1-3, 6; Set VII: Nos. 1, 3-5, 6; Set VIII: Nos. 2, 4; Set XI: Nos. 2-5, 8 |
|
12 Short Pieces. Fantasie Sonata in B |
|
3 Songs, op 12 English Lyrics, Set II: Nos. 2-3; Set III: Nos. 1-5; Set IV: Nos. 1, 4; Set V: Nos. 2, 4; Set VI: Nos |
|
An English Suite |
|
An English Suite. Lady Radnor's Suite |
|
Anglican Chant Psalms by |
|
Arias, songs, and duets by |
|
Armida’s Garden; My heart is like a singing bird |
|
At the round earth’s imagined corners |
|
Blest Pair of Sirens |
|
Blest Pair of Sirens. I Was Glad |
|
Bridal March (arr. Alcock) |
|
Chamber Music |
|
Choral Fantasia on an Old English Tune |
|
Choral Prelude on Eventide |
|
Chorale Prelude on Melcombe |
|
Chorale Preludes on: Martyrdom; St. Ann’s; Christe, Redemptor omnium |
|
Concerto in F♯ for Piano and Orchestra |
|
Crossing the Bar |
|
Dear Lord and Father of Mankind |
|
Dear Lord and Father of mankind |
|
Dear Lord and Father of mankind. O praise ye the Lord |
|
Elegy for Brahms |
|
Elegy in A♭ |
|
English Lyrics |
|
English Suite |
|
Fantasia and Fugue in G |
|
Fantasia and Fugue In G |
|
Fantasia and Fugue in G. Elegy. Five Choral Preludes |
|
Fantasy-Sonata in B for Violin and Piano. Sonata in D for Violin and Piano. 12 Short Pieces for Violin and Piano, Sets 1-3 |
|
Grosses Duo in e |
|
Guenever: Guenever’s Solilquy |
|
Hear My Words, ye people |
|
Hear my words, ye people |
|
Hymns by |
|
Hypatia: 3 selections |
|
I Know My Soul Hath Power. Never Weather-Beaten Sail |
|
I Was Glad |
|
I was glad |
|
I was glad (orch. Gordon Jacob); Long since in Egypt's plenteous land; Blest pair of sirens; Jerusalem (orch. Elgar) |
|
I Was Glad When They Said Unto Me. Evening Service in D (“The Great“). Songs of Farewell. Hear My Words, Ye People. Jerusalem |
|
I was glad when they said unto me. Magnificat. Nunc dimittis. Songs of Farewell. Hear my words, ye people |
|
I was glad. Blest pair of sirens. Dear Lord and Father of mankind. Hear my words, ye people |
|
I Was Glad. Jerusalem |
|
I was glad. Jerusalem |
|
Jerusalem |
|
Jerusalem (arr. Elgar). / Was Glad (arr Jacob) |
|
Jerusalem (arr. Elgar, trans. Wicks) |
|
Jerusalem' |
|
Jerusalem. Coronation Te Deum |
|
Jerusalem. Crabbed Age and Youth |
|
Jerusalem. I was glad when they said unto me |
|
Jerusalem. There is an old belief |
|
Job: An Oratorio |
|
Judith: Dear Lord and Father; I was glad |
|
Judith: Long since in Egypt’s plenteous land |
|
Lady Radnor's Fan: Slow Minuet |
|
Lady Radnor's Suite |
|
Long since in Egypt’s plenteous land. Never weather-beaten saile |
|
Lord, let me know mine end |
|
Love Is a Bable |
|
Magnificat |
|
Magnificat (Ely Canticles). Nunc dimittis (Ely Canticles) |
|
Magnificat in D |
|
Music by |
|
Music of |
|
My heart is like a singing bird |
|
My heart is like a singing bird. The maiden. To blossoms. Armida's garden. From a city window. A fairy town |
|
My soul there is a country |
|
My soul, there is a country |
|
Myfanwy |
|
Never weatherbeaten sail |
|
Nonet |
|
Nonet in B♭ |
|
Nunc dimittis in D |
|
O Mistress Mine |
|
O Mistress Mine. My Heart Is like a Singing Bird. Under the Greenwood Tree. Good-Night |
|
O Mistress Mine. Willow, Willow, Willow |
|
Ode on the Nativity |
|
Ode on the Nativity, for soprano solo, chorus, and orchestra |
|
Overture to an Unwritten Tragedy |
|
Overture to an Unwritten Tragedy. Symphony No. 2 in F (“Cambridge“). Symphonic Variations |
|
Part Songs |
|
Piano Sonata No. 1 in F |
|
Piano Trio No. 2. Piano Quartet |
|
Piano Trios: No. 1 in e; No. 3 in G. Partita in d for Violin and Piano |
|
Popular British Tunes: The Flowers of Edinburgh |
|
Proserpine, A Short Ballet. Suite moderne: 3 Movements |
|
Prosperine |
|
Proud Maisie (Scott); O mistress mine (Shakespeare) |
|
Scenes from Shelley’s “Prometheus Unbound” |
|
Shulbrede Tunes |
|
Six Songs of Farewell: At the Round Earth’s Imagined Corners |
|
Song of Farewell: Excerpts |
|
Songs |
|
Songs by |
|
Songs and arias by |
|
Songs by |
|
Songs of Farewell |
|
Songs of Farewell: My soul there is a country; 1 know my soul hath power; Never weather-beaten sail; There is an old belief; At the round earth's imagin'd corners; Lord, let me know mine end |
|
Songs of Farewell: My soul, there is a country |
|
Songs of Farewell: My Soul, There Is a Country. Jerusalem (arr. Hazell). I Was Glad (arr. Hazell) |
|
Sonnet LXXXVII |
|
Sonnets and Songs Without Words: Book 1 |
|
String Quartet No. 3 in G. String Quintet in E♭ |
|
String Quartets: No. 1 in g; No. 2 in C (ed. J. Dibble); No. 3 in G. Scherzo in C (ed. J. Dibble) |
|
Suite Moderne |
|
Symphonies: No. 3 in C (“English“); No. 4 in E Minor |
|
Symphony No. 1 in G. Concertstück in G Minor |
|
Symphony No. 1 in G. From Death to Life—Symphonic Poem (Mors et vitae) |
|
Symphony No. 1. From Death to Life |
|
Symphony No. 2 in F (“The Cambridge“). Symphonic Variations |
|
Symphony No. 2. Symphonic Variations |
|
Symphony No. 3 in C (“The English“). Concertstück for Orchestra |
|
Symphony No. 4 (original version) |
|
Symphony No. 5 in B Minor (“Symphonic Fantasia 1912“). From Death to Life—Symphonic Poem (Mors et vitae). Elegy for Brahms |
|
Symphony No. 5 in B minor. Symphonic Variations. Elegy for Brahms. Blest Pair of Sirens—Choral Ode |
|
Symphony No. 5 in B Minor; Symphonic Variations; Elegy for Brahms |
|
Te Deum. England. Birds of Aristophanes. Jerusalem. Glories of Our Blood and State |
|
The Birds: Bridal March |
|
The Chivalry of the Sea |
|
The North Wind. The Soldier’s Tent |
|
The Old 104th. Christe Redemptor. Croft's 136th |
|
The Soul's Ransom—Sinfonia sacra. The Lotos Eaters |
|
There |
|
There is an old belief |
|
Three Aspects |
|
Three Aspects, op. 176, no. 1. There, op. 176, no. 7 |
|
Three Choral Fantasias |
|
Violin Sonata |
|
Welcome Yule |
|
Who can dwell with greatness! |
|
Works by |
|
Works of |
|
