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Performer: Erika Duke-Kirkpatrick ALEXANDER, KATHRYN: And the Whole Air Is Tremulous (Review by Mike Silverton) | cello | ANDRIESSEN, LOUIS: Hoketus (Review by Mike Silverton) | cello | BABBITT: None but the Lonely Flute (Review by Mike Silverton) | cello | CAGE, JOHN: Ryoanji (Review by Mike Silverton) | cello | CARTER, ELLIOTT: Enchanted Preludes. Esprit Rude/Esprit Doux. Canon lor Four—Homage to William (Review by Mike Silverton) | cello | FELDMAN, MORTON: Trio for Flutes (Review by Mike Silverton) | cello | JÄRVINEN: Egyptian Two Step (Review by Mike Silverton) | cello | LA BARBARA, JOAN: Calligraphy ll/Shadows. Rothko. Shamansong (Review by John Story) | cello | LEBARON, ANNE: Pope Joan. Transfiguration (Review by Robert Carl) | cello | MATSON: Cut To Bar Interior, Annunciation, Berkeley Hills, Tight Lines (Review by Carla Maria Verdino-Süllwold) | cello | MOSKO: For Morton Feldman. Indigenous Music II. Flute (Review by Mike Silverton) | cello | POWELL, MEL: Sextet. Immobiles. Invocation. Sonatine. AmyAbilities. Prelude. Setting (Review by Robert Kirzinger) | cello | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | cello | STEIGER: Quintessence (Review by Mike Silverton) | cello | STOCKHAUSEN, KARL-HEINZ: Dr. K— Sextet (Review by Mike Silverton) | cello | TORKE: The Yellow Pages (Review by Mike Silverton) | cello |
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