'Tis nature's voice. Strike the viol. Ye gentle spirits. Round O. From rosy bow'rs. Hornpipe in E Minor. Let us dance. Hark, the echoing air. Ah, how sweet it is to love. Prelude from Suite No. 4. Dear pretty youth. Music for a while. I attempt from love's sickness to fly. Lilliburlero. If music be the food of love. The Blessed Virgin's Expostulation. If love's a sweet passion''. Now that the sun hath veiled his light |
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(arr. Sandström) Hear my prayer, O Lord |
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(arr. Stephen Johns) Allegro and Air from King Arthur |
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(ed. Tippett and Bergmann) If music be the food of love. An Epithalamium (A Wedding Song). The fatal hour comes on apace. Mad Bess (From silent shades). Sweeter than rose |
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(orch. Elgar) Jehova, quam multi sunt hostes mei |
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10 Sonatas in 4 Parts |
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10 Sonatas of 4 Parts. 12 Sonatas of 3 Parts |
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12 Sonatas in 3 Parts, Z 790–801 |
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12 Sonatas of 3 Parts: No. 1 in g, Z 790; No. 2, in B♭, Z 791; No. 3 in d, Z 792; No. 4 in F, Z 793; No. 5 in a, Z 794; No. 6 in C, Z 795; No. 7 in e, Z 796; No. 8 in G, Z 797; No. 9 in c, Z 798; No. 10 in A, Z 799; No. 11 in f, Z 800; No. 12 in D, Z 801 |
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12 Songs. If ever I more riches did desire. Laudate Caeciliam |
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16 Anthems for the Chapel Royal |
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3 Parts upon a Ground |
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4 Fantasias |
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5 Songs |
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A Fool’s Preferment: There’s Nothing so Fatal as Women |
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A Morning Hymn. How Long Great God. The Blessed Virgin’s Expostulation. Lord, What Is Man. Sleep, Adam, Sleep, and Take Thy Rest. An Evening Hymn |
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A New Ground |
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A new ground in e, Z 682 |
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A New Ground, Z. T682. Aire in D Minor, Z. T675. Round O, Z. T684 |
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A New Ground; Prelude for Recorder |
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A New Irish Tune [Lilliburlero]. Suite No. 2 in G Minor |
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A New Irish Tune, Lilliburlero |
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A New Irish Tune. Minuet. Jig |
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Abdelazar: Chaconne |
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Abdelazar: Incidental Music |
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Abdelazar: Rondeau |
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Abdelazar: Rondeau; Air. The Fairy Queen: Incidental Music |
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Abdelazar: Suite |
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Abdelazar: Suite. The Gordian Knot Unty'd: Suite. Bonduca: Suite. The Virtuous Wife: Suite. Timon of Athens: Overture and Certain Tune |
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Abdelazer (or “The Moors Revenge“), Z. 570: incidental music. The Gordian Knot Untýd, Z. 597: Incidental music. The Old Bachelor, Z. 607: Incidental music. Sonata in D for Trumpet and Strings (Z. 850) |
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Abdelazer: Overture, Rondeau, Air. The Gordian Knot Unty'd: Air. Timon of Athens: Curtain Tune on a Ground. The Fairy Queen: Rondeau; Hornpipe; Overture; Dance for the Fairies; Chaconne. The Married Beau: Hornpipe on a Ground |
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Abdelazer: Rondeau |
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Abdelazer: Rondeau. Chacony in G minor in Four Parts |
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Abdelazer: Rondo. King Arthur: Overture and Allegro. The Married Beau: March |
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Abdelazer: Suite |
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Ah! How Happy Are We. Sighs for Our Late Sovereign, King Charles II. So! Whsn the Glitt'ring Queen of Night. In Vain the Am'rous Flute. Yes, Daphne. Crown the Altar. After War's Alarms Repeated |
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Ah! How pleasant tis to love, Z353 |
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Air |
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Air for the flute |
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Air in G |
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Air on a Ground Bass |
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Air, Z.T.675. Voluntary In C, ZD. 341. Sonata in D for Trumpet, Strings, and Continuo, Z, 850 |
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Air. Allegro. Air. Allegro Maestoso |
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Airs and Duets |
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Airs and Instrumental Music |
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Allegro and Air |
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Allegro and Air from King Arthur. Music for Queen Mary II. Two Trumpet Tunes and Ayre |
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Almand in d |
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Amphitryon, or the Two Sosias: Overture; Saraband; Hornpipe; Celia, that I once was blest; Scotch tune; For Iris I Sigh; Air; Minuet; Pastoral dialogue; Hornpipe; Bourée |
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An Evening Hymn |
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An evening hymn, Z193 |
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Anthems, motets, hymns by |
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Anthems. March and Canzona |
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Anthems: Remember not, Lord, our offences; Jehova quam multi sunt hostes mei; O sing unto the Lord; Behold, now, praise the Lord; My beloved spake; Hear my prayer, O Lord; Rejoice in the Lord, alway |
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Antiphonal Voluntary |
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Arias and songs by |
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Arias by |
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Arise my Muse—Ode for the Queen's Birthday, Z.320. Welcome to All the Pleasures—Ode for St. Cecilia's Day, Z.339. Now does the Glorious Day Appear—Ode for the Queen's Birthday, Z.332 |
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Arise, my muse, Z 320: Arise, my muse |
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Ayre. A New Irish Tune |
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Ayres for the Theatre |
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Ayres for the Theatre. Chacony in G minor |
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Behold, I bring you glad tidings, Z. 2. Since God so tender a regard, Z. 143. Early, O Lord, my fainting soul, Z. 132. Sleep, Adam, sleep and take thy rest, Z. 195. Awake, ye dead, Z. 182. The earth trembled, Z. 197. The Way of God Is an undeflled way, Z. 56. Lord, not to us but to thy name, Z. 137. Lord, what is man?, Z. 192. Sing unto God, Z. 52. O all ye people, clap your hands, Z. 138. My heart is inditing, Z. 30 |
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Benedicite. Thou knowest, Lord (1 ). Blow up the trumpet. Save me, O God. Remember not, Lord. O God, thou hast cast us out. O Lord, God of hosts. Man that is born of woman. In the midst of life. Thou knowest, Lord (2). / was glad. Lord, how long? O God, thou art my God. Jubilate. I will sing unto the Lord. Hear my prayer, O Lord |
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Bess of Bedlam |
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Birthday Odes for Queen Mary: Come Ye Sons of Art (1694); Love's Goddess Sure (1692) |
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Blessed City, heavenly Salem |
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Blessed is he, Z7 |
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Blow up the trumpet in Sion, Z. 10. The Lord is king, be the people never so impatient, Z. 53. Begin the song, and strike the living lyre, Z. 183. Thy word is a lantern unto my feet, Z. 61. Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z. 196. Hear my prayer, O Lord, Z. 15. Lord, I can suffer thy rebukes, Z. 136. O Lord, our Governor, Z. 141. Remember not, Lord, our offences, Z. 50. Hosanna to the highest, Z. 187. O God, thou hast cast us out, Z. 36 |
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Bonduca: O lead me to some peaceful gloom |
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Bourrées |
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Britain, thou now art great. O solitude. By beauteous softness mixed. An Evening Hymn. On the brow of Richmord Hill. Te Deum: Vouchsafe, O Lord |
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By Beauteous Softness (arr. Adès) |
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Canary |
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Catches; Anthem: If ever I more riches did desire; Laudate Cecíliám |
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Celebrate this festival, Z 321: Crown the altar |
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Celebrate this Festival: Crown the Altar, Deck the Shrine, Z 321 |
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Celebrated Songs, Sacred Airs, and Concerted Pieces for Strings and Harpsichord |
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Celestial Music—Ode for Mr. Louis Maidwell's School. Now Does the Glorious Day Appear—Ode for Queen Mary's Birthday, 1689 |
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Chaconne |
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Chaconne and Symphonies No. 1 and 2 |
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Chaconne in g |
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Chaconne in G minor |
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Chaconne “Three Parts Upon a Ground.“ |
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Chaconne, “Timon of Athens” |
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Chacony |
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Chacony (arr. Britten) |
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Chacony for Strings in G Minor |
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Chacony in g |
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Chacony in g (arr. Britten) |
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Chacony in G Minor |
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Chacony in G Minor for Strings and Continuo, Z. 730 |
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Chacony in G Minor, Z. 730. Chacony in G Minor, Z. 807 |
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Chacony in G Minor. 4 Parts upon a Ground: Fantasie (Chaconne) |
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Chacony in G Minor; Suite from Dido and Aeneas |
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Chacony in g, Z 730 |
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Chacony, Z 730 |
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Chamber Music |
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Choral Works |
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Christ is made the sure foundation |
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Ciacona in g |
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Cibell in C, Z. 678 |
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Cibell in C, Z678 |
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Circe: We must assemble by a sacrifice; Their necessary Aid you use; Come every Demon; Magician’s dance; Pluto, arise!; Lovers who to their first Embraces go |
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Come All Ye Songsters. Music for a While. Sweeter than Roses |
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Come Ye Sons of Art (Birthday Ode for Queen Mary, 1694); Music for the Funeral of Queen Mary |
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Come ye sons of art, Z.323. Welcome to all the pleasures, Z.339. Funeral Music for Queen Mary. Funeral Sentences |
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Come Ye Sons of Art. High on a throne of glitt'ring pre. O Dive custos Auriacae Domus. Incassum Lesbia |
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Come Ye Sons of Art. Love’s Goddess Sure |
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Come Ye Sons of Art: Sound the Trumpet |
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Come, Ye Sons of Art, Z 323 |
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Come, Ye Sons of Art. High on a throne of glitt'ring ore. O Dive custos Auriacae Domus. Incassum Lesbia, incassum rogas |
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Come, ye sons of Art. Praise the Lord, O Jersusalem. Love's goddess sure was blind. Music for the Funeral of Queen Mary. Funeral Sentences |
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Come, Ye Sons of Art: Excerpts |
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Come, ye sons of art: Strike the viol |
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Complete Ayres for the Theatre |
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Complete Fantasies for Viols |
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Complete Odes and Welcome Songs, Volume 5 |
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Complete Odes and Welcome Songs, Volume 6 |
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Complete Odes and Welcome Songs, Volume 7 |
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Complete Organ Works |
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Complete Sonatas of Three and Four Parts. Pavans |
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Corant and Hornpipe in d |
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Cornetto Maestoso Fanfare. Prelude et Menuet. Trumpet Tune |
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Curtain tune on a ground |
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D-Major Te Deum; Jubilate; Four Anthems |
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Dear pretty youth |
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Dido and Aeneas |
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Dido and Aeneas, Z. 626 |
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Dido and Aeneas, Z. 626. The Gordian Knot Unty'd, Z. 597 |
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Dido and Aeneas. Hail! Bright Cecilia! The Masque in Dioclesian. Come, Ye Sons of Art. My Beloved Spake |
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Dido and Aeneas. Music for Masques and Plays |
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Dido and Aeneas. Ode for St. Cecilia's Day (“Welcome to All the Pleasures“) |
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Dido and Aeneas. Overture in G Minor, Z. 722. Abdelazar, Z. 570: Four Dances. Chaconne in G Minor, Z. 730 |
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Dido and Aeneas. The Fairy Queen: Suite |
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Dido and Aeneas. The Masque of Cupid and Bacchus. |
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Dido and Aeneas: Ah! Belinda; Thy hand, Belinda ... When I Am Laid in Earth |
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Dido and Aeneas: Dido's Lament. Interviews: “Desert Island Discs,“ BBC Radio, April 23, 1952; “Flagstad talks about singing Wagner,“ London, 1949 |
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Dido and Aeneas: Dido’s Lament |
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Dido and Aeneas: Excerpts |
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Dido and Aeneas: Overture; Ah, Belinda; Oft she visits; Thy Hand, Belinda |
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Dido and Aeneas: Overture; When I am laid |
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Dido and Aeneas: Suite |
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Dido and Aeneas: Thy Hand Belinda; Dido’s Lament |
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Dido and Aeneas: Thy hand, Belinda . . . When I am laid in earth |
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Dido and Aeneas: Thy hand, Belinda... When I am laid In earth |
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Dido and Aeneas: When I am laid in earth |
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Dido and Aeneas: When I Am Laid in Earth |
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Dido and Aeneas: When I am Laid in Earth |
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Dido and Aeneas: When I am laid in earth (Geraint Jones, cond; Mermaid Theater O, 6/1/1953) |
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Dido and Aeneas: When I am Laid in Earth. If Music be the Food of Love |
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Dido and Aeneas: When Í Am Laid in Earth ' ; With Drooping Wings |
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Dido and Åeneas |
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Dido’s Farewell |
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Dido’s Lament |
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Didó and Aeneas: When I Am Laid in Earth (Kirsten Flagstad) |
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Dioclesian, Z. 627. Timon of Athens, Z. 632 |
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Dioclesian: Dance; First Music; Chaconne; Prelude; Since from my dear; Let us dance; Butterfly Dance |
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Dioclesian: Oh, the sweet delights of Love, Z 627 |
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Dioclesian: Suite [instrumental pieces], Z. 627. If music be the food of love, Z. 379A. Lost is my quiet, Z. 502. Oh how happy's he, Z. 403. Let the soldiers rejoice, Z. 627 (9b) |
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Dioclesian: Two in One upon a Ground |
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Diocletian, or The Prophetess. Timon of Athens |
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Diocletian: Chaconne "two in one upon a ground" |
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Disc 1: Magnificat and Nunc dimittis in G Minor. O God thou hast cast us out. O Lord God of hosts. Remember not Lord our offenses. Lord how long wilt thou be angry. O God thou art my God. Man that is born of a woman. Thou knowest Lord the secrets of our hearts. Jehova quam multi sunt hostes mei. Disc 2: Te Deum and Jubilate in D. Benedicite omnia opera. Cantate Domino. Deus misereatur. Magnificat and Nunc dimittis in B Flat. Disc 3: My heart is inditing. O sing unto the Lord. My beloved spake. They that go down to the sea in ships. Praise the Lord O Jerusalem |
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Don Quixote. Judith Nelson and Emma Kirkby, sopranos; James Bowman, counter-tenor; Martyn Hill, tenor; David Thomas, bass |
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Don Quixote: From rosy bowers, Z 578 |
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Draw near, you lovers, Z. 462 . While Thirsis, wrapp'd in downy sleep, Z.437. Love, thou canst hear, Z. 396. I loved fair Celia, Z. 381“. What hope for us remains, Z. 472. Pastora's beauties when unblown, Z. 407. A thousand sev'ral ways I tried, Z. 359. Urge me no more, Z. 426. Farewell, all joys, Z. 368. If music be the food oř to ve (setting 1), Z 379B“. Amidst the shades, Z. 355. They say you're angry, Z. 422. Let each gallant heart, Z. 390. This poet sings the Trojan wars, Z. 423. Ah, how pleasant 'tis to love, Z. 353. My heart, whenever you appear, Z. 399*. On the brow of Richmond Hill, Z. 405. Rashly I swore, Z. 411. Since the pox or the plague, Z. 471. Beneath a dark and melancholy grove, Z. 461. Musing on cares of human fate, Z. 467. Whilst Cynthia sung, Z. 438. How I sigh when I think, Z. 374. Ye happy swains, Z. 443. Beware, poor shepherds, Z. 361. See how the fading glories of the year, Z. 470. Cease, anxious world, Z. 362. 0! fair Cedaria,Z. 402 |
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Draw near, you lovers. If music be the food of love. Love, thou art best. My dearest, may fairest. Music for a while. O solitude, my sweetest choice. Oh, fair Cedaria. Oh, the sweet delights of love. One charming night. Sweeter than roses. The plaint. They shall be as happy |
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Evening Hymn |
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Evening Hymn, Z 193 |
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Excerpts from Abdelazer; Oedipus, King of Thebes; The Fairy Queen; King Arthur, or The British Worthy; Pausanias, the Betrayer of his Country; Birthday Ode for Queen Mary; Timon of Athens; The Indian Queen; Dido and Aeneas; If music be the food of love |
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Excerpts from operas by |
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Fairest isle, gentle murmurs. A new Irish tune. Hornpipes. Ground upon Gamut. All people that on earth. How pleasant is this flowery plain. Three treble parts upon a ground. A new ground. Music for a while. No stars again shall hurt you |
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Fairest isle. She loves and she confesses too. Dido and Aeneas: Dido’s lament |
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Fairy Queen: Air |
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Fairy Queen: Hark the echoing air |
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Fairy Queen: Hark! The echoing air; Turn then thine eyes; Ye gentle spirits of the air |
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Fairy Queen: Suite. Dido's Lament. Abdelazer. Timon of Athens. Rondo Overture. Curtain Tune on a Ground. Sonata. Offertory. O Lord, Let My Prayer Reach Thou. Fantasia upon One Note. Westminster Suite |
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Falrest Isle. Here the deities approve. I attempt from love's sickness to fly. Sweeter than roses |
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Fantaisies: (arr. Warlock) |
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Fantaisies: No. 3 |
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Fantaisies: No. 9 |
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Fantasia |
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Fantasia a5. In nomine a6. a7 |
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Fantasia in d |
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Fantasia No. 13 in F, Z. 746 (“Fantasia Upon One Note“) |
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Fantasia No. 8, Z. 739 |
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Fantasia on One Note. Fantasia and Two Pavans |
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Fantasia Upon One Note |
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Fantasia upon One Note in F, Z 745 |
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Fantasia Upon One Note, Z 745 |
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Fantasia à 4 No. 8 |
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Fantasia à 5 (“Upon one note“). Fantasia à 4 (“Three parts on a ground“). Fantasia à 4 (“Chacony“) |
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Fantasia, “Three parts upon a ground.“ |
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Fantasia: Three parts on a ground, in D |
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Fantasias |
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Fantasias a 3: in D minor, Z. 732; in F, Z. 733; in G minor, Z. 734. Fantasias a 4: in G minor, Z. 735; in E♭, Z. 736; in F, Z. 737; in C minor, Z. 738; in D minor, Z. 739; in A minor. Z. 740; in E minor, Z. 741 ; in G, Z. 742; in D minor; Z. 743. Fantasia a 5 in F, Z. 745 ( on One Note ). Fantasia a 6 in G minor, Z. 746 C In Nomine. Fantasia a 7 in G minor, Z. 747(“In Nomine“) |
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Fantasias and In Nomines |
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Fantasias and In Nomines, Z 732–747 |
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Fantasias for the Viols |
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Fantasias Nos. 6, 8, 10, 11 |
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Fantasias: I–III, in 3 Parts; IV–XII, in 4 Parts; upon 1 Note |
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Fantasias: I–III, in 3 Parts; IV–XIII, in 4 Parts; upon 1 Note |
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Fantasias: No. 6 in F; No. 10 in E Minor; No. 11 in G |
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Fantasies for Viols |
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Fantasies in d and G; In Nomine |
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Fantasy Upon 1 Note |
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Fantasy upon one note |
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Fantasy upon one note. Fantasy in Nomine à 6. Fantasy in Nomine à 7 |
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Fantazia 5 parts upon one note. In nomine of 6 parts |
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Fantazias, Z 745, 738 |
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Fantazias: No. 6 in F; No. 8 in d; No. 10 in e; No. 11 in G |
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Fantazias: Nos. 4,10, 5,12,11, 7, 8, 6. Chacony in g |
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Fear No Danger to Ensue. An Evening Rondeau |
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Fly bold rebellion, Z 324 |
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Fly swift, ye hours |
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Fly, bold rebellion, Z 324: Be welcome, great Sir |
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Fly, bold rebellion, Z324. Sound the trumpet, beat the drum, Z335. Celebrate this festival, Z321 |
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Four Suites for String Orchestra. Harpsichord Music |
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From Rosy Bow’rs. Kind Fortune Smiles. How I Sigh When I Think of the Charms. Nymphs and Shepherds |
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From those serene and rapturous joys, Z 326 |
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Funeral Music for Queen Mary |
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Funeral Music for Queen Mary: March; Canzona; March |
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Funeral Music for Queen Mary: March; Thou knowest, Lord, the secrets of our hearts |
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Funeral Sentences (Musique funebre pour la reine Mary) |
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Funeral Sentences for the Death of Queen Mary II. Welcome to All the Pleasures |
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God is gone up with a merry noise. A New Scotch Tune in G |
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God save our sov’reign Charles, Z 250 |
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Great God, and Just. My Song Shall Be Always |
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Great parent, hail!, Z 327 |
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Ground in C |
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Ground in c for Harpsichord, Z 221 |
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Ground In C. Ophelia’s Mad Song. Dido’s Lament. With Drooping Wings |
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Ground in D |
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Ground in d. Roundo in d |
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Ground in E minor |
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Ground in Gamut. Sonata VII in e. Pavan for 2 violins in a. Fantazia 3 in G. Sonata VI in d. Chacony in g. Prelude and Ground in c. Sonata V in g. Harpsichord Suite in d |
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Ground “Crown the Altar“ in D Minor. Ground in C Minor. Suite in D |
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Ground, D 221 |
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Ground. A New Ground |
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Ground. Tell me, some pitying angel. Music for a while. The fatal hour comes on apace. Thou wakeful shepherd. Now that the sun has veiled his light |
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Hail! Bright Cecilia |
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Hail! Bright Cecilia (Ode for St. Cecilia) |
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Hail! Bright Cecilia: Thou tun’st this world |
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Hail, bright Cecilia!, Z. 328. My beloved spake, Z. 28. O sing unto the Lord, Z. 44 |
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Hark how the songsters. In vain the am’rous flute. O solitude |
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Hark how the wild musicians sing (Symphony Songs) |
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Hark! Hark! How all things. Crown the altar, deck the shrine. If music be the food of love. Not all my torments. O let me weep. I attempt from love's sickness to fly. Olinda in the shades unseen. Urge me no more. Bess of Bedlam. Lovely, lovely Albína. Sweeter than roses. Dear pretty youth. When first Amintas sued for a kiss. The cares of lovers. Ye gentle spirits of the air. An Evening Hymn |
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Hark! Hark! How All Things. Crown the Altar, Deck the Shrine. If Music Be the Food of Love. Not All My Torments. plaint 'O, O Let Me Weep!). I Attempt from Love's Sickness to Fly. Olinda in the Shades Unseen. Urge Me No More. Bess of Bedlam. Lovely, Lovely Albina. Sweeter Than Roses. Dear Pretty Youth. When First Amintas Sued fora Kiss. The Cares of Lovers. An Evening Hymn. Ye Gentle Spirits of the Air |
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Hark, Damon, hark, Z. 541. Hark, how the wild musicians sing, Z. 542. How pleasant is this flowery plain and grove, Z. 543. If ever I more riches did desire, Z. 544. We reap all the pleasures, Z. 547. Oh! What a scene does entertain my sight, Z. 506. See where she sits, Z. 506. Soft notes and gently raised, Z. 510. Four Pavans, Z. 751-54 |
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Hark, how the wild musicians sing. Soft notes and gently raised |
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Harmonia Sacra |
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Harmonia Sacra. Complete Organ Music |
|
Harpsichord Suite in G, Z 660 |
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Harpsichord Suite No. 4 in a, Z 663 |
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Hear me, O Lord, Z 133 |
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Hear my prayer |
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Hear My Prayer |
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Hear my prayer, O Lord |
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Hear My Prayer, O Lord |
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Hear my prayer. O solitude. Lord, how long |
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Here Let My Life; But Ah, I See Eusebia Drown’d in tears; Symphony for the Flutes; Strike the Viol; Her Charming Strains; Chaconne; A Song in the Prophetess; Symphony for the Flutes; No, no Resistance Is but Vain; I Loved Fair Celia; Sweetness of Nature |
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Here the Deities Approve. Music for a While. O Dive Custos. O Solitude, My Sweetest Choice. Pavan in g. Now That the Sun Hath Veiled His Light |
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Here the Deities approve; ’Twas within a Furlong of Edinboro Town; With Him He Brings the Partner, I saw that You were grown so High; Bess of Bedlam; The Plaint |
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Here the deities approve; ’Twas within a furlong; Ground in C minor. I saw that you were grown so high. O solitude. Bess of Bedlam. The plaint |
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Here’s a Health!. He that drinks is immortal |
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Hornpipe |
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Hornpipe in e |
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Hornpipe, Z T684 |
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How long, great God, Z189 |
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How Long, Great God. Not All My Torments Can Your Pity Move. The Knotting Song. The Fatal Hour Comes on Apace. If Music Be the Food of Love (first setting). An Evening Hymn. Musica Sacra: We Sing to Him. The Prophetess: What Shall I Do to Show How Much I Love Her?; Since from My Dear Astrea's Sight. Oedipus: Music for a While. The Fairy Queen: The Plaint; One Charming Night. Ode for St. Cecilia's Day: Here the Deities. Approve |
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How Vile are the Sordid Intrigues. Sefauchi’s Farewell. The Lord Monk’s March. A Lad of the Town |
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I Attempt from Love’s Sickness to Fly |
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I Came, I saw, and was undon. They say youre angry. No; to what purpose. She loves, and she confesses |
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I love and I must |
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I Was Glad |
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I was glad when they said unto me |
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I was glad when they said unto me, 1685. O consider my adversity, Z32. Beati omnes qui tlment Dominum, Z131.1 was glad when they said unto me, Z19. In the black dismal dungeon of despair, Z190. Save me, O God, Z51. Te Deum and Jubilate in B♭, Z230. Thy way, O God, is holy, Z60. The Music for the Funeral of Queen Mary, 1695 |
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I was glad, Z 39 |
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I was glad, Z19 |
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I was glad. Hear my prayer. O God, Thou cast us out. Remember not, Lord |
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I will give thanks unto the Lord, Z 21 |
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I will give thanks unto the Lord, Z. 21“ -1 will sing unto the Lord as long as I live, Z. 22- -. How have I stray'd, Z. 188. Benedlctus In B♭, Z. 230/2 . Hear my prayer, O God, Z. . Kyrie In B♭, Z. 230/5. Out of the deep, Z. 45. Nicene Creed In B♭, Z. 23. Blessed Is he that considered the poor, Z. 7. The Lord Is king, and hath put on glorious apparel, Z. N69. Unto thee will I cry, Z. 63 |
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I Will Love Thee. O Lord Our Governor. Blessed Is He Whose Righteousness. Who Hath Believed. Out of the Deep. Hear me O Lord |
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If ever I had mors riches did desire, Z 544 |
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If Love's a sweet Passion/When Young at the Bar (arr. Gay/Pepusch) |
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If Music Be the Food of Love |
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If music be the food of love |
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If music be the food of love (2, 3). Oh! fair Cedaria. I see she fly's me. The sparrow and the gentle dove. Fly swift, ye hours. Cinthia frowns. Not all my torments. Fairest isle. Love thou can 'st hear. Let us dance. Sweeter than roses. Beneath a poplar's shadow. Ah! cruel nymph. Music for a while |
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If music be the food of love (first version). Sweeter than roses. Not all my torments. More love or more disdain. The fatal hour. A New Ground. If music be the food of love (third version). Urge me no more. Solitude, a song on a Ground. Round-O. I attempt from love's sickness to fly. An Evening Hymn on a Ground. Minuet. Bess of Bedlam |
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If music be the food of love, Z 379a |
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If music be the food of love, Z. 379a. Three Parts upon a Ground, Z. 731. Close thine eyes, Z. 184. Ground in Gamut, Z. 645. Rejoice in the Lord alway, Z. 49. Voluntary in D Minor, Z. 718. Funeral Sentences, Z. 27. Fantázia VIII, Z. 739. Of all the instruments that are, Z. 263. The Fairy Queen: Masque of the Four Seasons (Act IV) |
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If music be the food of love, Z379B |
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If music be the food of love. Abdelazer: 2 Airs The Plaint: O, let me weep |
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If music be the food of love. Ah! How pleasant't is to love. Nymphs and shepherds, come away. Sweet, be no longer sad. There's not a swain on the plain. I saw that you were grown so high. I'll sail upon the dog-star. I see she files me ev'rywhere. More love or more disdain I crave. Sylvia, now your scorn give over. Turn then thine eyes. Music for a while. Sweeter than roses. Man is for the woman made. Fairest isle of isles excelling. Now that the sun hath veil'd his light. Incassum, Lesbia, incassum rogas. Lord, what is man |
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If Music Be the Food of Love. Bess of Bedlam |
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If Music Be the Food of Love. Sound the Trumpet. Strike the Viol. Chacony. Fairest Isle. What Power Art Thou. Chacony in g. One Charming Night. Sweeter Than Roses. When I Am Laid in Earth. The Gordian Knot: Incidental Music |
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If Music Be the Food of Love. What Can We Poor Females Do? |
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In all our Cinthia's shining sphere. Tell me why. As Amoret and Thyrsis lay. Fair Iris. Go tell Amynta. Why, my Daphne. What can we poor females do? Love and despair. In some kind dream. What a sad fate. Lost is my quiet. Stript of their green. You say 'tis love. For love ev'ry creature is formed |
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In all our Cinthia’s shining sphere. Tell me why. As Amoret and Thyrsis lay. Fair Iris and her swain. Why, my Daphne, why complaining? What can we poor females do? Love and despair. In some kind dream. What a sad fate is mine. Lost is my quiet for ever. Stript of their green our groves appear. You say ’tis love. For love ev’ry creature is formed by his nature |
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In guilty night. Now that the sun hath veiTd his light (Evening Hymn). The Blessed Virgin's expostulation. Lord, what is man. Close thine eyes. The night is come |
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In Guilty Night. Plung’d in the Confines of Despair. Awake, Ye Dead. The Earth Trembled. My Op’ning Eyes are Purg’d. With Sick and Famish’d Eyes |
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In nomine Fantasias: a 6, Z 756; a 7, Z 757 |
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In nomine: in 6 Parts; In 7 Parts |
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In the black dismal dungeon of despair, Z 190 |
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In thee, O Lord, Z. Í6 . Blessed is the man that feareth the Lord, Z. 9***. Benedicite in B♭, Z 230(3) . Jehova, quam multi sunt hostes mei, Z. 135 . Full of wrath, his threatening breath, Z. 185 [by Humphrey Brailsford]. Bow down thine ear, O Lord, Z. 11. Evening Service in G Minor, Z. 29Í*** Be merciful unto me, Z. 4. They that go down to the sea in ships, Z. 57 |
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In These Delightful Pleasant Groves |
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In vain the am’rous Flute. An Evening Hymn |
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Incassum Lesbia, Z383 |
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Incassum, Lesbia |
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Incidental Music from Oedipus. Christchurch Bells. I gave her cakes and ale. 'Tis wine was made to rule the day. He that drinks is immoral. Tom the Taylor. Sir Walter. Arise ye subterranean winds. Lost is my quiet for ever. When the cock begins to crow. My lady's coachman John. As Roger last night. Hark, how the wild musicians. Not all my torments. Laudate Cecíliám |
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Instrumental Music |
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I’ll Sail Upon the Dog-Star. Jack Thou’rt a Toper. The Triumphing Dance. Oh the Sweet Delights of Love. Dance of the Bacchanals. O Solitude |
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I’ll sail upon the dogstar |
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Jehova, quam multi sunt hostes mei |
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Jehova, quam multi sunt hostes mei. Lord, what is man? Hosanna to the highest. Tell me, some pitying angel. Since God so tender a regard. In the midst of life. Thou know’st, Lord. O all ye people, clap your hands. In guilty night. The night is come. Close thine eyes and sleep secure. Now that the Sun hath veil’d his light |
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Jehova, quam multi sunt. Miserere mei. Man that is born of woman. In the midst of life. Thou knowest, Lord, the secrets of our hearts. Incassum, Lesbia, rogas. Love's goddess sure was blind. O dive custos Auriacae domus, “Elegy for Queen Mary II.“: March and Canzona in c |
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Jehova, quam multi sunt. Miserere mei. Remember not, Lord, our offences. Beati omnes qui timent Dominum. Let mine eyes run down with tears. O dive custos. Funeral Sentences (Set 1) |
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Jehova, quam multi sunt. My beloved spake. O God, Thou hast cast us out. Hear my prayer |
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Keyboard Grounds: Z 681–682; 645; Z D221–222 |
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Keyboard Suites: Z 660–663; Z 666–Z 668; Z-668 Prelude |
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Keyboard works by |
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King Arthur |
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King Arthur, I, II. Dido and Aeneas. The Married Beau. Bonduca. The Fairy Queen. Timon of Athens. The Rival Sisters. Abdelazer. The Old Bachelor. Distressed Innocence. The Indian Queen |
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King Arthur, or, The British Worthy, Z. 628 |
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King Arthur. Extracts |
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King Arthur. The Indian Queen. Dioclesian. The Fairy Queen |
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King Arthur. The Masque from Timon of Athens |
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King Arthur: Allegro and Air |
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King Arthur: Chaconne |
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King Arthur: Excerpts |
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King Arthur: For Love Ev’ry Creature; Hornpipe; Bouree |
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King Arthur: Hornpipe |
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King Arthur: How happy the lover |
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King Arthur: Overture |
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King Arthur: Overture; Air. The Fairy Queen: Chaconne; Rondeau; Overture |
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King Arthur: Suite |
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King Arthur: Suite for Strings |
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King Arthur: Suite, |
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King Arthur: Symphony |
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King Arthur: What power art thou? Dido and Aeneas: When I am laid in earth |
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King Arthur; Fairest llse |
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Let us dance. Fairest isle. Sweeter than roses |
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Lord, not to us, Z137 |
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Lord, what Is man, Z. 192. O Solitude, Z. 406. In the black, dismal dungeon, Z. 190. Lord I can suffer thy rebukes, Z. 136. Voluntary in G, Z. 720. In guilty night, Z. 134. Voluntary in C, Z. 717. Plung'd in the confines, Z. 142. Awake, ye dead, Z. 182. The earth trembled, Z. 197. With sick and famish'd eyes, Z. 200. O, I'm sick of life, Z. 140. Close thine eyes, Z. 184. Funeral Sentences Z. 27 |
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Lord, What Is Man. Let the Night Perish |
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Lord, What Is Man. O Solitude. In the Black, Dismal Dungeon of Despair. Lord, I Can Suffer Thy Rebukes |
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Lord, what is man? Four Songs |
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Lost in my quiet. Sweeter than roses. I spy Celia. Since time so kind to us does prove. Here's that will challenge all the fair. When the cock begins to crow |
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Lost Is My Quiet Forever |
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Love Songs |
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Love, thou can’st hear, though thou art blind |
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Lovely Albina’s come ashore |
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Love’s Goddess sure was Blind: Many such days may she behold, Z 331 |
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Love’s Madness |
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Lulliburlero |
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Man Is for the Woman Made |
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Man is for the woman made. Sweeter than roses |
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March and Canzona for the Funeral of Queen Mary. ANON., SERISMY,: and |
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March and Canzona, Z. 860. Thou knowest, Lord (setting 2), Z. 58C. Funeral Sentences (setting 1), Z. 27. Rejoice in the Lordalway, Z. 49. Remember not, Lord, our offences, Z. 50. Voluntary in C, Z. 717. Give sentence with me, O God, Z. i2. Jehova, quam multi sunt hostes mei, Z. 735'. O, I'm sick of life, Z. ?40. Double Verse [Voluntary] in G, Z. 720. My beloved spake, Z. 2s. Hear my prayer, O Lord, Z. 15. O God, thou art my God, Z. 35 |
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March and Gigue. If Love's a Sweet Passion. Trumpet Tune in D |
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Minuet, Siciliana, Gavotte, Air |
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Minuet, Sicilienne, Gavotte, Air |
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Mr. Purcell's Most Admirable Composures |
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Music by |
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Music for a While |
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Music for a While (arr. Tippett) |
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Music for a While, and 14 Other Songs |
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Music for a While. 13 other songs |
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Music for a While. I attempt from Love’s Sickness. Ah! How Sweet. Lord, What Is Man. Hark! How All Things. If Music Be the Food of Love. The Blessed Virgin’s Expostulation. Evening Hymn |
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Music for a while. If music be the food of love. Ah! how sweet it is to love. An Epithalamium. Sweeter than roses. From rosy bow’rs. Not all my torments. Crown the altar. Dido and Aeneas: When I am laid to earth |
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Music for a While. Songs by Henry Purcell |
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Music for Harpsichord |
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Music for Strings; Three Elegies. Martyn Hill, tenor; Christopher Keyte, bass |
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Music for the Funeral of Queen Mary |
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Music for the Theater: Orchestral Suites from Dido and Aeneas, The Fairy Queen, Dioclesian, Abdelazar, King Arthur |
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Music for Voices and Strings |
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Music from The Prophetess, Z. 627; King Arthur, Z. 628; The Fairy Queen, Z. 629; The Indian Queen, Z. 630; The Married Beau, Z. 603; The Old Batchelor, Z. 607; Amphitryon, Z. 572; The Double Dealer, Z. 592; Distressed Innocence, Z. 577; The Gordian Knot Untied, Z. 597; Abdelazar, Z. 570; Bonduca, Z. 574; The Virtuous Wife, Z. 611; Sir Anthony Love, Z 588/1; Timon of Athens, Z. 632/1. Overture in G Minor, Z. 631/1 |
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Music from “The Fairy Queen“: Rondeau; Dance of the Fairies; Chaconne |
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Music of |
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Musick for a while. Sweeter than Roses |
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My beloved spake. Chacony in G Minor |
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My Heart is Inditing, Z 30 |
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My heart is inditing. I was glad |
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My Opening Eyes Are Purged |
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New Ground in e |
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New Irish Tune. New Scotch Tune. Abdelazer: Round 0 |
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New Irish Tune. New Scotch Tune. Abdelazer: Round O |
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New Irish Tune. Suite No. 2 in G Minor |
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No, no, no, resistance is but vain. Sweeter than Roses. Lovely Albina. Let the dreadfull Engines. From Rosie Bow'rs. Love thou canst hear. The Fatal Hour. Lost is my Quiet. Bacchus is a Pow'r divine |
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Not all my torments. O, O let me Weep! Lovely Albina. Sweeter than roses. Bess of Bedlam. Music for a while. Incassum, Lesbia. An Evening Hymn |
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Now Does the Glorious Day Appear |
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Now does the glorious day appear, Z 332: By beauteous softness |
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Now does the glorious day appear. Celestial music |
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Now that the sun has set |
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Now that the sun hath veiled its light |
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Nymphs and shepherds |
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Nymphs and Shepherds (Manchester Children's Choir) |
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O dive custos Auriacae, Z 504 |
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O God, thou hast cast us out. My heart is inditing. Remember not, Lord, our offences |
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O Lord, Grant the Queen a Long Life |
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O Lord, rebuke me not, Z. 40. With sick and famish'd eyes, Z. 200. How long, great God, Z. 189. Awake, and with attention hear, Z. 181. O God, thou art my God, Z. 35. We sing to him, whose wisdom form'd the ear, Z. 199. Praise the Lord, O my soul, and all that is within me, Z. 47. O, I'm sick of life, Z. 140. O God, the king of glory, Z. 34. Let the night perish (Job's Curse), Z. 191. When on my sick bed I languish, Z. 144. Rejoice in the Lord alway (“The Bell Anthem“), Z. 49 |
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O Sing Unto the Lord. Remember Not, Lord. Jehova, Quam Multi Sunt Hostes. Evening Hymn. O God, Thou Art My God. Morning Hymn. I Was Glad. Hear My Prayer, O Lord. Voluntary in G |
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O solitude |
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O Solitude, Z. 406. If Music be the food of Love, Z. 379C. Not all my Torments, Z. 400. From silent shades (Mad Bess), Z. 370. Lord, What is Man, Z. 192. Sleep, Adam, Sleep, Z. 195. Now that the Sun hath Veil'd his Light (An Evening Hymn), Z. 193. The Fatal Hour comes on apace, Z. 421. The Fairy Queen, Z. 629: Thrice happy lovers; Hark! the echoing Air; Hark! how all things. Hail, Bright Cecilia, Z. 328/4: 'Tis Nature's Voice. The Rival Sisters, or The Violence of Love, Z. 609: Celia has a thousand Charmes. The Indian Queen, Z. 630/17h: I Attempt from Love's sickness to fly. Pausanias, the Betrayer of his Country, Z. 585: Sweeter than Roses. Celebrate this Festival, Z. 321/7: Crown the Altar. Welcome to all the Pleasures, Z. 339: Here the Deities approve. Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir. Oedipus: Musick for a while |
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O solitude. Ah! how sweet it is to love. Not all my torments. Stripp'd of their green. Tell me, some pitying angel. If music be the food of love. Hark! hark! the echoing air. The fatal hour comes on apace. Incassum, Lesbia. Sweeter than roses. Cupid, the slyest roque alive. From silent shades. Dear pretty youth. From rosy bow'rs. Now that the sun hath veil'd his light. Beneath a poplar's shadow. I attempt from love's sickness to fly. Let us dance. Fairest isle. O solitude |
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O Solitude: Songs and Airs |
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O Solitude; O Lord, God of Hosts; O give thanks; My song shall be away; Hear my prayer O Lord; Blow up the trumpet of Sion |
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O Solitude—Songs and Airs |
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O! solitude, my sweetest choice |
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O, I Am Sick of Life. Close Thine Eyes. Funeral Sentences for the Death of Queen Mary II (1695) |
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O, I’m sick of life, Z140 |
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Ode for Queen Mary's Birthday, 1692,1. 334 (“Love's goddess sure was blind“). Ode for St. Cecilia's Day, Z. 334 (“Raise, raise the voice“). Ode for St. Cecilia's Day, Z. 329 (“Laudate Cecíliám“). Welcome Song for Charles II, Z. 326 (“From those serene and rapturous joys“) |
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Ode for St. Cecilia's Day. Rejoice in the Lord Alway |
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Ode for the Birthday of Queen Mary II, 1694 (“Come, Ye Sons of Art, Away“). Ode for St. Cecilia's Day, 1683 (“Welcome to All the Pleasures“). The Yorkshire Feast Song, 1690(“OfOld, When Heroes Thought It Base“) |
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Ode for the Birthday of Queen Mary, Z. 338 (“Welcome, welcome, glorious morn“). Welcome Song for King Charles II, Z. 337 (“The summer's absence unconcerned we bear“). Ode for the Centenary of Trinity College Dublin, Z. 327 (“Great Parent, Hail!“) |
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Ode on St. Cecilia's Day (1692). Voluntary, Z.718 |
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Ode on St. Cecilia's Day 1692 |
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Ode on St. Cecilia's Day—“Welcome to All the Pleasures“ ( 1683). Ode on Queen Mary's Birthday (1692) |
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Ode to St. Cecilia, “Hail! Bright Cecilia” |
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OdeforSt. Cecilia's Day, 1692 (“Hail! Bright Cecilia“). Ode for the Birthday of the Duke of Gloucester, 1695 (“Who Can From Joy Refrain?“) |
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Odes and Welcome Songs, Volume 3 |
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Odes for Queen Mary: Now does the glorious day appear; Love's goddess sure was blind; Come ye sons of art |
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Odes for Saint Cecilia’s Day: Hail bright Cecilia; Welcome to All the Pleasures |
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Oedipus. Music fora while (soprano, viola da gamba, harpsichord). Bess of Bedlam: From silent shades and the Elysian groves (soprano, harpsichord) |
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Oedipus: Music for a while |
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Oedipus: Music for a While. King Arthur: Fairest Isle. Dioclesian: Since from My Dear Astrea's Sight. The Indian Queen: I Attempt from My Love's Sickness to Fly. Rule a Wife and Have a Wife: There's Not a Swain. The Rival Sisters: Take Not a Woman's Anger III; The Fatal Hour Comes on Apace; Love's Power in My Heart; More Love or More Disdain I Crave; Who Can Behold Florella's Charms. Pausanias: Sweeter than Roses; The Queen's Epicedium; Thou Wakeful Shephard; Now that the Sun Hath Veiled His Light; Sleep, Adam, Sleep; Lord, What Is Man? |
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Oh, sing unto the Lord. Remember not, Lord. Jehovah, quam multi sunt hostes mei. Evening Hymn. O God, thou art my God. Morning Hymn. I was glad. Hear my prayer, O Lord |
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Oh, solitude! piccinini Ciaccona |
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Opera Suites |
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Orchestral and vocal works by |
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Original works arrangements of music by |
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Orpheus Brittanicus: Ayres and Songs |
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Overture in d |
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Overture in G Minor, Z 772. Theodosius or The Force of Love, Z. 606. The Libertine or The Libertine Destroyed, Z. 600. The Massacre of Paris, Z. 604. Oedipus, Z. 583 |
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Overture in Gamut fiat (The Virtuous Wife), Z.T693; Chaconne in g (Timon of Athens), Z.T680; A New Ground in e, Z.T682; Overture in C (Bonduca), Z.574/1 ; Overture in D (The Fairy Queen), Z.T692; Round O (Abdelazer), Z. 684; Alternative Preludes for Suites No. 2 & 4 |
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Overture, Z 770 |
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Overtures: King Arthur, or The British Worthy, in D; King Arthur: Second Music, in D Minor; Dido and Aeneas, in C Minor; The Married Beau, or The Curious Impertinent, in D Minor; Bonduca, or The British Heroine, in C; The Fairy Queen, in D; Timon of Athens, or The Man-Hater, in D; The Rival Sisters, or The Violence of Love, in G Minor; Abdelazer, or The Moor's Revenge, in D Minor; The Old Bachelor, in A Minor; Distressed Innocence, or The Princess of Persia, in C Minor; The Indian Queen, in D |
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Pausanias: Sweeter than roses |
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Pavan |
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Pavan for 3 violins. Suite in G. Pavan for 2 violins |
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Pavan in A. Pavan à 4 in g. Chacony. Overture in g |
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Pavan in A. Sonata No. 8 in g. Pavan in g. Sonata No. 6 in g (Chaconne). Pavanin a. Pavan in B?. Sonata No. 5 in g. Sonata No. 7 in d |
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Pavan in B♭. Hornpipe from Abdelazer, “Hole in the Wall” |
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Pavan in Four Parts. Fantázia (Three Parts on a Ground) |
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Pavane and Chaconne in G minor |
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Pavane for 3 Violins and Continuo in g, Z 752 |
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Pieces by |
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Plung’d in the confines of despair, Z142 |
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Plung’d in the confines. Welcome to all the pleasures. In thee, O Lord. From silent shades. Of all the instruments. From hardy climes |
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Pox on you |
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Praise the Lord, O Jerusalem. To the Hills and Vales. By the Beauteous Softness Mix’d with Majesty. O God, Thou art my God. How Happy the Lover. What Power Thou Art. Behold, O Mightiest of Gods. My Heart is Inditing of a Good Matter. Bid the Virtues. Hail! Bright Cecilia. Strike the Viol. Thou Knowest Lord the Secrets of Our Hearts. Fairest Isle. Full Fathom Five |
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Praise the Lord, O my should: O Lord my God, Z. 48. Close thine eyes and sleep secure, Z. 184. Lord, how long wilt thou be angry?, Z. 25. Hear me, O Lord, and that soon, Z. 13B. Magnificat and Nunc dimittis In B♭, Z. 230/7-8 . Tum thou us, O good Lord, Z.62.O Lord, thou art my God, Z.41. Now that the sun hath veiled his light, Z. 193. Awake, awake, put on they strength, Z. |
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Prelude |
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Prelude and Symphony. If music be the food of love. Hark! the echoing air''. Three parts upon a ground. 'Tis Nature's voice. Round-O. Overture in G Minor. A Divine Hymn: Lord, what is Man. Chaconny in G Minor. Music fora while. Lovely Albina's come ashore. Fantázia 5, Ground & Two in one upon a ground. Thrice Happy lovers. Pavan in B♭. An Evening Hymn |
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Prelude for Violin |
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Prelude in a |
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Prelude in g |
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Preludes: Z. 663a; Z. 663b. Grounds: Z. D222; Z. 645; Z. D221; Z. T682. Chaconne, Z. 1680 |
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Prophetess: Let us dance, let us sing |
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Psalm settings by |
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Purcell Suite: Fanfare in C; Trumpet Tune “Bonduca”; Ayre for Organ; Trumpet Tune “Cebell” |
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Rejoice in the Lord aiway, Z. 49. Remember not, Lord, our offences, Z. 50. Blow up the trumpet in Sion, Z. 10. Hear my prayer, O Lord, Z. 15. My heart is inditing, Z. 30. Funeral Sentences; March; Canzona, Z 860,Man that is born of woman, Z 27; In the midst of life, Z 17; Thou knowest, Lord, Z 58c. O Lord God of hosts, Z 37. Te Dêum, Z. 232 |
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Rejoice in the Lord alway |
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Rejoice in the Lord Alway |
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Rejoice in the Lord alway, Z 49 |
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Rejoice in the Lord alway. Blow up the trumpet in Sion. O God, thou art my God |
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Rejoice in the Lord alway. Blow up the trumpet in Zion. O God, Thou art my God. Chaconne, Z. 730. O God, Thou hast cast us out. My heart is inditing. Remember not, Lord, our offenses |
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Rejoice in the Lord alway. Remember not, Lord, our offences. I was glad. O Lord, rebuke me not. Praise the Lord, O my soul. Now that the sun has veiled his light. Hear my prayer, O Lord. My heart is inditing |
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Rejoice in the Lord always. ‘Two in one upon a ground. Close thine eyes and sleep secure. Blow, Boreas, Blow. O all ye people, clap your hands. come, my hearts, play your parts. Welcome Song: What shall be done in behalf of the man? |
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Riggadoon |
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Rondeau Minuet, from “The Gordian Knot Untied,“ Z. 597/3 |
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Rondeau. Beneath a Poplar’s Shadow Lay Me. From Silent Shades. The Blessed Virgin’s Expostulation. Once, Twice, Thrice. Charon the Peaceful Shade Invites |
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Royal and Ceremonial Odes |
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Rule a Wife and Have a Wife: There’s Not Swain on the Plain |
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Sacred Music |
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Sacred music |
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Sacred Music: Te Deutn. Jubilate Deo. My beloved spake. O God, Thou art my God. Lord, how long wilt Thou be angry? Remember not, Lord, our offences. Hear my prayer, o Lord. Funeral Music for Queen Mary. Songs: Strike the viol. The Queen's Epicedium. Here the deities approve. O Solitude! Sweeter than roses. Music for a while. If music be the food of love. In the black dismal dungeon of despair. An Evening Hymn. Instrumental Music: Chaconny in g. Diocletian: First music; Overture; First Act Tune; Dance of the furies; Second Act Tune; Two in once upon a ground; The chair dance; Third act tune; Butterfly dance; Country dance; Dance of the Bacchanals; Still I'm wishing; Canaries; 2 dances |
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Saraband with Division. Sweeter than roses. Dear, pretty youth. Music for a while. There's not a swain. An Evening Hymn |
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Save me, O God, for thy name’s sake. Welcome Song: Sound the trumpet, beat the drum |
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Sefauchi’s Farewell, Z 656. Grounds, Z 681; Z 645. Hornpipe in e, Z T685. Jigg, Z 665 |
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Sefauchi’s Farewelí. ’Tis Nature’s voice. Be welcome then, great Sir. By beauteous softness |
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Selections by |
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She loves and she confesses |
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She loves and she confesses too, Z 413 |
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She loves and she confesses too, Z413 |
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She loves and she confesses too, Z413. Incassum Lesbia, Z383 |
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Since God so tender a regard, Z143 |
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Since time so kind. Once, twice, thrice, Would you know how we meet |
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Sing unto God |
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Sing, Sing Ye Druids. Oft She Visits This Lov’d Mountain |
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Sir Anthony Love: Pursuing Beauty |
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Sir Barnaby Whigg: Blow, Boreas, blow |
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Sleep, Adam, and Take Thy Rest. Thou Wakeful Shepherd. The Earth Trembled. Now That the Sun Hath Veil’d His Light |
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Sleep, Adam, sleep. Lord, what is man? |
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Sleep, Adam, sleep; Lord, what is man? |
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Sonata for Trumpet and Organ |
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Sonata for Trumpet and Organ. Suite for Trumpet and Organ |
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Sonata for Trumpet, Strings, and Continuo |
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Sonata for Trumpet, Strings, and Continuo in D, Z. 850 |
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Sonata for Trumpet. The Indian Queen: Trumpet Overture |
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Sonata in C. Two Trumpet Tunes and Air |
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Sonata in D |
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Sonata in D for Trumpet |
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Sonata in D for Trumpet and Organ |
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Sonata in D for Trumpet and Strings: Adagio; Allegro. The Gordian Knot United: Rondeau Minuet; Overture; Air; Rondeau Minuet; Air; Jig; Air; Minuet. Sonata in D for Trumpet, Strings, and Continuo |
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Sonata in D for Trumpet, Strings, and Continuo, Z. 850 |
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Sonata in g, Z 807 |
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Sonata No. 1 in D |
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Sonata No. 2 in D for Trumpet, Strings, and Continuo. Abdelazar: Rondeau |
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Sonata VI in 3 parts |
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Sonata XX in D |
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Sonatas of Three Parts, 1683 Z790-801 |
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Sonatas of Three Parts, Z. 790-801, Sonatas of Four Parts, Z. 802-811. Four Pavans, Z 748-751. Pavan for Three Violins, Z. 752. Three Parts upon a Ground, Z. 543. Chacony in G Minor, Z. 730 |
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Sonatas: in C, Z 795; ¡n g, Z 807; ¡n g, Z 790; in G, Z 797; in d, Z 792. 3 Parts upon a Ground, Z 731. Distressed Innocence: Suite, Z 577; The Virtuous Wife: Suite, Z 611 |
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Sonatas: No. 1 in G Minor, Z. 790; No. 2 in B♭, Z. 791; No. 3 in D Minor, Z. 792; No. 4 in F, Z. 793; No. 5 in A Minor, Z. 794; No. 6 in C, Z. 795; No. 7 in E Minor, Z. 796. Pavans: [No. 4] in G Minor for Three Violins and Bass, Z. 752; [No. 3] in B♭ for Two Violins and Bass, Z. 750; [No. 2] in A Minor for Two Violins and Bass, Z. 749 |
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Song Tune (2) |
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Songs |
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Songs and Airs |
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Songs and Airs: Music for a While; Epitalamium (“Thrice Happy Lovers“); If Music Be the Food of Love; Not All My Torments; Fairest Isle; Sweeter Than Roses; The Fatal Hour Comes on Apace; Crown the Altos; I Attempt from Love's Sickness to Fly; Oh! Lead Me to Some Peaceful Gloom; What Shall I Do to Show Her How Much I Love Her; From Rosy Bowers (Deller, Bergmann). / Love and I Must; The Blessed Virgin's Expostulation; (Cántelo, Malcolm). Let the Dreadful Engines of Eternal Will (Bevan, Malcolm). Upon a Quiet Conscience (“Close Thine Eyes“) (Cántelo, Bevan, Malcolm). Instrumental Pieces: Fantasia on a Ground; Fantasia upon One Note in Five Parts (Marriner, Gibbs, Jones, Malcolm, Dupré). Pavan (Marriner, Gibbs, Jones, Dupré). Sonata No. 9 in F (“Golden Sonata“) (Marriner, Gibbs, Malcolm). Sonata in G Minor (Marriner, Malcolm). Hornpipe; Suite No. 6 in D Minor; Lessons from “Mustek's Handmaid, Part II (Malcolm) |
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Songs and Arias by |
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Songs and Dances |
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Songs and Dialogues |
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Songs and Grounds |
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Songs and Lute Solos |
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Songs by |
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Songs for the Theatre. Harpsichord Suite in D Minor |
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Songs from Taverns and Chapels |
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Songs, Ballads, Catches Ayres by |
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Sonnatas [sic] of Three Parts, Volume 3. Sonatas of Four Parts: Nos. 3-10. Prelude in G Minor, Z. 733. Voluntaries for Organ: in D Minor, Z. 718; in G, Z. 720 |
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Sonnatas of Three Parts, Volume 1 |
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Sonnatas, Volume Two |
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Sonnatas: No. 8 in G, Z. 797; No. 9 in B Minor, Z. 802; No. 10 in D, Z. 801; No. 11 in F Minor, Z. 800; No. 12 in A, Z. 799; No. 13 in C Minor, Z. 798; No. 14 in E♭, Z. 803. Three Parts upon a Ground in D, Z. 731. Pavans for Two Violins and Bass: in A, Z. 748; in G Minor. Z. 751. Chacony in G Minor for Two Violins, Viola and Bass, Z. 730 |
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Sound the Trumpet |
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Sound the trumpet |
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Sound the Trumpet. Ah! How Pleasant ‘tis to Love. O Solitude |
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Sound the trumpet. In vain the am'rous flute. O solitude. Sing, sing, ye druids. O dive custos. No, resistance is but vain. Hark how the songsters. Incassum, Lesbia |
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Sound the Trumpet. Lost is my Quiet. If Music be the Food of Love. Music for a While. No, Resistance is but Vain. Celemene |
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Sound the Trumpet. No, Resistance Is but Vain. Trip It in a Ring |
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Sound the trumpet. Since the toils and the hazards. Sing, sing ye druids. Incassum Lesbiae. O dive custos |
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Sound the trumpet. Sound Fame thy brazen trumpet |
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Sound the Trumpet. The Fairy Queen: The Plaint |
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Sound the Trumpet. Two Daughters of this Aged Stream. Let Us Wander |
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Spanish Friar: Whilst I with grief |
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Still I’m whishing. Seek not to know |
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Strike the Viol, touch the Lute |
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Strike the Viol. The Prophetess: Chaconne. Why would Men quarrel? Tunes in The Beggars' Opera: |
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Strike the Viol; The Queen’s Expedition; Here the Deities Approve; O solitude; Sweeter than roses; Music for a while; If music be the food of love; In the black dismal dungeon; An Evening Hymn. Dioclesian: First music; Overture; First Act Tune; Dance of the Furies; Second Act Tune; Two in once upon a ground; The Chair Dance; Third Act Tune; Butterfly Dance; Country Dance; Dance of the Bacchanals; Still I’m wishing; Canaries; 2 Dances |
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Stript Of their green our groves appear. Sigismondo |
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Suite |
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Suite for Orchestra |
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Suite for organ |
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Suite for Strings, 4 Horns, 2 Flutes and English Horn |
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Suite for “The Indian Queen.“ |
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Suite in A Minor, Z. 663. Suite in C, Z. 665/6. Miscellaneous pieces |
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Suite in C |
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Suite in D |
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Suite in D, Z. 667. Suite in G Minor, Z. 661. A New Ground in C Minor, Z. T682. Ground in C Minor, Z. D221. Ground in D Minor, Z. D222 |
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Suite in G |
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Suite in G Minor for Harpsichord, Z. 661. Pavane in B♭ for Two Violins and Viol, Z. 750 |
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Suite in G. Ground in c |
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Suite No. 2 in G minor |
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Suite No. 2 in g, Z 661 |
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Suite No. 2. 13 pieces |
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Suite No. 4 in A Minor. A New Ground. Trumpet Tune, called The Cibell. Ground in Gamut. Round O |
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Suite No. 4 in A Minor. A New Ground. Trumpet Tune. Round O. Ground in Gamut |
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Suite No. 6 in D, Z 667 |
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Suite No. 6 in D. Ground in c. A New Ground |
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Suites for Harpsichord |
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Suites for Harpsichord, 1-8 |
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Suites for Harpsichord: No. 1 in G; No. 2 in G Minor; No. 3 in G; No. 4 in A Minor; No. 5 in C; No. 6 in D; No. 7 in D Minor; No. 8 in F. Six Transcriptions from “A Choice Collection of Lessons for the Harpsichord or Spinet. “ Four Miscellaneous Pieces from Oxford Manuscripts |
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Suites for Harpsichord: Nos. 1-8. Ground in Gamut, Z. 645. Prelude in G Minor. Chaconne in G Minor, Z. T680. Suite of Lessons in C, Z. 665. A New Ground, Z. T682. Saraband with Division, Z. 654. Ground in C Minor, Z. D221. Ground in D Minor, Z. D222. Round, Z. T684 |
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Suites from Abdelazar, The Gordian Knot Unty'd, Bonduca, and The Virtuous Wife. Timon of Athens. Overture and Certain Tune |
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Suites: Abdelazer (or The Moor's Revenge); The Married Beau; The Gordian Knot Untied; The Virtuous Wife. Mustek's Handmaiden, Part II: Twelve Lessons. Suite No. 6 in D |
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Suites: Dioclesian; King Arthur; The Fairy Queen; The Indian Queen |
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Suites: in C; in G; in D. Ground in c. Prelude in a. Chacone in g |
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Suites: No. 1in G; No. 2 in G Minor; No. 3 in G; No. 4 in A Minor; No. 5 in C; No. 6 in D; No. 7 in D Minor; No. 8 in F. Ground in Gamut. Chaconne. A New Scotch Tune. Air. Jigg. Ground in G Minor. Ground. Sefauchi's Farewell. Round O. A New Ground in E Minor. Hornpipe in E Minor |
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Sweeter Than Roses |
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Sweeter than roses. A Fool’s Preferment: I’ll sail upon the Dog-Star |
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Sweeter than roses. Ah! How sweet it is to love. Oh! Lead me to some peaceful gloom. Music for a while. If music be the food of love. Man, that is for woman made. I attempt from love’s sickness to fly. I see she flies me everywhere. Take not a woman’s anger. Since from dear Astraea’s sight. I’ll sail upon the dog-star. A morning hymn. Let the night perish. Lord, what is man. The Earth trembled. Crown the altar. An Evening Hymn. A New Ground |
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Sweeter Than Roses. Ah! How Sweet It Is To Love. Oh! Leade Me To Some Peaceful Gloom. Music For A While. If Music Be The Food of Love. Man, That Is For Woman Made. I Attempt From Love's Sickness To Fly. I See She Flies Me Ev'rywhere. Take Not A Woman's Anger III. Since From Dear Astraea's Sight. I'll Sail Upon The Dog-star. A Morning Hymn. Let The Night Perish. Lord, What Is Man, Lost Man. The Earth Trembled. Crown The Altar. An Evening Hymn. A New Ground |
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Sweeter than Roses; Evening Hymn; Lord, What is Man? |
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Sylvia, now your scorn give over |
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Symphony Bonduca: Sound the Trumpet. What a sad Fate. Sound Fame thy Brazen Trumpet |
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Te Deum and Jubilate in D, etc |
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Te Deum and Jubilate in D, Z. 232. In Guilty Night, Z. 134. Four Pavans, Z. 748-51. Jehova, quam multi sunt, Z. 135. When on my sick bed, Z. 144. Beata omnes, Z. 131. My beloved spake, Z. 28 |
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Te Deum and Jubilate. My heart is inditing. O sing unto the Lord |
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Te Deum in D |
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Te Deum, Z 232: Vouchsafe, O Lord |
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Te Deum. Jubilate |
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Te Deum. The Noise of Foreign Wars. Raise, Raise the Voice. Sonata in D for Trumpet and Strings. Jubilate Deo |
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Tell Me, Some Pitying Angel |
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Tell Me, Some Pitying Angel. In the Black, Dismal Dungeon of Despair |
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Ten Sonatas in Four Parts |
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The Blessed Virgin's Expostulation |
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The Blessed Virgin's Expostulation. Stript of Their Green. The Fairy Queen: Hark! The Echoing Air |
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The Blessed Virgin’s Expostulation |
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The cares of lovers. Sweeter than roses. From silent shades. Retir’d from mortal’s sight. Celia has a thousand charms. Dear pretty youth. A Ground in Gamut. If music be the food of love. O solitude, my sweetest choice. Hears not my Phillis. O lead me not to some peaceful gloom. She loves and she confesses too |
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The Complete Anthems and Services, Volume 10 |
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The Complete Anthems and Services, Volume 11 |
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The Complete Anthems and Services, Volume 2 |
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The Complete Anthems and Services, Volume 5 |
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The Complete Anthems and Services, Volume 6 |
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The Complete Anthems and Services, Volume 8 |
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The Complete Anthems and Services, Volume 9 |
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The Complete Anthems and Services, Volume Four |
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The Complete Anthems and Services, Volume I |
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The Complete Anthems and Services, Volume Seven |
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The Complete Anthems and Services, Volume Three |
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The Complete Music for Harpsichord |
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The Complete Odes and Welcome Songs, Volumes 1-8 |
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The Complete Works for Harpsichord |
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The Faerie Queen: Suite |
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The Fairy Queen |
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The Fairy Queen, Z 629: O, let me weep |
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The Fairy Queen, Z. 629 |
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The Fairy Queen: First Musick; May the god of Wit inspire; Now join your warbling voices all; Dance des Fees; Dialogue between Coridon and Mopsa. King Arthur: Act III, Scene 2, Prelude; What ho; What Power are thou; Thou Doting Fool forbear; See, see we assemble. Dido and Aeneas: Monolog and Death of Dido. Sonata No. 7 in E Minor*. Chaconne in G Minor. Music for a while. Fairest isle. O Solitude. Ode on St. Cecilia's Day: Overture; Welcome to all the pleasures. Ode on Queen Mary's Birthday 1692: Overture; Love's Goddess Sure was Blind; Sweetness of nature; Long may she reign; May the blest example chase; May such days; May she to Heaven late return |
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The Fairy Queen: 5 Orchestral Suites |
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The Fairy Queen: Chaconne |
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The Fairy Queen: Come all ye songsters. Music lor a while. Sweeter than roses |
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The Fairy Queen: Dance for the Green Men; Monkey’s Dance |
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The Fairy Queen: Entrance of Night; One Charming Night; Hush No More; Ye Gentle Spirits of the Air; O Let Me Weep; If Love’s a Sweet Passion; Hark! The Echoing Air; Chaconne |
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The Fairy Queen: Entry dance; Dance for the followers of the night; Dance for the green man; Jig; Dance for the fairies |
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The Fairy Queen: Excerpts |
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The Fairy Queen: Excerpts. Come Ye Sons of Art. Birthday Ode for Queen Mary, 1694. An Ode to the Queen: High on a Throne of Glitt'ring Ore. O Dive custos Auriacae Domus |
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The Fairy Queen: Hornpipe; Dance for the Fairies; Dance for the Green Men |
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The Fairy Queen: Let the Fifes and the Clarions; Hark! The Ech'ing Air; One Charming Night. Welcome to All the Pleasures: Beauty, Thou Scene of Love. Hail, Bright Cecilia: In Vain the Am'rous Flute. Pleasant Musical Companion: Saccharissa's Grown Old. Come Ye Sons of Art: Sound the Trumpet. A Divine Hymn: Lord, What Is Man? Love's Goddess Sure: Sweetness of Nature; Many, Many Such Days. Fly, Bold Rebellion: Be Welcome, Then, Great Sir. Thesaurus Musicus: Lovely Albina's Come Ashore. If Ever I More Riches Did Desire: Here Let My Life; Me, O Ye Gods. Deliciae Musicae: If Music Be the Food of Love. Arise, My Muse: Hail, Gracious Glorianna, Kail! |
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The Fairy Queen: Orchestral Suite. The Prophetess: Orchestral Suite |
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The Fairy Queen: Overture; O Let Me Weep; If Love’s Sweet Passion, Z 629 |
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The Fairy Queen: Prelude; Hornpipe; Air; Rondeau; Jig; See, even Night herself Is here; I am come to lock all fast; Hush, no more; Symphony while the Swans come forward; Dance for the Fairies; Dance for the Green Men; Dialogue between Condon and Mopsa; Dance for the Haymakers; Here's the summer, sprightly, gay; Now Winter comes slowly; Symphony; Hark! The echoing air; Chaconne; They shall be as happy |
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The Fairy Queen: Prelude; Rondeau; Jig; Hornpipe; Dance for the Fairies; Air; Monkey's Dance; Dance for the Followers of the Night; Chaconne |
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The Fairy Queen: Rondeau and Chaconne |
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The Fairy Queen: Rondeau. Abdelazer: Rondeau |
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The Fairy Queen: Scene of the Drunken Poet |
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The Fairy Queen: Suite |
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The Fairy Queen: Suite no. 1 |
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The Fairy Queen: Suite. Dido and Aeneas: Suite. King Arthur: Suite. Abdelazer: Suite. Chacony in G Minor, Z. 730 |
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The Fairy Queen: Suites Nos. 1 and 2 |
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The Fairy Queen: Symphony to Act IV. The Indian Queen: Trumpet Overture. Come Ye Sons of Art: Overture & Chorus. Funeral Music for Queen Mary |
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The Fairy Queen—Excerpts |
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The Fairy-Queen (ed. Britten, Holst) |
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The Fantasies for Viols |
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The Fantazias and In Nomines |
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The Glorious Day is Come: Couch’d by the pleasant Helliconian Spring |
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The Gordian Knot Unty’d: Overture; Second Music Aire; Second Music Minuet; First Act Air; Second Act Rondeau; Third Act Aire; Fourth Act Jigg; Chacone |
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The Gresham Autograph |
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The Indian Queen |
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The Indian Queen, Z 630: Trumpet Overture. Trumpet Sonata, Z 850 |
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The Indian Queen: / attempt from Love's sickness to fly |
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The Indian Queen: I attempt from love’s sickness |
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The Indian Queen: Incidental Music. Trumpet Sonata in D. Suite in C. King Arthur: Fifth Act Tunes |
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The Indian Queen: Overture |
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The Indian Queen: Suite |
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The Indian Queen: Symphony |
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The Indian Queen: Symphony in C. The Yorkshire Feast Song: Symphony in D. King Arthur: Symphony in C |
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The Indian Queen: Trumpet Overture, Entrada, and Trumpet Air. King Arthur: Trumpet Tune. Come Ye Sons of Art: Chaconne; Sound the Trumpet |
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The Indian Queen: Ye Twice Ten Hundred Deities; Symphony; Seek Not to Know |
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The Indian Queen; Timon of Athens |
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The Indian Queen—Semi-opera Based on a Tragedy by John Dryden and Robert Howard with the Additional Act by Daniel Purcell |
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The Libertine, or the Libertine Destroyed: To arms, heroic Prince |
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The Lord is King |
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The Lord is my light |
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The Lord is my light, Z. 55. The Lord is King, the earth may be glad thereof, Z. 54. Blessed Is he whose unrighteousness is forgiven, Z. 823.7.9.10.12 0 Lord God of nosts z 3753.11.7.9 12 Lgt God grjse 7 239,io Cantate Domino and Deus misereatur in B♭, Z. 230/9-10. Blessed be the Lord my strength, Z. e. O Lord our governor, Z. 141 In guilty nighti. i34- |
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The Maid’s Last Prayer: No, resistance is but vain, Z 601 |
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The Married Beau: Hornpipe |
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The Married Beau: Suite. The Gordon Knot Untied: Suite |
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The Married Beau: Suite. Z. 603 |
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The Night Is Come. With Sick and Famish’d Eyes. How Have I Strayed |
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The Oueen's Dolour. Introduction and Trumpet Tune |
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The Plaint. If Grief Has Any Pow’r to Kill. A New Ground. O Solitude. A New Scotch Tune (2 versions). Music for a While. An Evening Hymn |
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The Plaint. If Grief Has Any Pow’r to Kill. A New Ground. O Solitude. A New Scotch Tune. Music for a While. Variations on A New Scotch Tune. An Evening Hymn |
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The Plaint; If music be the food of love; I attempt from love's sickness to fly; Fairest Isle; Sweeter than roses; Not all my torments; Thrice happy lovers; Evening hymn; From rosy bowers; O lead me to some peaceful gloom; Retired from any mortal's sight; Music for a while; Since from my dear Astrea's sight |
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The Prophetess, or the History of Diocletian: Chaconne |
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The Prophetess: Chaconne |
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The Prophetess: Dance of the Furies |
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The Prophetess: Orchestral Suite |
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The Queen's Dolour. Introduction and Trumpet Tune |
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The Queen’s Dolor, Z 670 |
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The Secular Solo Songs, Volume 1 |
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The Secular Solo Songs, Volume 2 |
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The Secular Solo Songs, Volume 3 |
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The Tempest |
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The Tempest or The Enchanted Island, Z 631 |
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The Tempest: Arise, arise ye subterranean winds. |
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The Tempest: excerpts. Sonata for Trumpet and Strings. The Virtuous Wife. Dioclesian: What shall I do?. Ciaccona in g |
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The Three and Four-part Fantazias |
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The Virtuous Wife: Overture; Slow Air; Air |
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The Yorkshire Feast Song, Z. 333 (“Of old, when heroes thought it base“). Welcome Song for Charles II, Z. 336 (“Swifter, Isis, swifter flow“). Welcome Song for the Duke of York, Z. 341 (“What, what shall be done in behalf of the man?“) |
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The Yorkshire Feast Song: Symphony |
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Theatre Music, Vol. IV: The Virtuous Wife, Z. 611 ; The Old Bachelor, Z. 607; Amphitryon or the Two Sosias, Z. 572 |
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Theatre Music: Bonduca, Z. 574; Sir Anthony Love, Z. 588; Circe, Z. 575 |
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Theatre Music: The Double Dealer; The Richmond Heiress; The Rival Sisters; Henry the Second; Tyrannic Love |
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Theatre Music—Volume 8 |
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Theodosius, or The Force of Love, Z 606: selections |
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Theodosius: Ah! Cruel, bloody fate |
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They tell us that you mighty Powers above. Ah! How happy are we. The plaint: O let me Weep |
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Thou knowest, Lord |
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Thou knowest, Lord (2 versions) |
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Thou knowest, Lord, the secrets of our hearts. Hear my prayer O Lord. Rejoice in the Lord always |
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Three Parts on a Ground, Z.731. Sonatas: No. 6 in G Minor, Z. 807; No. 7 in E Minor, Z. 796; No. 12 in D, Z. 801. Pavan in G Minor for Three Violins and Continuo, Z. 752. Chacony in G Minor for Four Strings, Z. 730. Pavana for Two Violins and Continuo: in B♭, Z. 750; in A Minor, Z. 749; in A, Z. 748. Overtures for Four Strings: in D Minor, Z. 771; in G, Z. 336. Overture in G Minor for Five Strings, Z. 772. Suite in G for Four Strings, Z. 770i |
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Three Parts upon a Ground, Z. 731 |
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Three-Part Fantasias Nos. 1–3 |
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Thy genius, lo!. O Praise the Lord, all ye heathen. Retir’d from any mortal’s sight. Welcome Song: From those serene and rapturous joys |
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Timon of Athens: Curtain Tune |
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Timon of Athens: Curtain Tune on a Ground |
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Timon of Athens: Curtain Tune; Overture; Hark! How the Songsters; Love in Their Little Veins; But Ah!; Come All to Me |
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Timon of Athens: Masque; Curtain Tune on a Ground. Dlocleslan: Masque |
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Tis Nature's Voice, and Other Songs and Elegies |
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To all lovers of music. The Indian Queen |
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Toccata in A |
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Toccata. Hornpipe. 3 Grounds |
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Trio Sonata in D Minor, Z 80S. Pavan in G Minor, Z 751. Pavan in B♭, Z 750 |
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Trumpet Tune |
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Trumpet Tune (King Arthur) |
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Trumpet tune and air |
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Trumpet Tune and Air |
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Trumpet Tune and Air ("Bell Interlude"). The Fairy Queen: Suite. Fantasia upon One Note. Ab-delezar. Suite |
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Trumpet Tune and Air (arr. Howarth) |
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Trumpet Tune and Air. Fanfare in C. Bell Symphony in C. God Save the Queen |
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Trumpet Tune from King Arthur |
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Trumpet Tune from “Bonduca” |
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Trumpet Tune in C. Trumpet Tune in D |
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Trumpet Tune in D |
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Trumpet Tune. Air |
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Trumpet Voluntary |
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Trío Sonatas: Nos. 1, 4-7, 10-12 |
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Twelve Overtures |
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Twelve Overtures: King Arthur: Overture to Act I and to the Second Music; Dido and Aeneas; The Married Beau; Bonduca; The Fairy Queen: Sonata from Act IV; Timon of Athens; The Rival Sisters; Abdelazer; The Old Bachelor; Distressed Innocence; The Indian Queen: Trumpet Overture |
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Twelve Sonatas of Three Parts, Z. 790-801 London, 1683 |
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Two in One upon a Ground |
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Two in One upon a Ground, Z 627/16 |
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Two in one upon a ground. Songs: Beginn the song. Tell me some pitying angel. Close thine eyes. Music for a while. Lord, what is man. Sweeter than roses. An evening hymn |
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Two Trumpet Tunes |
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Two Trumpet Tunes. Voluntary in C |
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Tyrannic Love: Ah, how sweet it is to love |
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Tyrannic Love: Hark! My Damilcar |
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Verse Anthem, Z. 5 (“Blessed are they that fear the Lord“). Verse Anthem, Z. 3 (“Behold now, praise the Lord“). Verse Anthem, Z. 20 (“I will give thanks unto Thee, O Lord“). Verse Anthem, Z. 31 (“My song shall be alway“). Verse Anthem, Z. 232 (Te Deum and Jubilate Deo in D) |
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Verse Anthems: O Sing unto the Lord, Z44; O praise God in his holiness, Z42; Praise the Lord, O Jerusalem, Z46; It is a good thing to give thanks, Z18; O give thanks unto the Lord, Z33; Let mine eyes run down with tears, Z24; My beloved spake, Z28 |
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Verses: in C; in G. Voluntaries: in F; in D Minor |
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Violin Sonata in g. Harpsichord Suite in D. Sonata No. 9 in F. Occasional music for harpsichord |
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Voluntaries in G, Z 720; in d, Z 719 |
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Voluntaries, Z 719-720. Suites: No. 4 in a, Z 663; No. 2 in g, Z 661; No. 5 in C, Z 666; No. 7 in d, Z 668. A New Ground, Z T682. A New Irish Tune, Z 646. Riggadoon, Z 653 |
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Voluntaries: in G, Z. 720; in D Minor, Z. 719; in C, Z. 717; in D Minor, Z. 718. Verse in F, Z. 716. Ground, Z. 645. March in C, ZT. 687. Trumpet Tune in C, ZT. 698. Chaconne in G Minor, ZT. 680. Trumpet Tune in C, called the Cibel, ZT. 678. Ground in C Minor, ZD. 221. Voluntary on the Old 100th, Z. 721. Trumpet Voluntary in D |
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Voluntaries: in G; in C |
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Voluntary for Double Organ |
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Voluntary for Double Organ. Sound the Trumpets |
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Voluntary I in G. Voluntary II in D Minor |
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Voluntary in G |
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Voluntary in G. Te Deum in D |
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Voluntary on the Doxology. Trumpet Tune and Bell Symphony |
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Voluntary on the Old 100th. Trumpet Tune in D (arr. Peasgood) |
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Voluntary on the Old Hundredth |
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Welcome Songs: Swifter, Isis, swifter flow, Z 336; The summer’s absence unconcerned we bear, Z337 |
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Welcome Vicegerent, Z.340. Hark Damon, Z.541. Blessed be the Lord, Z.6. Praise the Lord, Z.47. Let mine eyes run down, Z.24. Pavan In a Minor, Z. 749. Lord, how long, Z.25. Blessed are they, Z.5. Lord I can sutfer, Z. 136. If ever I more riches, Z.544 |
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What a sad fate is mine |
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When night her purple veil |
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When Night Her Purple Veil Had Softly Spread |
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When on my sick bed I languish. True Englishmen drink a good health. Welcome Song: Ye tuneful Muses, raise your heads. A New Irish Tune in G |
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When on my sick bed, Z144 |
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When Orpheus sang all nature did rejoice. She loves and she confesses too. Oh lead me to some peaceful gloom. Oh, solitude, my sweetest choice. King Arthur: Suite |
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Why are all the muses mute, Z 343 |
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Why do the heathen so furiously rage together, Z. 65. Lord, who can tell how oft he offendeth?, Z. 26. O Lord, grant the King a long life, Z. 38. Hear me, O Lord, the great support, Z. 133. Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z. 198. Who hath believed our report?, Z. 64.1 will love thee, OLord,Z. 67. Great God and just, Z. 186. Plung'd in the confines of despair, Z. 142. O praise the Lord, all ye heathen, Z. 43. My heart is fixed, O God, Z. 29 |
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With Sick and Famished Eyes. Since From My Dear As-trea's Sight. O Lead Me to Some Peaceful Gloom. Olinda. The Indian Queen: Ye Twice Ten Hundred Deities. Wake, Quivera. The Fairy Queen: The Plaint. Harmonia Sacra: The Earth Trembled. Ode for Saint Cecelia's Day: Raise, Raise the Voice. Dioclesian: O How Happy's He. Oedipus: Hear, Ye Sullen Powers Below. Music for a While. Come Away, Do Not Stay |
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With sick and famish’d eyes, Z200 |
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Works by |
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Works for Cembalo |
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Works for Organ |
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Works of |
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Ye Tuneful Muses—Welcome Song for James II, Z 344 (1686). Celestial Music Did the Gods Inspire—Ode for a Performance at Mr. Maidwell's School, Z. 322 (1689). From Hardy Climes and Dangerous Toils of War—Ode for the Wedding of Prince George of Denmark and Princess Anne, Z 325 (1683) |
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Yorkshire, Z 333: The pale and purple rose; So when the glitt’ring Queen of Night |
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Z406 |
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‘Tis Nature’s Voice. From Rosie Bow’rs |
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’Tis Women Makes Us Love. Then Mad, Very Mad Let Us Be |
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