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Performer: Paula Chateauneuf THOMAS MOORE'S IRISH MELODIES: Dear Harp of my Country. Erin! the smile and the tear in thine eyes. How sweet the answer Echo makes. Silent, oh Moyle! be the roar of thy water ( The Song of Fionnuala ). Rich and rare were the gems she wore. The twisting of the rope. Joice's Tune. The summer is coming. Carolan's Concerto. The harp that once, thro' Tara's halls. Nanny McDermotroe. The valley lay smiling before me (The Song of O'Ruark, Prince of Breffni). Abigail Judge. Avenging and bright. The Minstrel-Boy. Lament for Own O'Neill. 'Tis believed that this harp (The Origin of the Harp). Come, rest in this bosom. She is far from the land. Come o'er the sea. 'Tis the last rose of summer. Girls, have you seen George? The pretty girl milking the cows. John, heir of the glen. Love in secret. The jointure. How dear to me the hour. Fly not yet. At the mid hour of night. What the bee is to the floweret. Fill the bumper fair! (Review by David Johnson) | nineteenth-century guitar | THE AGE OF EXTRAVAGANCE: Virtuoso Music from Iberia... (Jeremy West) (Review by Brian Robins) | chittarone | BIBER, HEINRICH IGNAZ FRANZ VON: Rosary Sonatas. Passagalia (Review by Robert Maxham) | archlute | BIBER, HEINRICH IGNAZ FRANZ VON: Rosary Sonatas. Passagalia (Review by Robert Maxham) | theorbo | BLOW, JOHN: Fairest Work of Happy Nature—Songs and Keyboard Music (Review by Tom Moore) | baroque guitar | BLOW, JOHN: Fairest Work of Happy Nature—Songs and Keyboard Music (Review by Tom Moore) | theorbo | BLOW, JOHN: No more, the dear lovely nymph's no more. Prelude in G. The self-banish'd. Lovely Selina, innocent and free. Morlake Ground. O turn not those fine eyes away. Sett No. 1 in D. Sett No. 3 in A Minor. Fairest work of happy nature. Flavia grown old. Ground in G Minor. Oh! that mine eyes would melt into a flood. Verse in G Minor. O mighty God, who sit'st on high. Sabina has a thousand charms. Of all the torments, all the cares. Ground in C. No, Lesbia, you ask in vain—Elegy on the Death of Queen Mary (Review by Tom Moore) | baroque guitar | BLOW, JOHN: No more, the dear lovely nymph's no more. Prelude in G. The self-banish'd. Lovely Selina, innocent and free. Morlake Ground. O turn not those fine eyes away. Sett No. 1 in D. Sett No. 3 in A Minor. Fairest work of happy nature. Flavia grown old. Ground in G Minor. Oh! that mine eyes would melt into a flood. Verse in G Minor. O mighty God, who sit'st on high. Sabina has a thousand charms. Of all the torments, all the cares. Ground in C. No, Lesbia, you ask in vain—Elegy on the Death of Queen Mary (Review by Tom Moore) | theorbo | PURCELL, HENRY: Ground in C (Review by Michael Ullman) | theorbo | PURCELL, HENRY: In Guilty Night. Plung’d in the Confines of Despair. Awake, Ye Dead. The Earth Trembled. My Op’ning Eyes are Purg’d. With Sick and Famish’d Eyes (Review by Michael Ullman) | theorbo | PURCELL, HENRY: Lord, What Is Man. O Solitude. In the Black, Dismal Dungeon of Despair. Lord, I Can Suffer Thy Rebukes (Review by Michael Ullman) | theorbo | PURCELL, HENRY: O, I Am Sick of Life. Close Thine Eyes. Funeral Sentences for the Death of Queen Mary II (1695) (Review by Michael Ullman) | theorbo | PURCELL, HENRY: Voluntaries (Review by Michael Ullman) | theorbo | SCHÜTZ, HEINRICH: Cantiones Sacrae (Review by James A. Altena) | lute | SCHÜTZ, HEINRICH: Cantiones Sacrae (Review by J. F. Weber) | lute | WALTHER, JOHANN JACOB: Imitatione del cuccu in G (Review by Robert Maxham) | theorbo | WALTHER, JOHANN JACOB: Scherzos for Violin and Basso Continuo (Review by Robert Maxham) | theorbo | WESTHOFF, JOHANN PAUL VON: Violin Suites (Review by Robert Maxham) | theorbo |
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