dismal dungeon of despair, Z190. Save me, O God, Z51. Te Deum and Jubilate in B♭, Z230. Thy way, O God, is holy, Z60. The Music for the Funeral of Queen Mary, 1695 (Review by Michael Ullman)

bass 

PURCELL: I will give thanks unto the Lord, Z. 21“ -1 will sing unto the Lord as long as I live, Z. 22- -. How have I stray'd, Z. 188. Benedlctus In B♭, Z. 230/2 . Hear my prayer, O God, Z. . Kyrie In B♭, Z. 230/5. Out of the deep, Z. 45. Nicene Creed In B♭, Z. 23. Blessed Is he that considered the poor, Z. 7. The Lord Is king, and hath put on glorious apparel, Z. N69. Unto thee will I cry, Z. 63 (Review by Eric Van Tassel)

bass 

PURCELL: In thee, O Lord, Z. Í6 . Blessed is the man that feareth the Lord, Z. 9***. Benedicite in B♭, Z 230(3) . Jehova, quam multi sunt hostes mei, Z. 135 . Full of wrath, his threatening breath, Z. 185 [by Humphrey Brailsford]. Bow down thine ear, O Lord, Z. 11. Evening Service in G Minor, Z. 29Í*** Be merciful unto me, Z. 4. They that go down to the sea in ships, Z. 57 (Review by Eric Van Tassel)

bass 

PURCELL: O Lord, rebuke me not, Z. 40. With sick and famish'd eyes, Z. 200. How long, great God, Z. 189. Awake, and with attention hear, Z. 181. O God, thou art my God, Z. 35. We sing to him, whose wisdom form'd the ear, Z. 199. Praise the Lord, O my soul, and all that is within me, Z. 47. O, I'm sick of life, Z. 140. O God, the king of glory, Z. 34. Let the night perish (Job's Curse), Z. 191. When on my sick bed I languish, Z. 144. Rejoice in the Lord alway (“The Bell Anthem“), Z. 49 (Review by Michael Ullman)

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PURCELL: Ode for Queen Mary's Birthday, 1692,1. 334 (“Love's goddess sure was blind“). Ode for St. Cecilia's Day, Z. 334 (“Raise, raise the voice“). Ode for St. Cecilia's Day, Z. 329 (“Laudate Cecíliám“). Welcome Song for Charles II, Z. 326 (“From those serene and rapturous joys“) (Review by Michael Ullman)

bass 

PURCELL: Ode for the Birthday of Queen Mary II, 1694 (“Come, Ye Sons of Art, Away“). Ode for St. Cecilia's Day, 1683 (“Welcome to All the Pleasures“). The Yorkshire Feast Song, 1690(“OfOld, When Heroes Thought It Base“) (Review by Michael Ullman)

bass 

PURCELL: Ode for the Birthday of Queen Mary, Z. 338 (“Welcome, welcome, glorious morn“). Welcome Song for King Charles II, Z. 337 (“The summer's absence unconcerned we bear“). Ode for the Centenary of Trinity College Dublin, Z. 327 (“Great Parent, Hail!“) (Review by Heuwell Tircuit)

bass 

PURCELL: OdeforSt. Cecilia's Day, 1692 (“Hail! Bright Cecilia“). Ode for the Birthday of the Duke of Gloucester, 1695 (“Who Can From Joy Refrain?“) (Review by Michael Ullman)

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PURCELL: Odes for Queen Mary (Review by Michael Ullman)

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PURCELL: Praise the Lord, O my should (Review by Eric Van Tassel)

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PURCELL: TTie Yorkshire Feast Song, Z. 333 (“Of old, when heroes thought it base“). Welcome Song for Charles II, Z. 336 (“Swifter, Isis, swifter flow“). Welcome Song for the Duke of York, Z. 341 (“What, what shall be done in behalf of the man?“) (Review by Michael Ullman)

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PURCELL: The Complete Anthems and Services, Volume 10 (Review by Eric Van Tassel)

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PURCELL: The Complete Anthems and Services, Volume 11 (Review by Eric Van Tassel)

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PURCELL: The Complete Anthems and Services, Volume 2 (Review by Michael Ullman)

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PURCELL: The Complete Anthems and Services, Volume 5 (Review by Michael Ullman)

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PURCELL: The Complete Anthems and Services, Volume 6 (Review by Michael Ullman)

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PURCELL: The Complete Anthems and Services, Volume 8 (Review by Eric Van Tassel)

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PURCELL: The Complete Anthems and Services, Volume 9 (Review by Eric Van Tassel)

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PURCELL: The Complete Anthems and Services, Volume Four (Review by Michael Ullman)

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PURCELL: The Complete Anthems and Services, Volume I (Review by Heuwell Tircuit)

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PURCELL: The Complete Anthems and Services, Volume Seven (Review by Michael Ullman)

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PURCELL: The Complete Anthems and Services, Volume Three (Review by Michael Ullman)

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PURCELL: The Fairy Queen (Review by Heuwell Tircuit)

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PURCELL: The Lord is my light, Z. 55. The Lord is King, the earth may be glad thereof, Z. 54. Blessed Is he whose unrighteousness is forgiven, Z. 823.7.9.10.12 0 Lord God of nosts z 3753.11.7.9 12 Lgt God grjse 7 239,io Cantate Domino and Deus misereatur in B♭, Z. 230/9-10. Blessed be the Lord my strength, Z. e. O Lord our governor, Z. 141 In guilty nighti. i34- (Review by Eric Van Tassel)

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PURCELL: The Secular Solo Songs, Volume 1 (Review by Eric Van Tassel)

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PURCELL: Timon of Athens (Review by Michael Ullman)

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PURCELL: Verse Anthem, Z. 5 (“Blessed are they that fear the Lord“). Verse Anthem, Z. 3 (“Behold now, praise the Lord“). Verse Anthem, Z. 20 (“I will give thanks unto Thee, O Lord“). Verse Anthem, Z. 31 (“My song shall be alway“). Verse Anthem, Z. 232 (Te Deum and Jubilate Deo in D) (Review by Michael Ullman)

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PURCELL: Verse Anthems (Review by Heuwell Tircuit)

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PURCELL: Why do the heathen so furiously rage together, Z. 65. Lord, who can tell how oft he offendeth?, Z. 26. O Lord, grant the King a long life, Z. 38. Hear me, O Lord, the great support, Z. 133. Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z. 198. Who hath believed our report?, Z. 64.1 will love thee, OLord,Z. 67. Great God and just, Z. 186. Plung'd in the confines of despair, Z. 142. O praise the Lord, all ye heathen, Z. 43. My heart is fixed, O God, Z. 29 (Review by Michael Ullman)

bass 

PURCELL: Ye Tuneful Muses—Welcome Song for James II, Z 344 (1686). Celestial Music Did the Gods Inspire—Ode for a Performance at Mr. Maidwell's School, Z. 322 (1689). From Hardy Climes and Dangerous Toils of War—Ode for the Wedding of Prince George of Denmark and Princess Anne, Z 325 (1683) (Review by Michael Ullman)

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SACCHINI: Nell'orror (Review by Michael Ullman)

baritone 

SCHUBERT: Complete Songs, Vol. 28 (Review by David Johnson)

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SCHUBERT: Complete Songs, Volume 20 (Review by David Johnson)

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SCHUBERT: Complete Songs, Volume 24 (Review by David Johnson)

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SCHUBERT: Mass in A♭, D 678. Hymnus an den Heiligen Geist, D 948. Psalm 92, D 953 (Review by Joel Kasow)

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SCHUBERT: Schäfers Klagelied, D. 121. An Mignon, D. 161. Geistes-Gruss (two versions), D. 142. Rastlose Liebe, D. 138. Der Gott und die Bajadere, D. 254. Tischlied, D. 234. Der Schatzgräber, D. 256. Der Rattenfänger, D. 255. Bundeslied, D. 258. Erlkönig, D. 328. Jägers Abendlied (two versions), D. 215, 368. Wer nie sein Brot mit Tränen ass (two versions), D. 478. Sehnsucht (Nur were die Sehnsucht kennt) (three versions), D. 359, 481, 656. Mignon (So lasst mich scheinen) (two versions), D. 469A, 469B. An Schwager Kronos, D. 369. Hoffnung (Schaff' das Tagwerk meiner Hände), D. 295. Mahomets Gesang, D. 549. Das Goldschmiedsgesell, D. 560. Gesang der Geister über den Wassern (two versions), D. 484, 705 (Review by David Johnson)

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SCHUBERT: Stabat Mater, D 175 (Review by Joel Kasow)

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SCHUBERT: Versunken. Im Gegenwärtigen Vergangenes. Mahomets Gesang. Geheimes. Johanna Sebus. Mignon (Heiss mich nicht reden). Die Nachtigall. Sei mir gegrüsst! Frühlingsgesang. Der Wachtelschlag. Geist der Lieve. Die Liebe hat gelogen. Du liebst mich nicht. Todesmusik. Selige Welt. Ihr Grab. Schatzgräbers Begehr. Der Musensohn. Am Flusse. An die Entfernte. Willkommen und Abschied. Des Tages Weihe (Review by David Johnson)

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SCHUBERT: Winterlied, D. 242a. Das Mädchen von Inistore, D. 281. Ossians Lied nach dem Falle Nathos, D. 278. Als ich sie erröten sah, D. 153. Schwangesang, D. 318. Totenkranz für ein Kind, D. 275. Die Fröhlichkeit, D. 262. Der Zufriedene, D. 320. Alles um Liebe, D. 241. Geist der Liebe, D. 233. Die erste Liebe, D. 182. Die Täuschung, D. 230. Liebesrausch, D. 164. Huldigung, D. 240. Heidenröslein, D. 257. Nachtgesang, D. 314. Der Morgenstern, D. 172. Bergknappenlied, D. 268. Trinklied von der Schlacht, D. 169. Schwertlied, D. 170. Begräbnislied, D. 168. Grablied, D. 218. Osterlied, D. 168a. Hoffnung, D. 251. Punschlied (Im Norden zu singen), D. 253. Klage um Ali Bey, D. 140. Abendständchen ( “An Lina“), D. 265. Tischlerlied, D. 274. Wiegenlied (Schlumm're sanft), D. 304. Die Macht der Liebe, D. 308. Trinklied (Ihr Freunde und du, gold'ner Wein), D. 183. Trinklied (Auf! Jeder sei nun froh), D. 267 (Review by David Johnson)

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STAINER: The Crucifixion (Review by John Bauman)

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STAINER: The Crucifixion (Review by John Bauman)

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STAINER: The Crucifixion—A Meditation on the Sacred Passion of the Holy Redeemer (Review by John Ditsky)

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TELEMANN, GEORG PHILIPP: Die Donner-Ode. Deus judicium tuum (Review by Tom Moore)

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VAUGHAN WILLIAMS: Partsongs, Folksongs, and Shakespeare Settings (Review by Martin Anderson)

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VAUGHAN WILLIAMS: Three Shakespeare Songs. Five English Folksongs. Three Elizabethan Partsongs. Other settings (Review by Martin Anderson)

bass 

VERDI: Macbeth (Review by Joel Kasow)

Servant 

VERDI: Simon Boccanegra (1857) (Review by Joel Kasow)

Servant 

VERDI: Simon Boccanegra (1857) (Review by James Miller)

Servant 

VIVALDI, ANTONIO: Dixit Dominus, RV 595. Domine ad adjuvandum, RV 593. Credidi propter quod, RV 605. Beatus vir, RV 597. Beatus vir, RV 598 (Review by Joel Kasow)

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VIVALDI, ANTONIO: Gloria in D, RV 589 (Review by George Chien)

bass 

VIVALDI, ANTONIO: Gloria in D, RV 589 (Review by Brian Robins)

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VIVALDI, ANTONIO: Orlando (Review by Ralph V. Lucano)

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VIVALDI, ANTONIO: SACRED MUSIC, Vol. 3 (Review by Joel Kasow)

bass 

WEBER: Concertino in E for Horn and Orchestra (Review by Michael Ullman)

baritone 

WELDON: The Tempest (Review by Ralph V. Lucano)

bass 

ZELENKA: Litaniae de Venerabili Sacramento. Regina caeli laetare. Salve Regina, mater misericordiae. Officium defunctorum (Review by Barry Brenesal)

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ZELENKA: Litany (Review by Brian Robins)

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ZELENKA: The Lamentations of Jeremiah (Review by David Johnson)

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