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Book Reviews in Issue 34:2 (Nov/Dec 2010)
COMRADES IN ART: The Correspondence of Ronald Stevenson and Percy Grainger 1957–61, with Interviews, Essays and Other Writings on Grainger by Ronald Stevenson Ed by Teresa B. Balough. Rochester, NY: Toccata Press, 2010. | NEW PERSPECTIVES ON MARC-ANTOINE CHARPENTIER Ed.by Shirley Thompson. Farnham, Surrey: Ashgate, 2010. xxviii + |
JEAN CRAS, POLYMATH OF MUSIC AND LETTERS By Paul-André Bempéchat. Farnham, Surrey, UK/Burlington, VT: Ashgate, 2009. xxviii + | SAMUEL BARBER REMEMBERED: A Centenary Tribute Ed. Peter Dickinson. Rochester, NY: University of Rochester Press, 2010. |
JEAN CRAS, POLYMATH OF MUSIC AND LETTERS By Paul-André Bempéchat. Farnham, Surrey, UK/Burlington, VT: Ashgate, 2009. xxviii + | THE NINTH: Beethoven and the World in 1824 By Harvey Sachs. New York: Random House, 2010. |
LEONARD ROSE: America’s Golden Age and Its First Cellist By Steven Honigberg. Silver Spring, MD: Beckham Publications Group, 2010. | THE SADDEST MUSIC EVER WRITTEN: The Story of Samuel Barber’s Adagio for Strings By Thomas Larson. New York: Pegasus Books, 2010. |
LISTEN TO THIS By Alex Ross. New York: Farrar, Straus and Giroux, 2010. | THERESE MALTEN: Wagner’s Devoted Kundry By Michael Letchford. Takeley: Goar Lodge, 2010. |
LIVING OPERA By Joshua Jampol. New York: Oxford University Press, 2010. Illus. xiv + | |
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