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Fanfare Archive Subscriber-Only Features

 Watch Reviewed Videos

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

Varda Kotler: YouTube Channel

Performer: Anthony Braxton

Anthony Braxton. Nineteen [Solo] Compositions,...: (Review by Edward Strickland)

clarinet 

Anthony Braxton. Nineteen [Solo] Compositions,...: (Review by Edward Strickland)

flute 

Anthony Braxton. Nineteen [Solo] Compositions,...: (Review by Edward Strickland)

piano 

Anthony Braxton. Nineteen [Solo] Compositions,...: (Review by Edward Strickland)

saxophone 

Anthony Braxton: Seven Standards 1985, Volume... (Anthony Braxton) (Review by Andrew Sussman)

alto saxophone 

BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton)

alto saxophone 

BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton)

contrabass clarinet 

BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton)

contrabass saxophone 

BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton)

flute 

BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton)

sopranino clarinet 

BRAXTON AND LEWIS- Donaueschingen (Duo) 1976: (Review by Mike Silverton)

soprano clarinet 

AUSTIN, LARRY: Montage—Themes and Variations for Violin and Computer Music on Tape (Review by Mike Silverton)

saxophone 

BRAXTON, ANTHONY: Composition 101. Composition 13SP. Composition 99B ( + 97C, 117E, 117H & 118H). Composition 107* (Review by Scott Wheeler)

alto saxophone 

BRAXTON, ANTHONY: Composition 101. Composition 13SP. Composition 99B ( + 97C, 117E, 117H & 118H). Composition 107* (Review by Scott Wheeler)

sopranino saxophone 

BRAXTON, ANTHONY: Composition 101. Composition 13SP. Composition 99B ( + 97C, 117E, 117H & 118H). Composition 107* (Review by Scott Wheeler)

soprano saxophone 

BRAXTON, ANTHONY: Composition 98 (Review by James H. North)

saxophone 

BRAXTON, ANTHONY: Composition No. 107 (Review by Mike Silverton)

saxophone 

BRAXTON, ANTHONY: Composition No. 156. Composition No. 157 (two takes). Composition No. 152. Composition No. 153. Composition No. 155. Composition No. 154. Composition No. 40A (Review by Scott Wheeler)

alto saxophone 

BRAXTON, ANTHONY: Composition No. 156. Composition No. 157 (two takes). Composition No. 152. Composition No. 153. Composition No. 155. Composition No. 154. Composition No. 40A (Review by Scott Wheeler)

contrabass clarinet 

BRAXTON, ANTHONY: Composition No. 156. Composition No. 157 (two takes). Composition No. 152. Composition No. 153. Composition No. 155. Composition No. 154. Composition No. 40A (Review by Scott Wheeler)

flute 

BRAXTON, ANTHONY: Composition No. 156. Composition No. 157 (two takes). Composition No. 152. Composition No. 153. Composition No. 155. Composition No. 154. Composition No. 40A (Review by Scott Wheeler)

saxophone 

BRAXTON, ANTHONY: Composition No. 165 (Review by Scott Wheeler)

conductor 

BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann)

alto saxophone 

BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann)

clarinet 

BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann)

contrabass clarinet 

BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann)

contrabass sax 

BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann)

E♭ clarinet 

BRAXTON, ANTHONY: Compositions 40 F, 23 J, 40 (O), 6 C, and 40 B (Review by Dave Saemann)

sopranino saxophone 

BRAXTON, ANTHONY: Creative Orchestra (Köln) 1978 (Review by Mike Silverton)

conductor 

BRAXTON, ANTHONY: Eight Duets (Review by Scott Wheeler)

alto saxophone 

BRAXTON, ANTHONY: Eight Duets (Review by Scott Wheeler)

contrabass clarinet 

BRAXTON, ANTHONY: Eight Duets (Review by Scott Wheeler)

flute 

BRAXTON, ANTHONY: Eight Duets (Review by Scott Wheeler)

saxophone 

BRAXTON, ANTHONY: Quartet (Santa Cruz) 1993 (Review by Mike Silverton)

clarinet 

BRAXTON, ANTHONY: Quartet (Santa Cruz) 1993 (Review by Mike Silverton)

flute 

BRAXTON, ANTHONY: Quartet (Santa Cruz) 1993 (Review by Mike Silverton)

saxophone 

BRAXTON, ANTHONY: Two Compositions (Ensemble) 1989/1991 (Review by Scott Wheeler)

conductor 

DAMERON: Hot House (Review by Marc Medwin)

alto saxophone 

DAMERON: Hot House (Review by Marc Medwin)

contrabass clarinet 

DAMERON: Hot House (Review by Marc Medwin)

flute 

DAMERON: Hot House (Review by Marc Medwin)

piano 

DAMERON: Hot House (Review by Marc Medwin)

soprano saxophone 

DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin)

alto saxophone 

DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin)

contrabass clarinet 

DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin)

flute 

DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin)

piano 

DAVIS, CARL: Sippin’ at Bell’s (Review by Marc Medwin)

soprano saxophone 

DUKE/HARBURG: April In Paris (Review by Marc Medwin)

alto saxophone 

DUKE/HARBURG: April In Paris (Review by Marc Medwin)

contrabass clarinet 

DUKE/HARBURG: April In Paris (Review by Marc Medwin)

flute 

DUKE/HARBURG: April In Paris (Review by Marc Medwin)

piano 

DUKE/HARBURG: April In Paris (Review by Marc Medwin)

soprano saxophone 

DUKE, VERNON: Autumn In New York (Review by Marc Medwin)

alto saxophone 

DUKE, VERNON: Autumn In New York (Review by Marc Medwin)

contrabass clarinet 

DUKE, VERNON: Autumn In New York (Review by Marc Medwin)

flute 

DUKE, VERNON: Autumn In New York (Review by Marc Medwin)

piano 

DUKE, VERNON: Autumn In New York (Review by Marc Medwin)

soprano saxophone 

GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin)

alto saxophone 

GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin)

contrabass clarinet 

GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin)

flute 

GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin)

piano 

GILLESPIE: Bebop. A Night in Tunisia (Review by Marc Medwin)

soprano saxophone 

HEFTI, NEIL: Repetition (Review by Marc Medwin)

alto saxophone 

HEFTI, NEIL: Repetition (Review by Marc Medwin)

contrabass clarinet 

HEFTI, NEIL: Repetition (Review by Marc Medwin)

flute 

HEFTI, NEIL: Repetition (Review by Marc Medwin)

piano 

HEFTI, NEIL: Repetition (Review by Marc Medwin)

soprano saxophone 

HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin)

alto saxophone 

HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin)

contrabass clarinet 

HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin)

flute 

HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin)

piano 

HEUSEN/DELANGE, VAN: Darn That Dream (Review by Marc Medwin)

soprano saxophone 

LANSKY, PAUL: As If, for String Trio and Computer-Synthesized Sound (Review by Mike Silverton)

saxophone 

LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin)

alto saxophone 

LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin)

contrabass clarinet 

LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin)

flute 

LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin)

piano 

LEWIS, ROBERT HALL: Milestones (Review by Marc Medwin)

soprano saxophone 

MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin)

alto saxophone 

MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin)

contrabass clarinet 

MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin)

flute 

MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin)

piano 

MCHUGH/FIELDS: Don’t Blame Me (Review by Marc Medwin)

soprano saxophone 

MELBY: Concerto No. 1 for Flute and Computer-Synthesized Tape (Review by Mike Silverton)

saxophone 

MERCER/RASKIN: Laura (Review by Marc Medwin)

alto saxophone 

MERCER/RASKIN: Laura (Review by Marc Medwin)

contrabass clarinet 

MERCER/RASKIN: Laura (Review by Marc Medwin)

flute 

MERCER/RASKIN: Laura (Review by Marc Medwin)

piano 

MERCER/RASKIN: Laura (Review by Marc Medwin)

soprano saxophone 

PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin)

alto saxophone 

PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin)

contrabass clarinet 

PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin)

flute 

PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin)

piano 

PARKER, CHARLIE: Confirmation. Quasimodo. Klactoveedsedstene. Relaxin’ at Camarillo. Scrapple from the Apple. Charlie’s Wig. Parker Melodies.Yardbird Suite. Ari/Mischa Duo. Another Hair-Do. An Oscar For Treadwell. Bongo Bop. Blues for Alice. Dewey Square. Mohawk. Cardboard. Koko. Passport. Confirmation. Cheryl (Review by Marc Medwin)

soprano saxophone 

ROSENBOOM: A Precipice in Time* (Review by Mike Silverton)

saxophone 

ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton)

alto saxophone 

ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton)

clarinet 

ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton)

flute 

ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton)

sopranino 

ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton)

soprano saxophone 

TEITELBAUM: Concerto Grosso for Human Concertino and Robotic Ripieno (Review by Scott Wheeler)

winds 

TEITELBAUM: Concerto Grosso for Human Concertino and Robotic Ripieno (Review by Mike Silverton)

winds 

 

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