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Anthony Newman: Works for Organ

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Antonello: Collected Works

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Thomas Murray: Symphonic Masterworks of Grieg & Franck

Varda Kotler: YouTube Channel


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Performer: William Christie

200 YEARS OF MUSIC AT VERSAILLES: (Review by Michael Carter)

conductor 

BAROQUE ACADEMIE: (Review by Bertil van Boer)

conductor  

BIEN QUE L’AMOUR: Airs sérieux et à boire (William Christie) (Review by Barry Brenesal)

conductor 

D'INDIA Madrigals: (Review by J. F. Weber)

conductor 

LES ARTS FLORISSANTS, TEN YEARS: (Review by J. F. Weber)

director 

OMBRE DE MON AMANT — French Baroque Arias: (Review by Joel Kasow)

conductor 

PRELUDE BAROQUE: (Review by J. F. Weber)

director 

ANONYMOUS: Saeta (Review by Haig Mardirosian)

conductor 

BACH, CARL PHILIPP EMANUEL: Die Israeliten in der Wüste, Wq. 238, H. 775 (Review by William H. Youngren)

conductor 

BACH, JOHANN SEBASTIAN: Liebster Gott, wann werd ich sterben, BWV 8 (Review by Haig Mardirosian)

conductor 

BACH, JOHANN SEBASTIAN: Sonatas for Flute and Harpsichord (Review by George Chien)

harpsichord 

BACH, JOHANN SEBASTIAN: Sonatas for Flute, BWV 1030, 1032, 1034, and 1035 (Review by Edward Strickland)

harpsichord 

BLOW, JOHN: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley)

conductor 

BLOW, JOHN: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley)

harpsichord 

BLOW, JOHN: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley)

organ 

BOCCHERINI, LUIGI: Fandango. Quartets for Two Harpsichords (Review by Edward Strickland)

harpsichord 

BOUZIGNAC, GUILLAUME: Ecce festivitas. Ecce homo. Unus ex vobis. In pace in Idipsum. Ha! Piange. Vulnerasti. Alleluia, venite amici. Flos in flores. O Mors, ero mors tua. Clamant davi. Ecca Aurora. Dum silentium. Jubilate Deo. Salve Jesu. Ave Maria. Tota pulchra es. Te Deum (Review by J. F. Weber)

director 

BOUZIGNAC, GUILLAUME: Motets (Review by J. F. Weber)

director 

CAMPRA: Aforos ¡n Judea Deus. De profundis. Exaudiat te Dominus. Requiem (Review by Brian Robins)

conductor 

CAMPRA: Arion. La Dispute de l'Amour et de l'Hymen. Les Femmes. Ènee et Didon (Review by J. F. Weber)

director 

CAMPRA: Idoménée (Review by David Johnson)

conductor 

CAMPRA: O dulcís amor. Salve Regina. Quemadmodum desiderai cervus. Ubi es, Deus meus. O sacrum convi-víum. Jubilate Deo (Review by J. F. Weber)

organ 

CAMPRA: Six Motets (Review by J. F. Weber)

organ 

CAVALLI: Ercole Amante. ANON. (Le Livre Vermeil de Monserrat) (Review by Haig Mardirosian)

conductor 

CAVALLI: La Didone (Review by Bill White)

conductor 

CHARPENTIER, MARC-ANTOINE: "O" Antiphons for Advent, H. 36-43. Noëls pour les instruments, H. 534. In Nativitatem D.N.J.C. Canticum, H. 414 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: 13 Motets (Review by J. F. Weber)

organ 

CHARPENTIER, MARC-ANTOINE: Actéon, H. 481 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Actéon. Intermède for “Le Mariage Forcé“ (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Actéon. Le Manage Forcé (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Alma redemptoris mater, H. 21. Salve Regina, H 27 O crux ave spes unica, H. 349. Popule meus, H. 350. Dialógus inter Magdalenám et Jesum, H. 423. Elevation “O vere, o bone,“ H. 273. Elevation “O pretiosum,“ H. 245. O vos omnes, H. 134. Amicus meus, H. 127. Ave Regina, H. 22. Magdalena lugens, H. 343. Egredimini filiae Sion, H. 280. Sola vivebat in antris Magdalena lugens, H. 373 (Review by J. F. Weber)

organ 

CHARPENTIER, MARC-ANTOINE: Caecilia, Virgo et Martyr, H. 413. Filius Prodigus, H. 399. Magnificat à 3 voix, H. 73 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Caecilia, Virgo et Martyr. Filius Prodigus (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: David et Jonathas (Review by Bertil van Boer)

conductor 

CHARPENTIER, MARC-ANTOINE: David et Jonathas, H. 490 (Review by David Johnson)

conductor 

CHARPENTIER, MARC-ANTOINE: Divertissements, Airs, and Concerts (Review by Brian Robins)

conductor 

CHARPENTIER, MARC-ANTOINE: In Nativitatem Domini Canticum, H416 (Review by Brian Robins)

conductor 

CHARPENTIER, MARC-ANTOINE: In nativitatem Domini canticum, H. 416. Sur la naissance de Notre Seigneur Jesus Christ, H. 482 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Judicium Salomonis (Review by Brian Robins)

conductor 

CHARPENTIER, MARC-ANTOINE: La Descente d'Orphée aux enfers, H. 488 (Review by James H. North)

conductor 

CHARPENTIER, MARC-ANTOINE: La Pierre philosophale, H 501. Tristes désertes H 469. Rentrez, trop indiscrets soupirs, H 464. Quoi! Je ne verrais plus, H 461. Ah, qu’ils sont courts, H 442. Charmantes fleurs, H449b. Quoi! rien ne peut, H 462. En vain rivaux assidus, H 452. Ah! qu’on est malheureux, H 443. Ah! laissez-moi rêver, H 441. Non, non, je ne l’aime plus, H 455. Sans frayeur dans ce bois, H 467. Auprès du feu, H 446. Ayant bu du vin clairet, H 447. Fenchon, la gentille Fenchon, H 454. Dispute des bergers, H 484. Concert pour quatre parties de violes, H 545 (Review by Brian Robins)

conductor 

CHARPENTIER, MARC-ANTOINE: Le Malade imaginaire (Review by David Johnson)

conductor 

CHARPENTIER, MARC-ANTOINE: Le Malade imaginaire (Review by David Johnson)

Praeses 

CHARPENTIER, MARC-ANTOINE: Le Malade imaginaire (Review by David Johnson)

speaker 

CHARPENTIER, MARC-ANTOINE: Le Reniement de Saint-Pierre, H. 424. Méditations pour le Carême, H.380-389 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Le Reniement de St. Pierre, H. 424. 10 Méditations pour le Carême, H. 380-389 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Le Reniement de St. Pierre. Meditations pour le Carême (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Les Arts Florissants and Intermède pour La Mariage Forcé et La Comtesse d'Escarbagnas (Review by Edward Strickland)

director 

CHARPENTIER, MARC-ANTOINE: Les Arts Florissants (Review by David Johnson)

conductor 

CHARPENTIER, MARC-ANTOINE: Leçons du Jeudy Sainct, H.102, 103, 109 (Review by J. F. Weber)

harpsichord 

CHARPENTIER, MARC-ANTOINE: Leçons du Mercredy Sainct, H.96, 97, 98. Responsortes, H.111,112,113 (Review by J. F. Weber)

harpsichord 

CHARPENTIER, MARC-ANTOINE: Leçons du Vendredy Sainct, H.105, 106, 110 (Review by J. F. Weber)

harpsichord 

CHARPENTIER, MARC-ANTOINE: Litanies de la vierge (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Messe de Minuit, H9 (Review by Brian Robins)

conductor 

CHARPENTIER, MARC-ANTOINE: Missa Assumpta est Maria (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Motet pour une longue offrande (Review by Brian Robins)

conductor 

CHARPENTIER, MARC-ANTOINE: Motets (Review by J. F. Weber)

organ 

CHARPENTIER, MARC-ANTOINE: Médée (Review by Anthony D. Coggi)

conductor 

CHARPENTIER, MARC-ANTOINE: Médée (Review by David Johnson)

conductor 

CHARPENTIER, MARC-ANTOINE: Médée (Review by Jay Coote)

performance, want list 

CHARPENTIER, MARC-ANTOINE: Médée (Review by Anthony D. Coggi)

performance, want list 

CHARPENTIER, MARC-ANTOINE: Pastorale sur la Naissance de N.S. Jésus-Christ, H. 483. In Nativitatem D.N.J.C. Canticum, H. 414 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Pastorale sur la naissance de Notre Seigneur Jésus Christ, H. 483. Magnificat à 3 voix, H. 73 (Review by J. F. Weber)

conductor 

CHARPENTIER, MARC-ANTOINE: Te Deum (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Te Deum (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Te Deum, H. 146. Missa Assumpta est Maria, H.11. Litanies de la Vierge, H.83 (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Te Deum. Messe pour les trépassés. Motet pour les trépassés. Prose des morts (Review by Brian Robins)

conductor 

CHARPENTIER, MARC-ANTOINE: The “O“ Antiphons of Advent, H.36-43). In Nativitatem D.NJ.C. Canticum, H.414) (Review by J. F. Weber)

director 

CHARPENTIER, MARC-ANTOINE: Un Oratorio de Noel, H. 416. Sur la Naissance de Notre Seigneur Jésus Christ, H. 482 (Review by J. F. Weber)

director 

CHARPENTIER/MOLIÈRE: Le Malade imaginaire (Review by David Johnson)

performance, want list 

CLERAMBAULT: Pyrame et Tisbé. La Muse de l'opéra. La Mort d'Hercule. Orphée (Review by J. F. Weber)

director 

COUPERIN, ARMAND-LOUIS: Simphonie de Clavecins. La Françoise. Deuxième Quatuor à deux clavecins. L'Italienne (Review by Edward Strickland)

harpsichord 

COUPERIN, FRANÇOIS: L'Apothéose de Lulli. Le Parnasse ou L'Apothéose de Corelli. Allemande a Deux Clavecins. La Juillet. La Letiville. Musete de Choisi. Musete de Taverni (Review by Edward Strickland)

harpsichord 

COUPERIN, FRANÇOIS: Leçons deTénèbres. Quatre Versets (Review by David Johnson)

conductor 

COUPERIN, FRANÇOIS: Pièces de clavecin, 15th Ordre (Review by Tom Moore)

harpsichord 

COUPERIN, FRANÇOIS: Pièces de clavecin, 15th Ordre (Review by Tom Moore)

organ 

CROFT: What art thou? (Review by Lynn René Bayley)

conductor 

CROFT: What art thou? (Review by Lynn René Bayley)

harpsichord 

CROFT: What art thou? (Review by Lynn René Bayley)

organ 

DAUVERGNE: Concert de simphonies in F, op. 3/2 (Review by Brian Robins)

conductor 

DAUVERGNE: Les Troqueurs (Review by Brian Robins)

conductor 

DAUVERGNE: Les Troqueurs. Concert de simphonies a IV parties, op. 3, no. 2 (Review by David Johnson)

conductor 

DESMAREST: Motets (Review by Brian Robins)

conductor 

DESMAREST: Usquequo Domine. Lauda Jerusalem. Domine, ne in furore (Review by Brian Robins)

conductor 

FISCHER, JOHANN CASPAR FERDINAND: Le Parnasse Musical; Pièces de Clavecin (Review by Edward Strickland)

harpsichord 

FISCHER, JOHANN CHRISTIAN FERDINAND: Pièces de Clavecin (Review by Edward Strickland)

harpsichord 

GESUALDO: Madrigals (Review by J. F. Weber)

director 

GLUCK: Iphigenié en Tauride (Review by Bill White)

conductor 

GLUCK: Iphigénie en Tauride (Review by James Camner)

conductor 

GLUCK: Iphigénie en Tauride (Review by Lynn René Bayley)

conductor 

GLUCK: Iphigénie en Tauride (Review by Alex McGehee)

conductor 

HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson)

conductor 

HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson)

harpsichord 

HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson)

organ 

HANDEL, GEORGE FRIDERIC: Alcina (Review by Bernard Jacobson)

conductor 

HANDEL, GEORGE FRIDERIC: Alcina (Review by Brian Robins)

conductor 

HANDEL, GEORGE FRIDERIC: Alcina (Review by George Jellinek)

performance, want list 

HANDEL, GEORGE FRIDERIC: Alcina (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Amadigi di Gaula (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Apollo e Dafne (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Ariodante (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Belshazzar (Review by Henry Fogel)

conductor 

HANDEL, GEORGE FRIDERIC: Concerti Grossi, op. 6 (Review by Tom Moore)

conductor 

HANDEL, GEORGE FRIDERIC: Duetti e Cantate da Camera (Review by J. F. Weber)

harpsichord 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by James Reel)

conductor 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal)

performance, want list 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Raymond Tuttle)

performance, want list 

HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Hercules, HWV 60 (Review by Melanie Eskenazi)

conductor 

HANDEL, GEORGE FRIDERIC: Hercules, HWV 60 (Review by Brian Robins)

conductor 

HANDEL, GEORGE FRIDERIC: Italian Duets (Review by David Johnson)

harpsichord 

HANDEL, GEORGE FRIDERIC: Italian Duetti and Cantatas (Review by David Johnson)

harpsichord 

HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman)

conductor 

HANDEL, GEORGE FRIDERIC: Orlando (Review by Elliott S. Hurwitt)

conductor 

HANDEL, GEORGE FRIDERIC: Orlando (Review by Ron Salemi)

conductor 

HANDEL, GEORGE FRIDERIC: Orlando (Review by James Reel)

conductor  

HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Semele (Review by James A. Altena)

conductor 

HANDEL, GEORGE FRIDERIC: Semele (Review by Ron Salemi)

conductor 

HANDEL, GEORGE FRIDERIC: Semele (Review by James A. Altena)

conductor 

HANDEL, GEORGE FRIDERIC: Semele (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Serse (Review by Bernard Jacobson)

conductor 

HANDEL, GEORGE FRIDERIC: Serse (Review by Brian Robins)

conductor 

HANDEL, GEORGE FRIDERIC: Teseo (Review by Barry Brenesal)

conductor 

HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson)

conductor 

HANDEL, GEORGE FRIDERIC: Theodora (Review by Raymond Tuttle)

conductor 

HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson)

performance, want list 

HANDEL, GEORGE FRIDERIC: Theodora, HWV 68 (Review by Brian Robins)

conductor 

HANDEL, GEORGE FRIDERIC: Theodora, HWV 68 (Review by Bernard Jacobson)

conductor 

HANDEL, GEORGE FRIDERIC: Violin Sonatas (Review by Bernard Jacobson)

harpsichord 

HANDEL, GEORGE FRIDERIC: Violin Sonatas (Review by Robert Maxham)

harpsichord 

HANDEL, GEORGE FRIDERIC: Violin Sonatas (Review by Bernard Jacobson)

organ 

HANDEL, GEORGE FRIDERIC: Violin Sonatas (Review by Robert Maxham)

organ 

HASSE: Cleofide (Review by David Johnson)

conductor 

HASSE: Cleofide (Review by Robert Levine)

performance, want list 

HASSE: Cleofide (Review by Lynn René Bayley)

conductor 

HAYDN, FRANZ JOSEPH: Die Harmonie (Review by Haig Mardirosian)

conductor 

HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North)

conductor 

HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley)

conductor 

HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley)

harpsichord 

HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley)

organ 

LALANDE: Miserere. Vanum est vobis. Miserator et misericors. Cantique sur le bonheur des justes et sur le malheur des resprouvez (Review by J. F. Weber)

director 

LALANDE: Petits Motets (Review by J. F. Weber)

director 

LALANDE: Te Deum. Super ilumina Babylonis. Confitebor tibi (Review by J. F. Weber)

director 

LAMBERT, MICHEL: Airs de cour (Review by J. F. Weber)

director 

LAMBERT, MICHEL: Airs de cour (Review by J. F. Weber)

director 

LANDI, STEFANO: Il Sant' Alessio (Review by David Johnson)

conductor 

LANDI, STEFANO: Il Sant’ Alessio (Review by J. F. Weber)

conductor 

LANDI, STEFANO: Il Sant’Alessio (Review by Barry Brenesal)

conductor 

LASSUS: Missa pro defunctis (Review by Haig Mardirosian)

conductor 

LEMAIRE: Assumpta est Maria (Review by J. F. Weber)

director 

LEROUX: Suites for Two Harpsichords (Review by Charles Timbrell)

harpsichord 

LEROUX: Suites for Two Harpsichords (Review by Edward Strickland)

harpsichord 

LEROUX: Suites pour Deux Clavecins (Review by Edward Strickland)

harpsichord 

LULLY: Airs (transcribed for harpsichord by D'Anglebert). Atys (Review by Tom Moore)

director 

LULLY: Atys (Review by David Johnson)

conductor 

LULLY: Atys (Review by Barry Brenesal)

conductor  

LULLY: Atys (Review by David Johnson)

conductor 

LULLY: Les Divertissements de Versailles (Review by Brian Robins)

conductor 

LULLY: Omnes gentes. Regina coeli. O Sapientia. Laudate puer i. Salve Regina. Exaudí Deus. Anima Christi. A ve coeli. Dixit Dominus. O Dulcissime. Domine salvum fac (Review by J. F. Weber)

director 

LULLY: Petit Motets (Review by J. F. Weber)

director 

LULLY: Psyche (Review by Brian Robins)

conductor 

MENDELSSOHN, FELIX: Die erste Walpurgisnacht (Review by Haig Mardirosian)

conductor 

MONDONVILLE: Dominus regnavit. In exitu Israel. De profundis (Review by J. F. Weber)

director 

MONTÉCLAIR: Concerto for Oboe, Harpsichord, and Bass Viol; Cantata, “La Badine“; Cantata, “Pan and Sirinx.“ (Review by J. F. Weber)

harpsichord 

MONTÉCLAIR: Jephté (Review by David Johnson)

conductor 

MONTÉCLAIR: La Mort de Didon. Il Dispetto in Amore. Le Triomphe de l'Amour. Morte di Lucretia. Pyrame et Thisbé (Review by J. F. Weber)

director 

MONTEVERDI: Duo Seraphim. O quam pulchra. O beatae viae. Salve O Regina. Confitebor. Pulchra es. Fugge. Ego flos. Nigra sum. Laudate Dominum. Jubìlet (Review by J. F. Weber)

harpsichord 

MONTEVERDI: Duo Seraphim. O quam pulchra. O beatae viae. Salve O Regina. Confitebor. Pulchra es. Fugge. Ego flos. Nigra sum. Laudate Dominum. Jubìlet (Review by J. F. Weber)

organ 

MONTEVERDI: Gloria à 7. Chi vol che m'innamori. O ciechi ciechi. Adoramus à 6. Confitebor III alla francese. Confite-bor tibi Domine à 6 (Ms). Laudate Dominum. È questa vita un lampo. Beatus vir I à 6 (Review by J. F. Weber)

director 

MONTEVERDI: Il Ballo delle Ingrate. La Sestina (Review by J. F. Weber)

director 

MONTEVERDI: Il Combattimento di Tancredi e Clorinda (Review by J. F. Weber)

director 

MONTEVERDI: Il Combattimento di Tancredi e Clorinda, and Other Madrigals (Review by J. F. Weber)

director 

MONTEVERDI: Il Combattimento di Tancredi e Clorinda. Mentre vaga Angioletta. Con che soavità. Eri già tutta mia. Quel sguardo. Tu dormi? Presso un fiume tranquillo. Zefira torna. O come sei gentile. Ardo, avvampo (Review by J. F. Weber)

director 

MONTEVERDI: Il ritorno d'Ulisse in patria (Review by J. F. Weber)

conductor 

MONTEVERDI: L’Incoronazione di Poppea (Review by Barry Brenesal)

conductor 

MONTEVERDI: L’Orfeo (Review by J. F. Weber)

conductor 

MONTEVERDI: Madrigals (Review by J. F. Weber)

director 

MONTEVERDI: Madriglas (Review by J. F. Weber)

conductor 

MONTEVERDI: Selva morale e spirituale (Review by J. F. Weber)

director 

MONTEVERDI: Un Concert Spirituel (Review by J. F. Weber)

harpsichord 

MONTEVERDI: Un Concert Spirituel (Review by J. F. Weber)

organ 

MONTEVERDI: Vespro della Beata Vergine (Review by J. F. Weber)

conductor 

MORIN: Regina caeli (Review by J. F. Weber)

director 

MOULINIÉ: Cantique de Moýse. Veni sponsa mea. Trois Fantaisies à quatre. Espoir de toute ame affligée. O bone Jesu (Review by J. F. Weber)

director 

MOULINIÉ: Cantique de Moýse. Veni sponsa mea. Trois Fantaisies. Espoir de toute âme affligée. O bone Jesu (Review by J. F. Weber)

director 

MOZART: Die Entführung aus dem Serail (Review by Bernard Jacobson)

conductor 

MOZART: Die Entführung aus dem Serail (Review by Brian Robins)

conductor 

MOZART: Die Zauberflöte (Review by William H. Youngren)

performance, want list 

MOZART: Die Zauberflöte, K. 620 (Review by Joel Kasow)

conductor 

MOZART: Mass in c, K 427 (Review by J. F. Weber)

conductor 

MOZART: Requiem, K. 626. Ave Verum Corpus, K. 618 (Review by Elliott S. Hurwitt)

conductor 

PURCELL: Dido and Aeneas (Review by Bertil van Boer)

conductor  

PURCELL: Dido and Aeneas (Review by Vincent Alfano)

director 

PURCELL: Dido and Aeneas (Review by Vincent Alfano)

director 

PURCELL: Dido and Aeneas, Z. 626 (Review by James H. North)

conductor 

PURCELL: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley)

conductor 

PURCELL: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley)

harpsichord 

PURCELL: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley)

organ 

PURCELL: King Arthur, or, The British Worthy, Z. 628 (Review by James H. North)

conductor 

PURCELL: The Fairy Queen (Review by Michael Ullman)

conductor 

PURCELL: The Fairy Queen (Review by Barry Brenesal)

conductor  

PURCELL: The Fairy Queen (Review by James Reel)

conductor  

PURCELL: The Fairy Queen (Review by Elliott Kaback)

performance, want list 

PURCELL: The Fairy Queen (Review by Michael Ullman)

performance, want list 

PURCELL: The Fairy Queen (Review by Michael Ullman)

conductor 

PURCELL: The Fairy Queen (Review by Michael Ullman)

harpsichord 

PURCELL: The Plaint; If music be the food of love; I attempt from love's sickness to fly; Fairest Isle; Sweeter than roses; Not all my torments; Thrice happy lovers; Evening hymn; From rosy bowers; O lead me to some peaceful gloom; Retired from any mortal's sight; Music for a while; Since from my dear Astrea's sight (Review by J. F. Weber)

harpsichord 

RAMEAU: Anacréon, Ballet en un acte (Illeme Entrée ajoutée aux Surprises de l'Amour) (Review by George Chien)

conductor 

RAMEAU: Castor et Pollux (Review by David Johnson)

conductor 

RAMEAU: Four Suites for Harpsichord (Review by Edward Strickland)

harpsichord 

RAMEAU: Hippolyte et Aricie (Review by David Johnson)

conductor 

RAMEAU: Hippolyte et Aricie (Review by Lynn René Bayley)

conductor 

RAMEAU: Hippolyte et Aricie (Review by Barry Brenesal)

conductor 

RAMEAU: Hippolyte et Aricie (Review by Barry Brenesal)

conductor 

RAMEAU: Hippolyte et Aricie (Review by Daniel Morrison)

conductor 

RAMEAU: In Convertendo. La timide; La poplinière; La Rameau (Review by Brian Robins)

conductor 

RAMEAU: La Guirlande (Review by Brian Robins)

conductor 

RAMEAU: Les Fêtes d’Hébé (Review by David Johnson)

conductor 

RAMEAU: Les Grands Motets (Review by David Johnson)

performance, want list 

RAMEAU: Les Grands Motets (Review by David Johnson)

conductor 

RAMEAU: Les Paladins (Review by Barry Brenesal)

conductor 

RAMEAU: Les boréades (Review by Barry Brenesal)

conductor 

RAMEAU: Les indes galantes (Review by Brian Robins)

conductor 

RAMEAU: Nouvelles Suites de Pièces de Clavecin (1728) (Review by Edward Strickland)

harpsichord 

RAMEAU: Pièces de Clavecin (1724) (Review by Edward Strickland)

harpsichord 

RAMEAU: Pièces de Clavecin (1724); Suites (Review by Leslie Gerber)

harpsichord 

RAMEAU: Pygmalion. Nelée andMyrthis' (Review by Edward Strickland)

conductor 

RAMEAU: Pygmalion. Nelée andMyrthis' (Review by Edward Strickland)

director 

RAMEAU: Zoroastre (Review by Brian Robins)

conductor 

RAMEAU: Zoroastre (Review by John Story)

conductor 

RAMEAU: Zéphire (Review by Brian Robins)

conductor 

ROSSI, LUIGI: Il pecator pentito. O Cecità (Review by J. F. Weber)

director 

ROSSI, LUIGI: O Cecità. Il pecato pentito (Review by J. F. Weber)

conductor 

ROSSI, LUIGI: Oratorio per la Settimana Santa. Un Peccator pentito (Spargete sospiri) (Review by J. F. Weber)

director 

ROSSI, LUIGI: Orfeo (Review by David Johnson)

conductor 

ROSSI, LUIGI: Two arias (Review by Haig Mardirosian)

conductor 

ROYER: Pièces de Clavecin (Review by Edward Strickland)

harpsichord 

ROYER: Pièces de Clavecin (Review by Edward Strickland)

harpsichord 

SAMS: The Enchanted Island (Review by Barry Brenesal)

conductor 

SCHÜTZ: Die Seele Christi Heilige mich. Was betrübst du dich meine See/e (Review by Haig Mardirosian)

conductor 

SCHÜTZ: Habe deine Lust, SWV 311. O Jesu nomen dulce, SWV 308. Wohl dem, SWV 290. Eile, mich, SWV282. Was betrübst, SWV353. Herr unser Herrscher, SWV343. Wie ein Rubin, SWV357. O süsser, SWV 285. Was hast, SWV 307. Bone Jesu, SWV 313. Bringt her, SWV283. Ihr Heiligen, SWV288. Herzlich lieb, SWV348 (Review by J. F. Weber)

organ 

SCHÜTZ: Kleine Geistliche Konzerte (Review by J. F. Weber)

organ 

SCHÜTZ: Sacred Concerts (Review by J. F. Weber)

organ 

STROZZI, B.: Six Cantatas (Review by J. F. Weber)

harpsichord 

SWEELINCK: Choral Works (Review by J. F. Weber)

director 

SWEELINCK: Ecce prandium (Review by J. F. Weber)

conductor 

SWEELINCK: Gaude et laetare (Review by J. F. Weber)

conductor 

SWEELINCK: Psalms (Review by J. F. Weber)

conductor 

SWEELINCK: Psalms (Review by J. F. Weber)

director 

 

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