|
Performer: Czechoslovak RSO, Bratislava BEETHOVEN, LUDWIG VAN: Symphony No. 3 in Eb, op. 55 (“Eroica“). Leonora Overture No. 1, op. 138 (Review by William Zagorski) | ensemble or orchestra | BEETHOVEN, LUDWIG VAN: Symphony No. 6 in F, op. 68 (“Pastoral“). Leonora Overture No. 2, op. 72 (Review by William Zagorski) | ensemble or orchestra | BLISS, ARTHUR: Film Music (Review by David Johnson) | ensemble or orchestra | BRIAN: Symphony No. 1 (“The Gothic“) (Review by Paul Rapoport) | ensemble or orchestra | DEBUSSY: Prelude to the Afternoon of a Faun (Review by Howard Kornblum) | ensemble or orchestra | HOLST, GUSTAV: The Planets—Suite for Large Orchestra, op. 32. Suite de Ballet, op. 10 (Review by Robert McColley) | ensemble or orchestra | OFFENBACH: Orpheus In the Underworld (Review by William Zagorski) | ensemble or orchestra | RESPIGHI, OTTORINO: Roman Festivals (Review by Howard Kornblum) | ensemble or orchestra | STRAUSS II, JOHANN: Blue Danube—Waltz, op. 314. Roses from the South—Waltz, op. 388. Egyptian March, op. 335. Emperor Waltz op. 437. Tritsch-Tratsch Polka, op. 214. Vienna Blood—Waltz, op. 354. Persian March, op. 289. Thousand and One Nights—Waltz, op. 346. Voices of Spring—Waltz, op. 410. Perpetuum mobile, op. 257 (Review by John Bauman) | ensemble or orchestra | STRAUSS II, JOHANN: Die Fledermaus. The Gypsy Baron (Review by William Zagorski) | ensemble or orchestra | STRAUSS II, J./STRAUSS, JOSEF: Pizzicato Polka (Review by John Bauman) | ensemble or orchestra | STRAUSS, JOSEF: Village Swallows, op. 164 (Review by John Bauman) | ensemble or orchestra | STRAUSS, RICHARD: Till Eulenspiegel's Merry Pranks (Review by Howard Kornblum) | ensemble or orchestra | SUPPÉ, FRANZ VON: Morning, Noon, and Night In Vienna. The Beautiful Galatea. The Light Cavalry. Poet and Peasant (Review by William Zagorski) | ensemble or orchestra |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|