Fanfare Magazine Home Page

IssuesConductorsPerformersEnsembles and OrchestrasInstrumentalistsInstruments

SingersVoicesVocal RolesSACDsReviewersLabels

Archive Home

Feature ArticlesComposersCollectionsJazzVideoBollywoodBook ReviewsThe Want ListsThe Hall of Fame

All Performers

a

b

c

d

e

f

g

h

i

j

k

l

m

n

o

p

q

r

s

t

u

v

w

x

 

y

z

 

         

Fanfare Archive Subscriber-Only Features

 Listen to Audio & Video 

James Kreger: CHOPIN, BRAHMS, BEETHOVEN

Mark Abel: Home is a Harbor

Michael Habermann: SORABJI: Piano Music

Nancy Roldán, José Miguel Cueto, Gabriella Cavallero: Piazzolla Here & Now

Open Goldberg: Open Goldberg Variations

Pedro H. da Silva / Lucía Caruso: Jeanne d’Arc, Le Voyage dans la Lune

The Crossing: Selected Works

Varda Kotler: YouTube Channel


Fanfare Archive Advertisers

Buy & Sell Classical CDs at Princeton Record Exchange

Performer: Paul Agnew

200 YEARS OF MUSIC AT VERSAILLES: (Review by Michael Carter)

tenor 

KNIGHTLY PASSIONS: THE SONGS OF OSWALD VON WOLKENSTEIN: Ain guet geporen edelman (monophonie, polyphonic). Der oben swebt. Fröhlich, zärtlich, liplich. Der mai mit lieber zal. Der mai mit lieber zal (organ solo). Wolauf gesell. Du ausserweltes schöns mein herz. Frölich geschrai so well vir machen. Ach senliches leiden. Stand auff, Maredel. Grasselick lif. Wach auff, mein hört. Wach auff, mein hört (organ solo). “Nu huss“sprach der Michel von Wolkenstein. Durch Barbarei, Arabia (Review by Tom Moore)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow)

tenor 

AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow)

tenor 

ENGLAND, MY ENGLAND: (Review by Robert Markow)

tenor 

O SWEET WOODS, THE DEIGHT OF SOLITARIENESSE. Love...: (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: Cantata No. 63 (Review by Ralph V. Lucano)

tenor 

BACH, JOHANN SEBASTIAN: Cantata No. 63. Sanctus in D, BWV 238. Magnificat in E♭, BWV 243a (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas No. 76; No. 75; No. 190; No. 179; No. 59; No. 69; No. 50; No. 186; No. 104; No. 69a (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas for Marian Feasts (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas, Vol. 11 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas, Vol. 13 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas, Vol. 15 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas, Vol. 16 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas, Vol. 19 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas, Vol. 1 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Complete Cantatas, Vol. 10 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Complete Cantatas, Vol. 6 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Easter Oratorio, BWV 249 (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: Easter Oratorio. Magnificat in D (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: Gloria in excelsis Deo, BWV 191 (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: Magnificat (Review by Ralph V. Lucano)

tenor 

BACH, JOHANN SEBASTIAN: Mass in b (Review by George Chien)

performance, want list 

BACH, JOHANN SEBASTIAN: Mass in b (Review by George Chien)

tenor 

BACH, JOHANN SEBASTIAN: Sanctus, BWV 238 (Review by Ralph V. Lucano)

tenor 

BACH, JOHANN SEBASTIAN: St Matthew Passion (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: St. John Passion (Review by J. F. Weber)

tenor 

BACH, JOHANN SEBASTIAN: St. Mark Passion (Review by James A. Altena)

tenor 

BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Brian Robins)

tenor 

BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Joshua Cohen)

tenor 

BACH/KOOPMAN: Markus-Passion, BWV 247 (Review by William Zagorski)

tenor 

BEETHOVEN, LUDWIG VAN: Irish, Welsh, and Scottish Songs (Review by Henry Fogel)

tenor 

BEETHOVEN, LUDWIG VAN: Womankind. The Sweetest Lad Was Jamie. The Kiss, Dear Maid. Come Draw We Round a Cheerful Ring. Come Fill, Fill, My Good Fellow. On the Massacre of Glencoe. What Shall I Do to Shew How Much I Love Her? The Farewell Song. The Lovely Lass of Inverness. Oh! Thou Art the Lad of My Heart, Willy. The Dream. The Pulse of an Irishman. The Return to Ulster. Constancy. To the Aeolian Harp. Since Greybeards Inform Us that Youth Will Decay. The Parting Kiss. Wife, Children, and Friends. Again, My Lyre. God Save the King! The Vale of Clwyd. The Monks of Bangor’s March. Faith fu’ Johnie. The Soldier’s Dream (Review by Henry Fogel)

tenor 

BERLIOZ: L'Enfance du Christ (Review by Adrian Corleonis)

narrator 

BERLIOZ: L’Enfance du Christ (Review by Haig Mardirosian)

performance, want list 

BERLIOZ: L’Enfance du Christ (Review by Adrian Corleonis)

récitant 

BLOW, JOHN: Peaceful is he, and most secure. Salvador mundi (Review by Lynn René Bayley)

tenor 

BOCCHERINI, LUIGI: Stabat Mater, op. 61 (Review by Brian Robins)

tenor 

CALDARA, A: Crucifixus à 16 (Review by Bertil van Boer)

conductor  

CAMPRA: Aforos ¡n Judea Deus. De profundis. Exaudiat te Dominus. Requiem (Review by Brian Robins)

tenor 

CHARPENTIER, MARC-ANTOINE: Divertissements, Airs, and Concerts (Review by Brian Robins)

countertenor 

CHARPENTIER, MARC-ANTOINE: Judicium Salomonis (Review by Brian Robins)

countertenor 

CHARPENTIER, MARC-ANTOINE: La Descente d'Orphée aux enfers, H. 488 (Review by James H. North)

Orphée 

CHARPENTIER, MARC-ANTOINE: La Descente d'Orphée aux enfers, H. 488 (Review by James H. North)

tenor 

CHARPENTIER, MARC-ANTOINE: La Pierre philosophale, H 501. Tristes désertes H 469. Rentrez, trop indiscrets soupirs, H 464. Quoi! Je ne verrais plus, H 461. Ah, qu’ils sont courts, H 442. Charmantes fleurs, H449b. Quoi! rien ne peut, H 462. En vain rivaux assidus, H 452. Ah! qu’on est malheureux, H 443. Ah! laissez-moi rêver, H 441. Non, non, je ne l’aime plus, H 455. Sans frayeur dans ce bois, H 467. Auprès du feu, H 446. Ayant bu du vin clairet, H 447. Fenchon, la gentille Fenchon, H 454. Dispute des bergers, H 484. Concert pour quatre parties de violes, H 545 (Review by Brian Robins)

countertenor 

CHARPENTIER, MARC-ANTOINE: Motet pour une longue offrande (Review by Brian Robins)

countertenor 

CHARPENTIER, MARC-ANTOINE: Te Deum. Messe pour les trépassés. Motet pour les trépassés. Prose des morts (Review by Brian Robins)

tenor 

CROFT: What art thou? (Review by Lynn René Bayley)

tenor 

D’ASTORGA: Stabat Mater (Review by Brian Robins)

tenor 

DESMAREST: Motets (Review by Brian Robins)

tenor 

DESMAREST: Usquequo Domine. Lauda Jerusalem. Domine, ne in furore (Review by Brian Robins)

tenor 

DOWLAND, JOHN: From A Musicali Banquet, 1610 (Review by Brian Robins)

tenor 

DOWLAND, JOHN: From the First Book of Songs 1597 (Review by Brian Robins)

tenor 

DOWLAND, JOHN: In Darknesse Let Me Dwell—Lute Songs, Volume 2 (Review by Brian Robins)

tenor 

DOWLAND, JOHN: Lute Songs (Review by Brian Robins)

tenor 

GALUPPI, BALDASSARE: Laetatus sum. Nisi Dominus. Lauda Jerusalem (Review by Brian Robins)

performance, want list 

GALUPPI, BALDASSARE: Laetatus sum. Nisi Dominus. Lauda Jerusalem (Review by Brian Robins)

tenor 

GURNEY: A Cradle Song. 5 Elizabethan Songs (Review by Martin Anderson)

tenor 

GURNEY: An Epitaph. The fields are full. Down by the sally gardens. The Cloths of Heaven. The Singer. I will go with my father a-ploughing (Review by Martin Anderson)

tenor 

GURNEY: Epitaph in Old Mode. You are my sky. All night under the moon. The folly of being comported. By a bierside. Severn Meadows. In Flanders. Even such is time. Ha’nacker Mill. Bread and Cherries. Most Holy Night. Desire in Spring. Nine of the clock (Review by Martin Anderson)

tenor 

GURNEY: Severn Meadows (Review by Martin Anderson)

tenor 

HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson)

Acis 

HANDEL, GEORGE FRIDERIC: Ahi, nelle sorte umane, HWV 179; Wo, di voi non vo' fidarmi, HWV 189; Caro autor di mia doglia, HWV 182a; Quel fior che all'alba, HWV 192; Conservate, raddoppiate, HWV 185; Tanti strali al sen mi scocchi, HWV 197; Va, speme infida, HWV 199; A mirarvi io son Intento, HWV 178; Sono liete, fortunate (Review by Bernard Jacobson)

tenor 

HANDEL, GEORGE FRIDERIC: Alexander’s Feast (Review by Henry Fogel)

tenor 

HANDEL, GEORGE FRIDERIC: Arcadian Duets (Review by Bernard Jacobson)

tenor 

HANDEL, GEORGE FRIDERIC: L’Allegro, il Penseroso ed il Moderato (Review by Bernard Jacobson)

tenor 

HANDEL, GEORGE FRIDERIC: Saul (Review by Brian Robins)

High Priest 

HANDEL, GEORGE FRIDERIC: Saul (Review by Bernard Jacobson)

High Priest 

HANDEL, GEORGE FRIDERIC: Saul (Review by Brian Robins)

Witch Of Endor 

HANDEL, GEORGE FRIDERIC: Saul (Review by Bernard Jacobson)

Witch Of Endor 

HANDEL, GEORGE FRIDERIC: Solomon (Review by Joel Kasow)

performance, want list 

HANDEL, GEORGE FRIDERIC: Solomon (Review by Bernard Jacobson)

The High Priest 

HANDEL, GEORGE FRIDERIC: Solomon (Review by Bernard Jacobson)

Zadok 

HANDEL, GEORGE FRIDERIC: Solomon (Review by James A. Altena)

Zadok 

HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins)

Septimius 

HANDEL, GEORGE FRIDERIC: Theodora (Review by James A. Altena)

Septimus 

HUMFREY: Lord! I have sinned. Wilt thou forgive that sin? (Review by Lynn René Bayley)

tenor 

LALANDE: Te Deum, S 32. Venite, exultemus, S 58 S¿ (Review by Brian Robins)

tenor 

LANIER: Hero and Leander (Review by Tom Moore)

tenor 

LANIER: Weep no more my wearied eyes. Neither sighs, nor tears. Stay silly heart. Hero’s complaint to Leander. Come, thou glorious object of my sight. Amorosa pargoletta. Qual musico gentil. Do not expect to hear. Fire, fire. Mark how the blushful morn. No more shall meads be deck’d with flowers. Like hermit poor (Review by Tom Moore)

tenor 

LEGRENZI: Quam amarum est, Maria (Review by Bertil van Boer)

conductor  

LEO, LEONARDO: Miserere (Review by Bertil van Boer)

conductor  

LOCKE, MATTHEW: Psyche (Review by Brian Robins)

tenor 

LOTTI: Crucifixus à 10. Crucifixus à 8 (Review by Bertil van Boer)

conductor  

LULLY: Persée (Review by Brian Robins)

Persée 

MOZART: Mass in C, K. 317 (“Coronation“). Ave verum corpus, K. 618. Solemn Vespers of a Confessor, K. 339. Exsultate, jubilate, K. 165 (Review by J. F. Weber)

tenor 

PURCELL: Dido and Aeneas (Review by Brian Robins)

Sailor 

PURCELL: Dido and Aeneas (Review by Michael Ullman)

Sailor 

PURCELL: Funeral Sentences (Musique funebre pour la reine Mary) (Review by Michael Ullman)

tenor 

PURCELL: Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light (Review by Lynn René Bayley)

tenor 

PURCELL: Rejoice in the Lord aiway, Z. 49. Remember not, Lord, our offences, Z. 50. Blow up the trumpet in Sion, Z. 10. Hear my prayer, O Lord, Z. 15. My heart is inditing, Z. 30. Funeral Sentences; March; Canzona, Z 860,Man that is born of woman, Z 27; In the midst of life, Z 17; Thou knowest, Lord, Z 58c. O Lord God of hosts, Z 37. Te Dêum, Z. 232 (Review by Michael Ullman)

tenor 

PURCELL: The Complete Anthems and Services, Volume 6 (Review by Michael Ullman)

tenor 

PURCELL: Why do the heathen so furiously rage together, Z. 65. Lord, who can tell how oft he offendeth?, Z. 26. O Lord, grant the King a long life, Z. 38. Hear me, O Lord, the great support, Z. 133. Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z. 198. Who hath believed our report?, Z. 64.1 will love thee, OLord,Z. 67. Great God and just, Z. 186. Plung'd in the confines of despair, Z. 142. O praise the Lord, all ye heathen, Z. 43. My heart is fixed, O God, Z. 29 (Review by Michael Ullman)

tenor 

RAMEAU: Dardanus (Review by Barry Brenesal)

Dardanus 

RAMEAU: Hippolyte et Aricie (Review by David Johnson)

tenor 

RAMEAU: Hippolyte et Aricie (Review by David Johnson)

Un Amour 

RAMEAU: La Guirlande (Review by Brian Robins)

Myrtil 

RAMEAU: Les Fêtes d’Hébé (Review by David Johnson)

Le Ruisseau 

RAMEAU: Les Fêtes d’Hébé (Review by David Johnson)

Lycurgue 

RAMEAU: Les Fêtes d’Hébé (Review by David Johnson)

Momus 

RAMEAU: Les Grands Motets (Review by David Johnson)

tenor 

RAMEAU: Les boréades (Review by Barry Brenesal)

Abaris 

RAMEAU: Les indes galantes (Review by Brian Robins)

Valère 

RAMEAU: Platée (Review by Barry Brenesal)

Platée 

RAMEAU: Zéphire (Review by Brian Robins)

Myrtil 

SCARLATTI, A.: Oratorio per la Santissima Trinità (Review by Brian Robins)

Infedeltà 

SCARLATTI, D.: Stabat Mater (Review by Bertil van Boer)

conductor  

SCHÜTZ: Die Sieben Worte Jesu Christi am Kreuz (Review by James A. Altena)

Evangelist 

VIVALDI, ANTONIO: Atenaide (Review by Barry Brenesal)

Leontino 

VIVALDI, ANTONIO: Dixit Dominus (Review by Brian Robins)

performance, want list 

VIVALDI, ANTONIO: Dixit Dominus, RV 807 (Review by Brian Robins)

tenor 

VIVALDI, ANTONIO: Domine ad adiuvandum me festina—Response (Review by George Chien)

bass 

VIVALDI, ANTONIO: Tieteberga (Review by John Story)

tenor 

VIVALDI, ANTONIO: Vespers (Review by George Chien)

bass 

WECKMANN: Sacred Concertos (Review by Brian Robins)

tenor 

 

Our Advertisers
About Fanfare / Contact Us
Advertise in the Fanfare Archive


NOT TO BE MISSED!

Reviews and interviews
Just click and read!

If you don't see images below, please disable your browser's Ad Blocker for this site