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Performer: Rumon Gamba

THE FILM MUSIC OF SIR ARTHUR BLISS: Music from (Review by Raymond Tuttle)

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ADDINSELL: Goodbye Mr. Chips (Review by Paul A. Snook)

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ADDISON: Film music excerpts from (Review by Paul A. Snook)

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ALWYN: (arr. Philip Lane) The Magic Box (Review by Paul A. Snook)

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ALWYN: (arr. Philip Lane) The Magic Box (Review by Arthur Lintgen)

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ALWYN: A City Speaks (Review by Arthur Lintgen)

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ALWYN: Blackdown (Review by Arthur Lintgen)

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ALWYN: Desert Victory (Review by Paul A. Snook)

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ALWYN: Desert Victory (Review by Martin Anderson)

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ALWYN: Fortune is a Woman (Review by Arthur Lintgen)

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ALWYN: In Search of the Castaways (Review by Paul A. Snook)

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ALWYN: In Search of the Castaways (Review by Martin Anderson)

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ALWYN: Libera me (Review by Paul A. Snook)

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ALWYN: Libera me (Review by Martin Anderson)

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ALWYN: Main Title (Review by Paul A. Snook)

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ALWYN: Main Title (Review by Martin Anderson)

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ALWYN: Miranda (Review by Arthur Lintgen)

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ALWYN: On Approval (Review by Arthur Lintgen)

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ALWYN: Shake Hands with the Devil (Review by Arthur Lintgen)

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ALWYN: State Secret (Review by Paul A. Snook)

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ALWYN: State Secret (Review by Martin Anderson)

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ALWYN: The Black Tent (Review by Arthur Lintgen)

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ALWYN: The Card (Review by Paul A. Snook)

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ALWYN: The Card (Review by Martin Anderson)

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ALWYN: The Crimson Pirate. Green Girdle. Take My Life} A Night to Remember (Review by Paul A. Snook)

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ALWYN: The Crimson Pirate. Green Girdle. Take My Life} A Night to Remember (Review by Martin Anderson)

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ALWYN: The Crimson Pirate (Review by Raymond Tuttle)

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ALWYN: The Master of Ballantrae (Review by Arthur Lintgen)

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ALWYN: The Ship that Died of Shame (Review by Arthur Lintgen)

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ALWYN: The Winslow Boy (Review by Paul A. Snook)

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ALWYN: The Winslow Boy (Review by Martin Anderson)

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ALWYN: They Flew Alone (Review by Arthur Lintgen)

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ANSELL: Plymouth Hoe (Review by Phillip Scott)

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ARBAN: Variations on a Cavatina from Bellini’s Beatrice di Tenda. Variations on Bellini’s Norma (Review by Henry Fogel)

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ARNOLD, MALCOLM: Clarinet Concerto No. 1 (Review by Phillip Scott)

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ARNOLD, MALCOLM: Commonwealth Christmas Overture (Review by Phillip Scott)

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ARNOLD, MALCOLM: David Copperfield (Review by Paul A. Snook)

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ARNOLD, MALCOLM: David Copperfield (Review by Martin Anderson)

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ARNOLD, MALCOLM: Divertimento No. 2 (Review by Phillip Scott)

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ARNOLD, MALCOLM: Film Music, Vol. 2 (Review by Paul A. Snook)

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ARNOLD, MALCOLM: Film Music, Vol. 2 (Review by Martin Anderson)

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ARNOLD, MALCOLM: Homage to the Queen Suite (Review by Paul Ingram)

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ARNOLD, MALCOLM: Larch Trees, op. 3 (Review by Phillip Scott)

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ARNOLD, MALCOLM: Machines (Review by Paul A. Snook)

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ARNOLD, MALCOLM: Machines (Review by Martin Anderson)

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ARNOLD, MALCOLM: No Love for Johnnie (Review by Paul A. Snook)

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ARNOLD, MALCOLM: No Love for Johnnie (Review by Martin Anderson)

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ARNOLD, MALCOLM: Overture (Review by Phillip Scott)

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ARNOLD, MALCOLM: Overtures (Review by Paul A. Snook)

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ARNOLD, MALCOLM: Overtures (Review by Michael Carter)

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ARNOLD, MALCOLM: Philharmonic Concerto (Review by Phillip Scott)

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ARNOLD, MALCOLM: Rinaldo and Armida. Electra. Sweeney Todd (Review by Paul Ingram)

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ARNOLD, MALCOLM: Stolen Face (Review by Paul A. Snook)

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ARNOLD, MALCOLM: Stolen Face (Review by Martin Anderson)

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ARNOLD, MALCOLM: Symphonies (Review by Robert McColley)

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ARNOLD, MALCOLM: The Belles of St. Trinian’s (Review by Paul A. Snook)

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ARNOLD, MALCOLM: The Belles of St. Trinian’s (Review by Martin Anderson)

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ARNOLD, MALCOLM: The Captain’s Paradise (Review by Paul A. Snook)

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ARNOLD, MALCOLM: The Captain’s Paradise (Review by Martin Anderson)

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ARNOLD, MALCOLM: The Holly and the Ivy (Review by Paul A. Snook)

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ARNOLD, MALCOLM: The Holly and the Ivy (Review by Martin Anderson)

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ARNOLD, MALCOLM: The Roots of Heaven (Review by Paul A. Snook)

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ARNOLD, MALCOLM: The Roots of Heaven (Review by Martin Anderson)

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ARNOLD, MALCOLM: Trapeze (Review by Paul A. Snook)

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ARNOLD, MALCOLM: Trapeze (Review by Martin Anderson)

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ARNOLD, MALCOLM: You Know What Sailors Are (Review by Paul A. Snook)

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ARNOLD, MALCOLM: You Know What Sailors Are (Review by Martin Anderson)

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AURIC: Film Scores (Review by Martin Anderson)

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AURIC: Suites from Caesar and Cleopatra; The Titfield Thunderbolt; Dead of Night; Passport to Pimlico; The Innocents; The Lavender Hill Mob; Moulin rouge; Father Brown; It Always Rains on Sunday. Hue and Cry (Review by Martin Anderson)

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AUSTIN, ELIZABETH: Spring (Review by Arthur Lintgen)

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AUSTIN, FREDERIC: The Sea Venturers (Review by Phillip Scott)

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AUSTIN, FREDERIC: The Sea Venturers (Review by Ronald E. Grames)

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BANTOCK: The Frogs (Review by Phillip Scott)

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BANTOCK: The Frogs (Review by Ronald E. Grames)

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BANTOCK: The Witch of Atlas (Review by Arthur Lintgen)

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BELLINI, VINCENZO: Beatrice di Tenda (Review by Henry Fogel)

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BELLINI, VINCENZO: I capuleti e I Montecchi (Review by Henry Fogel)

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BENJAMIN, ARTHUR: The Conquest of Everest (Review by Paul A. Snook)

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BENJAMIN, ARTHUR: The Conquest of Everest (Review by Arthur Lintgen)

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BENJAMIN, ARTHUR: The Man Who Knew Too Much (Review by Paul A. Snook)

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BENJAMIN, ARTHUR: The Man Who Knew Too Much (Review by Arthur Lintgen)

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BERNERS: Champagne Charlie (Review by Paul A. Snook)

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BERNERS: Nicholas Nickleby (Review by Paul A. Snook)

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BERNERS: The Halfway House (Review by Paul A. Snook)

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BLISS, ARTHUR: Mêlée fantasque (Review by Arthur Lintgen)

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BOWEN, YORK: Fantasy Overture (Review by Phillip Scott)

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BURGON: Merciless Beauty. Cello Concerto (Review by Jeremy Marchant)

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BURGON: Viola Concerto (Ghosts of the Dance) (Review by Jeremy Marchant)

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CHAGRIN: Helter Skelter (Review by Paul A. Snook)

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COATES, ERIC: Cinderella. The Selfish Giant. The Three Bears. Miniature Suite. London (London Everyday). Joyous Youth. The Dam Busters (Review by Raymond Tuttle)

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COATES, ERIC: Cinderella. The Selfish Giant. The Three Bears. Miniature Suite. London Suite. Joyous Youth Suite. The Dam Busters March (Review by Ian Lace)

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COATES, ERIC: The Merrymakers (Review by Phillip Scott)

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COLERIDGE-TAYLOR: The Song of Hiawatha (Review by Phillip Scott)

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COLERIDGE-TAYLOR: The Song of Hiawatha (Review by Ronald E. Grames)

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COWEN: Reverie (Review by Arthur Lintgen)

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COWEN: The Butterfly’s Ball (Review by Phillip Scott)

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COWEN: The Butterfly’s Ball (Review by Ronald E. Grames)

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DONIZETTI: Don Pasquale (Review by Henry Fogel)

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DONIZETTI: L’elisir d’amore (Review by Henry Fogel)

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EASDALE: Film Suites (Review by Paul A. Snook)

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EASDALE: The Red Shoes (Review by Paul A. Snook)

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FOGG: Merok (Review by Arthur Lintgen)

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FOULDS, JOHN: April-England (Review by Arthur Lintgen)

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FOULDS, JOHN: Le Cabaret (Review by Phillip Scott)

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GARDINER, HENRY BALFOUR: Overture to a Comedy (Review by Ronald E. Grames)

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GARDINER, WILLIAM: A Berkshire Idyll (Review by Arthur Lintgen)

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GARDINER, WILLIAM: Overture to a Comedy (Review by Phillip Scott)

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GIPPS, RUTH: Chanticleer (Review by James H. North)

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GIPPS, RUTH: Death on the Pale Horse (Review by James H. North)

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GIPPS, RUTH: Knight in Armour. Song for Orchestra (Review by Steven Kruger)

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GIPPS, RUTH: Knight in Armour. Song for Orchestra (Review by Barry Brenesal)

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GIPPS, RUTH: Oboe Concerto (Review by James H. North)

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GIPPS, RUTH: Symphonies Nos. 2 and 4 (Review by Steven Kruger)

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GIPPS, RUTH: Symphonies Nos. 2 and 4 (Review by Barry Brenesal)

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GIPPS, RUTH: Symphony No. 3 (Review by James H. North)

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GOODWIN, RON: 633 Squadron (Review by Paul A. Snook)

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GOOSSENS, EUGENE: By the Tarn (Review by Arthur Lintgen)

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GREGSON: 3 Dance Episodes. Flourish for an Occasion. Fanfare for PL (Review by James A. Altena)

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GREGSON: Aria for Philip (Review by James A. Altena)

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GREGSON: Fanfare for a New Era (Review by James A. Altena)

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GREGSON: Music of the Angels (Review by James A. Altena)

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GREGSON: Quintet for Brass (Review by James A. Altena)

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GREGSON: Symphony in Two Movements (Review by James A. Altena)

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GUNNING, CHRISTOPHER: La Móme Piaf (Review by Paul A. Snook)

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GUNNING, CHRISTOPHER: Lighthouse Hill (Review by Paul A. Snook)

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GUNNING, CHRISTOPHER: Poirot Variants (Review by Paul A. Snook)

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GUNNING, CHRISTOPHER: Pollyanna. Firelight. When the Whales Came (Review by Paul A. Snook)

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GUNNING, CHRISTOPHER: Rebecca (Review by Paul A. Snook)

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GUNNING, CHRISTOPHER: The Hollow. 5 Little Pigs (Review by Paul A. Snook)

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GUNNING, CHRISTOPHER: Under Suspicion. Cold Lazarus. Rosemary and Thyme Caprice (Review by Paul A. Snook)

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GURNEY: A Gloucestershire Rhapsody (Review by Arthur Lintgen)

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HADLEY, PATRICK: Kinder Scout (Review by Arthur Lintgen)

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HERRMANN, BERNARD: Citizen Kane. Hangover Square (Review by Arthur Lintgen)

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HERRMANN, BERNARD: Citizen Kane. Hangover Square (Review by Walter Simmons)

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HOWELL, DOROTHY: Lamia (Review by Arthur Lintgen)

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INDY, VINCENT d': Diptyque méditerranéan (Review by Raymond Tuttle)

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INDY, VINCENT d': Istar. Choral varié. Symphony No. 3 (Review by Raymond Tuttle)

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INDY, VINCENT d': La forêt enchantée. Jour d’été à la montagne. Souvenirs (Review by Adrian Corleonis)

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INDY, VINCENT d': Lied for Cello and Orchestra (Review by Richard A. Kaplan)

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INDY, VINCENT d': Poème des rivages. Symphonie italienne (Review by Robert Markow)

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INDY, VINCENT d': Suite dans le style ancien. Sérénade et Valse (Review by Richard A. Kaplan)

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INDY, VINCENT d': Symphony No. 2 (Review by Adrian Corleonis)

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INDY, VINCENT d': Tableaux de voyage. Karadec (Review by Adrian Corleonis)

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INDY, VINCENT d': Wallenstein. Fervaal (Review by Richard A. Kaplan)

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ISOLFSSON: Veislan á Sólhaugum (The Feast at Solhaug). Úr Myndabók Jónasar Hallgrímssonar (From Jónas Hallgrímsson’s Picture Book) (Review by Daniel Morrison)

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KORNGOLD, ERICH: The Sea Wolf. The Adventures of Robin Hood (Review by Arthur Lintgen)

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LAMBERT, CONSTANT: Anna Karenina (Review by Paul A. Snook)

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LAMBERT, CONSTANT: Merchant Seamen (Review by Paul A. Snook)

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LANGFORD: Fanfare and Ceremonial Prelude. Concertino for Trumpet. Movements for String Orchestra. A Song for All Seasons.* First Suite of Dances. Greenways. Spirit of London. The Hippodrome Waltz, ColourSuiře.-Pastorale; March (Review by Paul A. Snook)

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LEIGH: Agincourt (Review by Phillip Scott)

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LUCAS, LEIGHTON: Ice Cold in Alex (Review by Paul A. Snook)

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LUCAS, LEIGHTON: Ice Cold in Alex (Review by Arthur Lintgen)

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LUCAS, LEIGHTON: Portrait of Clare (Review by Paul A. Snook)

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LUCAS, LEIGHTON: Portrait of Clare (Review by Arthur Lintgen)

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LUCAS, LEIGHTON: Stage Fright (Review by Paul A. Snook)

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LUCAS, LEIGHTON: Stage Fright (Review by Arthur Lintgen)

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LUCAS, LEIGHTON: Target For Tonight (Review by Paul A. Snook)

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LUCAS, LEIGHTON: Target For Tonight (Review by Arthur Lintgen)

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LUCAS, LEIGHTON: The Dam Busters (Review by Paul A. Snook)

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LUCAS, LEIGHTON: The Dam Busters (Review by Arthur Lintgen)

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LUCAS, LEIGHTON: This Is York Suite (Review by Paul A. Snook)

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LUCAS, LEIGHTON: This Is York Suite (Review by Arthur Lintgen)

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LUCAS, LEIGHTON: Yangtse Incident (Review by Paul A. Snook)

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LUCAS, LEIGHTON: Yangtse Incident (Review by Arthur Lintgen)

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MACKENZIE: Britannia (Review by Phillip Scott)

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MACKENZIE: The Little Minister (Review by Phillip Scott)

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MACKENZIE: The Little Minister (Review by Ronald E. Grames)

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MATTHEWS, COLIN: A Vision and a Journey (Review by Peter Burwasser)

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MATTHEWS, COLIN: The Music of Dawn. Concerto in azzurro (Review by Peter Burwasser)

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MERCADANTE: Zaira (Review by Henry Fogel)

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PARKER, CLIFTON: Treasure Island (Review by Paul A. Snook)

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PARRY, HUBERT: Overture to an Unwritten Tragedy (Review by Phillip Scott)

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PARRY, HUBERT: Proserpine, A Short Ballet. Suite moderne (Review by Jerry Dubins)

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PARRY, HUBERT: Prosperine (Review by Steven Kruger)

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PARRY, HUBERT: Suite Moderne (Review by Steven Kruger)

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PARRY, HUBERT: Symphony No. 4 (original version) (Review by Steven Kruger)

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PARRY, HUBERT: Symphony No. 4 (original version) (Review by Jerry Dubins)

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QUILTER: A Children’s Overture (Review by Phillip Scott)

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RAWSTHORNE: Burma Victory (Review by Paul A. Snook)

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RAWSTHORNE: Film Music (Review by Paul A. Snook)

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RAWSTHORNE: Lease of Life (Review by Paul A. Snook)

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RAWSTHORNE: Main Titles (Review by Paul A. Snook)

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RAWSTHORNE: Saraband for Dead Lovers (Review by Paul A. Snook)

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RAWSTHORNE: Suite (Review by Paul A. Snook)

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RAWSTHORNE: The Captive Heart Suite (Review by Paul A. Snook)

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RAWSTHORNE: The Cruel Sea (Review by Paul A. Snook)

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RAWSTHORNE: The Dancing Fleece (Review by Paul A. Snook)

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RAWSTHORNE: Uncle Silas (Review by Paul A. Snook)

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RAWSTHORNE: West of Zanzibar (Review by Paul A. Snook)

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RAWSTHORNE: Where Vultures Fly (Review by Paul A. Snook)

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RICCI, FEDERICO: La festa di Piedigrotta (Review by Henry Fogel)

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ROSSINI: Prélude, Thème, et Variations (Review by Henry Fogel)

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ROSSINI: Semiramide (Review by Henry Fogel)

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RÓZSA: Ben-Hur (Review by Arthur Lintgen)

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RÓZSA: Cello Concerto (Review by Raymond Tuttle)

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RÓZSA: Cello Concerto (Review by Barry Brenesal)

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RÓZSA: Overture to a Symphony Concert. Tripartita. 3 Hungarian Sketches. Hungarian Serenade (Review by Michael Cameron)

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RÓZSA: Rudyard Kipling’s Jungle Book (Review by Arthur Lintgen)

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RÓZSA: Sahara (Review by Arthur Lintgen)

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RÓZSA: Suites from (Review by Robert Markow)

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RÓZSA: The Thief of Baghdad (Review by Arthur Lintgen)

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RÓZSA: Theme, Variations, and Finale (Review by Raymond Tuttle)

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RÓZSA: Theme, Variations, and Finale (Review by Barry Brenesal)

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RÓZSA: Variations on a Hungarian Peasant Song. The Vintner’s Daughter. Hungarian Nocturne (Review by Raymond Tuttle)

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RÓZSA: Variations on a Hungarian Peasant Song. The Vintner’s Daughter. Hungarian Nocturne (Review by Barry Brenesal)

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RÓZSA: Violin Concerto. Concerto for String Orchestra (Review by Raymond Tuttle)

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RÓZSA: Violin Concerto. Concerto for String Orchestra (Review by Barry Brenesal)

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SCHURMANN, GERARD: Attack on the Iron Coast (Review by Arthur Lintgen)

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SCHURMANN, GERARD: Claretta (Review by Arthur Lintgen)

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SCHURMANN, GERARD: Dr Syn, Alias the Scarecrow (Review by Arthur Lintgen)

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SCHURMANN, GERARD: Horrors of the Black Museum (Review by Arthur Lintgen)

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SCHURMANN, GERARD: Konga (Review by Arthur Lintgen)

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SCHURMANN, GERARD: The Ceremony (Review by Arthur Lintgen)

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SCHURMANN, GERARD: The Gambler (Review by Arthur Lintgen)

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SCHURMANN, GERARD: The Long Arm (Review by Arthur Lintgen)

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SMYTH, ETHEL: The Boatswain’s Mate (Review by Phillip Scott)

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SPOLIANSKY, MISCHA: Idol of Paris (Review by Paul A. Snook)

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SPOLIANSKY, MISCHA: King Solomon’s Mines (Review by Paul A. Snook)

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SPOLIANSKY, MISCHA: North West Frontier (Review by Paul A. Snook)

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SPOLIANSKY, MISCHA: Saint Joan (Review by Paul A. Snook)

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SPOLIANSKY, MISCHA: Sanders of the River (Review by Paul A. Snook)

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SPOLIANSKY, MISCHA: The Ghost Goes West (Review by Paul A. Snook)

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SPOLIANSKY, MISCHA: The Happiest Days of Your Life (Review by Paul A. Snook)

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SPOLIANSKY, MISCHA: The Man Who Could Work Miracles (Review by Paul A. Snook)

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SPOLIANSKY, MISCHA: Wanted for Murder (Review by Paul A. Snook)

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STANFORD, CHARLES VILLIERS: Oedipus Tyrannus (Review by Phillip Scott)

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STANFORD, CHARLES VILLIERS: Oedipus Tyrannus (Review by Ronald E. Grames)

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SULLIVAN: Macbeth (Review by Phillip Scott)

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SULLIVAN: Macbeth (Review by Ronald E. Grames)

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VAUGHAN WILLIAMS: 49th Parallel. The Dim Little Island. The England of Elizabeth (Review by Colin Anderson)

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VAUGHAN WILLIAMS: Harnham Down (Review by Arthur Lintgen)

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VAUGHAN WILLIAMS: Scott of the Antarctic. Coastal Command. The People's Land (Review by James Miller)

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VAUGHAN WILLIAMS: Scott of the Antarctic. Coastal Command. The People's Land (Review by Steve Holtje)

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VAUGHAN WILLIAMS: The Solent (Review by Arthur Lintgen)

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VAUGHAN WILLIAMS: The Story of a Flemish Farm. The Loves of Joanna Godden (ed. Hogger) (Review by Arthur Lintgen)

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VAUGHAN WILLIAMS/IRVING: Bitter Springs (ed. Hogger) (Review by Arthur Lintgen)

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VIARDOT-GARCIA, PAULINE: Havanaise. Le dernier sorcier (Review by Henry Fogel)

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VIDAR: Eldur (Fire). Ólafur Liljurós (Review by Daniel Morrison)

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WALTON, WILLIAM: Portsmouth Point (Review by Phillip Scott)

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WILLIAMSON, MALCOLM: Epitaphs for Edith Sitwell. Lento for Strings (Review by Paul A. Snook)

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WILLIAMSON, MALCOLM: Santiago de espada. Our Man in Havana (Review by Paul A. Snook)

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WILLIAMSON, MALCOLM: Symphonies (Review by Paul A. Snook)

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WIREN: Divertimento, op. 29 (Review by Jerry Dubins)

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WIREN: Serenade for Strings, op. 11 (Review by Jerry Dubins)

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WIREN: Sinfonietta in C, op. 7a (Review by Jerry Dubins)

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WIREN: Symphony No. 3, op. 20 (Review by Jerry Dubins)

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