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James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

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Performer: Alfred Deller

CHANT GRÉGORIEN: On 190235 (Review by J. F. Weber)

director 

ALFRED DELLER—PORTRAIT D’UNE VOIX: (Review by Christopher Brodersen)

countertenor 

CHRISTMAS CAROLS AND MOTETS: (Review by George Chien)

countertenor 

ENGLISH SONGS AND MADRIGALS: (Review by J. F. Weber)

director 

ENGLISH, FRENCH AND ITALIAN MADRIGALS: (Review by J. F. Weber)

director 

FOLK SONGS AND BALLADS: (Review by Michael Ullman)

countertenor 

FOLKSONGS: (Review by J. F. Weber)

countertenor 

LE CHANT DES ABBAYES: (Review by J. F. Weber)

director 

NOW IS THE MONTH OF MAYING: (Review by J. F. Weber)

director 

O RAVISHING DELIGHT: (Review by J. F. Weber)

countertenor 

PRELUDE BAROQUE: (Review by J. F. Weber)

director 

SHAKESPEARE SONGS: (Review by J. F. Weber)

countertenor 

ANONYMOUS: Have you seen but the white lily grow (Review by Tom Godell)

countertenor 

ANONYMOUS: Miserere My Maker (Review by J. F. Weber)

countertenor 

ANONYMOUS: Miserere My Maker (Review by James Miller)

countertenor 

ANONYMOUS: The Bitter Sweet; The Happy Life; I Smile To See How You Devise (Review by Beverly Simmons)

director 

BACH, JOHANN SEBASTIAN: Magnificat (Review by J. F. Weber)

countertenor 

BARTLET, JOHN: Of All The Birds (Review by James Miller)

countertenor 

BARTLET, JOHN: Of All the Birds That I Do Know (Review by Beverly Simmons)

director 

BENNET, JOHN: All Creatures Now Are Merry-Minded; Weep O Mine Eyes (Review by Beverly Simmons)

director 

BLOW, JOHN: Ah, heaven, what is’t I hear (Review by Tom Godell)

countertenor 

BLOW, JOHN: Marriage Ode. Cloe found Amyntas lying. Ode on the Death of Mr. Henry Purcell (Review by J. F. Weber)

director 

BLOW, JOHN: Ode on the Death of Mr. Henry Purcell (Review by Michael Ullman)

countertenor 

BLOW, JOHN: The Fair Lover. The Self-Banished (Review by James Miller)

countertenor 

BUXTEHUDE: Cantatas, Preludes, and Fugues (Review by J. F. Weber)

conductor 

BUXTEHUDE: Jubilate Domino (Review by J. F. Weber)

countertenor 

BUXTEHUDE: Jubilate Domino (Review by J. F. Weber)

director 

BUXTEHUDE: Preludes and Fugues (Review by J. F. Weber)

conductor 

BYRD, WILLIAM: Masses for Three, Four, Five Voices (Review by J. F. Weber)

director 

CACONI: Amarilii. Pien d'amorosa affetto (Review by James Miller)

countertenor 

CAMPION, THOMAS: I Care Not For These Ladies. The Cypress Curtain (Review by James Miller)

countertenor 

CAMPION, THOMAS: Never Weatherbeaten Sail. Most Sweet and Pleasing. Author of Light. To Music Bent (Review by J. F. Weber)

countertenor 

CHANT, GREGORIAN: Responses and Gallican Monodies (Review by J. F. Weber)

director 

CHANT, GREGORIAN: “Elegies for Kings and Princes (Review by J. F. Weber)

director 

CHANT, GREGORIAN: “The Prague Easter Play (Review by J. F. Weber)

director 

CHANT, GREGORIAN: “The Wedding at Cana (Review by J. F. Weber)

director 

CLARKE, JEREMIAH: In Her Brave Offspring. The Glory of Arcadian Groves (Review by James Miller)

countertenor 

COUPERIN, FRANÇOIS: Leçons de Ténèbres (Review by Edward Strickland)

countertenor 

CROFT: My Time, O Ye Muses (Review by James Miller)

countertenor 

DOWLAND, JOHN: Come again, sweet love. I saw my lady weep. Orlando sleepeth. Tarlton's Resurrection. Sir John Smith's almain. Mistress White's Nothing. My Lord Chamberlain's Galliard. From silent night. Flow not so fast, ye fountains. My Lord Willoughby's Welcome Home. Mistress Winter's Jump. Melancholy Galliard. My Lady Hunsdon's Puff. Shall I sue? In darkness let me dwell. The First Galliard. Can she excuse my wrongs? Come, heavy Sleep. Captain Digory Piper's Pavan and Galliard. Go, nightly cares (Review by Tom Moore)

countertenor 

DOWLAND, JOHN: Lute Songs, Volume II. Come, Heavy Sleep (Review by Tom Moore)

countertenor 

DOWLAND, JOHN: Lute Songs. Lute Solos (Review by Edward Strickland)

countertenor 

DOWLAND, JOHN: Shall I Sue. I Saw My Lady Weep. Wilt Thou Unkind. Fine Knacks for Ladies. Flow My Tears. Come Heavy Sleep (Review by James Miller)

countertenor 

ECCLES, JOHN: Oh, The Mighty Power of Love (Review by James Miller)

countertenor 

EDWARDS, ROSS: In Going to My Naked Bed; When Griping Griefs (Review by Beverly Simmons)

director 

GESUALDO: Madrigali and Sacrae Cantiones (Review by J. F. Weber)

director 

GESUALDO: Responsoria et Allia ad Officium Hebdoma-dae Sanctae Spectantiae (Review by Beverly Simmons)

director 

GESUALDO: Responsories of Tenebrae (Holy Thursday) (Review by J. F. Weber)

director 

GESUALDO: Responsories of the first and second nocturns of Good Friday (Review by J. F. Weber)

director 

GESUALDO: Sabbato Sancto (Nine Responsories for Tenebrae) (Review by J. F. Weber)

director 

GESUALDO: Sacred Music, Volume 2 (Review by J. F. Weber)

director 

GESUALDO: Sacred Music, Volume I (Review by Beverly Simmons)

director 

HANDEL, GEORGE FRIDERIC: Sosarme (Review by J. F. Weber)

countertenor 

JOHNSON, ROBERT: Defiled Is My Name; Benidicam Domino (Review by Beverly Simmons)

director 

MORLEY: Ho! Who Comes Here?; Sweet Nymph; (Review by Beverly Simmons)

director 

MORLEY: The Triumphs of Oriana (Review by J. F. Weber)

director 

PILKINGTON: Rest Sweet Nymphs (Review by James Miller)

countertenor 

PURCELL: 12 Songs. If ever I more riches did desire. Laudate Caeciliam (Review by J. F. Weber)

director 

PURCELL: Catches; Anthem (Review by Mortimer H. Frank)

director 

PURCELL: Celebrated Songs, Sacred Airs, and Concerted Pieces for Strings and Harpsichord (Review by George Chien)

countertenor 

PURCELL: Come, Ye Sons of Art (Review by J. F. Weber)

countertenor 

PURCELL: Dido and Aeneas. Hail! Bright Cecilia! The Masque in Dioclesian. Come, Ye Sons of Art. My Beloved Spake (Review by Michael Ullman)

countertenor 

PURCELL: King Arthur (Review by J. F. Weber)

conductor 

PURCELL: King Arthur (Review by J. F. Weber)

conductor 

PURCELL: King Arthur. Extracts (Review by J. F. Weber)

director 

PURCELL: King Arthur. The Masque from Timon of Athens (Review by J. F. Weber)

director 

PURCELL: King Arthur (Review by J. F. Weber)

countertenor 

PURCELL: King Arthur (Review by J. F. Weber)

director 

PURCELL: Music for a While. 13 other songs (Review by J. F. Weber)

countertenor 

PURCELL: O Lord, Grant the Queen a Long Life (Review by George Chien)

countertenor 

PURCELL: O Solitude; O Lord, God of Hosts; O give thanks; My song shall be away; Hear my prayer O Lord; Blow up the trumpet of Sion (Review by J. F. Weber)

director 

PURCELL: Ode for St. Cecilia's Day. Rejoice in the Lord Alway (Review by J. F. Weber)

conductor 

PURCELL: Ode on St. Cecilia's Day—“Welcome to All the Pleasures“ ( 1683). Ode on Queen Mary's Birthday (1692) (Review by Michael Ullman)

conductor 

PURCELL: Ode on St. Cecilia's Day—“Welcome to All the Pleasures“ ( 1683). Ode on Queen Mary's Birthday (1692) (Review by Michael Ullman)

countertenor 

PURCELL: Songs and Airs (Review by George Chien)

countertenor 

PURCELL: Songs from Taverns and Chapels (Review by J. F. Weber)

director 

PURCELL: Sound the trumpet (Review by Tom Godell)

countertenor 

PURCELL: The Indian Queen (Review by David Johnson)

countertenor 

PURCELL: The Indian Queen (Review by David Johnson)

director 

PURCELL: The Indian Queen; Timon of Athens (Review by Mortimer H. Frank)

conductor 

PURCELL: The Plaint; If music be the food of love; I attempt from love's sickness to fly; Fairest Isle; Sweeter than roses; Not all my torments; Thrice happy lovers; Evening hymn; From rosy bowers; O lead me to some peaceful gloom; Retired from any mortal's sight; Music for a while; Since from my dear Astrea's sight (Review by J. F. Weber)

countertenor 

PURCELL: Violin Sonata in g. Harpsichord Suite in D. Sonata No. 9 in F. Occasional music for harpsichord (Review by Michael Ullman)

countertenor 

PURCELL: With Sick and Famished Eyes. Since From My Dear As-trea's Sight. O Lead Me to Some Peaceful Gloom. Olinda. The Indian Queen (Review by James Miller)

countertenor 

PURCELL, D.: O Ravishing Delight (Review by James Miller)

countertenor 

ROSSETER: What then is love but mourning? (Review by Tom Godell)

countertenor 

ROSSETER: When Then Is Love But Mourning? What Then Is Love? (Review by James Miller)

countertenor 

SARACINI: Pallidette qual viola. Da te parto cor mio (Review by James Miller)

countertenor 

SCARLATTI, A.: Infirmate vulnerata (Review by James Miller)

countertenor 

SHEPHERD: O Happy Dames (Review by Beverly Simmons)

director 

TALLIS: Lamentations of Jeremiah. Jam lucis orto. Salvator mundi. Deus tuorum mllltum. Iste confessor. Sermone blande. Jam Christus astra. Ex more dodi. Te lucis ante terminům II (Review by J. F. Weber)

director 

TALLIS: Like As the Doleful Dove (Review by Beverly Simmons)

director 

TALLIS: Sacred Music (Review by J. F. Weber)

director 

TOMKINS: Madrigals, Fantasias, and Sacred Music (Review by J. F. Weber)

director 

VAUTOR: Mother, I Will Have a Husband (Review by Beverly Simmons)

director 

VECCHI: L'Amfiparnaso (Review by J. F. Weber)

director 

WARD, ROBERT: Hope of My heart (Review by Beverly Simmons)

director 

WEELKES: Cease Sorrows Now; To Shorten Winter's Sadness; O Care, Thou Wilt Despatch Me; The Ape, The Monkey and The Baboon; Strike It Up, Tabor; On the Plains, Fairy Trains; All At Once Well Met; Young Cupid Hath Proclaimed; Thule, the Period of Cosmography (Review by Beverly Simmons)

director 

WEELKES: To shorten winter's sadness. Thule, the period of cosmography. The Andalusian merchant. Fantasy for viols a 6. 0 care, thou wilt dispatch me. Hence care, thou art too cruel. The Cries of London. When David heard. In nomine a 5. All laud and praise. Lachrimae for viols. O Lord, arise into Thy resting place (Review by J. F. Weber)

director 

WILBYE: Oft Have I Vowed; Sweet Honey-Sucking Bees; Flora Gave Me Fairest Flowers; Lady, When I Behold; Adieu, Sweet Amaryllis (Review by Beverly Simmons)

director 

 

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