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EARLY MUSIC RECITAL: (Review by Brian Robins)

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ADLER, SAMUEL: String Quartet No. 6 (Review by Walter Simmons)

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ADLER, SAMUEL: String Quartets (Review by James H. North)

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ADLER, SAMUEL: Time, You Old Gypsy Man (Review by John Ditsky)

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ARGENTO: Royal Invitation—Home to the Queen of Tonga (Review by Walter Simmons)

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BABBITT: The Widow's Lament in Springtime (Review by John Ditsky)

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BEETHOVEN, LUDWIG VAN: 3 Songs on Goethe (Review by Henry Fogel)

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BEETHOVEN, LUDWIG VAN: 3 Songs on Goethe (Review by Bill White)

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BEETHOVEN, LUDWIG VAN: Abendlied underm gestirnten Himmel (Review by Henry Fogel)

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BEETHOVEN, LUDWIG VAN: Abendlied underm gestirnten Himmel (Review by Bill White)

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BENSON, WARREN: American Primitive (Review by John Ditsky)

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BENSON, WARREN: Moon Rain and Memory Jane. Five Lyrics of Louise Bogan (Review by Kyle Gann)

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BENSON, WARREN: Songs for the End of the World (Review by Robert Kirzinger)

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BERIO/WEILL: Surabaya Johnny (Review by Mike Silverton)

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BERLIOZ: Les Nuits d'été, op. 7 (chamber orch. arr. by Philip West) (Review by Adrian Corleonis)

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BIRTWISTLE: Punch and Judy (Review by John Ditsky)

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BIRTWISTLE: Punch and Judy (Review by Paul Moor)

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BIRTWISTLE: Punch and Judy (Review by Peter J. Rabinowitz)

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BIRTWISTLE: Punch and Judy (Review by John Ditsky)

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BIRTWISTLE: Punch and Judy (Review by Paul Moor)

Judy 

BIRTWISTLE: Punch and Judy (Review by Peter J. Rabinowitz)

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BIRTWISTLE: Punch and Judy (Review by Colin Clarke)

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BIRTWISTLE: Punch and Judy (Review by John Ditsky)

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BLANK, ALLAN: Duo for Bassoon and Piano (Review by John Ditsky)

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BLUMENFELD: Rilke (Review by James H. North)

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BOLCOM, WILLIAM: Waitin (Review by John Ditsky)

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BOULEZ, PIERRE: Improvisation No. 2 (“Une dentelle s'abolit“) (Review by Mike Silverton)

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BOULEZ, PIERRE: Improvisation No. 2. Eclat (Review by Art Lange)

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BOULEZ, PIERRE: Éclat (Review by John Ditsky)

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BRAHMS, JOHANNES: Lieder (Review by Ralph V. Lucano)

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BRAHMS, JOHANNES: Songs (Review by Philip Hart)

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BRAHMS, JOHANNES: Verzagen, op. 72, no. 4. O kühler Wald, op. 72, no. 3. Zigeunerlieder, op. 103. Geistliches Wiegenlied, op. 91, no. 2 (Review by Ralph V. Lucano)

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BRAHMS, JOHANNES: Zigeunerlieder, Op. 103. Alte Liebe, Op. 72, no. 2. Sommerfaden, Op. 72, no. 3. 0 kühler Wald, Op. 72, no. 4. Verzagen, Op. 72, no. 5. Unüberwindlich, Op. 72, no. 6. Vier ernste Gesänge, Op. 121 (Review by Philip Hart)

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BRAHMS, JOHANNES: Zigeunerlieder, op. 103. Fünf Gesänge, op. 72 (Review by Ralph V. Lucano)

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BREHM, ALVIN: Cycle of Six Songs on Poems of Garcia-Lorca (Review by John Ditsky)

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CADMAN, CHARLES WAKEFIELD: The Moon Drops Low (Review by John Ditsky)

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CAGE, JOHN: Little Four Paws (Review by John Ditsky)

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CAGE, JOHN: The Wonderful Widow of Eighteen Springs (Review by James H. North)

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CARTER, ELLIOTT: Dust of Snow. The Rose Family (Review by John Ditsky)

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CARTER, ELLIOTT: Holiday Overture. Pocahontas (Review by Alex Ross)

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CARTER, ELLIOTT: Syringa. Concerto for Orchestra (Review by John Ditsky)

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CARTER, ELLIOTT: Tell Me Where Is Fancy Bred (Review by James H. North)

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CARTER, ELLIOTT: The Minotaur. Piano Sonata. 2 Songs (Review by John Story)

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CARTER, ELLIOTT: The Minotaur. Two Songs (from Three Poems by Robert Frost). Piano Sonata (Review by Art Lange)

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CHAUSSON: Amour d'antan. Le Charme. Le Temps de lilas. Les Papillons. Le Colibri. La Caravane (Review by Henry Fogel)

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CHAUSSON: Amour d'antan. Le Charme. Le Temps des lilas. Les Papillons. Le Colibri. La Caravane (Review by Walter Simmons)

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CHAUSSON: Six Songs (Review by Walter Simmons)

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CLARKE, REBECCA: Lethe (Review by John Ditsky)

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CLARK, ROBERT KEYS: Concerto for Clarinet and Chamber Orchestra (Review by John Ditsky)

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COPLAND, AARON: AN EIGHTY-FIRST BIRTHDAY CONCERT (Review by Henry Fogel)

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COPLAND, AARON: Old American Songs (Review by Henry Fogel)

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COPLAND, AARON: There Camee a Wind Like a Bugle (Review by John Ditsky)

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CRUMB, GEORGE: 3 Early Songs (Review by Colin Clarke)

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CRUMB, GEORGE: 3 Early Songs. The Sleeper (Review by Henry Fogel)

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CRUMB, GEORGE: 3 Early Songs. The Sleeper (Review by Bill White)

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CRUMB, GEORGE: An Idyll for the Misbegotten. Vox Balaenae (Voice of the Whale) Madrigals, Books I—IV (Review by Edward Strickland)

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CRUMB, GEORGE: Ancient Voices of Children. Music for a Summer Evening (Makrokosmos III) (Review by Kyle Gann)

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CRUMB, GEORGE: Apparition—Elegiac Songs and Vocalises for Soprano and Amplified Piano (Review by John Ditsky)

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CRUMB, GEORGE: Apparition—Elegiac Songs and Vocalises for Soprano and Amplified Piano (Review by Leslie Gerber)

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CRUMB, GEORGE: Lux Aeterna; Four Nocturnes (Night Music II); (Review by John Ditsky)

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CRUMB, GEORGE: Madrigals (Review by James H. North)

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CRUMB, GEORGE: Night Music I (Review by John Ditsky)

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CRUMB, GEORGE: Night Music I (Review by Art Lange)

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CRUMB, GEORGE: Night Music I (Review by Mike Silverton)

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CRUMB, GEORGE: Songs, Drones, and Refrains of Death. A Little Suite for Christmas, A.D. 1979. Apparition (Review by Mike Silverton)

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CRUMB, GEORGE: The Sleeper (Review by Colin Clarke)

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CRUMB, GEORGE: The Sleeper. Irving (Review by John Ditsky)

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DALLAPICOLLA: Concerto for Christmas. Parole de San Paolo (Review by Mike Silverton)

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DALLAPICOLLA: Concerto per la notte di natale dell'anno 1956. Parole di San Paolo (Review by Art Lange)

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DAVIDOVSKY, MARIO: Lost (Review by John Ditsky)

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DEBUSSY: Chansons de Bilitis. Fêtes Galantes, Series I and II (Review by Dean P. Suzuki)

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DEBUSSY: Fêtes galantes, Series I and II. Chansons de Bilitis (Review by Henry Fogel)

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DEBUSSY: Fêtes galantes (Review by Henry Fogel)

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DEBUSSY: Fêtes galantes (Review by Bill White)

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DLUGOSZEWSKI: Fire Fragile Flight (Review by John Ditsky)

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DLUGOSZEWSKI: Fire Fragile Flight (Review by Art Lange)

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DLUGOSZEWSKI: Fire Fragile Flight (Review by Mike Silverton)

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DRUCKMAN, JACOB: Dark Upon the Harp (Review by Mike Silverton)

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DRUCKMAN, JACOB: Lamia (Review by Walter Simmons)

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FALLA, MANUEL DE: The Three-Cornered Hat (Review by James H. North)

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FAURÉ, GABRIEL: La Chanson d'Eve, op. 95 (Review by Mike Silverton)

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FINE, IRVING: Concertante for Piano and Orchestra. Missa Brevis, for Four Cellos and Taped Voice. Momenti, for Piano Solo. Quartet for Brass. Sinfonia and Fugato, for Solo Piano. Alcestis (Review by Martin Anderson)

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FINE, IRVING: My Father (Review by John Ditsky)

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FINE, VIVIAN: Quartet for Brass. Momenti, for solo piano. Missa Brevis, for taped mezzo-soprano and four cellos (Review by John Ditsky)

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FOLEY, DAVID: Four Pieces for Saturday Afternoon (Review by John Ditsky)

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FOSTER, STEPHEN: Beautiful Child of Song (Review by John Ditsky)

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FOSTER, STEPHEN: Jeanie with the Light Brown Hair. There's a Good Time Coming. Was My Brother in the Battle?; Sweetly She Sleeps, My Alice Fair; If You've Only Got a Moustache; Gentle Annie; Wilt Thou Be Gone, Love?; That's What's the Matter; Ah! May the Red Rose Live Alway; I'm Nothing But a Plain Old Soldier; Beautiful Dreamer; Mr. & Mrs. Brown; Slumber My Darling; Some Folks; We Are Coming, Father Abraam, 300,000 More; Linger in Blissful Repose; There Are Plenty Of Fish in the Sea; Come Where My Love Lies Dreaming; The Soiree Polka; Better Times Are Coming; Katy Bell; The Hour for Thee and Me; Summer Longings (Review by David Johnson)

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FRAZELLE: Worldly Hopes (Review by Henry Fogel)

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FRAZELLE: Worldly Hopes (Review by Bill White)

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GERSHWIN: Our Love Is Here to Stay (Review by Henry Fogel)

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GERSHWIN: Our Love Is Here to Stay (Review by Bill White)

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HAYDN, FRANZ JOSEPH: Arianna a Naxos (Review by Henry Fogel)

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HAYDN, FRANZ JOSEPH: Arianna a Naxos (Review by Bill White)

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HAYDN, FRANZ JOSEPH: Seven Last Words of Christ (Review by J. F. Weber)

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HINDEMITH, PAUL: A Requiem for Those We Love (“When Lilacs Last in the Dooryard Bloom'd“) (Review by John Ditsky)

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HODKINSON: Alte Liebeslieder, Book IV (Review by Robert Kirzinger)

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HODKINSON: Dance Variations (Review by Walter Simmons)

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HODKINSON: MacCOMBIE Leaden Echo, Golden Echo (Review by Robert Kirzinger)

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IMBRIE: Tell Me Where Is Fancy Bred (Review by James H. North)

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IVES, CHARLES: Down East. Two Little Flowers. Tom Sails Away. The See'r. Songs My Mother Taught Me. The Side Show. The White Gulls. West London. Afterglow (Review by John Ditsky)

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IVES, CHARLES: Down East. Two Little Flowers. Tom Sails Away. The See'r. Songs My Mother Taught Me. The Side Show. The White Gulls. West London. Afterglow (Review by Leslie Gerber)

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IVES, CHARLES: Song (She Is Not Fair). The All-Enduring (on CD only). Sunrise, for Voice, Violin, and Piano (Review by John Ditsky)

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IVES, CHARLES: Songs (9) (Review by John Ditsky)

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IVES, CHARLES: Songs (Review by Peter J. Rabinowitz)

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IVES, CHARLES: The Housatonic at Stockbridge. Memories. From “Paracelsus“ The Things Our Fathers Loved. Ann Street. The Innate. The Circus Band. In the Mornin'. Serenity. Majority. Thoreau. At the River. The Indians. The Cage. Like a Sick Eagle. A Christmas Carol. A Farewell to Land (Review by Peter J. Rabinowitz)

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JACOBS-BOND, CARRIE: Nothin' But Love. I Love You Truly. Her Greatest Charm (Review by John Ditsky)

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KAGEN: The Junk Man (Review by John Ditsky)

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KERNIS: Stein X Seven (Review by John Ditsky)

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KOLB, BARBARA: The Sentences“ (Review by James H. North)

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KUPFERMAN, MEYER: Libretto for Orchestra. Divertimento for Orchestra. Chamber Symphony. Atto, for Orchestra, Mask of Electra (Review by Richard Burke)

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KUPFERMAN, MEYER: Orchestral Music, Volume 2 (Review by Richard Burke)

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KURTAG, G.: Scenes from a Novel, op. W (Review by James H. North)

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MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by Adrian Corleonis)

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MASLANKA: Duo for Flute and Piano. Heaven to clear when day did close (Review by Robert Kirzinger)

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MAXWELL DAVIES, PETER: Dark Angels (Review by Benjamin Pernick)

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MOORE, THOMAS: Moore's Irish Melodies (19) (Review by John Ditsky)

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MORYL: Das Lied (Review by Benjamin Pernick)

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MOZART: Mass in C, K. 317 (“Coronation“); Concerto for Piano and Orchestra No. 26 in D, K. 537 (“Coronation“) (Review by Mortimer H. Frank)

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MUSSORGSKY: The Nursery (Review by Donald Seibert)

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MUSSORGSKY: The Nursery (Review by James H. North)

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PORTER, COLE: At Long Last Love; I've Got You Under My Skin; Just One of Those Things; Easy to Love; It's Bad for Me; Night and Day; I Get a Kick Out of You; Good-bye, Little Dream, Good-bye; Love for Sale; In the Still of the Night; I Concentrate on You; You're Sensational; What IsThisThingCalled Love?; Ri-din' High; You Don't Remind Me; Use Your Imagination; Find Me a Primitive Man; Most Gentlemen Don't Like Love; Ev'ry Time We Say Good-bye (Review by George Chien)

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PORTER, COLE: Classic Cole (Review by George Chien)

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POULENC: Les Gars qui vont à la Fête. A sa Guitarre. C’est ainsi que tu es. Main dominée par le cour. Amoureuses (Review by Henry Fogel)

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POULENC: Les Gars qui vont à la Fête. A sa Guitarre. C’est ainsi que tu es. Main dominée par le cour. Amoureuses (Review by Bill White)

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POUSSEUR: Trois Chants Sacrés (Review by Mike Silverton)

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POUSSEUR: Trois Chants sacrés (Review by Art Lange)

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RACHMANINOFF: Eight Songs (Review by Walter Simmons)

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RACHMANINOFF: Oh, Do Not Grieve, Op. 14/8. Lilacs, Op. 21/5. Christ Is Risen, Op. 26/6. The Answer, Op. 21/4. To the Children, Op. 26/7. A Passing Breeze, Op. 34/4. How Long Since Love, Op. 14/3. The Harvest of Sorrow, Op. 4/5 (Review by Walter Simmons)

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RACHMANINOFF: Oh, Do Not Grieve. Lilacs. Christ Is Risen. The Answer. To The Children. A Passing Breeze. How Long Since Love. The Harvest of Sorrow (Review by James H. North)

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RAN: O, The Chimneys (Review by James H. North)

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RAVEL: Chansons Madecasses; Sites Auriculaires (for two pianos); Frontispice (for piano five-hands); Sonata for Violin and Cello (Review by Elliott Kaback)

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RAVEL: Histoires Naturelles (Review by Dean P. Suzuki)

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RAVEL: Histoires naturelles (Review by Henry Fogel)

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ROCHBERG: Tableaux—Sound Pictures from The Silver Talons of Piero Kostrov. String Quartet No. 2 (Review by James H. North)

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ROREM: Interlude (Review by John Ditsky)

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SCHOENBERG, ARNOLD: Pierrot Lunaire (Review by Art Lange)

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SCHOENBERG, ARNOLD: Pierrot Lunaire' (Review by Mike Silverton)

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SCHOENBERG, ARNOLD: Pierrot Lunaire, op. 21. The Book of the Hanging Gardens, op. Í5 (Review by James H. North)

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SCHUBERT: Mass No. 4 in C. Minuet and Finale. Eine kleine Trauemiusik. Gesang der Geister über den Wassern (Review by J. F. Weber)

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SCHUBERT: Schäfers Klagelied, D. 121. Rastlose Liebe, D. 138. Blondel zu Marien, D. 626. Der Musensohn, D. 764. Lied der Mignon, D. 877. Heidenröslein, D. 257. Sprache der Liebe, D. 412. An mein Herz, D. 860. Ganymede, D. 544 (Review by Marc Mandel)

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SCHUBERT: Songs (Review by Marc Mandel)

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SCHUMANN: (12) Duets from Opp. 34, 37, 74, 78, 101; Wilhelm Meister Songs, Op. 98a (Review by Elliott Kaback)

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SCHUMANN: Duets. Four “Wilhelm Meister“ Songs, from op. 98a (Review by Marc Mandel)

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SCHUMANN: Frauenliebe und -leben, op. 42. Mondnacht, op. 39, no. 5 (Review by Ralph V. Lucano)

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SCHUMANN: Unterm Fenster, op. 34, no. 3. So wahr die Sonne scheinet, op. 37, no. 12. Wer nie sein Brot mit Tränen ass (The Harper's first song), op. 98a, no. 4. Tanzlied, op. 78, no. 1. In der Nacht, op. 74, no. 4. Er und Sie, op. 78, no. 2. Singet nicht in Trauertönen (Philina's song), op. 98a, no. 7. Familien-Gemälde, op. 34, no. 4. Die tausend Grüsse, op. 101, no. 7. Ich bin dein Baum, op. 101, no. 3. Liebhabers Ständchen, op. 34, no. 2. Heiss mich nicht reden (Mignon's song), op. 98a, no. 5. Ich denke dein, op. 78, no. 3. An die Türen will ich schleichen (The Harper's third song), op. 98a, no. 8. Schön ist das Fest des Lenzes, op. 37, no. 7. Weigenlied, op. 78, no. 4 (Review by Marc Mandel)

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SCHUMAN, WILLIAM: Dozing on the Lawn (Review by John Ditsky)

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SCHUMAN, WILLIAM: Orpheus with His Lute (Review by James H. North)

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SEEGER, RUTH CRAWFORD: Home Thoughts, White Moon. Joy (Review by John Ditsky)

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SHOSTAKOVICH: Songs from Jewish Folk Poetry, op. 79 (Review by James H. North)

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SMITH, GREGG: Steps (Review by James H. North)

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STRAUSS, RICHARD: Zueignung. Ich trage meine Minne. Ruhe, meine Seele. All mein Gedanken. Morgen (Review by Henry Fogel)

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STRAUSS, RICHARD: Zueignung. Ich trage meine Minne. Ruhe, meine Seele. All mein Gedanken. Morgen (Review by Bill White)

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TCHAIKOVSKY: A Summer Love Tale, Op. 6, No. 2. Blue Eyes of Spring. The Sounds of Day Are Still, Op. 47, No. 4. Was I Not a Blade of Grass? Op. 47, No. 7. From the Day That I was Born, Op. 27, No. 5. The Canary, Op. 25, No. 4. It Was in the Early Spring, Op. 38, No. 2. Invocation to Sleep, Op. 27, No. 1. Take Away My Heart. None but the Lonely Heart, Op. 6, No. 6 (Review by Donald Seibert)

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TCHAIKOVSKY: A Summer Love Tale. Blue Eyes of Spring. The Sounds of Day Are Still. Was I Not a Blade of Grass? From The Day That I Was Born. The Canary. It Was In The Early Spring. Invocation To Sleep. Take Away My Heart. None But The Lonely Heart (Review by James H. North)

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TCHAIKOVSKY: Songs (Review by Donald Seibert)

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THORNE, FRANCIS: Seven Set Pieces for 13 Players (Review by Benjamin Pernick)

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WALDEN: 3 Ladies (Review by Henry Fogel)

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WALDEN: 3 Ladies (Review by Bill White)

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WALDEN: Grandma (Millie) (Review by John Ditsky)

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WALDEN: Some Changes (Review by Robert Kirzinger)

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WATTS, JOHN: Signals for Soprano and Chamber Orchestra (Review by John Ditsky)

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WEILL/BERIO: Surabaya Johnny (Review by John Ditsky)

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WEILL/BERIO: Surabaya Johnny (Review by Art Lange)

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WELCHER, DAN: Abeja Blanca (Review by James H. North)

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WERNICK: Songs of Remembrance (Review by Benjamin Pernick)

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WILDER, ALEC: Lullabies and Night Songs (Review by John Ditsky)

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WILDER, ALEC: Sonata for Oboe and Piano. Sonata No. 3 for Bassoon and Piano. Phyllis McGinley Song Cycle, for Voice, Bassoon, and Harp (Review by John Ditsky)

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WOLF, HUGO: Selected Songs. Spanisches Liederbuch (Review by Marc Mandel)

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WOLF, HUGO: Tief im Herzen trag'ich Pein. Die ihr schwebet um diese Palmen. Führ' mich, Kind, nach Bethlehem! Köpfchen, Köpfchen, nicht gewimmert. Wunden trägst du, mein Geliebter. Sie blasen zum Abmarsch. In dem schatten meiner Locken. Herr, was trägt der Boden hier. Sagt, seid Ihr es, feiner Herr. Alle gingen, Herz, zur Ruh; Geh', Geliebter, geh'jetzt! Ach, des Knaben Augen. Mühvoll komm' ich und beladen. Trau' nicht der Liebe. Mögen alle bösen Zungen. Bedeckt mich mit Blumen (Review by Marc Mandel)

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