NEW MUSIC FOR VIRTUOSOS: (Review by Robert Kirzinger) | piano |
RICHARDS, ERIC: A Fanfare for Diebenkorn... (Jeffrey Gavett) (Review by Huntley Dent) | double bass |
SHENG: Northern Lights. Melodies of a... (Dan Zhu) (Review by Ronald E. Grames) | double bass |
ADAMS, JOHN LUTHER: 3 Nocturnes (Review by Raymond Tuttle) | double bass |
ADAMS, JOHN LUTHER: 3 Nocturnes (Review by Marc Medwin) | double bass |
ADAMS, JOHN LUTHER: Arctic Dreams (Review by Raymond Tuttle) | double bass |
ADAMS, JOHN LUTHER: Arctic Dreams (Review by Marc Medwin) | double bass |
ADAMS, JOHN LUTHER: Earth and the Great Weather (Review by James H. North) | double bass |
ADAMS, JOHN LUTHER: Earth and the Great Weather (Review by James H. North) | percussion |
ADAMS, JOHN LUTHER: Three High Places. Darkness and Scattered Light (Review by Raymond Tuttle) | double bass |
ADAMS, JOHN LUTHER: Three High Places. Darkness and Scattered Light (Review by Marc Medwin) | double bass |
ADAMS, JOHN LUTHER: Three High Places. Darkness and Scattered Light. 3 Nocturnesigh Places. Darkness and Scattered Light. High (Review by Robert Carl) | double bass |
ALTHANS: Valse excentrique (Review by Martin Anderson) | conductor |
ANDERSON, ALLEN: Charette (Review by Mike Silverton) | conductor |
ASHTON, JOHN H.: Fairmont Overture (Review by Lawrence A. Johnson) | conductor |
BABBITT: Composition for Viola and Piano (Review by Paul Rapoport) | piano |
BARKER NELSON, MARIE: TheMedead (Review by Richard Burke) | conductor |
BAUMAN: Adagio for Orchestra (Review by Lawrence A. Johnson) | conductor |
BEETHOVEN, LUDWIG VAN: Piano Sonatas (Review by John D. Wiser) | piano |
BEYER, JOHANNA: Movement (Review by Colin Clarke) | double bass |
BLACK, JOHN: Underground Judges (Review by William Zagorski) | conductor |
BLACK, ROBERT: Capriccio (Blown Apart. Foramen Habet!. Three Pieces for Violin and Piano (Review by Mike Silverton) | conductor |
BLAUSTEIN: Commedia (Review by Mike Silverton) | conductor |
BLAUSTEIN: Sexfef (Review by William Wians) | conductor |
BRISMAN: Concerto for Piano and Strings (Review by Richard Burke) | conductor |
BURWASSER: A Well-Traveled Road (Review by Richard Burke) | conductor |
BUSCH, DENNIS: Symphony No. 67 in D. Piano Concerto No. 27 in F. Flute Concerto No. 2 in G (Review by William Zagorski) | conductor |
CAGE, JOHN: 59 1/2 for a String Player (Review by Colin Clarke) | double bass |
CAGE, JOHN: Composed Improvisations for Steinberger Bass Guitar and Snare Drum (Review by Mike Silverton) | double bass |
CAGE, JOHN: Composed Improvisations for Steinberger Bass Guitar and Snare Drum (Review by Mike Silverton) | electricbassguitar |
CAGE, JOHN: Composed Improvisations for Steinberger Bass Guitar and Snare Drum (Review by Mike Silverton) | electronic upright bass |
CAGE, JOHN: Composed Improvisations for Steinberger Bass Guitar and Snare Drum (Review by Mike Silverton) | MIDI bass |
CAGE, JOHN: Ryoanji (Review by Mike Silverton) | double bass |
CARBON: Inner Voices (Review by William Zagorski) | conductor |
CARL, ROBERT: El canto de los asesinados. Lesgedowdaheah. Bells Dance, Drums Ring. Die Berliner Hornisse. Roundabout. Haiku of Buson. Nell Miller, op. 1 (Review by Robert Kirzinger) | double bass |
CARL, ROBERT: From the Ground Up. Surge. Blues Box. Excavating the Present Farewell. What’s Underfoot (Review by Colin Clarke) | double bass |
CHAITKIN: Seasons Such as These. Serenade (Review by David Sachs) | conductor |
CHAITKIN: Summersong, for Twenty-three Wind Instruments. Scattering Dark and Bright, for Percussion and Piano. Serenade, for Seven Players. Études, for Piano. Seasons Such as These (Review by Mike Silverton) | conductor |
CHILD, PETER: Wind Quintet. Sonatina for Oboe. Clare Cycle (Review by James H. North) | conductor |
CHILDS, BARNEY: Sonata for Bass Alone (Review by Colin Clarke) | double bass |
CLEMENT: Chamber Concerto (Review by Mike Silverton) | conductor |
COLSON: Searching Schubert (Review by Robert Carl) | conductor |
COOPER, PAUL: Symphony in Two Movements (Review by William Zagorski) | conductor |
CROWELL: Black Holes and Antimatters' (Review by Richard Burke) | conductor |
DEMBSKI: Alta'. Albař. Dígiř, Trio*. Stacked Deck. Alta Mirar. Spectra (Review by William Wians) | conductor |
DEMBSKI: Spectra. Stacked Deck (Review by John Ditsky) | conductor |
DIDKOVSKY, NICK: Amalia's Secret (Review by Robert Carl) | double bass |
DIX, J. AIRLIE: Three Movements for Orchestra (Review by William Zagorski) | conductor |
DRESHER, PAUL: Mirrors (Review by Mike Silverton) | double bass |
DRESHER, PAUL: Mirrors (Review by Mike Silverton) | electricbassguitar |
DRESHER, PAUL: Mirrors (Review by Mike Silverton) | electronic upright bass |
DRESHER, PAUL: Mirrors (Review by Mike Silverton) | MIDI bass |
DRESHER, PAUL: Underground. Other Fire. Mirrors. Casa Vecchia (Review by Robert Carl) | electric bass |
DRESHER, PAUL: Underground. Other Fire. Mirrors. Casa Vecchia (Review by Robert Carl) | electronics |
DREYBLATT: International Dateline. The Adding Machine. Lapse. House of Twang. Meantime (Review by Robert Kirzinger) | double bass |
DREYBLATT: International Dateline. The Adding Machine. Lapse. House of Twang. Meantime (Review by Robert Kirzinger) | es bass |
DRUCKMAN, JACOB: Valentine (Review by Colin Clarke) | double bass |
EDWARDS, GEORGE: Veined Variety, for soprano and chamber ensemble (Review by John Ditsky) | conductor |
ELKANA: A Color in Time' (Review by Richard Burke) | conductor |
ELLISON: Henry V (Review by William Zagorski) | conductor |
ERICKSON, ELAINE: A Shipwrecked Landscape (Review by Richard Burke) | conductor |
ERNST, DAVID: Crossover (Review by Robert Carl) | conductor |
FEIST: Fog of Clusters (Review by Lawrence A. Johnson) | conductor |
FUGARINO: Riding on a Cloud (Review by Richard Burke) | conductor |
GARCÍA, ORLANDO JACINTO: Piece No. 1 for Double Bass and Tape (Review by Mike Silverton) | double bass |
GARCÍA, ORLANDO JACINTO: Piece No. 1 for Double Bass and Tape (Review by Mike Silverton) | electricbassguitar |
GARCÍA, ORLANDO JACINTO: Piece No. 1 for Double Bass and Tape (Review by Mike Silverton) | electronic upright bass |
GARCÍA, ORLANDO JACINTO: Piece No. 1 for Double Bass and Tape (Review by Mike Silverton) | MIDI bass |
GHENT, EMMANUEL: Entelechy for Viola and Piano (Review by Paul Rapoport) | piano |
GIDEON: Piano Sonata (Review by Leslie Gerber) | piano |
GIDEON: Sonnets from Shakespeare, for Baritone and Orchestra. Wing'd Hour, for Tenor and Orchestra (Review by John Ditsky) | conductor |
GIDEON: Spirit Above the Dust. The Resounding Lyre (Review by David Sachs) | conductor |
GIDEON: Symphonia Brevis (Review by William Zagorski) | conductor |
GIOBBI: Khe Sann (Review by William Zagorski) | conductor |
GIUSTO: Peace Cow (it's not a habit, I'm used to it) (Review by Richard Burke) | conductor |
GOLDENBERG, SHLOMI: Landscapes (Review by William Zagorski) | conductor |
GOOCH: CLockwork (Review by Lawrence A. Johnson) | conductor |
GORDON, MICHAEL: River (Review by Joe Cadagin) | double bass |
GOSFIELD, ANNIE: The Manufacture of Tangle Ivory (Review by Robert Carl) | double bass |
HAMPTON, MITCH: Three Minute Waltz (Review by William Zagorski) | conductor |
HARSH: accomodating commonplaces (Review by Mike Silverton) | double bass |
HARTLEY, WALTER S.: Psalm for Strings (Review by William Zagorski) | conductor |
HOJNACKI: New Orleans March (Review by William Zagorski) | conductor |
HOOSE: Gestures and Intimations (Review by Richard Burke) | conductor |
HOOSE: Right of Passage (Review by William Zagorski) | conductor |
IADONE, JOSEPH: Double-Bass Sonata (Review by Colin Clarke) | double bass |
IERARDI: Symphonic Essay No. 1 (Review by William Zagorski) | conductor |
JAFFE, STEPHEN: The Rhythm of the Running Plough. Four Songs with Ensemble. Double Sonata (Review by Mike Silverton) | conductor |
KAHN, ERICH ITOR: Short Piano Piece. Inventions Op. 7, nos. 1, 2, 3, 5, 6. Ciaccona. String Quartet Op. 13 (Review by David Sachs) | piano |
KELLY, PETER: Aldeds Retreat (Review by William Zagorski) | conductor |
KELLY, PETER: Symphony No. 1 (Review by Stephen Ellis) | conductor |
KESSLER, MINUETTA: Alberto Concerto (Review by Martin Anderson) | conductor |
KIDDE: Quest (Review by Robert Carl) | conductor |
KNOLES/BLACK: Big and Cheap (Review by Mike Silverton) | double bass |
KNOLES/BLACK: Big and Cheap (Review by Mike Silverton) | electricbassguitar |
KNOLES/BLACK: Big and Cheap (Review by Mike Silverton) | electronic upright bass |
KNOLES/BLACK: Big and Cheap (Review by Mike Silverton) | MIDI bass |
KO, GITA LULIN KO: Kyi Nu Bwe (Review by Robert Carl) | double bass |
KONDO, MIKAKO: Waltz (Review by William Zagorski) | conductor |
KORDE: Chamber Piece for Six Soloists (Review by John Ditsky) | double bass |
KOYKKAR: Composite (Review by William Zagorski) | conductor |
LANG, D.: Girl with Mountain (Review by Joe Cadagin) | double bass |
LANG, DAVID: Cheating, Lying, Stealing (Review by Robert Carl) | double bass |
LAVENDA: Look, See (Review by Lawrence A. Johnson) | conductor |
LECLAIR, JEAN-MARIE: Haikus (Review by Martin Anderson) | conductor |
LENNON, JOHN ANTHONY: Symphonic Rhapsody—Concerto for Alto Saxophone and Orchestra (Review by William Zagorski) | conductor |
LEVY, FRANK EZRA: Symphony No. 4 ("Structures of the Mind“) (Review by Raymond Tuttle) | conductor |
LEVY, FRANK EZRA: Symphony No. 4 (“Structures of the Mind“) (Review by Joanne Forman) | conductor |
LEWIS, MALCOLM: Etesian Zephyrs (Review by Lawrence A. Johnson) | conductor |
LIEBERSON, PETER: Latita—Chamber Variations (Review by Kyle Gann) | conductor |
LIPPE, CORT: Solo Tuba Music (Review by John Ditsky) | double bass |
LISZT: Harmonies poétiques et religieuses (Version of 1834). Glanes de Woronince. Die Zelle in Nonnenwerth (Version of 1883). Fünf kleine Klavierstücke (Review by Peter J. Rabinowitz) | piano |
LUENING: Suite (Review by Colin Clarke) | double bass |
LUO, LAO: Yun Zhong Jun. He Bo. Shan Gui. Tan Te (Review by Joe Cadagin) | double bass |
MABRY: 12.5.83, for Alto Recorder. (Review by John Ditsky) | double bass |
MACBRIDE, DAVID: Nocturnes de la Ventana (Review by Mike Silverton) | conductor |
MACHOVER: Flora (Review by Mike Silverton) | conductor |
MACHOVER: Nature's Breath. Spectres Parisiens (Review by Kyle Gann) | conductor |
MASCARI: Hymnody No. 3 (Review by William Zagorski) | conductor |
MCKINLEY, WILLIAM THOMAS: Andante and Scherzo (Review by Martin Anderson) | conductor |
MCKINLEY, WILLIAM THOMAS: Boston Overture (Review by William Zagorski) | conductor |
MCKINLEY, WILLIAM THOMAS: Concerto Domestica (Review by William Zagorski) | conductor |
MCKINLEY, WILLIAM THOMAS: Concerto for Flute and String Orchestra (1986) (Review by William Zagorski) | conductor |
MCKINLEY, WILLIAM THOMAS: Concerto for Flute and Strings (Review by Mike Silverton) | conductor |
MCKINLEY, WILLIAM THOMAS: Dallas (Review by David Denton) | conductor |
MCKINLEY, WILLIAM THOMAS: Fantasia Variazioni (Review by Richard Burke) | conductor |
MCKINLEY, WILLIAM THOMAS: New York Overture. Symphony No. 5 (“Irish“) (Review by Stephen Ellis) | conductor |
MCKINLEY, WILLIAM THOMAS: Silent Whispers (Review by William Zagorski) | conductor |
MCKINLEY, WILLIAM THOMAS: SinfoNova (Review by David Denton) | conductor |
MCKINLEY, WILLIAM THOMAS: Sinfonova (Review by William Zagorski) | conductor |
MCKINLEY, WILLIAM THOMAS: Symphony No. 3 (“Romantic“) (Review by William Zagorski) | conductor |
MCKINLEY, WILLIAM THOMAS: Symphony No. 4. Concerto No. 3 for Piano and Orchestral. Three Poems of Pablo Neruda* (Review by Robert McColley) | conductor |
MCKINLEY, WILLIAM THOMAS: Wind, Fire, and ice. Mostly Mozart. Silent Whispers (Review by William Zagorski) | conductor |
MELLONI: Piano Symphony (Review by Stephen Ellis) | conductor |
MOLNÁR: Hyacinths (Review by Lawrence A. Johnson) | conductor |
MOROSS: Bass Sonatina (Review by Colin Clarke) | double bass |
MOYER: Adagio (Review by William Zagorski) | conductor |
MUNCY: Paean (Review by Robert Carl) | conductor |
NAEGER: Storm Clouds (Review by William Zagorski) | conductor |
NAING, KHAW KHAW: Hsaing Kyaik De maung. Seik Kyu Mila 1 & 2. Sein Ozi (Review by Robert Carl) | double bass |
NAY MYO BALA THU-ALINKAR KYAW SWAR U-ANON: Ka Pya Chi (Review by Robert Carl) | double bass |
NYTCH: Novas' (Review by Richard Burke) | conductor |
OLMSTEAD: Night Fishing (Review by William Zagorski) | conductor |
PACKALES: I Was on the Sea (Review by Joanne Forman) | conductor |
PACKELES: I Was On the Sea (Review by Raymond Tuttle) | conductor |
PASCOAL: Arapua (Review by Robert Carl) | double bass |
PERLE, GEORGE: Monody II (Review by Colin Clarke) | double bass |
PERLONGO: Concerto for Piano and Orchestra (Review by Stephen Ellis) | conductor |
PERSICHETTI: Parable XVI for Solo Viola, Op. 130 (Review by Paul Rapoport) | piano |
POLIN: O, Aderyn Pur, for flute, saxophone, and tape, (Review by John Ditsky) | conductor |
POLLOCK: Violament for Solo Viola (Review by Paul Rapoport) | piano |
PORTER, QUINCY: Lyric Piece (Review by Colin Clarke) | double bass |
RAHBEE, GOOLKASIAN: Tapestry No. 1 (“Proclamation“) (Review by Martin Anderson) | conductor |
RAKOWSKI, DAVID: Imaginary Dances (Review by Mike Silverton) | conductor |
RAN: Apprehensions (Review by Dean P. Suzuki) | conductor |
RANDOLPH: Exordium (Review by Lawrence A. Johnson) | conductor |
RENDLEMAN: Chorale and Toccata for Strings (Review by Martin Anderson) | conductor |
RENZ: Symphonic Poem (Review by William Zagorski) | conductor |
RICHARDS, ERIC: Owls, Too. Fire! Fire!. Hymn to Santa Muerte. The Consent of Sound and Meaning (Review by Huntley Dent) | double bass |
RISSET, JEAN-CLAUDE: Contours, for Electronic Tape (Review by John Ditsky) | double bass |
ROSS, WALTER: Clarinet Concerto. Violin Concerto. Piano Concerto (Review by Stephen Ellis) | conductor |
ROSS, WALTER: Clarinet Concerto. Violin Concerto. Piano Concerto, “Mosaics“ (Review by Jerry Dubins) | conductor |
ROSS, WALTER: Concerto for Piano and Orchestra (“Mosaics“) (Review by Stephen Ellis) | conductor |
RUBIN, ANNA: Crying the Laughing and Golden, for Electronic Tape (Review by John Ditsky) | double bass |
RULON: Res Facta (Review by Robert Kirzinger) | conductor |
RZEWSKI, FREDERIC: Piano Piece No- IV (Review by Robert Carl) | double bass |
SCELSI: Three Pieces for Solo Trombone (Review by John Ditsky) | double bass |
SCHOENBERG, ARNOLD: Pierrot Lunaire, op. 21 (Review by James H. North) | conductor |
SCHREINER: Symphonic Journey (Review by William Zagorski) | conductor |
SCHWANTNER: Music of Amber (Review by William Wians) | conductor |
SEIN CHIT TEE-U THAN KYIN: Sein Chit Tee A Mhat Ta Ya (Review by Robert Carl) | double bass |
SELLARS: Radio Sonata (Review by Mike Silverton) | double bass |
SELLARS: Radio Sonata (Review by Mike Silverton) | electricbassguitar |
SELLARS: Radio Sonata (Review by Mike Silverton) | electronic upright bass |
SELLARS: Radio Sonata (Review by Mike Silverton) | MIDI bass |
SESSIONS: Five Pieces for Piano (Review by Leslie Gerber) | piano |
SHAPEY: Fromm Variations (Review by Colin Clarke) | piano |
SHAPEY: Fromm Variations—31 Variations for Piano (Review by Paul Rapoport) | piano |
SHAPEY: Three for Six (Review by Dean P. Suzuki) | conductor |
SHAPEY: Three for Six (Review by Colin Clarke) | conductor |
SHATIN: Piping the Earth. Stringing the Bow. Ruah The Passion of St. Cecilia (Review by Peter Burwasser) | conductor |
SHATIN: Ruah (Review by James H. North) | conductor |
SHEA: Wyoming (Review by William Zagorski) | conductor |
SHIFRIN: The Nick of Time (Review by Kyle Gann) | conductor |
SHORE: July Remembrances (Review by Mike Silverton) | conductor |
SKUPINSKY: Wild N'Sexy (Review by Robert Carl) | conductor |
SLÁDEK: Allegro (Review by William Zagorski) | conductor |
STANGO: Sol' per Dirti (Review by Martin Anderson) | conductor |
STANLEY, HELEN: Fanfare (Review by William Zagorski) | conductor |
STEIGER: 13 Loops (Review by Robert Kirzinger) | conductor |
STEVENS, HALSEY: Arioso and Etude (Review by Colin Clarke) | double bass |
STRAVINSKY, IGOR: Concerto in E♭ (Dumbarton Oaks) (Review by Mike Silverton) | conductor |
STRAVINSKY, IGOR: Octet (Review by James H. North) | conductor |
SYDEMAN: For Double-Bass Alone (Review by Colin Clarke) | double bass |
TALMA: The Ambient Air, for Flute, Violin, Cello, and Piano. Full Circle, for Piano and Orchestra. Lament, for Cello and Piano. Three Bagatelles, for Piano. Kaleidoscopic Variations, for Piano. Four-Handed Fun, for Piano, four-hands (Review by John Ditsky) | conductor |
TENNEY: Beast (Review by Colin Clarke) | double bass |
TORELLO, CHRIS: Energetic Transformations (Review by Lawrence A. Johnson) | conductor |
UHLA PE-U THAN KYIN: Japan Patsan. Taethit Muhan Gita Than (Review by Robert Carl) | double bass |
VALI: Seven Persian Folk Songs (Set No. 7) (Review by Raymond Tuttle) | conductor |
VALI: Seven Persian Folk Songs (Set No. 7) (Review by Joanne Forman) | conductor |
VALI: The Ancient Call (Calligraphy No. 13). Persian Folk Songs (Set No. 7). Sornâ (Folk Songs, Set No. 17). Segâh (Review by David DeBoor Canfield) | conductor |
VALI: The Ancient Call (Calligraphy No. 13). Persian Folk Songs (Set No. 7). Sornâ (Folk Songs, Set No. 17). Segâh (Review by Robert Carl) | conductor |
VALI: The Ancient Call (Calligraphy No. 13). Persian Folk Songs (Set No. 7). Sornâ (Folk Songs, Set No. 17). Segâh (Review by Colin Clarke) | conductor |
VIENS: Les Insects dansants , ColorScope (Review by David Denton) | conductor |
VIERK: Red Shift (Review by Robert Carl) | double bass |
WARSHAUER: Revelation (Review by William Zagorski) | conductor |
WEBER, CARL MARIA VON: Variazioni quasi una Fantasia (Review by Leslie Gerber) | piano |
WHITAKER: Prayers of Habakkuk (Review by William Zagorski) | conductor |
WOLFE, JULIA: Into the Clouds (Review by Joe Cadagin) | double bass |
WOLKING: Forests (Review by William Zagorski) | conductor |
WOLKING: Forests (Review by William Zagorski) | conductor |
WOLKING: Forests (Review by Raymond Tuttle) | conductor |
WOLKING: Letting Midnight Out On Bail (Review by William Zagorski) | conductor |
WOLKING: Powell Canyons (Review by William Zagorski) | conductor |
WUORINEN, CHARLES: New York Notes (Review by William Wians) | conductor |
WUORINEN, CHARLES: Spinoff (Review by Kyle Gann) | conductor |
XENAKIS, IANNIS: Theraps, for Double Bass. (Review by John Ditsky) | double bass |
ZAHLER, NOEL: Regions 1, for solo piano (Review by John Ditsky) | conductor |
ZIFFRIN: Symphony for Voice and Orchestra (“Letters“)“ (Review by Robert Carl) | conductor |
ZIPORYN: Amok! (Review by Robert Kirzinger) | double bass |
ZIPORYN: Tsmindao Ghmêrto (Review by Robert Carl) | double bass |
ZVONAR/BLACK: Two in Hand. Trio (Review by Mike Silverton) | double bass |
ZVONAR/BLACK: Two in Hand. Trio (Review by Mike Silverton) | electricbassguitar |
ZVONAR/BLACK: Two in Hand. Trio (Review by Mike Silverton) | electronic upright bass |
ZVONAR/BLACK: Two in Hand. Trio (Review by Mike Silverton) | MIDI bass |
