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Performer: Kevin Bowyer

FOR WEDDINGS: (Review by Haig Mardirosian)

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ALKAN, CHARLES: 11 grands préludes et 1 transcription du Messie de Haendel, op. 66 (Review by Adrian Corleonis)

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ALKAN, CHARLES: 12 Études pour les pieds seulement (Review by Adrian Corleonis)

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ALKAN, CHARLES: Benedictus, op. 54 (Review by Adrian Corleonis)

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ALKAN, CHARLES: Organ Music (Review by Paul Rapoport)

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ALKAN, CHARLES: Pro organo. 11 pièces dans le style religieux. 12 études pour les pieds seulement (Review by Adrian Corleonis)

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ALKAN, CHARLES: Thirteen Prayers, op. 64. Little Preludes on the Eight Modes of Plainchant. Impromptu on the Lutheran Chorale "A Mighty Fortress Is Our God, " op. 69 (Review by Paul Rapoport)

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BACH/BUSONI: Chaconnefrom Violin Partita in D minor (Review by Haig Mardirosian)

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BACH, JOHANN MICHAEL: In Dulci Jubilo (Review by Tom Moore)

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BACH, JOHANN SEBASTIAN: Concerto in A Minor (after Vivaldi). Prelude and Fugue in D Minor, BWV 539. Herr, Gott, dich loben wir, BWV 725. Fugue in G, BWV 576. Aria in F, BWV 587. Christ lag in Todesbanden, BWV 718. Jesus, meine Zuversicht, BWV 728. Christ ist erstanden, BWV 746. Toccata and Fugue in F, BWV 540 (Review by Haig Mardirosian)

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BACH, JOHANN SEBASTIAN: Das Orgelbüchlein, BWV 599-644 (Review by Tom Moore)

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BACH, JOHANN SEBASTIAN: Fugue in C Minor on a Theme by Legrenzi, BWV 574. Concerto in F after Vivaldi, BWV 978. Liebster Jesu, BWV 731. Herr Jesu Christ, dich zu uns went, BWV 709, BWV 726. Prelude and Fugue in B Minor, BWV 544. Gott ist mein Heil, BWV 1106. Herzlich lieb hab ich dich, BWV 1115. Was Gott tut, das ist wohlgetan, BWV 1116. Trio Sonata in G, BWV 1039/1027a. Prelude and Fugue in C, BWV 547. Prelude and Fugue in C, BWV 531. An Wasserflüssen Babylon, BWV 653b. Wir glauben all' an einen Gott, BWV 765, BWV 1098. Fantasia and Fugue in C Minor, BWV 537. Seh übler Choral Preludes, BWV 645-650. Prelude and Fugue in A Minor, BWV 895. Toccata and Fugue in D Minor, BWV 538 (“Dorian“) (Review by Haig Mardirosian)

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BACH, JOHANN SEBASTIAN: In Dulci Jubilo, BWV 729. Christmas Oratorio (Review by Tom Moore)

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BACH, JOHANN SEBASTIAN: Organ Works, Volume 1 (Review by Haig Mardirosian)

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BACH, JOHANN SEBASTIAN: Organ Works, Volume 2 (Review by Haig Mardirosian)

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BACH, JOHANN SEBASTIAN: Organ Works, Volume 3 (Review by Haig Mardirosian)

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BACH, JOHANN SEBASTIAN: Organ Works, Volume 5 (Review by Haig Mardirosian)

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BACH, JOHANN SEBASTIAN: Preludes and Fugues (Review by Haig Mardirosian)

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BACH, JOHANN SEBASTIAN: Ricercare in 6 Voices, BWV 1079/v. Prelude and Fughetta in F, BWV 901. Fugue in B♭, BWV 955. Prelude and Fughetta in G, BWV 902. Fugue in d, BWV 948. Fugue in a, BWV 958. Praeludium et Partita del tuono terzo, BWV 833. Fugue in B♭, BWV 954. Fugue in e, BWV 945. Fantasia in c, BWV 919. Prelude in G, BWV 902a/l. Fantasia and Fugue in a, BWV 944. Fantasia in a, BWV 922. Capriccio sopra la lontananza del fratello dilettissimo, BWV 992. Ricercare in 3 Voices, BWV 1079/1. Ricercare in 6 Voices (Alternative) BWV 1079/v. Die Kunst der Fuge. Wenn wir in höchsten Nöten sein (Review by Jerry Dubins)

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BACH, JOHANN SEBASTIAN: Toccata, Adagio, and Fugue in C, BWV 564. Trio Sonata No. 6 in G, BWV 530. Prelude and Fugue in E Minor, BWV533. Trio in G Minor, BWV 584. Prelude and Fugue in G Minor, BWV 535. Fantasia super Valet will ich dir geben, BWV 735. Valet will ich dir geben, BWV 736. Partita on Wenn wir in höchsten Nöten sein, BWV Anh. 78. Toccata in E, BWV 566 (Review by Tom Moore)

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BACH, JOHANN SEBASTIAN: Works for Organ, Volume 6 (Review by Tom Moore)

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BACH, JOHANN SEBASTIAN: Works for Organ, Volume 8 (Review by Haig Mardirosian)

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BLAKE, HOWARD: Walking in the Air (Review by Tom Moore)

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BRAHMS, JOHANNES: Es ist ein Ros' entsprungen, op. 122 (Review by Tom Moore)

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BRAHMS, JOHANNES: Organ Works (Review by Haig Mardirosian)

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BRAHMS, JOHANNES: Preludes and Fugues (Review by Haig Mardirosian)

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BUSONI: Fantasia Contrappuntistica (trans. Middelschulte). Fantasia nach J. S. Bach. All' Italia (Review by Adrian Corleonis)

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CAMILLERI: Concertino No. 1, for Clarinet and Strings (Review by Martin Anderson)

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CAMILLERI: Concerto for Organ, Strings, and Percussion (Review by Martin Anderson)

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CAMILLERI: L’Évolution de la Joie (Review by Martin Anderson)

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CAMILLERI: Missa Mundi (Review by Martin Anderson)

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CAMILLERI: Morphogenesis. Wine of Peace. L'Amour de Dieu. Invocation to the Creator (Review by Richard Burke)

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CAMILLERI: Organ Works (Review by Richard Burke)

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CARTER, ANDREW: Toccata on “Veni Emmanuel“ (Review by Tom Moore)

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CLEGG: A Church Service Interrupted by a Thunderstorm (Review by John E. Roos)

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CORELLI, ARCANGELO: Christmas Concerto (Review by Tom Moore)

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DAQUIN: Noel Suisse. Noel (Review by Tom Moore)

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EDMUNDSON: Von Himmel hoch (Review by Haig Mardirosian)

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GADE, NIELS W.: Tre Tonestykker, op. 22 (Review by Alex Ross)

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GIGOUT: Toccata in B minor (Review by Haig Mardirosian)

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GUILMANT: Offertoire sur deux Noëls (Review by Tom Moore)

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HANDEL, GEORGE FRIDERIC: Messiah (Review by Tom Moore)

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HANDEL, GEORGE FRIDERIC: Messiah (Review by Adrian Corleonis)

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HARVEY, JONATHAN: Fantasia. Laus Deo (Review by Martin Anderson)

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HINTON: Pansophlae for John Ogdon (Review by Adrian Corleonis)

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HODDINOTT: Quodlibet on Welsh Nursery Tunes. Chorales, Variants, and Fanfares. Ritornelli No. 2 (Review by Paul A. Snook)

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HUDSON: Storm Fantasia (Review by John E. Roos)

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JONGEN, JOSEPH: Sonata Eroica' (Review by Haig Mardirosian)

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LANGLAIS: Première Symphonie. Suite française (Review by Martin Anderson)

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LEFÉBURE-WÉLY, LOUIS: Scène pastorale (Review by John E. Roos)

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LEMMENS: Grand Fantasia in e, “The Storm” (Review by John E. Roos)

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LISZT: Die Hirten an der Krippe (Review by Tom Moore)

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LISZT: St. Francis of Paola Walks upon the Waters (Review by John E. Roos)

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LLOYD WEBBER, WILLIAM SOUTHCOMBE: Interlude on the Coventry Carol (Review by Tom Moore)

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LO MUSCIO, MARCO: Via Crucis. New Litanies in Memory of Jehan Alain (Review by Carson Cooman)

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LO MUSCIO, MARCO: Via Crucis. New Litanies in Memory of Jehan Alain (Review by James A. Altena)

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LO MUSCIO, MARCO: Éowyn’s Memories. Trittico Toscano – Homage to Pienza. Canzona, “Homage to Gubbio.” Vocalise No. 5, “For Nadja.” Concert Variations on “Greensleeves.” In memoriam Teodosia. Blue Prelude. Ostinato (Review by Carson Cooman)

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LO MUSCIO, MARCO: Éowyn’s Memories. Trittico Toscano – Homage to Pienza. Canzona, “Homage to Gubbio.” Vocalise No. 5, “For Nadja.” Concert Variations on “Greensleeves.” In memoriam Teodosia. Blue Prelude. Ostinato (Review by James A. Altena)

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MATHIAS, WILLIAM: Summer Dances. Soundings (Review by Paul A. Snook)

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MAXWELL DAVIES, PETER: Fantasia on "O Magnum Mysterium" (Review by Martin Anderson)

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MAXWELL DAVIES, PETER: Organ Sonata (Review by Martin Anderson)

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MAXWELL DAVIES, PETER: Reliqui Domum Meum (Review by Martin Anderson)

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MAXWELL DAVIES, PETER: Three Organ Voluntaries (Review by Martin Anderson)

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NEUKOMM, SIGISMUND VON: Grand Dramatic Fantasia (Review by John E. Roos)

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NIELSEN, CARL: Commotio, op. 58 (Review by Alex Ross)

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NØRGÅRD: Partita Concertante, op. 23 (Review by Alex Ross)

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OGDON: Dance Suite (Review by Adrian Corleonis)

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PACHELBEL: Vom Himmel hoch, da komm' ich her (Review by Tom Moore)

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PURVIS: Prelude on “Greensleeves.“ (Review by Tom Moore)

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REUBKE: Sonata on the 94th Psalm (Review by Haig Mardirosian)

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RUTTER: Prelude on “God rest you merry, gentlemen.“ (Review by Tom Moore)

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SCHUMANN: Canon No. 3 (Review by Haig Mardirosian)

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SCHUMANN: Six Fugues on B-A-C-H. _ (Review by Haig Mardirosian)

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SELLARS: An Ocean Tempest (Review by John E. Roos)

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SORABJI: Organ Symphony No. 1 (Review by Paul Rapoport)

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STEVENSON: Prelude and Fugue on a Theme by Liszt. Sonatina No. 1 (Review by Adrian Corleonis)

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SUMSION: Prelude on “The Holly and the Ivy.“ (Review by Tom Moore)

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SWAYNE, GILES: Riff-raff (Review by Haig Mardirosian)

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SYBERG: Präludium, Intermezzo, and Fugato (Review by Alex Ross)

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TOURNEMIRE: Ave maris stella (Review by Haig Mardirosian)

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WALCHA, HELMUT: Den die Hirten lobten sehr (Review by Tom Moore)

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WILLCOCKS: Postlude on “Hark, the herald-angels sing.“ (Review by Tom Moore)

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WILLIAMSON, MALCOLM: Epitaphs for Edith Sitwell. Vision of Christ-Phoenix (Review by Martin Anderson)

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