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Performer: Yann Beuron RAVEL: L’heure espagnole... (Stéphane Denève) (Review by Huntley Dent) | Gonzalve  | SAINT-SAËNS: Angélus... (Yann Beuron) (Review by Ken Meltzer) | tenor | BERLIOZ: L’enfance du Christ (Review by Adrian Corleonis) | Narr | BERLIOZ: L’enfance du Christ (Review by Lynn René Bayley) | narrator | BOESMANS: Pinocchio (Review by Barnaby Rayfield) | Cabaret Director | BOESMANS: Pinocchio (Review by Barnaby Rayfield) | Donkey Seller | BOESMANS: Pinocchio (Review by Barnaby Rayfield) | First Murderer | BOESMANS: Pinocchio (Review by Barnaby Rayfield) | Second Crook | BOESMANS: Pinocchio (Review by Barnaby Rayfield) | The Judge | CRAS: Polyphème (Review by Barry Brenesal) | Acis | FAURÉ, GABRIEL: 2 Mélodies, op. 76 (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: 2 Mélodies, op. 83 (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: 3 Mélodies, op. 87 (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: 4 Mélodies, op. 51 (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: 5 Mélodies de Venise, op. 58 (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: Chanson, op. 94 (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: Le Don silencieux, op. 92 (Review by Adrian Corleonis) | tenor | FAURÉ, GABRIEL: Shylock, op. 57 (Review by Adrian Corleonis) | tenor | GLUCK: Alceste (Review by Brian Robins) | Évandra | GLUCK: Alceste (Review by James Camner) | Evandre | GLUCK: Iphigénie en Aulide (Review by Lynn René Bayley) | Pylade | GLUCK: Iphigénie en Aulide. Iphigénie en Tauride (Review by James A. Altena) | Pylade | GLUCK: Iphigénie en Tauride (Review by John Story) | Pylade | GLUCK: Iphigénie en Tauride (Review by Lynn René Bayley) | Pylade | GLUCK: Iphigénie en Tauríde (Review by Brian Robins) | Pylade | GLUCK: Iphigénie en Tauríde (Review by James Camner) | Pylade | HONEGGER, ARTHUR: Jeanne d’Arc au Bûcher (Review by Lynn René Bayley) | tenor | HONEGGER, ARTHUR: Jeanne d’Arc au Bûcher (Review by James A. Altena) | tenor | HONEGGER, ARTHUR: Jeanne d’Arc au Bûcher (Review by James A. Altena) | tenor | IBERT: Persee et Andromède. La ballade de la geôle de Reading. Le chevalier errant (Review by Martin Anderson) | Persée | IBERT: Persee et Andromède. La ballade de la geôle de Reading. Le chevalier errant (Review by James Miller) | Persée | OFFENBACH: La Belle Hélène (Review by James Miller) | Paris | OFFENBACH: La Grande-Duchesse de Gerolstein (Review by Joel Kasow) | Fritz | OFFENBACH: La Grande-Duchesse de Gérolstein (Review by Joel Kasow) | tenor | OFFENBACH: La belle Helene (Review by Joel Kasow) | Paris | OFFENBACH: La belle Hélène (Review by Joel Kasow) | tenor | OFFENBACH: Orphée aux enfers (Review by Barry Brenesal) | Orphée | OFFENBACH: Orphée aux enfers (Review by James Miller) | Orpheus | OFFENBACH: Orphée aux enfers (Review by Joel Kasow) | tenor | POULENC: Dialogues des Carmélites (Review by Joel Kasow) | Chevalier de La Force | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by David Johnson) | Areas | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by David Johnson) | Mercure | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by David Johnson) | tenor | RAMEAU, JEAN-PHILIPPE: Platée (Review by Barry Brenesal) | Mercure | RAMEAU, JEAN-PHILIPPE: Platée (Review by Barry Brenesal) | Thespis | TOMBELLE, LA: Music for Choir. Mélodies. Pages d’amour. Andante espressivo. Cello Sonata (Review by James H. North) | tenor | WEKERLIN: La laitière de Trianon (Review by Joel Kasow) | Le Marquis de Brunoy |
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