|
Performer: Peter Eötvös MACHOVER: Light... (Peter Eötvös) (Review by Carson Cooman) | conductor | MACHOVER: Light... (Peter Eötvös) (Review by David DeBoor Canfield) | conductor | AMY: Missa cum ¡ubilo (Review by J. F. Weber) | conductor | BARTÓK: Bluebeard's Castle (Review by James H. North) | conductor | BARTÓK: Viola Concerto (Review by William Zagorski) | conductor | BARTÓK: Viola Concerto (Review by Robert Kirzinger) | conductor | BARTÓK: Violin Concerto No. 2 (Review by Gavin Dixon) | conductor | BERIO: Sinfonia. Ekphrasis (Review by Robert Carl) | conductor | BIRTWISTLE: Earth Dances (Review by James H. North) | conductor | BOSE, HANS-JÜRGEN VON: Die Nacht aus Blei—Ballet Suite. Sappho-Gesänge for Mezzo-Soprano and Chamber Orchestra (Review by Stephen Ellis) | conductor | BOZAY: String Quartet No. 2, Op. 27; Improvisations No. 2, Op. 21; Malom, Op. 23 (Review by Peter Frank) | conductor | CARTER, ELLIOTT: Asko Concerto. What Next? (Review by John Story) | conductor | CARTER, ELLIOTT: Asko Concerto. What Next? (Review by Robert Carl) | conductor | CERHA: Cello Concerto (Review by James H. North) | conductor | DALBAVIE: Flute Concerto (Review by Colin Clarke) | conductor | EÖTVÖS: Cricket Music, for Tape. Sequences of the Wind, for Flute, Harmonium, Tuba, Bass, Drum, English Horn, and Wind Imitation (Review by Stephen Ellis) | conductor | EÖTVÖS: DoReMi (Violin Concerto No. 2). Cello Concerto Grosso. Speaking Drums (Review by Raymond Tuttle) | conductor | EÖTVÖS: Halleluja – Oratorium Balbulum. Alle vigtime Senza Nome (Review by Karl F. Miller) | conductor | EÖTVÖS: Jet Stream (Review by Eric J. Bruskin) | conductor | EÖTVÖS: Replica (Review by William Zagorski) | conductor | EÖTVÖS: Replica (Review by Robert Kirzinger) | conductor | EÖTVÖS: Seven (Review by Gavin Dixon) | conductor | EÖTVÖS: Three Sisters (Review by Robert Kirzinger) | conductor | FERNEYHOUGH: Time and Motion Study III 1974 (Review by Mike Silverton) | conductor | GAUSSIN: Irisation-Rituel. Arcane. Camaïeux (Review by Robert Carl) | conductor | GAUSSIN: Éclipse. Eau-forte. Ogive (Review by Benjamin Pernick) | conductor | GRUBER, H. K.: Aerial (Review by Eric J. Bruskin) | conductor | HENZE, HANS WERNER: Das Floss der Medusa (Review by James H. North) | conductor | KAGEL: Ensemble 1971. Intermezzo 1983 (Review by Mike Silverton) | conductor | KURTAG, G.: Messages of the Late Miss R. V. Troussova, op. 17. ... quasi una fantasia... ,op. 27. Scenes from a Novel, op. 19 (Review by James H. North) | conductor | KURTAG, G.: Movement for Viola and Orchestra (Review by William Zagorski) | conductor | KURTAG, G.: Movement for Viola and Orchestra (Review by Robert Kirzinger) | conductor | LACHENMANN: Schwankungen am Rand. Mouvement (—vor der Erstarrung). “. . . zwei Gefühle ...“ (Review by Robert Kirzinger) | conductor | LACHENMANN: Schwankungen am Rand? Mouvement (—vor der Erstarrung), “. . . zwei Gefühle ...“ (Review by Robert Carl) | conductor | LIGETI, GYORGY: Apparitions. San Francisco Polyphony (Review by Gavin Dixon) | conductor | LIGETI, GYORGY: Requiem (Review by Gavin Dixon) | conductor | LIGETI, GYORGY: Violin Concerto (Review by Gavin Dixon) | conductor | LOEVENDIE: Flexió, for Orchestra (Review by Stephen Ellis) | conductor | MACHOVER: Light Soft Morning, City! (Review by Dean P. Suzuki) | conductor | MACHOVER: Nature's Breath. Spectres Parisiens (Review by Kyle Gann) | conductor | MADERNA: Hyperion (Review by William Zagorski) | conductor | RAAFF, ROBIN DE: Piano Concerto (Review by James H. North) | conductor | REICH, STEVE: Mein Name ist... 1981. Tehillim, Part 11981 (Review by Mike Silverton) | conductor | REYNOLDS, ROGER: Odyssey, an Opera in the Mind Summer Island, for Oboe and Computer Sound. Archipelago, for Thirty-two Instruments and Computer Sound. Autumn Island, for Marimba. Fantasy for Piano (Review by Mike Silverton) | conductor | REYNOLDS, ROGER: The Paris Pieces (Review by Mike Silverton) | conductor | RUDERS, POUL: Corpus Cum Figuris. Thus Saw Saint John. Manhattan Abstraction (Review by James H. North) | conductor | SAUNDERS, R.: Alba (Review by Peter Burwasser) | conductor | SCHOENBERG, ARNOLD: Pierrot Lunaire, op. 21 . Chamber Symphony No. 1, op. 9 (Review by James H. North) | conductor | SCHREKER, FRANZ: Chamber Symphony in A (Review by James H. North) | conductor | STOCKHAUSEN, KARL-HEINZ: Donnerstag aus Licht (Review by Kyle Gann) | conductor | STOCKHAUSEN, KARL-HEINZ: Donnerstag aus Licht (Review by Benjamin Pernick) | Hammond organ | STOCKHAUSEN, KARL-HEINZ: Prozession (Review by Benjamin Pernick) | electrochord synthesizer | TURNAGE: From the Wreckage (Review by Eric J. Bruskin) | conductor | VRIES, KLAAS DE: Areas, for Orchestra & Chorus (Review by Stephen Ellis) | conductor | WITTINGER: Maldoror Requiem, for Eight Soloists, Mixed Chorus, Narrator, and Large Orchestra, op. 42 (Review by John Ditsky) | conductor |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|