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Feature Articles in Issue 47:5 (May/June 2024)

“This Music is Embedded in My DNA”: A Conversation with Elena Dorozhkina

FEATURE REVIEW: BRENTANO; RICHTER, FRANZ XAVER; VAN HEUSEN, JIMMY (Klaus Martin Kopitz)

FEATURE REVIEW: RUSSIAN PIANO GEMS: Romantic to Avant-Garde (Elena Dorozhkina)

FEATURE REVIEW: BRENTANO; RICHTER, FRANZ XAVER; VAN HEUSEN, JIMMY (Klaus Martin Kopitz)

FEATURE REVIEW: RUSSIAN PIANO GEMS: Romantic to Avant-Garde (Elena Dorozhkina)

FEATURE REVIEW: BRENTANO; RICHTER, FRANZ XAVER; VAN HEUSEN, JIMMY (Klaus Martin Kopitz)

FEATURE REVIEW: RUSSIAN PIANO GEMS: Romantic to Avant-Garde (Elena Dorozhkina)

Modulation Necklace : A Celebration of Armenian Music with Movses Pogossian

Transcriptions and Arrangement Is a Developing Genre: An Interview with Duo Praxedis

FEATURE REVIEW: SERENADE WITH A DANDELION: ARMENIAN CHAMBER MUSIC... (Movses Pogossian)

FEATURE REVIEW: JOHN THOMAS: Complete Duos for Harp and Piano,... (Duo Praxedis)

FEATURE REVIEW: SERENADE WITH A DANDELION: ARMENIAN CHAMBER MUSIC... (Movses Pogossian)

FEATURE REVIEW: JOHN THOMAS: Complete Duos for Harp and Piano,... (Duo Praxedis)

FEATURE REVIEW: SERENADE WITH A DANDELION: ARMENIAN CHAMBER MUSIC... (Movses Pogossian)

FEATURE REVIEW: JOHN THOMAS: Complete Duos for Harp and Piano,... (Duo Praxedis)

FEATURE REVIEW: SERENADE WITH A DANDELION: ARMENIAN CHAMBER MUSIC... (Movses Pogossian)

FEATURE REVIEW: JOHN THOMAS: Complete Duos for Harp and Piano,... (Duo Praxedis)

A Golden Age for Choral Music: An Interview with Ethan Sperry

FEATURE REVIEW: JOHN THOMAS: Complete Duos for Harp and Piano,... (Duo Praxedis)

FEATURE REVIEW: 50: OREGON REPERTORY SINGERS (Ethan Sperry)

FEATURE REVIEW: JOHN THOMAS: Complete Duos for Harp and Piano,... (Duo Praxedis)

FEATURE REVIEW: 50: OREGON REPERTORY SINGERS (Ethan Sperry)

Musical “Schools”: Do They Create a Sense of Identity or Act as a Source of Division?: An Interview with Frank Harders-Wuthenow

FEATURE REVIEW: 50: OREGON REPERTORY SINGERS (Ethan Sperry)

FEATURE REVIEW: ÉCOLES DE PARIS: Paris pour École (Johannes Zurl)

FEATURE REVIEW: 50: OREGON REPERTORY SINGERS (Ethan Sperry)

FEATURE REVIEW: ÉCOLES DE PARIS: Paris pour École (Johannes Zurl)

Simplifying, Snoozing, and Cycling: An Interview with Composer Neil Stipp

FEATURE REVIEW: ÉCOLES DE PARIS: Paris pour École (Johannes Zurl)

FEATURE REVIEW: STIPP; FIELD, BRIAN; VIAL (Mihail Agafita)

FEATURE REVIEW: ÉCOLES DE PARIS: Paris pour École (Johannes Zurl)

FEATURE REVIEW: STIPP; FIELD, BRIAN; VIAL (Mihail Agafita)

Between Time and After : Modernism is Relevant! An Interview with Michael Jones

FEATURE REVIEW: STIPP; FIELD, BRIAN; VIAL (Mihail Agafita)

FEATURE REVIEW: SARGENT, MATT; GARLAND, PETER (Michael Jones)

FEATURE REVIEW: STIPP; FIELD, BRIAN; VIAL (Mihail Agafita)

FEATURE REVIEW: SARGENT, MATT; GARLAND, PETER (Michael Jones)

FEATURE REVIEW: STIPP; FIELD, BRIAN; VIAL (Mihail Agafita)

FEATURE REVIEW: SARGENT, MATT; GARLAND, PETER (Michael Jones)

Imagination, Music, and Meaning: A Conversation with Kyra Xuerong Zhao

FEATURE REVIEW: SARGENT, MATT; GARLAND, PETER (Michael Jones)

FEATURE REVIEW: RACHMANINOFF; SCRIABIN, ALEXANDER; SCHUMANN (Kyra Xuerong Zhao)

Brahmsian Resonances: An Interview with Pianist Julian Jaeyoung Kim

FEATURE REVIEW: RACHMANINOFF; SCRIABIN, ALEXANDER; SCHUMANN (Kyra Xuerong Zhao)

FEATURE REVIEW: BRAHMS, JOHANNES: Piano Sonata No. 3 in f, op. 5... (Julian Jaeyoung Kim)

FEATURE REVIEW: RACHMANINOFF; SCRIABIN, ALEXANDER; SCHUMANN (Kyra Xuerong Zhao)

FEATURE REVIEW: BRAHMS, JOHANNES: Piano Sonata No. 3 in f, op. 5... (Julian Jaeyoung Kim)

FEATURE REVIEW: RACHMANINOFF; SCRIABIN, ALEXANDER; SCHUMANN (Kyra Xuerong Zhao)

FEATURE REVIEW: BRAHMS, JOHANNES: Piano Sonata No. 3 in f, op. 5... (Julian Jaeyoung Kim)

FEATURE REVIEW: RACHMANINOFF; SCRIABIN, ALEXANDER; SCHUMANN (Kyra Xuerong Zhao)

FEATURE REVIEW: BRAHMS, JOHANNES: Piano Sonata No. 3 in f, op. 5... (Julian Jaeyoung Kim)

Sony Issues the First Volume of Columbia Stereo Recordings by Eugene Ormandy and the Philadelphia Orchestra

To Make Good Music: An Interview with Klaus Martin Kopitz

Slightly Off the Beat

 

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