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Performer: Roberto Abbondanza

ANFOSSI: La Maga Circe (Review by David Johnson)

baritone 

ANFOSSI: La Maga Circe (Review by David Johnson)

Barone di Nocesecca 

CAVALIERI: Rappresentatione di Anima e di Corpo (Review by Brian Robins)

Consiglio 

CAVALLI: La Didone (Review by Barry Brenesal)

Giove 

CAVALLI: La Didone (Review by Barry Brenesal)

Nettuno 

CAVALLI: La Didone (Review by Barry Brenesal)

Un Cacciatore 

CAVALLI: La virtù de’ strali d’Amore (Review by Bertil van Boer)

Saturn 

CAVALLI: La virtù de’ strali d’Amore (Review by Bertil van Boer)

Second Sailor 

DALLAPICOLLA: Rencesvals, 3 Fragments from “La chanson de Roland”. Quattro liriche di Antonio Machado. 30 Italian Songs of the 17th and 18th centuries (realization of the figured bass and editing by Luigi Dallapiccola) (Review by James H. North)

baritone 

HANDEL, GEORGE FRIDERIC: Poro, Rè dell'Indie (Review by Ralph V. Lucano)

bass 

HANDEL, GEORGE FRIDERIC: Poro, Rè dell'Indie (Review by Ralph V. Lucano)

Timagene 

MOSCA: Signor Goldoni (Review by Colin Clarke)

Goldoni 

MOZART: Three Arias for Insertion in Anfossi's Operas (Review by David Johnson)

baritone 

MOZART: Three Arias for Insertion in Anfossi's Operas (Review by David Johnson)

Barone di Nocesecca 

SCARLATTI, ALESSANDRO: Carlo Re d’Alemagna (Review by Barry Brenesal)

Bleso 

SCARLATTI, ALESSANDRO: Oratorio per la Santissima Trinità (Review by Brian Robins)

Tempo 

VACCAI: La caccia—Chorus. Il cosacco della Volga—Arietta. I pellegrini—Romanza. I sospiri—Arietta pastorale. Un martel mi batte in testa—Canon for Four Tenors. L'orfanella—Romanza. Il crociato—Romanza. L'esule— Cantata for Mezzo-Soprano, Chorus, and Piano. Variations on a Theme of Haydn, “Sento una dolce speme“ (arr. clarinet and piano). Andromeda—Cantata for Soprano and Orchestra (Review by David Johnson)

baritone 

VACCAI: Vocal and Instrumental Works (Review by David Johnson)

baritone 

 

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