(arr. Kreisler) Serenade No. 7, “Haffner“: Rondeau. |
|
(Arr. Lichtenthal, for string quartet) Requiem, K 626 |
|
(arr. Rìedo) Kyrie for 5 Sopranos |
|
(Arr. Stokowski) Piano Sonata No. 11: Rondo all turca |
|
(arr. Szeli) Cello Concerto in D, K 285d |
|
(arr. Zemlinsky) The Magic Flute: Overture |
|
(attr.): Divertimento in E♭ for Two Oboes, Two Clarinets, Two Horns, and Two Bassoons, K. App. C 17.04, C 17.07, App. B to 370A. Theme and Variations in F on "Unser dummer Pobel meint," for Two Clarinets, Two Horns, Two Bassoons, and ad lib Double bass. Octet (Partita) in B♭ for Flute, Oboe, Two Clarinets, Two Horns, Two Bassoons, and Double bass (after K. 425) |
|
(ed. Süssmayr/Flothuis) Requiem |
|
(Sonata) Allegro and Andante, K. 533; Rondo (Allegretto), K. 494. Fantasia in C Minor, K. 475 |
|
10 ti lascio, oh cara, addio, K Anh 245 |
|
10 Variations in G on “Unser dummel Pöbel meint” from Gluck’s Pilger von Mekka, K 455 |
|
10 Variations on Gluck’s Unser dummer Pöbel meint, K 455 |
|
10 Variations on Unser dummer Pobel meint, K 455 |
|
10 Variations on Unser dummer Pöbel meint, K 455 |
|
10 Variations on “Unser dummer Pobel meint.” 12 Variations on an Allegretto |
|
12 Contredanses for Count Czernin, K 269b |
|
12 Duos for 2 Horns, K 487 |
|
12 Duos for 2 Horns, K 487 (496a) |
|
12 Opera Overtures |
|
12 Variations in C on Ah, vous-dirai-je, Maman |
|
12 Variations on Ah vous dirai-je, Maman, K 265 |
|
12 Variations on Ah, vous dirai-je, Maman |
|
12 Variations on Ah, vous dirai-je, Maman, K 265 (transcr. Schoener) |
|
12 Variations on Ah, vous dirais-je maman, K 265 |
|
12 Variations on La belle Francoise |
|
12 Variations on La belle Francoise. 12 Variations on Ah, vous dirai-je, Maman |
|
12 Variations on La bergère Célimène, K 374 |
|
12 Variations on “Ah vous dirai-je, Maman.” 12 Variations on “La belle francoise” |
|
12 Variations on “Ah! vous dirai-je, Maman”, K 265 |
|
12 Variations on “Ah, vous dirai-je, Maman,“ K. 265/30ÛC. 10 Variations on “Unser dummer Pobel meint, “ K. 455. Andante in F for Mechanical Organ, K. 616. Rondo in A minor, K. 511. Adagio in C for Glass Harmonica, K. 356/617a. Minuet in D, K. 3551576b. Gigue in G, K. 574. Adagio in B minor, K. 540 |
|
12 Variations on “Ah, vous dirai-je, Maman”, K 265 |
|
17 Canons |
|
17 in B♭, K 458, "Hunt"; No |
|
2 Arias |
|
2 Concert Arias |
|
2 in E♭, K 493 |
|
2 Minuets, K 604 |
|
2 Minuets: No. 5; No. 8, K 585. German Dances: No. 6, K 536; No. 3, K 567. Minuet with Country Dance No. 1, K463 |
|
2 String Duos for Violin and Viola, K 423/24 (arr. Berke and Miranda) |
|
2-Piano Concerto, K 365 |
|
2-Piano Sonata in D, K 448 |
|
2-Piano Sonata, K 448 |
|
3 German Dances, K 605 |
|
3 German Dances, K 605. |
|
3 in G, K 156 |
|
3 Preludes and Fugues, K 404a |
|
4 Church Sonatas |
|
4 Horn Concertos |
|
4 Lieder |
|
4 Preludes, K 284a |
|
4-5 Part Canons. 2-3 and Multi-Part Canons |
|
45 Symphonies |
|
5 Contredances “Non piu andrai,” K 609 |
|
5 Divertimentos for 3 Basset Horns, K 439b |
|
5 Fugues from Bach’s The Well-Tempered Clavier, K 405 |
|
5 Variations in G |
|
5 Violin Concertos |
|
6 Fragments of a Fugue, K. deest |
|
6 German Dances |
|
6 German Dances, K 509 |
|
6 German Dances, K 567 |
|
6 German Dances, K 571 |
|
6 leichte Stücke aus Die Zauberflöte, K 620 |
|
6 Notturni for Voice and Clarinets/Basset Horns |
|
6 Preludes and Fugues, K 404 |
|
6 Preludes and Fugues, K 404a |
|
6 Variations on a French Folk Song, K 360 |
|
6 Variations on Salve tu, Domine, K 398 |
|
6 Variations on “Mio care Adone,” K 180 |
|
6 Variations, K Anh 137 |
|
6 Viennese Sonatinas, K 439b |
|
8 German Dances, K 600/1–5, K 602/3, K 605/2, 3 |
|
8 German Dances. Le nozze di Figaro: Overture |
|
8 Variations on a Dutch Song. 6 Variations on “Salve tu, Domine.” 7 Variations on “Willem van Nassau.” 12 Variations on a Minuet by Johann Christian Fischer. 12 Variations on “Je suis Lindor.” 6 Variations on “Mio caro Adone” by Salieri. Londoner Skizzenbuch: 6 Pieces |
|
8 Variations on a March from Gretry’s “Les mariages Samnites” |
|
8 Variations on a Theme of Duport |
|
8 Variations on Come un agnello, K 460/454a |
|
8 Variations on “Come un’agnello.” 8 Variations on “Ein Weib ist das herlichste Ding” |
|
9 Variations in D on a Minuet by Duport, K 573 |
|
9 Variations in D, K 573 |
|
9 Variations on "Lison dormait," K 264. Fantasy in c, K 475. Sonata in c, K. 457 |
|
9 Variations on a Minuet by Duport |
|
9 Variations on a Minuet by Duport. Piano Sonata in D. Andante in F |
|
9 Variations on a Minuet by Jean-Pierre Duport, K. 573 |
|
9 Variations on a Theme by Duport, K 573 |
|
[attrib] Romance in A♭, K. Anh. 205 (Edwin Fischer) |
|
A Berenice . . . Sol nascente, K. 70. Per pietà, bell'idol mio, K. 78. O, temerario Arbace . . . Per quel paterno amplesso, K. 79. Basta, vincesti. . . Ah, non lasciarmi, no, K. 486a. Ah, lo previdi. . . Ah, t'invola . . . Deh, non varcar, K. 272. Alcandro, lo confesso . . . Non so d'onde viene, K. 294. Nehmt meinen Dank, irh holden Gönner, K. 383. Chi sa, chi sa, qual sia, K. 582 |
|
A Berenice…. Sol nascente, K 70 |
|
A Chloë. La Jeune fille et la violette |
|
A Midsummer Night’s Dream: Scherzo |
|
A Musical Joke |
|
A Musical Joke, K. 522 |
|
A Musical Joke, K. 522. Divertimento No. 11 in D, K. 251 |
|
A questo seno deh vieni. ..Or che il cielo, K. 374. Voi avete un cor fedele, K. 217. Ah, lo previdi!... Ah, t'invola, K. 272. Bella mia fiamma, K. 528*. Misero! o sogno, K. 431. Si mostra la sorte, K. 209. Clarice cara, K. 256. Va, dal furor portata, K. 21. Se al labbro mio non credi, K 29S |
|
Abduction from the Seraglio, K. 384 |
|
Abduction from the Seraglio: Im Mohrenland. Così fan tutte: Un'aura amorosa. The Magic Flute: Dies Bildnis |
|
Abduction from the Seraglio: Koristama |
|
Abduction from the Seraglio: Martern aller Arten (1954) |
|
Abduction from the Seraglio: Martern aller arten; Dle Zauberflote: Der Hölle Rache |
|
Abduction from the Seraglio: Overture (Berlin State Opera Orchestra conducted by Alexander von Zemlinsky) |
|
Abduction from the Seraglio: Tutte le torture. Don Giovanni: Mi tradì quell'alma ingrata |
|
Abend-empfindung, K. 523. Das Traumbild, K. 530 |
|
Abendemfindung. Der Zauberer. Das Traumbild |
|
Abendempfindung |
|
Abendempfindung an Laura |
|
Abendempfindung, K 523 |
|
Abendempfindung, K. 523 |
|
Abendempfindung. An Chloë. Così fan tutte: Come scoglio |
|
Abendempfindung. Dans un bois solitaire. Oiseau, si tous les ans. Schubert: Der Jüngling und der Tod. Heimliches Lieben. Lied der Mignon. Seligkeit. Die Forelle |
|
Abendempfindung. Dans un bois solitaire. Oiseaux, si tous les ans |
|
Abendempfindung. Das Veilchen. Warnung. Sehnsucht nach dem Frühling. Sei du mein Trost. Dans un bois solitaire |
|
Abendempfindung. Lied der Freiheit. Die Zufriedenheit. Warnung. Das Veilchen. Das Lied der Trennung |
|
Abendempfindung. Lied der Freiheit. Die Zufriedenheit. Warnung. Veilchen. Das Lied der Trennung |
|
Abendempfindung. Oiseaux, si tous les ans. Dans un boire solitaire. An die Freude. An die Einsamkeit. Wie unglücklich bin ich. Komm, liebe Zither. Die Zauberer. An Chloe. Das Lied der Trennung. Das Veilchen. Ridente ìa calma. An die Freundschaft. Die Zufriedenheit. Des kleinen Friedrichs Geburtstag. Die kleine Spinnerin. An die Hoffnung. Als Luise die Briefe. Das Traumbild. Lied der Freiheit. Die Alte. Das Kinderspiel. Sehnsucht nach dem Frühlinge. Im Frühlingsanfang. Die ihr des unermesslichen Weltalls |
|
Ach, ich fühls (2 vers.) |
|
Adagio and Allegretto in f, K 594 |
|
Adagio and Allegro for Mechanical Organ, K 594 |
|
Adagio and Allegro in f for Mechanical Organ, K 594 (trans. M. Munclinger). Fantasia in f for Mechanical Organ, K 608 (trans. M. Munclinger). Sinfonia Concertante in D, K 448/375a (trans. R. Stallman). String Quartet No. 14, K 387 (trans. K. Kraber) |
|
Adagio and Allegro in F minor, K. 594 |
|
Adagio and Allegro in f, K 594 |
|
Adagio and Allegro in F, K 594 |
|
Adagio and Allegro, K 594 |
|
Adagio and Fugue |
|
Adagio and Fugue for Mechanical Clock |
|
Adagio and Fugue for Strings, K 546 |
|
Adagio and Fugue in c |
|
Adagio and Fugue in C minor, K. 546 |
|
Adagio and Fugue in C Minor, K. 546 |
|
Adagio and Fugue in C Minor, K.546. Concertos: for Horn: Nos. 1-4, K. 412, 417, 447, 495; for Piano: No. 25 in C, K.503. Così fan tutte, K.588. Don Giovanni, K.527. The Magic Flute, K.620. The Marriage of Figaro, K.492. Masonic Funeral Music, K.477. Overtures: The Abduction from the Seraglio, K.384; Titus, K.621.Serenades: No. 6in D, K.239 (“Serenata Notturna“); No. 10 in B-Flat for 13 Instruments, K.361; No. 11 in E-Flat for Woodwinds, K.375; No. 12 in C Minor for Woodwinds, K.388; No. 13 in G, K.525 (“Eine kleine Nachtmusik“). Symphonies: No. 25 in G Minor, K. 183; No. 29 in A, K. 201 ; No. 31 in D, K.297 (“Paris“); No. 33 In B-Flat, K. 319; No. 34 in C, K.338; No. 35 in D, K.385 (“Haffner“); No. 36in C, K.425 (“Linz“); No. 38 in D, K.504 (“Prague“); No. 39 in E-Flat, K.543; No. 40 in G Minor, K.550; No. 41 in C, K.551 (“Jupiter“) |
|
Adagio and Fugue in c, K 426 |
|
Adagio and Fugue in c, K 456 |
|
Adagio and Fugue in c, K 546 |
|
Adagio and Fugue in c, K 546/426 |
|
Adagio and Fugue in c. Serenade in G, “Eine kleine Nachtmusik” |
|
Adagio and Fugue, K 546 |
|
Adagio and Fugue, K. 546 |
|
Adagio and Fugue, KV 404a |
|
Adagio and Fugues: in c, K 546; in a, K deest; in c, K Anh 44/426; in d, K 405/4; in D, K 405/5; in E♭, K deest; in E, K 405/3; in b, K deest; in d, K deest |
|
Adagio and Rondeau in c/C, K 617 |
|
Adagio and Rondo (unattributed arrangement of the aria Per pieta, ben mio... from act IX, scene 7 of “Cosi fan tutte“) |
|
Adagio and Rondo for Glass Harmonica and String Quartet, K. 617 |
|
Adagio and Rondo In C Minor for Glass Armonica, Flute, Oboe, Viola, and Cello, K.617. Adagio In C for Glass Armonica, K. 356 |
|
Adagio and Rondo in C, K 617 |
|
Adagio and Rondo in c, K 617 |
|
Adagio and Rondo, K. 61 7 |
|
Adagio and Rondo, K. 617 |
|
Adagio for Class Harmonica, K. 356. SonataNo. 11 in A, K. 311: “Turkish“ Rondo |
|
Adagio for English Horn and String Trio, K 580a (ed. Daniel) |
|
Adagio for Glass Harmonica or Clavier, K. 356 (617a) |
|
Adagio for Glass Harmonica, K 356 |
|
Adagio for Glass Harmonica, K 356/617a |
|
Adagio for Glass Harmonica, K. 617a |
|
Adagio for Piano in b, K 540 |
|
Adagio for Violin and Orchestra in E, K 261 |
|
Adagio for Violin and Orchestra, K 261 |
|
Adagio for Violin and Orchestra, K. 261. GermanDance in C, K. 605, no. 3 (“Sleigh Ride“). March in D, K. 335, no. 1. Serenade in G, K. 525 (“Eine kleine Nachtmusik“). Rondo in C for Violin and Orchestra, K. 373 |
|
Adagio for Winds, K 411 |
|
Adagio in b |
|
Adagio in B Minor, K. 540. Piano Sonata No. 16 in B♭, K. 570 |
|
Adagio in B Minor, K. 540. Sonata for Piano, K. 331: Alla Turca |
|
Adagio in b, K 450 (with improvised prelude) |
|
Adagio in b, K 540 |
|
Adagio in B♭ for 2 Clarinets and 3 Basset-Horns, K 411. Serenade in B♭ for 12 Wind Instruments and Double Bass, K 361 (arr. Gleissner) |
|
Adagio in B♭ for Two Clarinets and Three Basset Horns, K. 411 (with Philip Sibthorp, basset horn) |
|
Adagio in B♭, K 411 |
|
Adagio in B♭, K 580a |
|
Adagio in B♭, K.411 (arr. Raaf Hekkema) |
|
Adagio in C for English Horn and String Orchestra, K. 580a |
|
Adagio in C for English Horn and Strings, K. 580a (with Salvatore, Paris, and Paternoster) |
|
Adagio in C for English Horn, 2 Violins, and Cello, K. Anh. 11/94 (580a) |
|
Adagio in C for English Horn, Two Violins, and Cello, K. 580a |
|
Adagio in C for English Horn, Violin, Viola, and Cello, K. 580a |
|
Adagio in C for Glass Harmonica, K 356 |
|
Adagio in C for Glass Harmonica, K. 617a. Marche funèbre del Signore Maestro Contrapuncto in C Minor, K. 453a |
|
Adagio in C Minor, K. 546. Allegro in G Minor, K. 312. Fugue in G Minor, K. 401 Prelude and Fugue in C, K.394. Intrada in C,K.399. Prelude in G,K. 15g. Andante cantabile in B-Flat, K. 15 Allegro in G,K. 72a. Improvisation in G Minor, K. 528a. Gigue in G, K. 574. Adagio in B Minor, K. 540 |
|
Adagio in C, K 356 |
|
Adagio in C, K 356 (arr. for piano) |
|
Adagio in C, K 580a |
|
Adagio in E |
|
Adagio in E for Violin and Orchestra [Piano], K.261 |
|
Adagio in E for Violin and Orchestra, K 261 |
|
Adagio in E for Violin and Orchestra, K. 261 |
|
Adagio in E, K 261 |
|
Adagio in E, K 261. Rondo in C, K 373. Violin Concerto No. 5, K 219: Allegro aperto. |
|
Adagio in E, K. 261 |
|
Adagio in E, K. 261. Rondo in C, K. 373 |
|
Adagio in E. Rondo in B♭. Rondo in C |
|
Adagio in E. Rondo in C. |
|
Adagio in F for Clarinet and Three Basset Horns, K. 580a. Adagio in B♭ for Two Clarinets and Three Basset Horns, K. 411/484a |
|
Adagio in F, K 206a |
|
Adagio in F, K 410 |
|
Adagio in F, K Anh. 206a |
|
Adagio in F, K.410 (arr. Hekkema) |
|
Adagio in G, K 580a |
|
Adagio, K 261 |
|
Adagio, K 356 |
|
Adagio, K 411 |
|
Adagio, K 540. Piano Concerto No. 27, K 595 |
|
Adagio, K 5S0a |
|
Adagio, K. 356 |
|
Adagio, K. 356/617a [Anton Walter fortepiano) |
|
Adagios: in F, K 94; in B♭, K 411 |
|
Ah lo previdi. Ah se in ciel |
|
Ah lo provide ... Ah, t’invola, K 272 |
|
Ah se in ciel, benigne stelle, K 538 |
|
Ah se in ciel, benigne stelle, K. 538. Chi sa, chi sa, quai sia, K. 582. Vado, ma dove, K. 583, Ch'io mi scordi di te... Non temer, amato bene, K. 490. Per pietà, bell' idol mio, K. 78. Per quel paterno amplesso, K. 79. Bella mia fiamma, K. 528. Ah, lo previdi, K. 272. Misera, dove son, K. 369 |
|
Ah se in ciel, benigne stelle. Vorrei spiegarvi, oh Dio! No, che non sei capace. Se tutti I mali miei. Popoli di Tessaglia.... lo non chiedo. Mia speranza adorata.. .. Ah, non sai. Alcandro, lo confesso.... Non so donde viene. Ma che vi fece, o stelle. . . . Sperai vicino |
|
Ah! se in ciel, benigne stelle, K 538 |
|
Ah! Spiegarti, oh Dio, K 178 |
|
Ah, lo previdi ... Ah, t’involva, K 272. Ch’io mi scordi di te ... Non temer, K 505. Ah se in ciel, K 538. Great Mass in c, K 427: Et incarnatus est. Exsultate, jubilate: Alleluia, K 165 |
|
Ah, lo previdi ...Ah, t'Invola, K. 272. Ah, se In del, K. 538. Il ré pastore, K 208: L'amerò. Bella mia fiamma, K. 528, Alcandro, lo confesso.... Non so donde viene, K. 294. Voi avete un cor fedele, K 217 |
|
Ah, lo previdi, K 272 |
|
Ah, lo previdi, K 272 Voi avete, K 217 |
|
Ah, lo previdi. . .Ah, ťinvola, K. 272. Vado, ma dove? oh Dei!, K. 583. Oh, temerario Arbace!. . .Per quel paterno amplesso, K 79. Chi sa, chi sa, qual sia, K. 582. Non più. Tutto ascolta. . .Non temer, K. 490. Bella miafìamma. . .Resta, oh cara, K. 528. Nehmt meinem Dank, ihr holden Gönner!, K. 383 |
|
Ah, se in ciel. Don Giovanni: Non mi dir |
|
Airs d'opéra pour tenor |
|
Airs de concert |
|
Alcandro, lo confesso … No sò d’onde viene, K 512 |
|
Alcandro, lo confesso…. Non so d’onde viene, K 294 |
|
Alla turca |
|
Allegretto from Piano Trio, K. 564. Andante from String Quartet, K. 159. Allegretto con Variazioni from Clarinet Quintet, K. 581 |
|
Allegro and Andante (Fantasia) in f, K 608. Missa brevis in B♭, K 275 |
|
Allegro and Andante in F, K 533; Rondo in F, K 494; Piano Sonata in B♭, K 570 |
|
Allegro and Andante in F, K. 533. Rondo in F, K. 494 |
|
Allegro and Andante in F/Rondo in F, K 533/494 |
|
Allegro and Andante, K. 533. Rondo in F, K. 494 |
|
Allegro and Rondo in F |
|
Allegro assai in B♭, K. Anh. 95. Adagio in F, K. 410. Adagio in B♭, K. 411. Adagio in C, K. Anh. 94. Nocturnes: Luci care, K. 346; Ecco quel fiero instante, K. 436; Mi lagnero, K. 347; Se Ionian, K. 348; Due pupille, K. 349. Divertimenti in F, K. 439b, Nos. 1-5; Alternate Allegro to K. 439, No. 2 |
|
Allegro in A, K Anh. 50 (526a) |
|
Allegro in BP for Clarinet and Strings, K. Anh. 91 /516c (fragmentary work completed by Robert D. Levin) |
|
Allegro in B♭, K 372 (K Anh. 49) |
|
Allegro in B♭, K 400 |
|
Allegro in B♭, K 400, “Sophie und Constanza” |
|
Allegro in B♭, K 516c |
|
Allegro in B♭, K Anh. 91 (2 versions) |
|
Allegro in C, K Anh. 48 (K 480a/K 385E) |
|
Allegro in F, K 580b |
|
Allegro in g (fragment), K 312 |
|
Allegro in g, K 312 |
|
Allegro in G, K Anh 47/K 546a |
|
Allegro in G, K Anh. 47 (fragment) |
|
Allegro in G, K Anh. 66 (fragment, completed Beyer) |
|
Allegro inB♭ for Clarinet and Strings, K Anh 91 |
|
Allegro molto |
|
Allegro, K 400 |
|
Alleluja |
|
Alleluja, K. 165 |
|
Alma Dei creatoris, K 277 |
|
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte |
|
Als Luise die Briefe, K 520 |
|
Als Luise die Briefe, K. 520. Un moto di gioia, K. 579 |
|
Als Luise die Briefe. Abendempfindung. Dans un bois solitaire. Die Verschweigung |
|
Als Luise die Briefe. Das Veilchen. Der Zauberer. Oiseaux, si tous les ans. Dans un bois solitaire |
|
An Chloe |
|
An Chloe, K 524; Das Traumbild, K 530; Der Frühling, K 597; Wie unglücklich bin ich nit, K 147; Das Lied der Trennung, K 519; Die Zufriedenheit, K 369; Komm, liebe Zither, komm, K 351 ; Die betrogene Welt, K 474; Lied der Freiheit, K 506; Abendempfindung an Laura, K 523; Ich würd auf meinem Pfad, K 390; Sei du mein Trost, K 391 ; Das Veilchen, K 476; Sehnsucht nach dem Frühling, K 596; Des kleinen Friedrichs Geburtstag, K 529; Das Kinderspiel, K 598 |
|
An Chloe, K 524 |
|
An Chloe, K. 524. Das Traumbild, K: 530. Der Frühling, K. 597. Wie unglücklich bin ich, K. 147. Das Lied der Trennung, K. 519. Die Zufriedenheit, K. 369. Komm, liebe Zither, K. 351. Die betrogene Welt, K. 474. Liedder Freiheit, K. 506. Abendempfindung, K. 523. Ich würd' auf meinem Pfad, K. 390. Sei du mein Trost, K.391. Das Veilchen, K. 476. Sehnsucht nach dem Frühlinge, K. 596. Das kleinen Friedrichs Geburtstag, K. 529. Das Kinderspiel, K. 598 |
|
An Chloe. Clarinet Concerto |
|
An Chloe; Das Traumbild; Der Frühling; Wie unglücklich bin ich nit; Das Lied der Trennung; Die Zufriedenheit; Komm, liebe Zither, komm; Die betrogene Welt; Lied der Freiheit; Abendempfindung an Laura; Ich würd auf meinem Pfad; Sei du mein Trost; Das Veilchen; Sehnsucht nach dem Frühling; Des kleinen Friedrichs Geburtstag; Das Kinderspiel |
|
An Chloè, K. 524. Das Lied der Trennung, K. 519. Dans un bois solitaire, K. 308 (295b). Oiseaux, si tous les ans, K. 307 (284d). Se/ du mein Trost, K. 391 (340b). Die Alte, K. 517. Das Veilchen, K. 476. Abendempfindung, K. 523. Der Zauberer, K. 472. Als Luise die Briefe, K. 520. Das Traumbild, K. 530. Ah, spiegarti, oh Dio, K. 178 (125i). Un moto di gioia, K. 579. Ridente la calma, K. 152 (210a). Im Frühlingsanfang, K. 597. Die Zufriedenheit, K. 473. Der Verschweigung, K. 518 |
|
An Chloé. Abendempfindung. Das Veilchen |
|
An Chloë, K. 524. Abendempfindung, K. 523 |
|
An Chloë, K. 524. Als Luise die Briefe, K. 520. Der Zauberer, K. 472. Komm, liebe Zither, K. 351. Sei du mein Trost, K. 391. Das Veilchen, K. 476. Die Alte, K. 517. Die Zufriedenheit, K. 473. Ein deutsches Kriegslied, K. 539. Trennungslied, K. 519. Dans un bois solitaire, K. 308. Un moto di gioia, K. 579. Lied der Freiheit, K. 506. Oiseaux, si tous les ans, K. 307. Ridente la calma, K. 152. Die kleine Spinnerin, K. 531. Sehnsucht nach dem Frühling, K. 596. Abendempfindung, K. 523. Eine kleine deutsche Kantate, K. 619 |
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An Chloë, K. 524. An die Hoffnung |
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An Chloë, K. 524. Das Lied der Trennung, K. 519. Dans un bois solitaire, K. 308 (295b). Oiseaux, si tu les ans, K. 307(284d). Sei du mein Trost, K. 391(340b). Die Alte, K. 517. Das Veilchen, K. 476. Abendpfindung, K. 523. Der Zauberer, K. 472. Als Luise die Briete, K. 520. Das Traumbild, K. 530. Ah, spiegarti, o Dio, K. 178(1250. Un moto di gioia, K. 579. Ridente la calma, K. 152(210a). Im Frühlingsanfang, K. 597. Die Zufriedenheit, K. 473. Die Verschweigung, K. 518 |
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An Chloë. Abendempfindung. Das Lied der Trennung. Als Luise die Briefe ihres Ungetreuen Verbrannte. Warnung |
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An den Mai |
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An die Einsamkeit, K 391 |
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An die Freude, K. 53 |
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An die Freude, K. 53 (43b). Wie unglücklich bin ich nit, K. 147 (125g). Oiseaux, si tous (es ans, K. 307 (284d). Dans un bois solitaire, K. 308 (295b). Die Zufriedenheit, K. 349 (367a). Ich würd auf meinem Pfad, K. 390(340c) Sei du mein Trost, K. 391 (340b). Der Zauberer, K. 472. Die Zufriedenheit, K. 473. Das Veilchen, K. 476. Die Alte, K. 517. Die Verserschweignung, K.518. Als Luise die Briefe, K. 520. Abendempfindung, K. 523. An Chloe, K. 524. Des kelinen Friedrichs Gedurstag, K. 529. Die kleine Spinnerin, K. 531. Sehnsucht nach dem Frühling, K. 597. Das Kinderspiel, K. 598. Der Frühling, K. 597 |
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An die Freude, K. 53. Ridente la calma, K. 152. Oiseaux, si tous les ans, K. 307. Dans un Bols solitaire, K. 308. Gotteslamm, K. 343. Komm, liebe Zither, K. 351. Sei du mein Trost, K. 391. Der Zauberer, K. 472. Die Zufriedenheit, K. 473. Das Veilchen, K. 476. Lied der Freiheit, K. 506. Die Verschweigung, K. 518. Lied der Trennung, K. 519. Als Luise die Briefe, K. 520. Abendempfindung, K. 523. An Chloe, K. 524. Das Traumbild, K. 530. Sehnsucht nach dem Frühlinge, K. 596. Der Frühling, K. 596. Das Kinderspiel, K. 598. Männer suchen stets zu naschen, K. 433. Un moto di gioia, K. 579 |
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Andante (arr. Saint-Saëns) |
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Andante and 5 Variations for Piano 4 Hands in G, K 501 |
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Andante and 5 Variations, K 501 |
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Andante and Five Variations in G, K 501 |
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Andante and Variations in G |
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Andante Cantabile, K 306 |
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Andante con variazioni in G, K 501 |
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Andante for a Musical Clock, K. 616 |
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Andante for a Small Organ Cylinder in F, K 616 |
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Andante for Flute and Orchestra in C, K 315 |
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Andante for Flute and Orchestra, K 315. Piano Concerto No. 12, K 414. Symphony No. 29, K 201 |
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Andante for Flute and Orchestra, K. 315 |
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Andante for Flute, K 315 |
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Andante for Mechanical Clock |
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Andante in C |
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Andante in C for Flute and Orchestra, K 315 |
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Andante in C for Flute and Orchestra, K. 315 |
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Andante in C for Flute and Orchestra, K. 315 (trans, for clarinet) |
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Andante in C for Flute and Orchestra, K. 315 (transcribed for clarinet) |
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Andante in C for Flute and Orchestra, K. 315. Concerto No. 1 in G for Flute and Orchestra, K. 313. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Andante in C for Flute and Orchestra, K. 315. Rondo in D for Flute and Orchestra, K. Anh. 184 |
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Andante in C, K 314 |
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Andante in c, K 315 |
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Andante in C, K 315 |
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Andante in C, K 315 (arr. for flute, violin, viola, and cello) |
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Andante in C, K. 1a; Allegro in C, K. 1b; Allegro in F, K. 1c. Minuets: in F, K. 1d; in G, K. 1e; in C, K. 1f. Minuet in F, K. 2. Allegro in B-Flat, K. 3. Minuet in F, K. 5. Allegro inC, K. 5a. Prelude and Gigue, K. 15g, Z. Divertimentos:in B-Flat, K 15ii, 11, pp, qq;inF, K. 15t, U,v; in D, K. 15o, i, k, 1;in C,K. 15b, a, f. Sonata in C for harpsichord, four hands, K. 19Ö. Keyboard Piece in C, K. 33b. Minuet in D, K. 94; March in C, A. 408, no. 1 |
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Andante in C, K. 315 |
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Andante in F for a Musical Clock, K. 616 |
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Andante in F for Mechanical Organ, K 616 |
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Andante in F, K 616 |
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Andante in F, K 616; Piano Sonata in C, K 330; Allegro in B♭, K 400 (completed by Abbé Stadler); Adagio in b, K 540; Piano Sonata in F, K 332; Fantasy in c, K 396 (completed by Abbé Stadler); Six Variations in F, K 398 |
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Andante in F, K. 616 |
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Andante in F, K. 616; Four Church Sonatas for Strings and Organ; Fantasia in F Minor, K. 60;Adagio and Allegro in F, K. 594 |
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Andante in G (alternate slow movement for Symphony No. 31) |
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Andante in G for Flute and String Trio, K 315 (arr. M. Rechtman) |
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Andante Rondo (fragment) |
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Andante sostenuto aus der C-dur Sonate |
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Andante with Five Variations for Piano, Four Hands, K. 501 |
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Andante with Variations in G, K 501 |
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Andante, K 315 |
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Andante, K 540 |
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Andante, K 616 |
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Andante, K. 616 |
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Andante, K.616 |
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Andantino grazioso in B, from K 132 |
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Andantino in B♭, K. 46 (374g) |
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Andantino in E♭, K 236 |
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Andantino, K 236 |
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Apollo et Hyacinthus |
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Apollo et Hyacinthus, K, 38 |
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Apollo et Hyacinthus, K. 36. Bastien und Bastienne, K. 50 |
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Apollo et Hyacinthus, K. 38 |
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Apollo et Hyacinthus. Excerpts from Idomeneo, Don Giovanni, and Le Nozze de Figaro |
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Apollo et Hyacinthus: Iam pastor Apollo |
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Apollo et Hyucinihut |
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Aria of Tamino |
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Arias |
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Arias duets by |
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Arias songs by |
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Arias and duets by |
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Arias and scenes by |
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Arias and songs by |
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Arias and Songs by |
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Arias by |
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Arias from Così fan Tutte; Don Giovanni; Le Nozze di Figaro. Alcandro, lo confesso … Non so d’onde viene, K 512 |
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Arias from Le nozze di Figaro; La clemenza di Tito; Idomeneo; Lucio Silla |
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Arias from: Die Zauberflöte, Don Giovanni, and Così fan tutte Selection from; "Posthorn" Serenade, A Musical Joke, Piano Sonata No. 11, and Symphony No. 39 |
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Arias from: Idomeneo, Le Nozze di Figaro, Die Zauberflöte, Don Giovanni, Die Entführung aus dem Serail |
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Arias from: Le nozze di Figaro; Don Giovanni; Così fan tutte; Die Zauberflöte |
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Arias from: Lucio Silla. La finta semlice. Il sogno di Scipione. La finta gardiniera. Il rè pastore. Idomeneo. Don Giovanni. Cosi fan tutte. La Clemenza di Tito |
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Arias, Duets, and Scenes by |
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Arias, duets, and songs by |
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Arias, duets, quartet, and songs by |
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Arias, duets, romances, songs by |
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Arias, duets, trios, and songs by |
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Arias, songs and duets by |
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Arias, songs by |
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Arias, songs, duets by |
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Arias, songs, and duets by |
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Arias, songs, duets, and trios by |
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Arias. Piano Sonatas: in a, K 310 |
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Arias. Piano Sonatas: in B♭,K 570 |
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Arias. “Ah lo previdi“, K.272; “D'Oreste, d. ' Ajace“, K.336, No.29; “Bella mia fiamma“, K.528; “Ch'io mi scordi di te?“, K .505 |
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Arias/duets from: Le nozze di Figaro. Lucio Silla. Die Entführung aus dem Serail. La clemenza di Tito. Non so d'onde viene, K 294 |
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Arias: Bella mia fiamma. Ch'io mi scordi di te? Ah, lo previdi. Così fan tutte: Come scoglio. Per pietà, ben mio. Zaide: Ruhe sanft. Le nozze di Figaro: Dove sono |
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Arias: Così fan tutte: Donne mie, la fate a tanti; Al fato dan legge? Un' aura amorosa;'' Rivolgete a lui lo sguardo; Secondate, aurette amiche. Die verstellte Gärtnerin: Nach der Welschen Art und Weise. Don Giovanni: Deh, vieni alla finestra; A te, fra tanti affanni. Davidde penitente: A te, fra tanti affanni. Concert Arias: Misero! O sogno... Aura che intorno spiri, K 431. Mentre ti lascio, origlia, K513. Si mostra la sorte, K 209. Un bacio di mano, K 541 Per pietà, non ricercate, K 420 |
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Arias: Die Zauberflöte, K. 620:0 zittre nicht... Zum leiden bin ich; Der Hölle Rache. Die Entführung aus dem Serail, K. 384: Ach, ich liebte; Traurigkeit; Martern aller Arten. Così fan tutte, K. 588: Temerari ... Come scoglio |
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Arias: from Lucio Silla. Die Zauberflöte. Il re pastore. Mitridate. Die Entführung aus dem Serail. La clemenza di Tito. Zaïde |
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Arias: Le nozze di Figaro: Non più andrai; Tutto è disposto . . . Aprite un po; Crudel! perchè finora |
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Arias: Misera, dove son, K. 369; Un moto di gioia, K. 579; Schon lacht der holde Frühling, K. 580 (Gruberova, with György Fischer conducting the Wiener Kammerorchester). Vado, ma dove, K. 583; Bella mia fiamma, K. 528; Nehmt meinen Dank, K. 383 (Te Kanawa, with Fishcer). Oie Entführing aus dem Serail, K. 384: Ha! wie will ich triumphieren (Jungwirth, with István Kertész conducting the Wiener Haydn-Orchester) |
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Arias: Ridente, la calma. Oiseaux, si tous les ans. Dans un bois solitaire. Die kleine Spinnerin. Als Luise die Briefe. Abendempfindung. Das Kinderspiel. Die Alte. Das Traumbild. Das Veilchen. Der Zauberer. Der Frühling. Das Lied der Trennung. Die Zufriendenheit. An Chloe. Sehnsucht nach dem Frühling |
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Arias: Un moto di gioia, K. 579. Le nozze di Figaro, K. 492: Giunse alf in il momento... Deh vieni, non tardar. Misero! O sogno, K. 431. Mentre ti lascio, K. 5J3 |
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Arias: Va, dal furor portata, K 21 ; Or che il dover...Tali a cotanti sono, K 36; Si mostra la sorte, K 209; Con ossequio, con rispetto, K 210; Se al labbro mio con credi...Il cor dolente, K 295; Clarice cara mia sposa, K 256; Per pietà, non ricercate, K 420; Misero! O sogno...Aura, che intorno spiri, K 431. Symphony No. 1 in B, K 16. Divertimento No. 3 in F, K 138 |
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Ariette from “Cosi fan tutte“ (arr. Perier) |
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Arlequinade (Music for a Carnival Pantomime, K. 446, and others) |
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Ascanio in Alba, K 111 |
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Ascanio in Alba, K 111: Overture |
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Ascanio in Alba, K. 111 |
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Ascanio in Alba, K. 111. Mass in C, K. 317 (“Coronation“) |
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Ascanio in Alba: Ah di sì nobil alma |
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Ascanio in Alba: Al mio ben mi veggio avanti |
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Ascanio in Alba: Al mio ben mi veggio avanti. Mitridate, re di Ponto: Venga pur, minacci e frema |
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Ascanio in Alba: Cara, lontano ancora; Al mio ben mi veggio; Ah, di sì nobil alma; Ballet music (reconstructed Safranov) |
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Ascanio in Alba: Ferma aspetta—Infelice affetti miei |
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Ave Maria, K 554 |
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Ave Verum |
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Ave verum |
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Ave Verum Corpus |
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Ave verum corpus |
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Ave verum corpus (arr. Liszt) |
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Ave verum corpus (arr. Liszt); K 618 |
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Ave verum corpus (arr. Squire) |
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Ave verum corpus, BWV 618 |
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Ave verum corpus, K 618 |
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Ave verum corpus, K. 618 |
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Ave Verum Corpus, K. 618 |
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Ave Verum Corpus, S. 461a. Requiem, K. 626: Confutatis Maledictus; Lacrimosa (S. 550) |
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Ave verum corpus. Per questa bella mano |
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Ave verum corpus. Per questa bella mano, K 612 |
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Ave verum corpus. Regina coeli |
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Ave verum corpus. Vesperae solennes de confessore |
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Ave verum corpus. Vesperae solennes de confessore, K. 339.Laudate Dominum |
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Ave verum. Mass in C, K 317: Gloria; Benedictus. Requiem: Dies irae; Lacrimosa |
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Bassoon Concerto |
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Bassoon Concerto in B♭ |
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Bassoon Concerto in B♭, K 191 |
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Bassoon Concerto, K 191 |
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Bassoon Concerto, K 191. Clarinet Concerto, K 622. Flute Concertos: Nos. 1-2. Flute and Harp Concerto, K 299. Horn Concertos Nos. 1-4. Horn Concerto, K370b/371. Horn Concerto Movement, K 494a. Oboe Concerto, K 314. Violin Concertos: Nos. 1-5. Adagio for Violin and Orchestra, K 261. Concertone for 2 Violins and Orchestra, K190. Rondo for Flute and Orchestra, K 373. Rondos for Violin and Orchestra, K 269, 373. Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon, and Orchestra, K 297b. Sinfonia concertante for Violin, Viola, and Orchestra, K 364 |
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Bassoon Concerto. Clarinet Concerto. Flute Concerto No. 1 in G, K 313 |
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Bassoon Concerto. Horn Concerto No. 3. Oboe Concerto. |
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Bassoon Concerto. Sonata in B♭, K 292 |
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Basta vincesti ... Ah non lasciarmi, K 295a (468a) |
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Bastien et Bastienne, KV 50 |
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Bastien und Bastienne |
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Bastien und Bastienne, K, 50. Two Songs with Mandolin: Die Zufriedenheit, K. 349; Komm, liebe Zither, K. 351 |
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Bastien und Bastienne, K. 50 |
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Bastien und Bastienne, K. 50. Concert Arias: Per pietà, non ricercate, K. 420; Misero! O sogno, K. 431 |
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Bastien und Bastienne, K. 50. Opera and Concert Arias |
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Bastien und Bastienne, K50 (original 1768 version) |
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Bastien und Bastienne: Overture, Die Entführung aus dem Serail: Overture |
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Bastien und Bastienne: Diggi, daggi, schurry, murry |
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Bastien und Bastienne: Overture |
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Bastlen und Bastienne, K. 50 |
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Bella mia fiamma . . . Resta, o cara, K 528 (Ria Ginster, sop; 3/5/42) |
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Bella mia fiamma … Resta, oh cara, K 528 |
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Bella mia fiamma, addio . . . Resta, oh cara. Nehmt meinen Dank, ihr holden Gönner! |
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Bella mia fiamma, addio ... Resta, oh cara, K 528 |
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Bella mia fiamma, addio!, K 528 |
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Bella mia fiamma. Vado, ma dove. Voi avete un cor fedele. Al desio di che t’adora. Nehmt meinen Dank. Le nozze di Figaro: Porgi amor |
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Bella mia fiamma…. Resta, oh cara, K 528 |
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Betulia liberata |
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Betulia liberata, K 118/74c |
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Betulia liberata, K. 118: Terribile d'aspetto; To solo adoro. Le nozze di Figaro, K. 492: La vendetta. Così fan tutte, K. 584: Rivolgete a lui lo sguardo. Zaide, K. 344: Ihr mächtigen seht ungerührt; Wer hungrig bei der Tafel sitzt. La finta semplice, K. 51: Elle vuole ed io torrei; Con certe personne; Vieni, o mia Ninetta. Don Giovanni, K. 527: Madamina. Un bacio di mano, K. 541. lo ti lascio, K. 621a. Per questa bella mano, K. 612. Ich möchte wohl der Kaiser sein, K. 539 |
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Birth-Day |
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Cantata, K 619 |
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Cantata: Die ihr des unermesslichen Weltalls Schöpfer |
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Cantata: La Betulia Liberata, K. 118 (74c) |
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Cantate Domino omnis terra, K 73r |
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Canzonetta (“Deh vieni alla finestra“) from Don Giovanni |
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Capriccio in C, K 574 |
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Cassation in B♭, K 99 |
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Cassation in G, K 63 |
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Cassations: in G, K. 63; in B“, K. 99. Adagio and Fugue in C minor, K. 546 |
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Cassations: in G, K. 63; in B♭, K. 99 |
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Cassations: in G, K. 63; in B♭, K. 99 (63a). Adagio and Fugue in C, K. 546. |
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Cello Concerto in D, K 314 (arr. by George Szell and Sergio Ciomei) |
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Cello Concerto in E |
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Cello Sonatas: in G, K 301; in F, K 376; in G, K 379 |
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Ch'io mi scordi di te, K. 505. Vado, ma dove, K. 583. Alma grande, K. 578. nehmt meinen Dank, K. 383. The Marriage of Figaro: Porgi amor; E Susanna non vien ... Dove sono; Non so più; Voi che sapete; Giunse alfin il momento ... Deh vieni, non tardar. Don Giovanni: Ah! fuggi il traditor; ln quali eccessi ... Mi tradì; Batti, batti, o bel Masetto; “Vedrai, carino; Crudele ... Non mi dir. Idomeneo: “Zeffiretti lusinghieri |
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Ch'io mi scordi di te/Non temer, amato bene (Elisabeth Schwarzkopf, Maria Curcio, pn, 2/6/57); Piano Concerto No. 22 (Annie Fischer, 7/12/56). Symphony No. 40 (6/6/52)7 |
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Ch'io mi scordi di te—non temer, amato bene—Scene with Rondo, for Soprano, Obbligato Piano, and Orchestra, K. 505. Concerto No. 1 in G for Flute and Orchestra, K. 313. Symphony No. 34 in C, K. 338 |
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Chamber Music for Winds, Volume 1 |
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Chamber Music with Winds |
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Chi sa quai sia. La clemenza di Tito: Deh, se piacer mi vuoi. Basta vincesti... Ah, non lasciarmi. La finta giardiniera: Va pure ad altri in braccio; Se l'augellin sen fugge. Alma grande e nobil core. Misero me!... Misero pargoletto. Così fan tutte: Ah, scostati!. . . Smanie implacabili; Temerán . . . Come scoglio. Ch'io mi scordi di te? . . . Non temer, amato bene |
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Chi sa, chi sa, quai sia. Vado, ma dove? oh Dei! Ah, lo previdi!... Ah, t’invola... Deh non varcar. Alma grande e nobil core. Ch’io mi scordi dite? ... Non temer, amato bene |
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Chi sà, chi sà, qual sia, K 582 |
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Chi’io mi scordi di te … Non temer amato bene, K 505 |
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Choral works by |
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Church Sonata in B♭, K 68 |
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Church Sonata in D for Two Violin, Bass, and Organ, K. 144 (124a) |
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Church Sonata No. 15, K. 336 |
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Church Sonata, K 274 |
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Church Sonatas |
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Church Sonatas for Two Violins, Organ, and Bass: in C, K 328 (317c) |
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Church Sonatas for Two Violins, Organ, and Bass: in C, K 336(d) |
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Church Sonatas for Two Violins, Organ, and Bass: in E♭, K 67 (41h) |
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Church Sonatas for Two Violins, Organ, and Bass: in F, K 224 (241a) |
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Church Sonatas Nos. 1–17. Andante in F, K 616 |
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Church Sonatas, K 67, 224 |
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Church Sonatas, K 67/41h, 68/41i, 69/41k, 144/124a, 145/124b, 212, 241, 224/241a, 225/241b, 244, 245, 274/271d, 328/317c, 336/336d |
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Church Sonatas, K. 67; K. 224(Kremer, Cho-Liang Lin, violins; Valter Despalj, cello; Georg Hörtnagel, double bass; Wolfgang Horváth, organ) |
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Church Sonatas: in D, K 245; in G, K 274 |
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Church Sonatas: in D, K. 245; in A, K. 225; in D, K. 144; in G, K. 274; in B♭, K. 212; in E♭, K. 67; in B♭, K. 68; in D, K. 69; in G, K. 241; in C, K. 336; in F, K. 244; in C, K. 328; in F, K. 145; in F, K. 224. Adagio in B Minor tor Organ |
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Church Sonatas: No. 16 in C, K. 329; No. 9 in G, K. 241; No. 15 in C, K. 328; No. 4. in D, K. 144; No. 17 in C, K. 336; No. 8 in A, K. 225; No. 11 in D, K. 245; No. 13 in G, K. 274; No. 14 in C, K. 278; No. 5 in F minor, K. 145; No. 12 in C, K. 263; No. 3 in D, K. 69; No. 7 in F, K. 224; No. 2 in S“, K. 68; No. 10 in F, K. 244; No. 6 in B♭, K. 212; No. 1 in E♭, K. 67 |
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Ch’io me scordi di te? ... Non temer, amato bene,K 505 |
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Ch’io mi scordi . . . Non temer |
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Ch’io mi scordi di te |
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Ch’io mi scordi di te ... Non temer, K 505. Ah, se in ciel, K 538. Et incarnatus est, K 427/10. Alleluia, K 165/4 |
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Ch’io mi scordi di te … Non temer, amato bene, K 505. Piano Trio No. 3, K 502 |
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Ch’io mi scordi di te, K 505 |
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Ch’io mi scordi di te, K. 505 |
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Ch’io mi scordi di te? . . . Non temer, amato bene |
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Ch’io mi scordi di te? Ah! lo previdi |
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Ch’io mi scordi di te?, K 505 |
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Ch’io mi scordi di te?...Non temer, amato bene, K 505 |
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Ch’io mi scordo di te, K 505 |
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Clarice cara mia sposa, K 256 |
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Clarinet Concerto |
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Clarinet Concerto in A |
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Clarinet Concerto in A, K 622 |
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Clarinet Concerto in A, K 622. |
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Clarinet Concerto in A, K 622. Clarinet Quintet in A, K 581 |
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Clarinet Concerto in A, K 622. Clarinet Quintet in A, K 591 |
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Clarinet Concerto in A, K 622. Sinfonia concertante in B, K 297b. Oboe Concerto in C, K 314. Bassoon Concerto in B♭, K 191. Horn Concerto No. 4 in E♭, K 495 |
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Clarinet Concerto in A, K 622; Horn Concerto No. 4 in E♭, K 495; Oboe Concerto in C, K 271k, “Ferlendis.“ L |
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Clarinet Concerto in A. Clarinet Quintet in A |
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Clarinet Concerto, K 622 |
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Clarinet Concerto, K 622. Clarinet Quintet, K 581 |
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Clarinet Concerto, K 622. Clarinet Quintet, K 581. Adagio in C, K 580a (arr. Wojciechowski) |
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Clarinet Concerto, K 622: Adagio |
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Clarinet Concerto, K 622; Adagio, K 546; Fugue in c, K 426; Symphony in C, K 551, “Jupiter“ |
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Clarinet Concerto. Bassoon Concerto |
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Clarinet Concerto. Clarinet Quintet |
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Clarinet Concerto. Clarinet Quintet. Exultate, jubilate |
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Clarinet Concerto. Clarinet Quintet. Wind Serenades: in B, K 375; in c, K 388. Trio, K 498. |
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Clarinet Concerto. Flute and Harp Concerto. Horn Concerto No. 4, K 495 |
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Clarinet Concerto. Non che non sei capace (arr. Bliss) |
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Clarinet Concerto. Oboe Concerto. Bassoon Concerto |
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Clarinet Concerto. Quintet for Piano and Winds |
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Clarinet Concerto. Symphony No. 41, “Jupiter” |
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Clarinet Concerto. Trio for Clarinet, Viola, and Piano, K 498, “Kegelstatt”. Allegro in B♭ for Clarinet and String Quartet, K Anh 91 (516c) |
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Clarinet Concerto: Adagio |
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Clarinet Concerto; Quintet for Piano and Winds |
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Clarinet Quartet, K. 581 |
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Clarinet Quintet |
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Clarinet Quintet (2 performances, one with basset clarinet) |
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Clarinet Quintet in A |
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Clarinet Quintet in A, K 581 |
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Clarinet Quintet In A, K 581 |
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Clarinet Quintet in A, K 581. Allegro in B♭, K anh 91 (fin. Robert Levin). Flute Quartets: in G, K 285a; in A, K 298 |
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Clarinet Quintet in A, K 581. Rondo in A, K 581a |
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Clarinet Quintet in A, K. 581: Larghetto |
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Clarinet Quintet, K 581 |
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Clarinet Quintet, K 581: Largo (arr. W. T. Best) |
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Clarinet Quintet, K. 581 |
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Clarinet Quintet. Abendempfindung |
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Clarinet Quintet. Piano Quartet. String Quartets, K 421, K 464 |
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Clarinet Quintet. Quartet in d, K 421 |
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Clarinet Quintet. Quintet Fragments in B♭ and F |
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Clarinet Quintet. Violin Sonatas (arr. André): in B♭, K 378; in E♭, K 380 |
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Clarinet Quintet: Movement 4 (arr. Beethoven (attrib.)) |
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Clarinet Trio |
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Clarinet Trio in E♭, K 498, "Kegelstadt" |
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Clarinet Trio in E♭, K 498, "Kegelstatt" |
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Clarinet Trio in E♭, K 498, “Kegelstatt” |
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Clarinet Trio in E♭, K 498; “Kegelstatt.“' |
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Clarinet Trio in E♭, “Kegelstatt” |
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Clarinet Trio in Éb, K 498, "Kegelstatt": Rondeaux |
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Clarinet Trio, “Kegelstatt” |
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Clarinet Trio. Allegro for Clarinet and Strings, K Anh. 91. Allegro for Clarinet, Basset Horn, and Strings, K Anh. 90 (arr. Levin) |
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Clarinet Trio. Clarinet Quintet |
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Clavierstück in C, K 15s |
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Compiete Trios for Piano, Violin, and Cello |
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Complete Church Sonatas (17) |
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Complete Church Sonatas: in C, K. 278; in C, K. 263; in F, K. 145; in C, K. 336; in B♭, K. 212; in E♭, K. 67; in B♭, K. 68; in A, K. 225; in D, K. 144; in G, K. 274; in D, K. 245; in D, K. 69; in G, K. 241; in C, K. 328; in F, K. 224; in C, K. 329 |
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Complete Concertos for Wind Instruments |
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Complete Flute Concertos |
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Complete Masonic vocal music |
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Complete Organ Works |
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Complete Piano Duets |
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Complete Piano Duets, Volume 2 |
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Complete Piano Sonatas |
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Complete Piano Sonatas, Vol. 1 |
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Complete Piano Sonatas, Vol. 2 |
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Complete Piano Sonatas, Vol. 2 |
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Complete Piano Sonatas, Vol. 3 |
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Complete Piano Sonatas, Vol. 4 |
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Complete Piano Sonatas, Vol. 5 |
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Complete Piano Sonatas, Vol. 5 |
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Complete Piano Sonatas, Vol. 6 |
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Complete Piano Sonatas, Vol. 6 |
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Complete Piano Sonatas, Volume 1 |
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Complete Piano Sonatas, Volume 2 |
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Complete Piano Sonatas, Volume 3 |
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Complete Piano Sonatas, Volume 4 |
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Complete Piano Trios |
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Complete Piano Variations |
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Complete Piano Works for Four Hands: Fugue in C Minor, K. 426;Sonata in D, K. 448 (for two pianos); Sonata in C, K. 19d; Sonata in G, K. 357 ; Sonata in B-Flat, K. 358; Sonata in D, K. 381 ; Sonata in F, K. 497; Andante and Variations in G, K. 501 ; Sonata in C, K. 521 (for four hands) |
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Complete Quartets and Quintets for Strings |
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Complete Quartets for Flute and Strings: in D, K. 285; in G, K. 285a; in C, K. 285b, in A, K. 298 |
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Complete Quartets for Flute and Strings: in D, K. 285; in G, K. 285a; in C, K. 285b, in A, K. 298. Adagio and Rondo in C for Glass Armonica, Flute, Oboe, Viola, and Cello, K.61T |
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Complete Quintets |
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Complete Sacred Works |
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Complete Solo Piano Music, Vol. 10 |
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Complete Solo Piano Music, Vol. 7 |
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Complete Solo Piano Works |
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Complete Sonatas for Organ and Orchestra |
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Complete Sonatas for Piano Duet: Sonata in C, K. \9d;Sonata in G, K. 357; Sonata in B-Flat, K. 358; Sonata in D, K. 381 ; Sonata in F, K. 497; Sonata in C, K. 521 |
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Complete Sonatas for Violin and Piano |
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Complete Songs |
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Complete String Quintets |
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Complete Trios for Piano, Violin, and Cello |
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Complete Variations for Piano |
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Complete Wind Concertos |
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Complete Works |
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Complete Works for Horn and Orchestra |
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Complete Works for Piano, Four-Hands |
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Complete Works for Piano, Four-hands, Volume II |
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Complete Works for Violin and Piano |
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Con ossequio, con rispetto, K 210 |
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Con ossequio, con rispetto, K. 210. Seal labbro mio non credi, K. 295. Si mostra la sorte, K. 209. Or che il dover ... Tali e contenti sono, K. 36. Per pieta, non ricercate, K. 420. Clarice cara, K. 256. Misero! O sogno... Aura, che intorno, K. 431. Va del furor portata, K. 21. Ah, più tremar non voglio, K. 71. Ridente la calma, K. 152.Eine kleine deutsche Kantate, K. 619 |
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Concert and Opera Arias |
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Concert Aria “Ah, lo previdi,” K 272 |
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Concert Aria: Per questa bella mano. Don Giovanni: Deh! vieni alla finestra; Metà di voi qua vadano |
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Concert Arias |
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Concert Arias (complete) |
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Concert arias: Ch’io mi scordi di te?... Non temer, amato bene, K 505 |
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Concert Arias: K 119; K 418; K 83; K 294; K 82; K 178 |
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Concert Arias: K 21; K 36; K 209; K 210; K 256; K 295; K 420; K 431 |
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Concert Arias: K 245; K 432; K 479; K 480; K 512; K 513; K 539; K 541; K 612; K 316 |
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Concert Arias: K 416; K 74b; K 88; K 70; K 368; K 419 |
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Concert Arias: K 505; K 578; K 374; K 486a; K 577; K 23; K 217; K 77; K 383 |
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Concert Arias: K 538; K 582; K 583; K 490; K 78; K 79; K 528; K 272; K 369 |
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Concert arias: O temerario Arbace!.. . Per quel paterno amplesso, K 79 |
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Concert Arias: Vorrei spiegarvi, oh Dio! K. 418; Il Rè Pastore, K. 208: L'Amerò, sarò costante, Non temer, amato bene, K. 490 |
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Concert on F for Three Harpsichords and Orchestra, K. 242. Concertos for Harpsichord and Orchestra, K. 107: in D; in E |
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Concert Piece in E, K 494a |
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Concert Piece in E♭, K 370b |
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Concert Piece in E♭, K 370b. Adagio in B♭, K 580a. Rondo in E♭, K. 371. Concert Piece in E, K 494a. Andantino grazioso in B, from K 132. Presto assai in E, from K 162 (arr. Baborák). 12 Duos for 2 Horns, K 487 (496a). Sinfonia concertante, K 297b |
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Concert Rondo for horn |
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Concert Rondo in A for Piano and Orchestra, K. 386 (fragment) (with Budapest Philharmonic Orchestra conducted by Ernő Dohnányi) |
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Concert Rondo in A for Piano and Orchestra, K. 386 (fragment). Sonata in D for Two Pianos, K. 448 (fragments) |
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Concert Rondo in D, K 382 |
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Concert Rondo in E-Flat, K. 371 |
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Concert Rondo in E♭, K 371 (completed Fritz Beyer) |
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Concert Rondo, K 382 |
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Concertante in Bb for Clarinet, Bassoon, and Orchestra, K. 190 |
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Concertante Works for Flute and Orchestra |
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Concertinos for Violin and Orchestra: In F, K. 185; In B♭, K. 203; In A, K. 204; In G, K. 250 (“Haffner“) |
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Concerto (“No. 10“) In E♭ for Two Pianoa and Orchestra, K. 365 (316a). Concerto (“No. 7“) In F for Three Pianos and Orchestra, K. 242 (“Lodron“), arr. for two pianos and orchestra. Fantasia In F Minor for Musical Clock, K. 608, arr. for two pianos by Ferruccio Busoni, augmented by Murray Perahia and Radu Lupu. Andante and Variations In G for Piano Four-hands, K. 501 |
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Concerto [No. 10] in E♭ for Two Pianos and Orchestra, K. 365 . Concerto No. 23 in A for Piano and Orchestra, K. 488 |
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Concerto [No. 10] in E♭ for Two Pianos and Orchestra, K. 365. Concerto No. 12 in A for Piano and Orchestra, K. 414. Trio No. 4 in Bb for Piano, Violin, and Cello, K. 502 |
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Concerto [No. 10] in E♭ for Two Pianos and Orchestra, K. 365. Concerto No. 19 in F for Piano and Orchestra, K. 459. Piano Sonata No. 16 in B♭, K. 570 |
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Concerto [No. 10] in E♭ for Two Pianos and Orchestra, K. 365. Concerto No. 22 in Eb for Piano and Orchestra, K. 482 |
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Concerto [No. 10] in E♭ for Two Pianos and Orchestra, K. 365. Concerto No. 22 in E♭ for Piano and Orchestra, K. 482 |
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Concerto [No. 10] in E♭ for Two Pianos and Orchestra, K. 365. Piano Sonata No. 10 in C, K. 330 |
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Concerto [No. 1] in G for Flute and Orchestra, K. 313. Concerto in C for Oboe and Orchestra, K. 314. Concerto in B♭ for Bassoon and Orchestra, K. 191 |
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Concerto for 2 Pianos and Orchestra in Eb, K 365 |
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Concerto for 2 Pianos and Orchestra in E♭, K 365 |
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Concerto for 2 Pianos and Orchestra, K 365 |
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Concerto for 2 Pianos in E♭ |
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Concerto for 2 Pianos in E♭, K 365. Piano Concertos: No. 11 in F, K 413( arranged for string quartet by the composer); No. 23 in A, K 488 |
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Concerto for 2 Pianos in F, K 242 |
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Concerto for 2 Pianos, in E♭ |
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Concerto for 2 Pianos, K 365 |
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Concerto for 2 Pianos, K 365/316a |
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Concerto for 3 Pianos and Orchestra, K 242. Larghetto and Allegro for 2 Pianos and Orchestra |
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Concerto for 3 Pianos in F |
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Concerto for 3 Pianos in F, K 242 |
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Concerto for Clarinet and Orchestra in A, K. 622 |
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Concerto for Clarinet and Orchestra in A, K. 622; Concerto for Bassoon and Orchestra in B-Flat, K. 191; Rondo in E-Flat for Horn and Orchestra, K. 371 |
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Concerto for Clarinet and Orchestra In A, K. 622; Concerto No. 3 for Horn and Orchestra in E-Flat, K. 447 |
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Concerto for Clarinet and Orchestra in A, K. 622; Sinfonia Concertante in E-Flat, K. 297b |
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Concerto for Flute and Harp |
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Concerto for Flute and Harp in C |
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Concerto for Flute and Harp in C, K 299 |
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Concerto for Flute and Harp in C, K. 299; Concerto in G, K. 622 (after the Clarinet Concerto) |
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Concerto for Flute and Harp, K 299 |
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Concerto for Flute and Harp. Andante in C, K 315 |
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Concerto for Flute and Harp. Symphony No. 31 in D, “Paris” |
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Concerto for Flute and Orchestra No. 2 in D, K. 314 |
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Concerto for Flute, Harp and Orchestra |
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Concerto for Flute, Harp, and Orchestra, K. 299. Concertone for Flute, Violin, and Orchestra, K. 190. Rondo in D, K. Anh. 194 |
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Concerto for Flute, Harp, and Orchestra. Sinfonia Concertante for 4 Winds |
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Concerto for Horn No. I in D, K. 412; Quintet for Horn and Strings in E-Flat, K. 407 |
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Concerto for Piano and Orchestra No, 11 in F, K. 413; Concerto for Piano and Orchestra No. 20 in D Minor, K. 466 |
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Concerto for Piano and Orchestra No, 9 in E-Flat, K. 271 ; Concerto for Piano and Orchestra No. 14 in E-Flat, K. 449 |
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Concerto for Piano and Orchestra No. 12 in A, K. 414 (second and third movements only) |
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Concerto for Piano and Orchestra No. 13 in C, K. 415; Piano Sonata in F, K. 280; Variations on “Ah, vous dirai-je, Maman,“ K. 265 |
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Concerto for Piano and Orchestra No. 14 in E-Flat, K. 449; Concerto for Piano and Orchestra No. 23 in A, K. 488 |
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Concerto for Piano and Orchestra No. 15 in B-Flat, K. 450; Concerto for Piano and Orchestra No. 23 in A, K. 488; Concerto for Piano and Orchestra No. 24 in C Minor, K. 491 ; Piano Sonata No. 11 in A, K. 311; Piano Sonata No. 17 in D, K. 576 |
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Concerto for Piano and Orchestra No. 17 in G, K. 453; Concerto for Piano and Orchestra No. 21 in C, K. 467 |
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Concerto for Piano and Orchestra No. 20 in D Minor, K. 466; Concerto for Piano and Orchestra No. 23 in A, K. 488 |
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Concerto for Piano and Orchestra No. 21 in C Major, K. 467; Rondo in D Major, K. 382, and Rondo in A Major, K. 386, for Piano and Orchestra; Rondo in A Minor, K. 511, for Piano |
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Concerto for Piano and Orchestra No. 21 in C, K. 467 |
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Concerto for Piano and Orchestra No. 22 in E-Flat, K. 482; Concerto for Two Pianos and Orchestra in E-Flat, K, 365 |
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Concerto for Piano and Orchestra No. 23 in A, K. 488; Concerto for Piano and Orchestra No. 24 in C Minor, K. 491 |
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Concerto for Piano and Orchestra No. 24 in C Minor, K. 491 ;Symphony No. 35 in D, K. 385 (“Haffner“) |
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Concerto for Piano and Orchestra No. 25 in C, K. 503; Concerto for Piano and Orchestra No. 27 in B-Flat, K. 595 |
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Concerto for Piano and Orchestra No. 25 in C, K. 503; Fantasy in C Minor, K. 475 |
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Concerto for Piano and Orchestra No. 9 in E-Flat, K. 271 ; Concerto for Piano and Orchestra No. 21 in C, K. 467 |
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Concerto for Piano and Orchestra No. 9 in E-Flat, K. 271 ; Concerto for Piano and Orchestra No. 21 In C, K. 467 |
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Concerto for Piano and Orchestra No. 9 in E-Flat, K. 271; Concerto for Two Pianos and Orchestra No. 10 in E-Flat, K. 365 |
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Concerto for Piano No. 22 in E♭, K 482 (Paul Badura-Skoda, pn; Schlosstheater Schönbrunn, 1/27/52) |
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Concerto for Three Pianos and Orchestra, K 242 |
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Concerto for Three Pianos and Orchestra, K. 242. Erich Leinsdorf, Rudolf Firkušný, and Carlos Mosely, pianos; Erich Leinsdorf, conductor |
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Concerto for Two Pianos and Orchestra in E♭, K. 365 |
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Concerto for Two Pianos and Orchestra: [No. 10] In E♭, K. 365. Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 20 in D Minor, K. 466?; No. 21 In C, K. 467; No. 24 In C Minor, K. 491; No. 27 in B♭, K. 595. Piano Sonatas: No. 12 in F, K. 332; No. 16 in B♭, K. 570. Rondo in A Minor, K. 511 |
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Concerto for Two Pianos in E♭, K 365 |
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Concerto for Two Pianos in E♭, K 365 (Paul Badura-Skoda, Dagmar Bella (pn); Musikvereinssaal, 2/8/1949) |
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Concerto for Two Violins in a, K 522: Allegro |
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Concerto for Violin and Orchestra No. 2 in D, K. 211; Concerto in D for Violin and Orchestra in D, K. 218 |
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Concerto for Violin and Orchestra No. 3 in G, K. 216 |
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Concerto for Violin and Orchestra No. 3 in G, K. 216; Concerto for Violin and Orchestra No. 5 in A, K. 219 |
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Concerto for Violin and Orchestra No. 5 in A, K. 219 (“Turkish“) |
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Concerto for Violin and Orchestra No. 5 in A, K. 219 (“Turkish“) (Jan Dahmen, violin). Concerto for Horn and Orchestra No. 3 in E-Flat, K. 447 (Max Zimolong, horn). Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“) |
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Concerto for Violin and Orchestra No. 7 in B-Flat, K. 207; Serenade No. 3 in D, K. 185 (K. 167a) |
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Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto In A for Clarinet and Orchestra, K. 622 |
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Concerto in A for Clarinet and Orchestra, K. 622 (Charles Neidich). Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 4 in Eb, K. 495 (David Jolley) |
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Concerto in A for Clarinet and Orchestra, K. 622 (with Bernard Walton clarinet). Sinfonia Concertante for Winds and Orchestra, K. 297b |
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Concerto in A for Clarinet and Orchestra, K. 622. Concerto in B-Flat for Bassoon and Orchestra, K. 191 |
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Concerto in A for Clarinet and Orchestra, K. 622. Concerto in B-Flat for Bassoon and Orchestra, K. 191, arranged for Clarinet |
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Concerto in A for Clarinet and Orchestra, K. 622. Concerto in B♭ for Bassoon and Orchestra, K. 191. March in D, K. 249. Entr'Acte No. 2. “Thamos, King of Egypt,“ K. 345 |
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Concerto in A for Clarinet and Orchestra, K. 622. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto in A for Clarinet and Orchestra, K. 622. Concerto in C for Oboe and Orchestra, K. 314 |
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Concerto in A for Clarinet and Orchestra, K. 622. Concerto in C for Oboe and Orchestra, K. 314. Concerto in B♭ for Bassoon and Orchestra, K. 191 |
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Concerto in A for Clarinet and Orchestra, K. 622. Concerto No. 2 in D for Flute and Orchestra, K. 314 |
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Concerto in A for Clarinet and Orchestra, K. 622. Concertos for Horn and Orchestra: No. 1 in D, K. 412 (386b); No. 4 in E♭, K. 495 |
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Concerto in A for Clarinet and Orchestra, K. 622. Conceňo in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto in A for Clarinet and Orchestra, K. 622. Quintet in A for Clarinet and Strings, K. 581 |
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Concerto in A for Clarinet and Orchestra, K. 622. Quintet in A for Clarinet and Strings, K. 581. Thea King, basset clarinet; English Chamber Orchestra conducted by Jeffrey Tate (K. 622) |
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Concerto In A for Clarinet and Orchestra, K. 622. Quintet In A for Clarinet and Strings, K. S81 |
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Concerto in A for Clarinet and Orchestra, K. 622. Quintet in A for Clarinet, Two Violins, Viola, and Cello, K. 581 |
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Concerto in A for Clarinet and Orchestra, K. 622. Sinfonia Concertante in E-Flat for Violin, Viola, and Orchestra, K. 364 |
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Concerto in A for Clarinet and Orchestra, K. 622. Sinfonia concertante in E“ for Violin, Viola, and Orchestra, K. 364 |
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Concerto in A for Clarinet and Orchestra, K. 622. The Magic Flute: Overture. La clemenza di Tito: Parto, parto, ma tu ben mìo |
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Concerto in A for Clarinet and Orchestra, K. 622^. Concerto in B♭ for Bassoon and Orchestra, K. 191. Concerto No. 1 in G for Flute and Orchestra, K. 313. Concerto in C for Oboe and Orchestra, K. 314. Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 417; No. 3 in E♭, K. 447; No. 4 in E♭, K. 495 |
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Concerto in A for Clarinet and Orchestra, K.622. Concerto No. 25 in C for Piano and Orchestra, K. 503 |
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Concerto in A for Clarinet and Orchestra, K.622. Quintet in A for Clarinet and Strings, K.581 |
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Concerto in A for Clarinet and Orchestra, K.622. Sonata in B for Bassoon and Cello, K. 292. Concerto in B♭ for Bassoon and Orchestra, K. 191 |
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Concerto in A Minor for Clarinet and Orchestra, K. 622 (with David Glazer, clarinet) |
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Concerto in B for 2 Pianos, K 365. Concerto in F for 3 Pianos, K 242. Sonata in D for 2 Pianos, K 448 |
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Concerto in B-Flat for Bassoon and Orchestra, K. 191. Concerto in A for Clarinet and Orchestra, K. 622. Concerto No. 1 in G for Flute and Orchestra, K. 313. Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E-Flat, K. 417; No. 3 in E-Flat, K. 447; No. 4 in E-Flat, K. 495 |
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Concerto in B-Flat for Bassoon and Orchestra, K. 191. Concertos for Horn and Orchestra: No. 2 in E-Flat, K. 417; No. 4 in E-Flat, K. 495 |
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Concerto in B-Flat for Bassoon and Orchestra, K.191. Concerto in C for Oboe and Orchestra, K. 314 (285d) |
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Concerto in B♭ , K 191 |
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Concerto in B♭ for Bassoon and Orchestra, K. 19 |
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Concerto in B♭ for Bassoon and Orchestra, K. 191 |
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Concerto In B♭ for Bassoon and Orchestra, K. 191 |
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Concerto in B♭ for Bassoon and Orchestra, K. 191 . Concerto in C for Oboe and Orchestra, K. 314. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in B♭ for Bassoon and Orchestra, K. 191. Concerto in C for Oboe and Orchestra, K. 314. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in B♭ for Tuba (originally Bassoon) and Orchestra, K. 191 |
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Concerto in C for Flute and Harp, K 299 |
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Concerto in C for Flute and Harp, K. 299 (297c). Concerto in G, K. 313 (285c); Concerto in D, K. 314 (285a). Rondo in D, K.184 Anh. (373). Andante in C, K.315 |
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Concerto in C for Flute, Harp, and Orchestra, K 299 (cadenza by André Previn) |
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Concerto in C for Flute, Harp, and Orchestra, K, 299 . Concerto No. 12 in A for Piano and Orchestra, K. 414. Concerto No. 4 in D for Violin and Orchestra, K. 2W- |
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Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299 (297c). Concerto In C for Flute, Violin, Oboe, Cello, and Orchestra, K. 190 (186E). Rondo in D for Flute and Orchestra, K. Anh. 184 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299 (297c). Symphonie Concertante in E for Flute, Oboe, Horn, Bassoon, and Orchestra, K. Anh, 1/9 (279b) (arr. Levin) |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Adagio and Rondo in C for Glass Harmonica, Flute, Oboe, Viola, and Cello, K.617. Quintet in E♭ for Piano and Winds, K. 452 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Andante in C for Flute and Orchestra, K. 315. Concerto in B♭ for Bassoon and Orchestra, K. 191. Concerto No. 1 in G for Flute and Orchestra, K. 313 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto In C for Oboe and Orchestra, K. 314. Rondo In D for Flute and Orchestra, K. Anh. 184 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto in C for Oboe and Orchestra, K. 314. Rondo in D for Flute and Orchestra, K. Anh. 184 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto in G for Flute and Orchestra, K. 622 (an. James Galway) |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto No. 9 in E♭ for Piano and Orchestra, K. 271 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Die Zauberflöte, K. 620: Overture. Concerto No. 1 in G for Flute and Orchestra, K. 313 (“Dejean“). Symphony No. 32 in G, K. 318 (“Italian Overture“) |
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Concerto In C for Flute, Harp, and Orchestra, K. 299. Sinfonia concertante in E♭ for Violin, Viola, and Orchestra, K. 364. Symphony No. 16 In C, K. 128 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Sonatas for Flute and Piano, in C, K. 296;in F, K. 376 |
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Concerto in C for Flute, Harp, and Orchestra, K. 299. Symphonies: No. 40 in G Minor, K. 550; No. 41 in C, K. 551 (“Jupiter“) |
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Concerto in C for Flute, Harp, and Orchestra, K. 299; Divertimento in D, K. 131 |
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Concerto in C for Flute, Harp, and Strings, K. 299. Les petit riens, K. 299b: Gavotte |
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Concerto in C for Oboe and Orchestra, K. 314 |
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Concerto in C for Oboe and Orchestra, K. 314 (285d) |
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Concerto in C for Oboe and Orchestra, K. 314. Concerto in B-Flat for Bassoon and Orchestra, K. 191 |
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Concerto in C for Oboe and Orchestra, K. 314. Concerto in B♭ for Bassoon and Orchestra, K. 191. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto in C for Oboe and Orchestra, K. 314. Concerto in B♭ for Bassoon and Orchestra, K. 191. Concertos for Horn and Orchestra: No. 1 in D, K. 412/514; No. 2 in e, K. 417; No. 3 in E♭, K. 447; No. 4 in E♭, K. 495. Andante in C for Flute and Orchestra, K. 315. Rondo in E♭ for Horn and Orchestra, K. 371 (completed by Alan Civil) |
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Concerto in C for Oboe and Orchestra, K. 314. Concerto in C for Flute, Harp, and Orchestra, K. 299. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto in C lor Flute, Harp, and Orchestra, K. 299. Sinfonia Concertante for Flute, Oboe, Horn, Bassoon, and Orchestra |
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Concerto in D |
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Concerto in D (after K 211 for violin, cadenzas by Jean-Pierre Rampal) |
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Concerto in D for Cello and Orchestra, K. 447 (arr. Cassado) |
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Concerto in D for Flute and Orchestra, K. 314. Concerto No. 19 in F for Piano and Orchestra, K. 459. Exsultate, jubilate, K. 165 |
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Concerto in D for Flute and Orchestra, K. 314. Concerto No. 9 in E♭ for Piano and Orchestra, K. 271 |
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Concerto in D for Harpsichord and Strings, K. 107, No. 1 (after J.C. Bach) |
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Concerto in D for Oboe and Orchestra, K. 314 |
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Concerto in D for Piano and Orchestra, K. 537 (Coronation). Piano Sonatas: No. 9 in D, K. 311; No. 12 in F, K. 332 |
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Concerto in D for Trumpet and Orchestra |
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Concerto in D for Trumpet, Two Horns, Strings, and Continuo |
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Concerto in D for Violin and Piano, K Anh 56 (recon. Wilby) |
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Concerto in E for 2 Pianos, K 365 |
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Concerto in e for Two Pianos and Orchestra, K. 365. Concerto in F for Three Pianos and Orchestra, K. 242. Sonata in C for Piano, Four-Hands, K. 521: Allegretto |
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Concerto in E-Flat for Oboe and Orchestra, K. Anh. 294b (revised and edited by Jensen-Maedel) |
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Concerto in E♭ for 2 Pianos, K 365 |
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Concerto in E♭ for 2 Pianos, K 365. Concerto in D for Violin and Piano, K. Anh. 56( completed by Philip Wilby) |
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Concerto in E♭ for 2 Pianos, K 365/316a. Sonata in D for 2 Pianos, K 448 |
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Concerto in E♭ for Two Pianos and Orchestra, K, 365. Concerto in F for Three Pianos and Orchestra, K. 242 (“London“) arranged for Two Pianos by Mozart |
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Concerto in E♭ for Two Pianos and Orchestra, K. 365 |
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Concerto in E♭ for Two Pianos and Orchestra, K. 365. Concerto in F for Three Pianos and Orchestra, K. 242 |
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Concerto in E♭ for Two Pianos and Orchestra, K. 365. Serenade No. 7 in D, K. 250 (“Haffner“) |
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Concerto in E♭ for Two Pianos and Orchestra, K. 365. Sonata in D for Two Pianos, K. 448 |
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Concerto in F for 3 Pianos and Orchestra, K 242. Concerto in E♭ for 2 Pianos and Orchestra, K 365 |
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Concerto in F for Oboe and Orchestra, K. 313. Concert Arias: Sperai vicino il lido, K. 368; Ah se in ciel, begigne stelle, K. 538 |
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Concerto in F K 242 for 2 Pianos |
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Concerto in F K 242 for 3 Pianos |
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Concerto in G for Flute and Orchestra, K. 31 3. Concerto in C for Oboe and Orchestra, K. 314. Concerto in A for Clarinet and Orchestra, K.622. Concerto in B-Flat for Bassoon and Orchestra, K.191. Concerto in C for Flute, Harp, and Orchestra, K.299. Sinfonia concertante in E-Flat for Oboe, Clarinet, Horn, Bassoon, and Orchestra, K.297b. Four Concertos for Horn and Orchestra: No. I in D, K. 412; No. 2 in E-Flat, K.417; No. 3 in E-Flat, K. 447; No. 4 in E-Flat, K.495 |
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Concerto in G for Flute and Orchestra, K. 313 |
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Concerto in G for Flute and Orchestra, K. 313. Concerto in B♭ for Bassoon and Orchestra, K. 191. Concerto in C for Oboe and Orchestra, K. 314 |
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Concerto in G for Flute and Orchestra, K. 313/285C. Concerto in C for Oboe and Orchestra, K. 314/285d |
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Concerto in É for Two Pianos and Orchestra, K. 365 (316a) |
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Concerto Movement for Horn in E♭, K 370b |
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Concerto No. 1 for Flute and Orchestra: in G: K. 313 Wo. 2; in D, K. 314. Andante in C for Flute and Orchestra, K.315. Rondo in D for Flute and Orchestra, K.Anh.184 |
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Concerto No. 1 in B-Flat for Violin and Orchestra, K. 207. Six German Dances, K. 571. Symphony No. 39 in E-Flat, K. 543. Five Contredanses on “Non più andrai,“ K. 609 |
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Concerto No. 1 in B-Flat for Violin and Orchestra, K. 207; Concerto No. 4 in D for Violin and Orchestra, K. 218; Rondo in B-Flat for Violin and Orchestra, K. 269; Adagio in E for Violin and Orchestra, K. 261 |
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Concerto No. 1 in B♭ for Violin and Orchestra, K. 207. Adagio in E for Violin and Orchestra, K. 261. Rondo in C for Violin and Orchestra, K. 373 |
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Concerto No. 1 in B♭ for Violin and Orchestra, K. 207. Adagio in E for Violin and Orchestra, K. 261. Sinfonia Concertante in E♭ for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 1 in D for Horn and Orchestra, K. 412 |
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Concerto No. 1 in F for Three Pianos and Orchestra, K. 242 (Cadenzas by Mozart) Concerto No. 10 in E-Flat for Two Pianos and Orchestra, K. 365 (Cadenzas by Mozart) |
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Concerto No. 1 in G for Flute and Orchestra, K. 313 |
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Concerto No. 1 in G for Flute and Orchestra, K. 313 (285c). Concerto No. 2 in D for Flute and Orchestra, K. 314 (285d). Andante in C for Flute and Orchestra, K. 315 (285e) |
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Concerto No. 1 in G for Flute and Orchestra, K. 313. Andante in C for Flute and Orchestra, K. 315. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto No. 1 in G for Flute and Orchestra, K. 313. Concerto in C for Oboe and Orchestra, K. 314. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concerto No. 1 in G for Flute and Orchestra, K. 313; Andante in C, K. 315 (Susan Palma). Concerto in C for Flute, Harp, and Orchestra, K. 299 (Susan Palma, Nancy Allen) |
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Concerto No. 1 in G for Flute and Orchestra, K. 313; Concerto No. 2 in D for Flute and Orchestra, K. 314; Concerto in C for Flute, Harp, and Orchestra, K. 299; Andante In C for Flute and Orchestra, K. 315; Rondo in D for Violin and Orchestra, K.A. 184 (transcribed by Mozart for Flute and Orchestra) |
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Concerto No. 1 in G, K. 313. Concerto No. 2 in D, K. 314. Andante in C, K. 315. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto No. 10 for 2 Pianos and Orchestra, K 365 |
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Concerto No. 10 for Two Pianos. Piano Concertos: No. 20 |
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Concerto No. 10 for Two Pianos. Piano Concertos: No. 24 |
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Concerto No. 10 for Two Pianos. Piano Concertos: No. 25 |
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Concerto No. 10 for Two Pianos. Piano Concertos: No. 26 |
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Concerto No. 10 for Two Pianos. Piano Concertos: No. 27 |
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Concerto No. 10 in E-Flat for Two Pianos and Orchestra, K. 365. Complete Music for Piano, 4-Hands |
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Concerto No. 10 in E♭ for Two Pianos and Orchestra, K. 365 |
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Concerto No. 10 in £♭ for Two Pianos and Orchestra, K. 365. Mendelssohn: Concerto in E for Two Pianos and Orchestra |
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Concerto No. 12 in A for Piano and Orchestra, K. 414 |
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Concerto No. 12 in A for Piano and Orchestra, K. 414. Concerto No. 19 in F for Piano and Orchestra, K. 459 |
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Concerto No. 13 in C for Piano and Orchestra, K. 415 |
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Concerto No. 13 in C, K. 415. Concerto No. 15 in E♭, K. 450 |
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Concerto No. 15 in B-Flat for Piano and Orchestra, K. 450. Symphony No. 36 in C, K. 425 (“Linz“) |
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Concerto No. 15 in B♭ for Piano and Orchestra, K. 450 |
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Concerto No. 16 in D for Piano and Orchestra, K. 451“. Symphony No. 36 in C, K. 425 (“Linz“). Ch'io mi scordi di te—Concert Aria, K. 505. March in C, K. 408 |
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Concerto No. 17 in G for Piano and Orchestra, K. 453. DOHNÁNyi: Variations on a Nursery Tune for Piano and Orchestra, op. 2tř. Buratta Hungarica, op. 32b: Presto ma non tanto (second movement) |
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Concerto No. 17, K 453 |
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Concerto No. 2 in D for Flute and Orchestra, K. 314 (with Hubert Barwahser). Concerto No. 19 in F for Piano and Orchestra, K. 459 (Willem Andriessen, piano); Exsultate, jubilate, K. 165 (with Ria Ginster, soprano) |
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Concerto No. 2 in D for Flute and Orchestra, K. 314 . Concerto No. 19 in F for Piano and Orchestra, K. 459 . Exsultate, jubilate, K. 165 |
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Concerto No. 2 in D for Flute and Orchestra, K. 314. Andante in C for Flute and Orchestra, K. 315 (Vienna Symphony Orchestra conducted by Theodor Guschlbauer) |
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Concerto No. 2 in D for Flute and Orchestra, K. 314. Andante in C for Flute and Orchestra, K. 315. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concerto No. 2 in D for Flute and Orchestra, K. 314. Sinfonia concertante in E♭ for Flute, Oboe, Horn, Bassoon, and Orchestra, K. 297B |
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Concerto No. 2 in D for Violin and Orchestra, K. 211. Sinfonia concertante in E♭ for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 2 in D for Violin and Orchestra, K. 211. Sinfonía Concertante in E for Violin, Viola, and Orchestra, K. 364/320d |
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Concerto No. 2 in D for Violin and Orchestra, K.211 |
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Concerto No. 2 in D for Violin and Orchestra, K.211. Rondos for Violin and Orchestra: in C; K. 373; in B♭, K. 269. Adagio in E for Violin and Orchestra, K. 261 |
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Concerto No. 2 in E-Flat for Horn and Orchestra, K. 417 (Philharmonia Orchestra conducted by Walter Susskind). Concerto No. 4 in E-Flat for Hom and Orchestra, K. 495(Hallé Orchestra conducted by Malcolm Sargent (first movement) and Laurance Turner). Divertimento No. 14 in B-Flat, K. 270 (arr. Anthony Baines: Gareth Morris, flute; Leonard Brain, oboe; Stephen Waters, clarinet; Cecil James, bassoon). Ein Musikalischer Spass, K. 522 (Philharmonia Orchestra conducted by Guido Cantelli) |
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Concerto No. 2 in E♭ for Horn and Orchestra, K. 417. ROSSINI (orch. Hermann Gemer): Prelude, Thème, et Variations for Horn and Orchestra |
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Concerto No. 2 in E♭ for Horn and Orchestra, K.417 |
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Concerto No. 2 in G for Flute and Orchestra, K. 313 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 |
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Concerto No. 20 in D minor for Piano and Orchestra, K. 466 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 (Beethoven cadenzas) |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466 (cadenzas by Magaloff) |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Concerto No. 10 in E-Flat for Two Pianos and Orchestra, K. 365 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Concerto No. 22 in E-Flat for Piano and Orchestra, K. 482 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Concerto No. 27 in B-Flat for Piano and Orchestra, K. 595 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Divertimento No. 15 in B♭, K. 287 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Symphonies: No. 38 in D, K. 504 (“Prague“); No. 39 in Eb, K. 543 No.41 In C, K.551( “Jupiter“)- Overtures: La clemenza di Tito, K. 621; La finta giardiniera, K. 196; Le nozze di Figaro, K. 492. Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Three German Dances, K. 605. Requiem in D Minor, K. 626 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Symphony No. 40 in C Minor, K. 550 |
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Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Symphony No. 40 in G Minor, K. 550 |
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Concerto No. 20 in D minor for Piano and Orchestra, K. 466. Variations in C on “Ah, Vous dirai-je, Maman,“ K. 265 (300e) |
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Concerto No. 20 in D minor for Piano and Orchestra, K.466 |
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Concerto No. 20 In D Minor, K. 466 (first-movement extract) |
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Concerto No. 21 in C for Piano and Orchestra, K. 467 (Stefan Askenase, piano) |
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Concerto No. 21 in C for Piano and Orchestra, K. 467. Concerto No. 24 in C Minor for Piano and Orchestra, K. 491 |
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Concerto No. 21 in C for Piano and Orchestra, K. 467. Concerto No. 27 in B-Flat for Piano and Orchestra, K. 595 |
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Concerto No. 21 in C for Piano and Orchestra, K. 467. Concerto No. W in E-Flat for Two Pianos and Orchestra, K. 365 |
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Concerto No. 21 in C for Piano and Orchestra, K. 467. Sinfonia Concertante in E- Flat for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 21 in C for Piano and Orchestra, K. 467. Sinfonia Concertante in E♭ for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 21 in C for Piano and Orchestra, K. 467: Concerto No. 27 in B-Flat for Piano and Orchestra, K. 595 (Christoph Eschenbach, piano and conductor; London Philharmonic Orchestra). Concerto No. 8 in C for Piano and Orchestra, K. 246. Concerto No. 20 in D Minar for Piano and Orchestra, K. 466. Concerto No. 23 in A for Piana and Orchestra, K. 488. Concerto No. 26 in D for Piano and Orchestra, K. 537(Daniel Barenboim, piano and conductor; English Chamber Orchestra) |
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Concerto No. 21 in C for Piano and Orchestra, K.467 |
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Concerto No. 22 in E-Flat for Piano and Orchestra, K. 482. Concerto Rondo in D for Piano and Orchestra, K. 382 |
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Concerto No. 22 in E-Flat for Piano and Orchestra, K. 482. Concerto Rondos for Piano and Orchestra: in D, K. 382. inA, K. 386 |
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Concerto No. 22 in E-Flat for Piano and Orchestra, K. 482; Symphony No. 24 in B-Flat, K. 182 |
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Concerto No. 22 in E♭ for Piano and Orchestra, K. 482 |
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Concerto No. 22 In E♭ for Piano and Orchestra, K. 482 |
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Concerto No. 22 in E♭ for Piano and Orchestra, K. 482. Rondo in A Minor, K. 511 |
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Concerto No. 22 in E♭ for Piano and Orchestra, K. 482. Sinfonia concertante in E♭ for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 22 in E♭, K 482 |
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Concerto No. 22 in £♭ for Piano and Orchestra, K. 482. Sonata in C for Piano Four Hands, K. 521 |
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Concerto No. 23 in A for Piano and Orchestra, K. 488 |
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Concerto No. 23 in A for Piano and Orchestra, K. 488. Piano Sonata No. 13 in B“, K. 333 |
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Concerto No. 23 in A, K. 488 |
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Concerto No. 24 in C minor for Piano and Orchestra, K 491 |
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Concerto No. 24 in C Minor for Piano and Orchestra, K. 491 |
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Concerto No. 24 in C minor for Piano and Orchestra, K. 491. Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“) |
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Concerto No. 24 in C minor for Piano and Orchestra, K. 491. The Magic Flute: Der Hölle Rache. Concerto No. 5 in A for Violin and Orchestra, K. 219(“Turkish“) |
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Concerto No. 24 in C Minor for Piano and Orchestra, K.491. Rondo in D for Piano and Orchestra, K. 382 |
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Concerto No. 24 in C Minor, for Piano and Orchestra, K. 491 |
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Concerto No. 25 in C for Piano and Orchestra, K. 503 |
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Concerto No. 25 in C for Piano and Orchestra, K. 503. Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“) |
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Concerto No. 25 in C for Piano and Orchestra, K. 503. Fantasia in C Minor, K. 475 |
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Concerto No. 25 in C for Piano and Orchestra, K. 503. Quartet No. 2 in G Minor for Piano and Strings, K. 478 |
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Concerto No. 25 in C for Piano and Orchestra, K. 503. Symphony No. 40 in G Minor, K. 550 |
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Concerto No. 25 in C for Piano and Orchestra, K. 503. Symphony No. 40 in O Minor, K. 55Cř. Serenade No. 6 in D, K. 239 (“Serenata Notturna“) |
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Concerto No. 25 in C for Piano and Orchestra, K. 503; Concerto No. 27 in B-Flat for Piano and Orchestra, K. 595 |
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Concerto No. 25 in C for Piano and Orchestra,K. 503; Serenade No. 10 in G, K. 525 “Eine kleine Nachtmusik |
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Concerto No. 26 in D for Piano and Orchestra (“Coronation“), K. 537. (with Berlin State Orchestra conducted by Fritz Zaun) |
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Concerto No. 26 in D for Piano and Orchestra, K. 537 (“Coronation“) |
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Concerto No. 26 in D for Piano and Orchestra, K. 537 (“Coronation“). Fantasy In D Minor, K. 397. Piano Sonatas: No. 12 in F, K. 332; No. 17 in D, K. 576 |
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Concerto No. 26 in D for Piano and Orchestra, K. 537, (“Coronation“). Rondos for Piano and Orchestra: in D, K. 382; in A, K. 386 |
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Concerto No. 26 in D for Piano and Orchestra, K. 537. Piano Sonata No. 15 in C, K. 545 |
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Concerto No. 26 in D for Piano and Orchestra, K. 537. Rondos for Piano and Orchestra: in D, K. 382; in A, K. 386 |
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Concerto No. 26 in Dior Piano and Orchestra, K. 537 (“Coronation“) |
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Concerto No. 27 in B♭ for Piano and Orchestra, K. 595 |
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Concerto No. 3 for Violin and Orchestra in G, K. 216; Concerto No. 5 for Violin and Orchestra in A, K. 219 |
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Concerto No. 3 in E♭ for Horn and Orchestra, K. 447. Concerto in d for Bassoon and Orchestra, K. 191. Concerto in C for Oboe and Orchestra, K. 314 |
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Concerto No. 3 in G for Violin and Orchestra [Piano], K. 216: Adagio |
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Concerto No. 3 in G for Violin and Orchestra, K. 216 |
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Concerto No. 3 In G for Violin and Orchestra, K. 216 |
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Concerto No. 3 in G for Violin and Orchestra, K. 216 (Bruno Walter conducting the NBC Symphony Orchestra; 1951 ). Sonatas for Violin and Piano: in A, K. 305; in Eb, K. 380; in G, K. 301; in F, K. 377; in A, K. 526 (Andor Földes, piano; New York, 1943) |
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Concerto No. 3 in G for Violin and Orchestra, K. 216. Concertone in C for Two Violins and Orchestra, K. 190 |
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Concerto No. 3 in G for Violin and Orchestra, K. 216. Sinfonia Concertante in E-Flat for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 3 in G for Violin and Orchestra, K. 216; Concertone in C for Two Violins and Orchestra, K. 190 |
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Concerto No. 3 in G for Violin and Orchestra, K.216'; Concertone in C for Two Violins and Orchestra, K. 19(ř |
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Concerto No. 4 for Horn and Orchestra: Rondo (Dennis Brain, horn) |
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Concerto No. 4 in D for Violin and Orchestra, K, 218 |
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Concerto No. 4 in D for Violin and Orchestra, K. 218 |
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Concerto No. 4 In D for Violin and Orchestra, K. 218. (Landon Ronald conducting; recorded 1924) |
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Concerto No. 4 in D for Violin and Orchestra, K. 218. Adagio in E for Violin and Orchestra, K. 261. Rondos for Violin and Orchestra: in C, K. 373; in B♭, K. 269 |
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Concerto No. 4 in D for Violin and Orchestra, K. 218. Adagio in E for Violin and Orchestra, K. 261. Rondos for Violin and Orchestra: in C, K. 373; in ff, K. 269 |
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Concerto No. 4 in D for Violin and Orchestra, K. 218. Concerto No. 6 [sic] in Eb for Violin and Orchestra, K. 268 (attrib. Mozart). Fritz Kreisler, violin; Sir Malcolm Sargent conducting the London Philharmonic Orchestra |
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Concerto No. 4 in D for Violin and Orchestra, K. 218. Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Symphony No. 35 in D, K. 385 (“Haffner“) |
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Concerto No. 4 in E♭ for Horn and Orchestra, K. 495: Rondo (Barry Tuckwell, horn; Monte Carlo Orchestra conducted by Barry Tuckwell). Andante for Flute and Orchestra, K. 315 (Jean-Pierre Rampal, flute; Monte Carlo Orchestra conducted by Esa-Pekka Salonen) |
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Concerto No. 4 in O for Violin and Orchestra, K. 218 |
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Concerto No. 4inD for Violin and Orchestra, K. 218 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 ("Turkish") |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish') |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkishy. Symphony No. 40 in G Minor, K. 550 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“) |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“) (Columbia Symphony Orchestra conducted by George Szell). Sinfonia Concertante in E♭ for Violin, Viola, and Orchesra, K. 364 (with Pinchas Zukerman, viola; English Chamber Orchestra conducted by Daniel Barenboim) |
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Concerto No. 5 in A for Violin and orchestra, K. 219 (“Turkish“) (Jan Bresser, violin; Otto Klemperer, conductor) |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Adagio In E for Violin and Orchestra, K. 261. Rondo in B♭ for Violin and Orchestra, K. 269. Rondo in C for Violin and Orchestra, K. 373 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Concerto No. 27 in B for Piano and Orchestra, K. 595 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Overtures: Die Zauberflöte, K. 620; Le nozze di Figaro, K. 492; Idomeneo, K.366 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Sonata in B♭ for Violin and Piano, K. 378. Quintet in G Minor for Two Violins, Two Violas, and Cello, K. 516 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Sonatas for Violin and Piano. No. 34 (“No. 10“) in Bb, K. 378; No. 40 (“No. 15“) in Bb, K. 454 |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“). Symphony No. 36 in C, K. 425 (“Linz“) |
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Concerto No. 5 in A for Violin and Orchestra, K. 219 (“Turkish“? |
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Concerto No. 5 in A for Violin and Orchestra, K. 219( “Turkish“). Concertante in E for Violin, Viola, and Orchestra, K. 364 |
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Concerto No. 5 in A for Violin and Orchestra, K. 291 (“Turkish“). Concerto No. 23 in A for Piano and Orchestra, K. 488. Sonata in A for Violin and Piano, K. 526. Piano Concerto No. 21 in C, K. 467: Andante (arr. Saint-Saëns) |
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Concerto No. 5 in A for Violin and Orchestra, K.219( “Turkish“) |
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Concerto No. 6 in B♭ for Piano and Orchestra, K. 238. Concerto No. 7 in F for Three Pianos and Orchestra, K. 242. Concerto No. 10 in E♭ for Two Pianos and Orchestra, K. 365 |
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Concerto No. 7 for Three Pianos |
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Concerto No. 7 for Two Pianos and Orchestra, K 242. Concerto No. 10 for Two Pianos and Orchestra, K 365. Concerto Movement for Piano, Violin and Orchestra (completed Levin) |
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Concerto No. 7 for Violin and Orchestra in B-Flat, K. 207 |
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Concerto No. 7 in F for 3 Pianos, K 242, “Lodron”. Concerto No. 10 in E♭ for 2 Pianos, K 365/316a |
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Concerto No. 7 in F for Three Pianos and Orchestra, K. 242. Concerto No. 10 in E♭ for Two Pianos and Orchestra, K. 365 (316a) |
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Concerto No. 8 for Piano and Orchestra in C Major, K. 246; Concerto No. 12 for Piano and Orchestra in A Major, K. 414 |
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Concerto No. 9 in E-Flat for Piano and Orchestra, K. 271. Sinfonía Concertante in E-Fiat for Violin and Viola, K. 364 |
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Concerto No. 9 in E♭ for Piano and Orchestra, K. 171 |
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Concerto No. 9 in E♭ for Piano and Orchestra, K. 271 |
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Concerto No. 9 in E♭ for Piano and Orchestra, K. 27V. Symphony No. 41 in C, K. 551 (“Jupiter“) |
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Concerto No. I in G for Flute and Orchestra, K. 313; Concerto No. 2 in D for Flute and Orchestra, K. 314 |
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Concerto No. I in G for Flute and Orchestra, K. 313; Concerto No. 2 in D for Flute and Orchestra, K. 314; Andante in C for Flute and Orchestra, K. 315 |
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Concerto-Rondo, K 382 |
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Concerto. 24 in C Minorfor Piano and Orchestra, K. 491 |
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Concerto: No. 20 in D Minor for Piano and Orchestra, K. 466. Divertimento No. 15 in Bb, K. 287. Two Minuets, K. 568; K. 599. Three German Dances, K. 605 |
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Concertoin C for Flute, Harp, and Orchestra, K. 299 |
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Concertone for 2 Violins and Orchestra in C, K 190 |
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Concertone for 2 Violins and Orchestra, K 190 |
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Concertone in C |
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Concertone in C for Two Violins (Flutes) and Orchestra, K. 190 |
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Concertone in C for Two Violins (Flutes) and Orchestra, K. 190: Allegro spiritoso. Themes from The Magic Flute for Two Flutes |
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Concertone in C, K 190 |
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Concertone in C, K 190. Serenades: in G, K 525 “Eine Kleine Nachtmusik”; in D, K 239 “Serenata Notturna” ; in D, K 334 |
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Concertos by |
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Concertos for 2 Pianos: in F, K 242; in E♭, K 365 |
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Concertos for 3 Pianos: in d |
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Concertos for 3 Pianos: in F |
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Concertos for Flute and Orchestra, No. 1 in G: K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315 |
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Concertos for Flute and Orchestra. No. 1 in G, K. 313 ; No. 2 in D. K. 314. Concerto in C for Flute, Harp, and Orchestra, K. 299 |
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Concertos for Flute and Orchestra: K. 313. No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315 |
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Concertos for Flute and Orchestra: No. 1 in G Major, K. 313;No. 2 in D Major, K. 314 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313, No. 2 in D, K. 314 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315. Rondo in D for Flute and Orchestra, K. 184Anh |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315. Rondo in D for Flute and Orchestra, K. Anh. 184 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Andante in C for Flute and Orchestra, K. 315. Rondo in D for Flute and Orchestra, K. Anh. 184 (arr. Hoffmeister) |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314. Concerto in C for Flute, Harp, and Orchestra, K. 299. Divertimento in D, K. 334: Rondo; Menuetto (arr. Galway). Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“) |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K. 314.Andante in C for Flute and Orchestra, K. 315 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in D, K.314. Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 3 In Eb, K. 447 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2 inD, K. 314. Andante in C for Flute and Orchestra, K. 315 |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2inD,K. 314. Andante in C for Flute and Orchestra, K. 315. Rondo in D, K. 184 (an. anonymous) |
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Concertos for Flute and Orchestra: No. 1 in G, K. 313; No. 2inD,K.314. Andante in C for Flute and Orchestra, K. 315 |
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Concertos for Flute and Orchestra: No. 1 ¡n G, K. 313; No. 2 In D, K. 314. Andante In C for Flute and Orchestra, K. 315. Rondo In D for Flute and Orchestra, K. 184e |
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Concertos for Flute and Orchestra: No. I in G, K. 313; No. 2 in D, K. 314; Andante in C for Flute and Orchestra, K. 315 |
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Concertos for Fortepiano and Orchestra: No. 12 in A, K. 414 (385p); No. 15 in Br, K. 450 |
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Concertos for Harpsichord and Orchestra after J. C. Bach, K. 107, nos. 1-3 |
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Concertos for Harpsichord and Orchestra: in G, K. 107, no. 1; in E-Flat, K. 107, no. 2 |
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Concertos for Harpsichord and Strings. No. 1 in D, K. 107; No. 2 in G, K. 107; No. 3 in E♭, K. 107. Sonatas for Harpsichord and Violin: in E♭, K. 26; in D, K. 29; in B♭, K. 31. Five Minuets, K. 1-5. Klavierstück, K. 33b |
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Concertos for Hom and Orchestra: No. 1 in D,K.41?; No. 2 in Eb, K. 417; No. 3 in Eb, K. 447; No. 4 in E♭, K. 495. Rondo in E♭, K. 371. Concerto fragment in E, K. 494a |
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Concertos for Horn and Orchestra': No. 1 in D, K. 412; No. 2 in E♭, K. 417; No. 3 in E♭, K. 447; No. 4 in Elf, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K 421 and 514; No. 2 in E-Flat, K. 417; No. 3 in E-Flat, K. 447; No. 4 in E-Flat, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412 (with Rondo, K. 514); No. 2 in E♭, K. 417; No. 3 in Eb, K. 447; No. 4 in E♭, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412' ; No. 2 in Eb, K.417. No. 3 in Eb, K. 447' ; No. 4 in Eb, K. 495'. Concert Rondo in E♭ for Horn and Orchestra, K. 371. Fragment in E for Horn and Orchestra, K. 494a |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412/514; No. 2 in E♭, K. 417; No. 3 in E♭, K. 447; No. 4 in E♭, K. 495. Rondo in E♭, K. 371. Concerto movement (fragment) in E, K. 494a |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E, K. 417; No. 3 in E. K. 447; No. 4 in E♭, K. 495. Adagio and Fugue in C minor, K. 546ř. Milós Petr, horn; Musici di Praga conducted by Libor Hlaváček |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E-Flat, K. 417; No. 3 in E-Flat, K. 447; No. 4 in E-Flat, K, 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E-Flat, K. 417; No. 3 in E-Flat, K. 447; No. 4 in E-Flat, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E-Flat, K. 417; No. 3 in E-Flàt, K. 477; No. 4 in E-Flat, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in Eb, K. 417; No. 3 in Eb, K. 447; No. 4 in Eb, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 41 7; No. 3 in E♭, K. 447: No. 4 in E♭, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 41 7; No. 3 in E♭, K. 447; No. 4 in E♭ K. 495. Serenade No. 12 in C minor, K. 388 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 417; No. 3 in E♭, K. 447; No. 4 in Eb, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 417; No. 3 in E♭, K. 447; No. 4 in E♭, K. 495. Concert Rondo in E♭, K. 371 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 417; No. 3 in E♭, K. 447; No. 4 in E♭, K. 495. Fragment in E for Horn and Orchestra, K.Anh.98A |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 417; No. 3 in E♭,K. 447; No. 4 in E♭, K. 495 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 417; No. 3 in E♭,K. 447; No. 4 in E♭, K. 495. Rondo in E, K. 371 (ed. Greer). Rondo in D, K. 514 |
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Concertos for Horn and Orchestra: No. 1 in D, K. 412; No. 2 in E♭, K. 417; No. 4 in Eb, K. 495. Concert Rondo in E♭ for Horn and Orchestra, K. 371 |
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Concertos for Horn and Orchestra: No. 2 in Eb, K. 417; No. 3 in Eb, K. 447 (William Purvis). Concerto in C for Oboe and Orchestra, K. 314 (Randall Wolfgang). Concerto in B♭ for Bassoon and Orchestra, K. 191 (Frank Morelli) |
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Concertos for Horn and Orchestra: No. 2 in E♭, K. 417; No. 3 in E♭, K. 447. Concerto in C for Oboe and Orchestra, K. 314 (285df. Concerto in B♭ for Basson and Orchestra, K. 191 186ef |
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Concertos for Horn and Orchestra: No. 3 in E♭, K. 447 . No. 4 in E♭, K. 495 |
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Concertos for Horn and Orchestra: No. 3 in E♭, K. 447; No. 4 in Eh, K. 495. Concerto in A for Clarinet and Orchestra, K. 622 |
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Concertos for Horn and Orchestra: No. 3 in E♭, K. 447; No. 4 in E♭, K. 495 |
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Concertos for Horn and Orchestra: No. lin D, K 412; No. 2 in E-Flat, K. 417; No. 3 in E-Flat, K. 447; No. 4 in E-Flat, K. 485 |
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Concertos for Horn and Orchestra: “No. 1“ in D, K. 412; No. 2 in E, K. 417; No. 3 in E♭, K. 447; No. 4 in E♭, K. 495. Concerto fragment in E, K. 494a |
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Concertos for Klavier and Orchestra: No. 12 in A, K. 414; No. 27 in B-Flat, K. 595 |
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Concertos for Oboe and Orchestra: [No. 1] in F, K. 313; [No. 2] in C, K. 314. Andante in C for Oboe and Orchestra, K. 315 |
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Concertos for Oboe and Orchestra: in C, K. 314/285d; in F, K. 313/285c; in F, K. 293/416f (fragment completed by Robert D. Levin). Andante in C for Oboe and Orchestra, K. 315/285e |
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Concertos for Oboe and Orchestra: in C, K. 314; in F, K. 313. Sinfonia Concertante in E♭ for Oboe, Clarinet, Horn, Bassoon, and Orchestra, K. 297b |
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Concertos for Piano ana Orchestra: No. 9 , K. 271; No. 21 in C, K. 467 |
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Concertos for Piano and Ochestra: No. 12 in A, K. 414; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra, K. 107: in D; in G; in C |
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Concertos for Piano and Orchestra: No. 22 in E♭, K. 482; No. 26 in D, K. 537. Piano Sonatas: No. 8 in A Minor, K. 310; No. 17 in D, K. 576. Adagio in B Minor, K. 540 |
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Concertos for Piano and Orchestra: No, 9 in E♭, K. 271; No. 20 in D Minor, K. 466 . Piano Sonatas: No. 5 in G, K. 283; No. 11 in A, K. 331; No. 15 in C, K. 545 |
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Concertos for Piano and Orchestra: No. 1 in F, K. 37; No. 2 in B♭, K. 39; No. 3 in D, K. 40; No. 4 in G, K. 41 |
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Concertos for Piano and Orchestra: No. 1 in F, K. 37; No. 2 in B♭, K. 39; No. 3 in D, K. 40; No. 4 In G, K. 41 |
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Concertos for Piano and Orchestra: No. 1 in F, K. 37; No. 21 in C, K. 467; No. 25 in C, K. 503, |
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Concertos for Piano and Orchestra: No. 10 in E♭ for Two Pianos, K. 365; No. 12 In A, K. 414; No. 14 in E♭, K. 449; No. 17 in G, K. 453; No. 19 in F, K. 459; No. 20 in D Minor, K. 466?; No. 27 in B♭, K. 595*. Rondo in D for Piano and Orchestra, K. 382. Rondo In A Minor for Piano, K.511 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413/387a; No. 12 in A, K. 414/385p; No. 14 in Eb, K. 449 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 12 in A, K. 414; No. 13 in C, K. 415 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 12 in A, K. 414; No. 14 in E, K. 449 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 13 in C, K. 415. Quartet in E♭ for Piano, Violin, Viola, and Cello (arrangement of K. 452) |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 14 in Eb, K. 449 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 15 in B b, K. 450; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 11 in F, K. 413; No. 22 in Eb, K. 484 |
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Concertos for Piano and Orchestra: No. 11 in F, K413; No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: No. 11 InF, K. 413; No. 13 in C, K. 415; No. 14 in Eb, K. 449 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414(385p); No. 15 in B♭, K. 450 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414. No. 27 in B-Flat, K. 595 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 13 in C, K. 415 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 14 in Eb, K. 449 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 14 in E♭, K. 449 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 18 in B-Flat, K. 456 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 18 in Bb, K. 456 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 18 in B♭, K. 456 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 19 in F, K. 549 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 21 in C, K. 467*; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 21 in C, K. 467; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 414“ ; No. 14 in E♭, K. 449“ ; No. 20 in D Minor, K. 466“; No. 19 in F, K. 459; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 12 in A, K. 4W; No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415 (387b); No. 15 in B♭, K. 450 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415 (rec. 1946); No. 22 in Eb, K. 482 (rec. 1945) |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415 [387b]; No. 15 in B♭, K. 450 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 14 in E-Flat, K. 449 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 14 in E♭, K. 449 |
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Concertos for Piano and Orchestra: No. 13 In C, K. 415; No. 20 In D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 20 in D Minor, K. 466; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 13 in C, K. 415; No. 9 in E, K. 271 |
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Concertos for Piano and Orchestra: No. 13inC, K.415. No. 17 in G, K. 453 |
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Concertos for Piano and Orchestra: No. 14 in E-Flat, K. 449; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 14 in Eb, K. 449; No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 14 in Eb, K. 449; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 14 in Eb, K. 449; No. 26 in D, K. 537 (“Coronation“; cadenza by Paul Badura-Skoda) |
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Concertos for Piano and Orchestra: No. 14 in E♭, K. 449' ; No. 23 in A, K. 486' ; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 14 in E♭, K. 449; No. 15 in d, K. 450 |
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Concertos for Piano and Orchestra: No. 14 in E♭, K. 449; No. 18 in B♭ K. 456; No. 21 in C, K. 467. Music for Piano Solo |
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Concertos for Piano and Orchestra: No. 14 in E♭, K. 449; No. 18 in B♭, K. 456 |
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Concertos for Piano and Orchestra: No. 14 in E♭, K. 449; No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 14 in £♭, K. 44; No. 24 in C minor, K. 491. Rondo in D for Piano and Orchestra, K. 382 |
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Concertos for Piano and Orchestra: No. 15 in B-Flat, K. 450; No. 21 inC, K. 467 |
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Concertos for Piano and Orchestra: No. 15 in B. K. 450; No. 22 in E♭, K. 482 |
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Concertos for Piano and Orchestra: No. 15 In Bb, K. 450, No. 23 In A, K. 488 |
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Concertos for Piano and Orchestra: No. 15 in Bb, K. 450; No. 16 In D, K. 451 |
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Concertos for Piano and Orchestra: No. 15 in Bb, K. 450; No. 16 in D, K. 451 |
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Concertos for Piano and Orchestra: No. 15 in B“, K. 450, No. 16 in D, K. 451 |
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Concertos for Piano and Orchestra: No. 15 In B♭, K. 450 ; No. 23 in A, K. 488; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 15 in B♭, K. 450; No. 16 in D, K. 451 |
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Concertos for Piano and Orchestra: No. 15 in B♭, K. 450; No. 17 in G, K. 453 |
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Concertos for Piano and Orchestra: No. 15 in E♭, K. 450; No. 17 in G, K. 453 |
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Concertos for Piano and Orchestra: No. 16 in D, K. 451; No. 17 in G, K. 456 |
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Concertos for Piano and Orchestra: No. 16 in D, K. 451; No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 16 In D, K. 451; No. 20 In D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 16 in D, K. 451; No. 25 In C, K. 503 |
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Concertos for Piano and Orchestra: No. 16 in D, K. 451; No. 8 in C, K. 246 (“Lutzow“); No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 17 in G K. 453; No. 18 in B-Flat, K. 456 |
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Concertos for Piano and Orchestra: No. 17 in G Minor, K. 453; No. 27 in B-Flat, K. 595 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453 (Mozart cadenzas); No. 20 in D Minor, K. 466 (Beethoven cadenzas) |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453 (Mozart Cadenzas); No. 20 in D Minor, K. 466 (Beethoven Cadenzas) |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453 ; No. 20 in D Minor, K. 466; No. 22 In E♭, K. 482; No. 24 in C Minor, K. 491; No. 25 in C, K. 503. Piano Sonatas: No. 10 In C, K. 330; No. 11 in A, K. 331. Rondo in D, K. 382. Fantasy in C Minor, K. 396. Fantasy in C Minor, K. 475. Romance in A, K. Anh. 205. Minuet in G, K. 1 (arr. Fischer) |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453; No. 18 in B-Flat, K. 456 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453; No. 18 in B♭, K. 456 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453; No. 18 in d, K. 456 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453; No. 19 in F, K. 459; No. 27 in B-Flat, K. 595 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 17 in G, K. 453; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 17inG, K. 453* ; No. 15 in Bb, K. 450 |
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Concertos for Piano and Orchestra: No. 18 in B-Flat, K. 456; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 18 in Bb, K. 456; No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 18 in B“, K. 456; No. 20 in D minor, K. 466 |
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Concertos for Piano and Orchestra: No. 18 in B♭, K. 456; No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 18 In B♭, K. 456; No. 19 In F, K. 459 |
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Concertos for Piano and Orchestra: No. 18 in B♭, K. 456; No. 19 in F, K. 459. Concert Rondo in D, K. 382 |
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Concertos for Piano and Orchestra: No. 18 in B♭, K. 456; No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 18 in B♭, K. 456; No. 24 in C minor, K. 491 |
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Concertos for Piano and Orchestra: No. 18 in D, K. 456'. No. 20 in D Minor, K. 466' ; No. 21 in C, K. 467; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459. No. 20 in D minor, K. 466 |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 20 in D minor, K. 466 |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 23 in A, K. 488. Rondo in A for Piano and Orchestra, K. 386 (arr. Mackerras-Badura-Skoda) |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 27 in B, K. 595 |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 19 in F, K. 459;No. 20 in D Minor, K. 466 |
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Concertos for Piano and Orchestra: No. 19 In F, K.459; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 19 in F,K. 459; No. 22 in E-Flat, K. 482 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K, 466; No. 13 in A, K.415 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466 (cadenzas by Beethoven) ; No. 23 In A, K. 488; No. 24 In C Minor, K. 491 (cadenza by Hummel); No. 25, in C, K. 503 (cadenza by Gieseking). Quintet in E♭ for Piano and Winds, K. 4S2 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466 ; No. 21 in C, K. 467. Piano Sonata No. 12 in F, K. 332 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466, No. 17 in G, K. 453: Second Movement. Piano Sonata in F, K. 533/494 |
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Concertos for Piano and Orchestra: No. 20 in D minor, K. 466; No. 13 in C, K. 415 |
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Concertos for Piano and Orchestra: No. 20 in D minor, K. 466; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 21 in C, K. 467. Geza Anda, piano |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 21 in C, K. 467. Rondo in D for Piano and Orchestra, K. 382 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 22 in E-Flat, K. 482 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 22 in Eb, K. 482 |
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Concertos for Piano and Orchestra: No. 20 in D minor, K. 466; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 20 in D minor, K. 466; No. 24 in C minor, K. 491 |
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Concertos for Piano and Orchestra: No. 20 in D minor, K. 466; No. 24 in C minor, K. 491; No. 27 in B♭ K. 595. Concerto in E♭ for Two Pianos and Orchestra, K. 365 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 20 in D Minor, K. 466; No. 27 in B-Flat, K. 595 |
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Concertos for Piano and Orchestra: No. 20 in D minor, K. 466; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 21 in G, K. 467; No. 27 in B-Flat, K. 595 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467) No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 22in E-Flat, K. 482 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 24 in C minor, K. 494 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 27 in B-Flat, K. 595 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 27 in B♭ K. 595 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 467; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 21 In C, K. 467; No. 27 In B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 21 in C, K. 46T ; No. 27 in B, K. 595. Serenade No. 13 in G, K. 525 (“Eine kleine Nachtmusik“) |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482 (cadenzas by Britten) ; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 22 in Eb, K. 482; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 22 in E♭, K. 482, No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 22 in E♭, K. 482; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 22 in E♭, K. 482; No. 24 in C Minor, K. 491. Rondo in D for Piano and Orchestra, K. 382 |
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Concertos for Piano and Orchestra: No. 22 in £', K. 482; No. 24 in C minor, K. 491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488'; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488* ; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488. No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488. No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 17 in G, K. 453 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 24 in C minor, K. 491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 24 in C Minor, K. 491 (cadenza by Pletnev) |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 24 in C Minor, K.491 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 27 in B-Flat, K. 595 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 23 in A, K. 488; No. 27inB-Flat, K. 595 |
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Concertos for Piano and Orchestra: No. 23 inA, K. 488; No. 24 in C Minor, K.491 |
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Concertos for Piano and Orchestra: No. 24 in C Minor, K. 491, No. 27 in B♭, K. 595. Rondo in A Minor, K. 511 |
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Concertos for Piano and Orchestra: No. 24 in C Minor, K. 491; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 24 in C minor, K. 491; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 24 in C Minor, K. 491; No. 3 in D, K. 40; No. 13 in C, K. 415 |
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Concertos for Piano and Orchestra: No. 24 in C Minor, K. 491; No. 9 in Eb, K. 271 |
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Concertos for Piano and Orchestra: No. 25 in C, K. 503; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 25 in C, K. 503; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 26 in D, K. 537 ("Coronation"); No. 227 in B, K 595 |
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Concertos for Piano and Orchestra: No. 26 in D, K. 537 (“Coronation“); No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 26 in D, K. 537; No. 15 in B-Flat, K. 450 |
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Concertos for Piano and Orchestra: No. 26 in D, K. 537; No. 27 In B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 26 in D, K. 537; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 27 in Bb, K. 595 ; No. 14 in Eb, K. 449. Ch'Io mi scordi di fe?—Scene with Rondo, K. 505 |
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Concertos for Piano and Orchestra: No. 27 in D, K. 537 (“Coronation“). No. 8 in C, K. 246 |
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Concertos for Piano and Orchestra: No. 5 in D, K. 1 75; No. 8 in C, K. 246. Rondos for Piano and Orchestra: in D, K. 382; in A, K. 386 |
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Concertos for Piano and Orchestra: No. 5 in D, K. 175; No. 26 in D, K. 537 (“Coronation“) |
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Concertos for Piano and Orchestra: No. 5 In D, K. 175; No. 6 In B, K. 238. Rondo In D, K. 382 |
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Concertos for Piano and Orchestra: No. 5 in D, K. 175; No. 6 in B♭, K. 238. Rondo in D, K. 382 |
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Concertos for Piano and Orchestra: No. 5 in D, K. 175; No. 9 in Eb, K. 271 |
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Concertos for Piano and Orchestra: No. 5 in D, K. 175;No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 6 in & , K. 238; No. 13 in C, K. 415 |
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Concertos for Piano and Orchestra: No. 6 in B♭, K. 238; No. 16 in D, K. 451 |
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Concertos for Piano and Orchestra: No. 6 in B♭, K. 239; No. 8 in C, K. 246; No. 19 in F, K. 459 |
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Concertos for Piano and Orchestra: No. 7 in F, K. 242'; No. 10 in E♭, K. 365“; No. 15 in Bb, K. 450 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 11 in F, K. 413. Rondo in A, K. 386 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 12 in A, K 414 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 12 in A, K. 414; “No. 28“ (Concert Rondo in D), K. 382 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 13 in C, K. 415; No. 25 in C, K. 503 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 9 in E. K. 271 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 9 in Eb, K. 271 |
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Concertos for Piano and Orchestra: No. 8 in C, K. 246; No. 9 in E♭, K. 271 |
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Concertos for Piano and Orchestra: No. 8inC,K 246; No. 27 in B“, K. 595 |
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Concertos for Piano and Orchestra: No. 9 in E-Flat, K. 271; No. 17 in G, K. 453 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271 (“Jeunehomme“); No. 24 in C Minor, K. 491 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: No. 9 In Eb, K. 271; No. 14 in Eb, K. 449 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra: No. 9 in Eb, K. 271; No. 27 in Bb, K. 595 |
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Concertos for Piano and Orchestra: No. 9 in E“, K. 271; No. 23 in A, K. 488. Rondo in A for Piano and Orchestra, K. 386 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 27 f ; No. 27 in Bb, K. 595* |
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Concertos for Piano and Orchestra: No. 9 In E♭, K. 271 (“Jeunehomme“); No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 271 ;No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 271; No. 14 in E♭, K. 449. Fantasia in C minor, K. 396 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 271; No. 14 in £*, K. 449 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 271; No. 17 in G, K. 453; No. 21 in C, K. 467; No. 23 in A, K. 488; No. 25 in C, K. 503; No. 27 in d, K. 595 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 271; No. 20 in D Minor, K. 466. Piano Sonatas: No. 5 in G, K. 283; No. 11 in A, K. 331; No. 15 in C, K. 545 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 271; No. 21 in C, K. 467 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 271; No. 27 in B♭, K. 595 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 271; No. 27 in d, K.449 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 27V ; No. 11 in F, K. 413; No. 12 in A, K. 414 |
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Concertos for Piano and Orchestra: No. 9 in E♭, K. 27V; No. 20 in D minor, K. 466 |
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Concertos for Piano and Orchestra: No. 9, in É, K. 271; No. 11 in F, K. 413 (387a) |
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Concertos for Piano and Orchestra: Nos. 20-27 |
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Concertos for Piano and Orchestra: Nos. 6 in Bb, K. 238; No. 18 in Bb, K. 456; No. 27 in Bb, K. 595. Zoltán Kocsis, piano |
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Concertos for Piano and Orchestra; No. 17 in G, K. 453; No. 18 in Bb, K. 456 |
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Concertos for Piano and Orchestra; No. 20 in D Minor, K. 466; No. 23 in A, K. 488 |
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Concertos for Piano and Orchestra^ : No. 21 in C, K. 467; No. 23 in A, K. 488; No. 27 in B♭, K. 595. Maurerische Trauermusik, K. 477. Symphony No. 40 in G Minor, K. 550 |
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Concertos for Piano and Orchestra^ ; No. 20 in D Minor, K. 466; No. 23 in A, K. 488 (with improvised vocal and piano preludes), Song for Amadeus (improvisation on second movement of Mozart's Piano Sonata No. 2 in F, K. 280) |
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Concertos for Piano and Strings, K. 107. arranged from Sonatas, op. 5, nos. 2-4, by J. C. Bach: No. 1 in D; No. 2 in G; No. 3 in Eb J. C. Bach: Keyboard Sonatas, op. 5: No. 2 in D; No. 3 in G; No. 4 in Eb |
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Concertos for Two Pianos and Orchestra: [No. 10] in E♭, K. 365; [No. 7] in F, K. 242. Fugue in C Minor for Two Pianos, K. 426. Adagio and Fugue in C Minor for Strings, K. 546 |
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Concertos for Two Pianos: in E♭, K 365; in F, K 242 (arr. ?) |
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Concertos for Violin and Orchestra': No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“). Cassation in Bb, K. 99 |
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Concertos for Violin and Orchestra: No. 1 in & , K. 207; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 1 in & , K. 207; No. 5 in A, K. 219(“Turkish“) |
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Concertos for Violin and Orchestra: No. 1 in B-Flat, K. 207; No. 2 in D, K. 211 |
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Concertos for Violin and Orchestra: No. 1 in B-Flat, K. 207; No. 2 in D.K. 211 |
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Concertos for Violin and Orchestra: No. 1 in Bb, K. 207; No. 2 in D, K. 211; No. 3 in G, K. 216; No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish'). Rondo in B♭ for Violin and Orchestra, K. 269. Rondo in C for Violin and Orchestra, K. 373. Adagio in E for Violin and Orchestra, K. 261. Sinfonia Concertante in E♭ for Violin, Viola, and Orchestra, K. 364. Concertone in C for Two Violins and Orchestra, K. 190 |
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Concertos for Violin and Orchestra: No. 1 in Br, K. 207; No. 2 in D,K.211; No. 3 in G, K. 216; No. 4 in D, K. 218; No. 5 in A, K. 219(“Turkish“) |
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Concertos for Violin and Orchestra: No. 1 in B♭, K. 207; No. 2 in D, K. 211. Adagio in B for Violin and Orchestra, K. 261. Rondo in B♭ for Violin and Orchestra, K. 269. Rondo in C for Violin and Orchestra, K. 373 |
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Concertos for Violin and Orchestra: No. 1 in B♭, K. 207; No. 2 in D, K. 211; No. 3 in G, K. 216; No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“). Adagio in E for Violin and Orchestra, K, 261. Rondo In B♭ for Violin and Orchestra, K. 261a (269). Rondo in C for Violin and Orchestra, K. 373 |
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Concertos for Violin and Orchestra: No. 1 in B♭, K. 207; No. 2 in D, K. 211; No. 4 in D, K. 218 |
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Concertos for Violin and Orchestra: No. 1 in B♭, K. 207; No. 2 in D, K. 211; No. 5 in A, K. 219 ( “Turkish“) |
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Concertos for Violin and Orchestra: No. 1 in B♭, K. 207; No. 3 in G, K. 216; No. 7[attrib. Mozart] in D, K. 271a |
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Concertos for Violin and Orchestra: No. 1 in B♭, K. 207; No. 4 in D, K. 218 |
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Concertos for Violin and Orchestra: No. 1 in B♭, K. 207; No. 4 in D, K. 218. Rondo in B♭ for Violin and Orchestra, K. 269 |
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Concertos for Violin and Orchestra: No. 1 in d, K. 207; No. 4 in D, K. 218. Frank |
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Concertos for Violin and Orchestra: No. 2 in D, K. 21 ť; No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 2 in D, K. 211 ; No. 5 in A, K. 219 |
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Concertos for Violin and Orchestra: No. 2 in D, K. 211; No. 3 in G, K. 216 |
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Concertos for Violin and Orchestra: No. 2 in D, K. 211; No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 2 in D, K. 211; No. 4 in D, K. 218 |
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Concertos for Violin and Orchestra: No. 2 in D, K. 211; “No. 7“ in D, K. 271a (attrib. Mozart). Rondo in C for Violin and Orchestra, K. 373 |
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Concertos for Violin and Orchestra: No. 2; No. 3; No. 5 |
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Concertos for Violin and Orchestra: No. 2in D,K.211; No. 4 in D, K. 218 |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216 (cadenzas by Frigyes Hidas); No. 5 in A, K. 219 (cadenzas by Josef Joachim) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 4 in D, K. 218 |
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Concertos for Violin and Orchestra: No. 3 In G, K. 216; No. 4 in D, K. 218 |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 ( Turkish“) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 (Turkish) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish'). Adagio in E for Violin and Orchestra, K. 261 |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“) (Vladimir Spiwakow, violin and conductor; English Chamber Orchestra); No. 4 inD, K. 218(Yehuäi Menuhin, violin and conductor; Menuhin Festival Orchestra) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219 (“Turkish“). Adagio in E for Violin and Orchestra, K.261. Rondo in C for Violin and Orchestra, K. 373 |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219( “Turkish“) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219("Turkish“) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 5 in A, K. 219(“Turk-ish“) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216; No. 7 in D, K. 271 (attrib.) |
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Concertos for Violin and Orchestra: No. 3 in G, K. 216;No.4 in D, K. 218; No. 5 in A, K. 219. Sinfonia Concertante in E-Flat for Violin, Viola, and Orchestra, K. 364 |
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Concertos for Violin and Orchestra: No. 3 in G, K. 21S ; No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 3inG,K. 216; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218 (two versions); No. 5 in A, K. 219 |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218 ; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218. No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 ( “Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 ("Turkish") |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 (Turkish) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 (“Turkish“). Rondo in B♭ for Violin and Orchestra, K. 269 |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219 C Turkish“) |
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Concertos for Violin and Orchestra: No. 4 in D, K. 218; No. 5 in A, K. 219(“Turkish“) |
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Concertos for Violin and Orchestra: No. 5 in A minor, K.219 (“Turkish“) ; No. 7 in D, K. 271a |
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Concertos for Violin and Orchestra: No. 5 in A, K. 219 (“Turkish“), No. 7 in D, K. 271a (attrib. Mozart) |
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Concertos for Violin and Orchestra: No. 5 In A, K. 219 (“Turkish“); Aio. 7 in D, K. 271a (attrib. Mozart) |
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Concertos forPiano and Orchestra: No. 12 in A, K. 414; No. 20 in D Minor, K. 466 |
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Concertos No. 1 in G, for Flute and Orchestra: K. 313; No. 2 in D, K. 314 |
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Concertos No. 20 in D Minor, for Piano and Orchestra: K. 466; No. 21 in C, K. 467; No. 22 in E♭, K. 482; No. 23 in A, K. 488; No. 24 in C Minor, K. 491; No. 25 in C, K. 503; No. 26 in D, K. 537(“Coronation“); No. 27in B♭, K. 595 |
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Concertos No. 3 in G, for Violin and Orchestra: K. 216; No. 5 in A, K. 219( “Turkish“) |
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Concertos No. 3 in G, for Violin and Orchestra: K. 216; No. 5 in A, K. 219(“Turkish“) |
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Concertos: [No. 10] in E♭ for Two Pianos and Orchestra, K. 365. Concerto [No. 7] in F for Three Pianos and Orchestra, K. 242 (“London“) |
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Concertos: for Horn and Orchestra. No. 1 in O, K. 412; No. 2 in E♭, K. 417; No. 3 in E♭, K. 447; No. 4 in Br, K. 495; in C for Oboe and Orchestra, K.314; in A for Clarinet and Orchestra, K. 622 ;inBbtor Bassoon and Orchestra, K. Í9í ; for Flute and Orchestra: No. 1 in G, K. 313; No. 2 in C, K. 314; in C for Flute, Harp, and Orchestra, K. 299. Andante in G for Flute and Orchestra, K. 315 |
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Concertos: for Two Pianos and Orchestra in E♭, K. 365; for Three Pianos and Orchestra in F, K. 242 (arr. Mozart for two pianos and orchestra) |
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Concertos: in C for Oboe and Orchestra, K. 285d(Yves Poucel); No. 1 in D for Horn and Orchestra, K. 412 (Pierre Moraguès); No. 2 in E♭ for Horn and Orchestra, K. 417 (François Cagnon); No. 3 in E♭ for Horn and Orchestra, K. 447 (Moraguès); No. 4 in E♭ for Horn and Orchestra, K. 494 (Cagnon); Rondo de concert in E♭ for Horn and Orchestra, K. 371 (Moraguès); in C for Flute, Harp, and Orchestra, K. 299 (Catherine Cantin; Sylvie Perret); in A for Clarinet and Orchestra, K. 622 (Michel Arrignon); in B♭ for Bassoon and Orchestra, K. 191 (Jean-Claude Montac); No. 1 in G for Flute and Orchestra, K. 314 (Cantin) |
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Concertos: in E♭, K 268/K C 14.04; in A, K 622 |
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Concertos: No. 1 in D, K 412 (reconstructed by John Humphries); No. 2 in Ei?, K 417 (ed. Humphries); No. 3 in E♭, K 447; No. 4 in E♭, K 495 |
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Concertos: No. 1 in F, K 37; No. 2 in tí, K. 39; No. 3 in D, K. 40; No. 4 in G, K.41; No. 5 in D, K. 175; No. 6 in B♭, K. 238; No. 8 in C, K. 246; Three Concertos after Sonatas by J. C. Bach, K. 107: No. 1 ¡n D; No. 2 in G; No. 3 in E♭ |
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Concertos: No. 1 in G, K. 313; No. 2 in D, K. 314 |
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Concertos: No. 16 in D, K. 451; No. 17 in G, K. 453; No. 18 in E♭, K. 456; No. 19 in F, K. 459; No. 20 in D minor, K. 466; No. 21 in C, K. 467 |
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Concertos: No. 17 in G, for Piano and Orchestra: K. 453; No. 21 in C minor, K. 491 |
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Concertos: No. 20 in D Minor, K. 466; No. 21 in C, K. 467; No. 22 in E♭, K. 482; No. 23 in A, K. 488; No. 24 in C Minor, K. 491; No. 25 in C, K. 503; No. 26 in D, K. 537 (“Coronation“); No. 27 in Bb, K. 595 |
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Concertos: No. 22 in E, K. 482; No. 23 in A, K. 488; No. 24 in C minor, K. 491; No. 25 in C, K. 503; No. 26 in D, K. 537, No. 27 in B♭, K. 595. Rondo in D, K. 382. Rondo in A, K. 386 |
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Concertos: No. 27 in B♭ for Piano and Orchestra, K. 595; in A for Clarinet and Orchestra, K. 622 |
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Concertos: No. 4, K 218; No. 5, K 219, "Turkish"; No. 6, K 268 (attrib. Mozart) |
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Concertos: No. 5 in D, K. 175; No. 6 in Bb, K. 238; No. 7 in F (three fortepianos), K. 242; No. 8 in C, K. 246; No. 9 in Eb, K. 271; No. 10 in Eb (two fortepianos), K. 365; No. 11 in F, K. 413; No. 12 in A, K. 414; No. 13 in C, K. 415; No. 14 in Eb, K. 449; No. 15 in Bb, K. 450; No. 16 in D, K. 451; No. 17 in G, K. 453; No. 18 In B♭, K. 456; No. 19 in F, K. 459; No. 20 in D Minor, K. 466; No. 21 in C, K. 467; No. 22 in E♭, K. 482; No. 23 in A, K. 488; No. 24 In C Minor, K. 491; No. 25 in C, K. 503, No. 26 in D, K. 537; No. 27 in B♭, K. 595. Rondo in D, K. 382; Rondo in A, K. 386 |
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Concertos: No. 7 in D, K 271a (attrib. Mozart); in D, K 294a, "Adelaide" (attrib. Mozart; composed M. Casadesus) |
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Concertos: No. 9 in E♭,K. 271; No. 11 in F, K. 413; No. 12 in A, K. 414; No. 13 in C, K. 415; No. 14 iné, K. 449; No. 15 in B♭, K. 450 |
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Confitebor. Laudate pueri. Ave verum. Quis te comprehendat. Pange lingua |
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Contra Dances, K. 609: No. 1 ; No. 3. German Dance, K. 605 |
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Contradances, K 603/1, 609/1, 609/4 |
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Contradances, K 609/1,3 |
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Contradances: K 123, 463, 462 |
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Contradanse |
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Contredance in C, K 535, “La Bataille” |
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Contredances, K 609: excerpts |
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Contredances, K. 462: Nos. 1,5,6. German Dances, K. 600: Nos. 1,3; K. 605: No. 1 ; K. 586: No. 11 |
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Cor sincerum. Jesu, amor meus. Mens sancta Deo. Jesu dulcís memoria'. Mens sancta Deo. Offertorium "Salve Regina". Domine Deus salutis meae. Plasmator Deus Die Hoffnung dient zum Stabe |
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Coronation Mass, K. 317. Agnus Dei |
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Coronation Mass, K. 317. Vesperae Solennes de Confessore, K. 339 |
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Coronation Mass. Epistel-Sonate. Alma Dei creatoris. Vespere solennes de Dominica |
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Cosi dunque tradisci . . . Aspri rimorsi atroci, K. 432 |
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Cosi dunque tradisci … Aspri rimorsi atroci, K 432 |
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Cosi Fan Tutte |
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Cosi fan tutte |
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Cosi fan tutte (arr. Wendt) |
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Cosi fan tutte, K. 588 |
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Cosi fan Tutte. Per Pietà ben mio |
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Cosi fan tutte: Come scoglio; Per pietà |
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Cosi fan tutte: Donne mie la fate a tanti. The Marriage of Figaro: Non più andrai; Se vuol ballare; Vedrò mentre io sospiro; Aprite un po' quegl' occhi. The Magic Flute: Der Vogelfänger bin ich ja; Ein Mädchen oder Weibchen. Don Giovanni: Meta di voi qua vadano; Deh, viena alla finestra; Finch'han dal vino. Za'ide: Nur mutig mein Herze. Un bacio di mano, K.541. Ich möchte wohl der Kaiser sein, K.539 |
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Cosi fan tutte: Eight excerpts |
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Cosi fan tutte: Ich erwähle mir den Muntern |
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Cosi fan tutte: Overture |
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Cosi fan tutte: Overture. |
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Cosi fan tutte: Overture; Non siate ritrosi; Donne mie. Die Zauberflöte: Der Vogelfänger bin ich; In diesen heil'gen Hallen. Le nozze di Figaro: Overture; Vedrò, mentr'io sospiro. Don Giovanni: Madamina; Deh, vieni alla finestra; Finch'han dal vino. Mentre ti lascio, o figlia, K. 513. Un bacio di mano, K. 541 |
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Cosi fan tutte: Per pieta. Le nozze di Figaro: Dove sono |
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Cosi fan tutte: Per pietà ben mio |
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Cosi fan tutte: Rivolgete a lui lo sguardo (alternative aria). Un bacio di mano. Ich möchte wohl der Kaiser sein! Marriage of Figaro: Vedrò menino sospiro. Mentre ti lascio, lo ti lascio, o cara |
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Cosi fan tutte: Smanie implacabili; È amore un ladroncello. La clemenza di Tito: Parto, parto |
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Cosi fan tutte: Un 'aura amorosa. Don Giovanni: ¡I mio tesoro; Dalla sua pace. Abduction from the Seraglio; Ich baue ganz auf deine Stärke. The Magic Flute: Dies bildnis. . . . Titus: Se all'Imperio. Idomeneo: Torna la pace. Concert Arias: Misero! Ò sogno, ò son desto?, 431. Per pietà, non ricercate, K. 420 |
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Cosi Fan Tutte: Un aura amorosa |
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Cosi fan tutte; Un'aura amorosa; In qua/ fiero contrastro. . . . Don Giovanni: Dalla sua pace. Abduction from the Seraglio: Ich baue ganz auf deine Stärke; Konstanze, dich wiederzusehn. The Magic Flute: Dies bildnis. . . . Titus: Se all'Imperio. La finta giardiniera: 0 geh nicht tort und hör mich. Mitridate: Quel ribelle et quell' ingrato |
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Cosi fan tutti: Overture |
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Cost fan tutte: Un aura amorosa. Don Giovanni: Dalla sua pace; Il mio tesoro |
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Così dunque tradisci . . . Aspri rimorsi atroci, K 432 (421a) |
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Così dunque tradisci .. . Aspiri rimorsi atroci, K. 432, 421 a; Mentre ti lascio, K. 513; Meandro lo confesso . . . Non so d'onde viene, K. 512; Ich möchte wohl der Kaiser sein, K. 539; Per questa bella mano, K. 612; Un bacio di mano, K. 541; lo ti lascio o cara, addio, K. Anh. 245, 621 a; Così fan tutte: Rivolgete a lui lo sguardo, No. 15a |
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Così dunque tradisci … Aspri rimorsi atroci, K 432 (421a) |
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Così dunque tradisci, Concert Aria, K. 432 |
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Così dunque tradisci. Mentre ti lascio |
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Così Fan Tutte |
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Così fan tutte |
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Così fan Tutte |
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Così fan tutte Overture; Glyndebourne Festival Orchestra, Fritz Busch (1934) |
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Così fan tutte, K. 588 |
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Così fan Tutte, K. 588 |
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Così fan tutte, K. 588. Divertimento No. 15 in B. K. 287 |
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Così fan tutte, K. 588. Ina Souez (Fiordiligi); Luise Helletsgrüber (Dorabella); |
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Così fan tutte, K. 588. Montserrat Caballé, soprano (Fiordiligi) |
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Così fan tutte, K. 588. Thamos, König in Ägypten, K. 34S |
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Così fan tutte, K. 588: Come scoglio; Per pieta. La clemenza dl Tito, K. 621: Deh, se piacer; Parto, parto; Non più di fiori. Le nozze di Figaro, K. 492: Porgi, Amor; Dove sono. Don Giovanni, K. 527: Non mi dir. Idomeneo, K. 366: Idol mio; Zeffiretti lusinghieri; D'Oreste, d'A]ace |
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Così fan tutte, K. 588: Come scoglio; Per pietà. Le nozze di Figaro, K. 492: Porgi amor; Dovè sono; Deh vieni non tardar. La clemenza di Tito, K. 621: Non più di fiori. Die Zauberflöte, K. 620: Ach, ich fühl's. Idomeneo, K. 366: Zeff iretti lusinghieri. Don Giovanni, K. 492: Mi tradì. Misera, dove son.. .Ah, non son io che parlo, K. 369. Alma grande e nobil core, K. 578 |
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Così fan tutte, K. 588: Excerpts |
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Così fan tutte, K. 588: Un'aura amorosa. Die Entführung aus dem Serail, K. 384: Konstanze... O wie ängstlich; Wenn der Freude Tränen fliessen; Ich baue ganz. La clemenza di Tito, K. 621: Se all'impero. Die Zauberflöte, K. 620: Dies Bildnis. Don Giovanni, K. 527: Dalla sua pace; Il mio tesoro. Idomeneo, K. 366: Non temer amato bene ; Fuor del mar |
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Così fan tutte, Overture; Ei parte … Per pieta |
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Così fan tutte. Don Giovanni |
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Così fan tutte. Solti/Chamber Orchestra of Europe |
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Così fan tutte: Ah guarda, sorella; Per pietà. Come Scoglio; Idomeneo: Padre, germani, addio; Se il padre perdei; Zeli ¡retti lusinghieri |
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Così fan tutte: Ah, guarda, sorella |
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Così fan tutte: Ah, guarda, sorella. Le nozze di Figaro: Dove Sono |
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Così fan tutte: Ah, guarda, sorella. The Marriage of Figaro: Dove sono |
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Così fan tutte: Ah, lo veggio |
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Così fan tutte: Come scoglio |
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Così fan tutte: Come scoglio (conducted by Christoph von Dohnányi, live performance, 1976) |
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Così fan tutte: Come scoglio. Per pieta. Zaide: Ruhe sanft. The Marriage of Figaro: Dove sono. Ch'io mi scordi di te? Bella mia fiamma. Ah, lo previdi |
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Così fan tutte: Come scoglio; Die Zauber-flöte: Ach, ich fuhls |
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Così fan tutte: Come scoglio; In uomini, in soldati |
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Così fan tutte: Come scoglio; Per pieta |
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Così fan tutte: Come scoglio; Per pietà |
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Così fan tutte: Come scoglio; Per pietà. Le nozze di Figaro: Porgi, amor, Dove sono. Idomeneo: D’Oreste, dAiace. Don Giovanni: Mi tradì quell’alma; Non mi dir. Bella mia fiamma, addio!, K 528 |
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Così fan Tutte: Come scoglio; Smanie implacabili |
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Così fan tutte: Donne mie, la fate a tanti |
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Così fan tutte: Ei parte...Per pietà |
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Così fan tutte: highlights |
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Così fan tutte: Il core vi dono |
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Così fan tutte: In uomini. Ei parte . . . Per pietà. È amore un ladroncello |
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Così fan tutte: Mouio d’affano … Di scrivermi ogni giorno; Sento, o Dio; Per pietà, ben mio (all sung in French) |
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Così fan tutte: Non siate ritrosi; Donne mie la fate a tanti; Rivolgete a lui lo sguardo |
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Così fan tutte: Overture |
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Così fan Tutte: Overture |
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Così fan tutte: Overture (arr. Neukomm) |
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Così fan tutte: Per pietà; Una donna a quindici anni. Come scoglio |
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Così fan tutte: Rivolgete a lui lo sguardo |
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Così fan tutte: Secondate, aurette amiche |
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Così fan tutte: Selections. The Abduction from the Seraglio: Selections |
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Così fan tutte: Smanie implacabili |
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Così fan tutte: Smanie implacabili; E amore un ladroncello. Le nozze di Figaro: Non so più; voi che sapete. Don Giovanni: Batti, batti |
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Così fan tutte: Soave sia il vento |
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Così fan tutte: Sorella…Prenderò quell brunettino |
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Così fan tutte: Temerari! ... Come scoglio. Idomeneo: Solitudini amiche ... Zeftiretti lusinghieri |
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Così fan tutte: Temerari! Sortite…Come scoglio |
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Così fan tutte: Temerari!...Come scoglio!; Ei parte ... Per pieta; E Susanna non vien!…Dove sono i bei moment |
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Così fan tutte: Temerari, sortite fuori di questo loco!... Come scoglio immoto resta. Fra gli amplessi in pochi istanti. Alla bella Despinetta vi presento, amici miei. Ei parte … Per pietà, ben mio, perdona |
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Così fan tutte: Temerari. . . Come scoglio; Ei parte . . . Per pietà, ben mio |
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Così fan tutte: Un aura amorosa (Senius). Don Giovanni: Dalla sua pace (Tauber); Il mio tesoro (Davies). Idomeneo: Noch tont mir ein Meer im Busen (Jadlowker). The Magic Flute: Dies bildnis (Urlus); Wie stark ist (Urlus). The Violet, K. 476 (Bonci) |
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Così fan tutte: Un aura amorosa. Die Entführung aus dem Serail: Constanze, dich wiederzusehen. La finta semplice: Nelle guerre d'amore. Don Giovanni: Dalla sua pace. Idomeneo: Fuor del mar. La clemenza di Tito: Del più sublime soglio. Lucio Siila: Il desio di vendetta. Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Così fan tutte: Un aura amorosa. Don Giovanni: Il mio tesoro |
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Così fan tutte: Un aura amorosa. Don Giovanni: Il mio tesoro: Dalla sua pace |
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Così fan tutte: Un' aura amorosa. The Magic Flute: Dies Bildnis. Don Giovanni: Dalla Sua pace; Il mio tesoro. Idomeneo: Non ho colpa, e mi condanni |
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Così fan tutte: Un’ aura amorosa (Fritz Busch, cond; Glyndebourne Festival 0) |
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Così fan tutte: Un’aura amorosa |
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Così fan tutte: Un’aura amososa |
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Così fan tutte: V’adoro … Il core vi dono |
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Così fan tutte: Wind Music |
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Così fan tutte: È amore un ladrocello |
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Così fan tutti |
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Così fan tutti, K. 588 |
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Così fan tutti. The Marriage of Figaro. Don Giovanni |
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Così Fan Tutti: Overture, K. 588 (Bruno Walter, 1945) |
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Cosí fan tutte: Come scoglio; Smanie implacabili; In uomini, in soldati |
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Cosí fan tutte: Rivolgete a lui lo sgaurdo |
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dal furor portata, K. 21. Si mostra ¡a sorte, K. 209. Con ossequio, con rispetto, K. 210. Misero! O sogno, K. 431. Clarice cara, mia sposa, K. 256. Se al labbro mio non credi, K. 295. Or che il dover, K. 36. Per pietà, non ricercate, K. 420 |
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Dances and Minuets: Five Minuets, K. 461; Six Contradances, K. 462; Two Quadrilles, K. 463; Six German Dances, K. 509; Contradance, K. 534 (“Das Donnerwetter“); Contradance, K. 535 (“La Bataille'); Contradance, K. 587 (“Der Sieg von Helden Koburg“); Six German Dances, K. 600; Two Contradances, K. 603; Three German Dances, K. 605 |
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Dans un bois solitaire |
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Dans un bois solitaire. Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte. Abendempfindung an Laura. Eine kleine deutsche Kantata |
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Dans un Bois solitaire. Das Veilchen |
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Dans un bois solitaire. Das Veilchen. Don Giovanni: Ma qual mai s’offre, o Dei … Fuggi, crudele, fuggi; Non mi dir; Or sai chi l’onore |
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Das Alexander-Fest, K 592 (arr. of Handel's HWV 76). Cäcilien-Ode, K 591 (arr. of Handel's HWV 75) |
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Das Butterbrot |
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Das Kinderspiel, K 598 |
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Das Traumbild, K 530 |
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Das Traumbild. Dans un bois solitaire. Piano Variations on Salieri’s “Mio caro Adone.” An Chloë. Die Zufriedenheit. Abendempfindung an Laura |
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Das Traumbild. Sehnsucht nach dem Frühlinge. Das Lied der Trennung. Die betrogene Welt. An Chloë. An die Freundschaft. Als Luise die Briefe ihres ungertreuen Liebhabers verbrannte. Abendempfindung. Eine kleine deutsche Kantate. Das Veilchen. And die Freude. Ich würd’ auf meinem Pfad. Brüder, lasst uns lustig sein. Die Zufriedenheit. Der Zauberer. An die Einsamkeit. And die Beschiedenheit. Geheime Liebe. Im Frühlingsanfang. Daphne, deine Rosenwangen. Komm, liebe Zither |
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Das Veilchen |
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Das Veilchen (Alessandro Bond) |
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Das Veilchen, K 476 |
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Das Veilchen, K. 476. Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 520. Des kleinen Friedrichs Geburtstag, K. 529. Sei du mein Trost, K. 391. Im Frühlingsanfang, K. 597. Die Verschweigung, K. 518. Der Zauberer, K. 472. Abendempfindung, K. 523. Ridenta la calma, K. 152. Un moto di gioia, K. 579. Oiseaux, si tous les ans, K. 307. Ah! Spiegarti, O Dio. K. 178. Das Kinderspiel, K. 598. Die Alte, K. 517. Die Zufriedenheit, K. 349. Die kleine Spinnerin, K. 531. Sehnsucht nach dem Frühlinge, K. 596. Warnung, K. 433. Lied der Freiheit, K. 506. Beim Auszug in das Feld, K. 552. Die Zufriedenheit, K. 473. Die betrogene Welt, K. 474. Dans un bois solitaire, K. 308. Komm, liebe Zither, K. 351. An Chloe, K. 524. Das Lied der Trennung, K. 519. Die ihr des unermesslichen Weltalls Schöpfer ehrt, K. 619. An die Freude, K. 53. Lied zur Gesellenreise, K. 468. Lobgesang auf die feierliche Johannisloge, K. 148. Verdankt sei es dem Glanz der Grossen, K. 392. Wie unglücklich bin ich nit, K. 147. An die Hoffnung, K. 390. Das Traumbild, K. 530 |
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Das Veilchen, K. 476. Der Zauberer, K. 472. Als Luise die Briefe, K. 520. Abendempfindung, K. 523 |
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Das Veilchen, K. 476. Die Verschweigung, K. 518. Wie unglücklich bin ich, K. 147. Als Luise die Briefe, K. 520. Die kleine Spinnerin, K. 551. Sehnsucht nach dem Frühlinge, K. 596. Un moto di gioia, K. 579. Im Frühlingsanfang, K. 597. Die Alte, K. 517. Das Kinderspiel, K. 598. Warnung, K. 433. Die grossmütige Gelassenheit, K. 149. Ridente la calma, K. 152. An die Freundschaft, K. 148. Oiseaux, si tous les ans, K. 307. An die Einsamkeit, K. 391. Der Zauberer, K. 472. Die Zufriedenheit, K. 473. Lied der Freiheit, K. 506. Abendempfindung, K. 523 |
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Das Veilchen, K. 476. Die Zufriedenheit, K. 473. Der Zauberer, K. 472. Das Lied der Trennung, K. 519. Die Werschweigung, K. 518. Das Traumbild, K. 530. Lied der Freiheit, K. 506. Als Luise die Briefe, K. 520. Abendempfindung, K. 523. Geheime Liebe, K. 150. Die betrogene Welt, K. 474. Gesellenreise, K. 468. An die Freundschaft, K. 148. An die Einsamkeit, K. 391. An die Hoffnung, K. 390. Die kleine Spinnerin, K. 531 |
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Das Veilchen, K. 476. Zufriedenheit, K. 349. Komm liebe Zither, K. 351. Sehnsucht nach dem Frühling, K. 596 |
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Das Veilchen. Abendempfindung. Die ihr des unermeßlichen Weltalls, K 619 |
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Das Veilchen. Als Luise die Briefe ihres ungetreuen Liebhabers. Abendempfindung an Laura. Dans un boi solitaire. Der Zauberer |
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Das Veilchen. An Chloe. Das Traumbild. Die betrogene Welt |
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Das Veilchen. Der Zauberer |
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Das Veilchen. Die Verschweigung. Das Lied der Trennung. Das Kinderspiel. Die kleine Spinnerin. Als Luise die Briefe ihres ungetreuen Libehabers verbrannte. Einsam ging ich jüngst in Haine. An Chloe. Abendempfindung. Sehnsucht nach dem Frühling |
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David, König in Jerusalem |
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Davidde Penitente, K. 469 |
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Davidde penitente, K. 469 (excerpts); Mass in C Major, K. 337; Epistle Sonata in C, K. 336 |
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Davidde Penitente, K. 469. Ave verum corpus, K. 618 |
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Davidde penitente, K. 469. Missa Solemnis, K. 337 |
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Davidde penitente: Fra l’oscura, ombre funeste |
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Davidde penitente: Lungi le cure ingrate |
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Davidde penitente: Tra l'oscure ombre funeste, K 469. Ch'io mi scordi di te...Non temer, amato bene, K 505. Al desio di chi t'adora, K 577. Restati qua...Per queste tue manine, K540b. Ahi cosa beggio...Vado, ma dove? K 583. Excerpts from: |
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Davidde penitente: Tra l'oscure ombre funeste. Le nozze di Figaro: Al desio di chi t'adora. Don Giovanni: Restati qua...Per questa tue manine. Ch'io mi scordi di te.' |
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Davide penitente |
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Davide penitente. Regina coeli |
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Deh vieni non tardar |
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Der Hölle Rache. Voi che sapete |
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Der Kanarienvogel. Der Leirmann. Schlittenfahrt |
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Der Liebe himmlisches Gefühl (arr. Bliss) |
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Der Liebe himmlisches Gefühl, K 119 |
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Der Mauerfreude, K 471 |
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Der Schauspieldirektor |
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Der Schauspieldirektor, K. 486 |
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Der Schauspieldirektor, K. 486. Le nozze dl Figaro, K. 492: Overture. Opera and Concert Arias |
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Der Schauspieldirektor,K 486 |
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Der Schauspieldirektor: Overture |
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Der Schauspieldirektor: Overture. Symphony in C, K 338. Minuetto and Trio, K 409. Minuetto, K 338 (fragment) |
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Der Sylphe des Friedens (Ridente la calma), K 152/210a |
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Der Sylphe des Friedens (Ridente la calma). Das Veilchen |
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Der Verschweignung, K. 518.. Un moto di gioia, K. 579. Das Veilchin, K. 476. Als Luise die Briefe, K. 520. Das Lied der Trennung, K. 519. Abendempfindung |
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Der Zauberer (Ihr Mädchen, flieht Damöten ja!), K 472 |
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Der Zauberflöte, K. 620 |
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Die Alte |
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Die Engfüríng aus dem Serail: O wie ängstlich; Im Morheland |
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Die Entfuhrung aus dem Serail, K 384 (arr. Triebensee) |
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Die Entfuhrung aus dem Serait: In Mohrenland. Così fan tutte: Un 'aura amorosa. Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Die Entfuhrüng aus dem Serail |
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Die Entführung as dem Serail, K. 384 |
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Die Entführung aus dem Serai: Hier soll ich dich denn sehen; Konstanze, dich wiederzusehen. Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Die Entführung aus dem Serail |
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Die Entführung aus dem Serail (arr. Wendt): Overture; Hier soll ich dich sehen; Ich gehe, doch rate ich dir; Durch Zärlichkeit und Schmeichen; Wenn der Freude Tränen fliessen; Ha, wie will triumphieren; Welche Wonne, welche Lust; Vivat Bacchus, Bacchus lebe |
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Die Entführung aus dem Serail, K 384 (arr. Triebensee) |
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Die Entführung aus dem Serail, K. 384 |
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Die Entführung aus dem Serail, K. 384: Excerpts |
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Die Entführung aus dem Serail, K. 384: Highlights |
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Die Entführung aus dem Serail, K. 384: Martern aller Arten. Die Zauberflöte, K. 620: Ach, ich fühl's; O zittre nicht... Zum Leiden bin ich auserkoren; Der Hölle Rache. Idomeneo, K. 366:O smania!... D'Oreste, d Aiace. Le nozze di Figaro, K. 492: E Susanna non vien ... Dove sono; Porgi amor. Don Giovanni, K. 527: in qualieccessi... Mi tradì. La clemenza di Tito, K. 621: Non più di fiori. Così fan tutte, K. 588: Temerari!... Come scoglio |
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Die Entführung aus dem Serail, K. 384: Overture |
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Die Entführung aus dem Serail, K. 384: Traurigkeit ward mir zum Lose; Martern aller Arten. Mitridate, K. 87: Lungi da te. Don Giovanni, K. 527: Don Ottavio, son morta ... Or sai chi l'onore; Calmatevi, idol mio... Non temer, amato bene, K. 505. Mìsera, dove son ... Ah! non son io che parlo, K. 369 |
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Die Entführung aus dem Serail. Don Giovanni. Die Zauberflöte |
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Die entführung aus dem Serail: Ach ich liebte. Martern aller arten |
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Die Entführung aus dem Serail: Ach, ich liebte |
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Die Entführung aus dem Serail: Ach, ich liebte; Traurigkeit ward mir zum Lose; Martern aller Arten. Don Giovanni: Non mi dir. La clemenza di Tito: Parto, parto |
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Die Entführung aus dem Serail: Donaueschingen Harmoniemusik |
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Die Entführung aus dem Serail: Hier soll ich denn sehen; O wie ängstlich; Wenn der Freunde Tranen fliessen; Welch ein Geschick (with Mimi Coertse, soprano). Die Zauberflöte: Dies Bildnis ist bezaubernd schön; Wo, willst du, kühner Fremdling, hin? (with Eberhard Wächter, baritone); Der, welcher wandert diese Strasse (with Gundula Janowitz, soprano; Hans Beirer, tenor; Alois Pernerstorfer, bass). Don Giovanni: Fuggi, crudele (with Lisa Della Casa, soprano); Dalla sua pace; I! mio tesoro (sung in German) |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen (Schreier) |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen. K |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen. Le nozze di Figaro: In quegli anni. Così fan tutte: Tradito, schernito. Die Zauberflöte: Wie stark ist nicht die Zauberton |
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Die Entführung aus dem Serail: Hier soll ich dich denn sehen; Konstanze! dich Wiedersehen; Wenn der Freude Tränen fließen. Così fan tutte: Der Odem der Liebe. Die Zauberflöte: Wie stark ist nicht dein Zauberton. Per pietà non ricercate, K. 420 |
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Die Entführung aus dem Serail: Ich baue ganz |
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Die Entführung aus dem Serail: Ich baue ganz auf deine Stärke |
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Die Entführung aus dem Serail: Ich baue ganz auf deine Stärke; Misero! |
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Die Entführung aus dem Serail: Janissary March |
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Die Entführung aus dem Serail: Konstanze, dich wiederzusehen. Die Zauberflöte: Wie stark ist nicht dein Zauberton |
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Die Entführung aus dem Serail: Konstanze, dich wiederzusehen; Ich baue ganz auf deine Stärke |
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Die Entführung aus dem Serail: Konstanze, dich wiederzusehen; Wenn der Freude Tränen fliessen. Cosi fan tutte: Un aura amorosa |
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Die Entführung aus dem Serail: Marten aller Arten |
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Die Entführung aus dem Serail: Martern aller Arten |
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Die Entführung aus dem Serail: Martern aller arten (in Italian) |
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Die Entführung aus dem Serail: Martern aller arten (sung in Italian) |
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Die Entführung aus dem Serail: Martern aller Arten. Don Giovanni: Non mi dir |
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Die Entführung aus dem Serail: Martern aller Arten. Exsultate, jubilate. The Marriage of Figaro: Voi che sapete: Dove sono |
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Die Entführung aus dem Serail: Martern aller Arten; Welch ein Geschick (with Rudolf Schock, tenor). Le nozze di Figaro: Non so più cosa son; Che soave zefiretto (with Elisabeth Grümmer, soprano); Deh, vieni, non tardar. Die Zauberflöte: Zum Leiden bin ich auserkoren; Die Hölle Rache |
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Die Entführung aus dem Serail: Martern aller Artern (sung in Italian) |
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Die Entführung aus dem Serail: O wie ängstlich, o wie feurig |
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Die Entführung aus dem Serail: O wie ängstlich; Wenn der Freude. Don Giovanni: Dalla sua pace; Il mio tesoro. Così fan tutte: Un aura amorosa. Die Zauberflöte: Dies Bildnis |
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Die Entführung aus dem Serail: Overture |
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Die Entführung aus dem Serail: Overture (arr. Busoni) |
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Die Entführung aus dem Serail: Overture; Hier soll ich dich den sehen; Ich baue ganz |
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Die Entführung aus dem Serail: Traurigkeit; Martern aller Arten. Lucio Siila: In un istante . . . Parto, m’affretto. Misera dove son |
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Die Entführung aus dem Serail: Tutte le torture |
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Die Entführung aus dem Serail: Vivat Bacchus, Bacchus lebe! Die Zauberflöte: Die Weisheitslehre dieser Knaben; Behwahret euch vor Weibertücken; Pamina, wo bist du |
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Die Entführung aus dem Serail: Welcher Kummer . . . Traurigkeit ward |
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Die Entführung aus dem Serail: Welcher Kummer herrscht in meine Seele. Ach, ich liebte, war so glücklich. Martern aller Arten |
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Die Entführung aus dem Serail: Welcher Kummer herrscht in meiner Seele . . . Traurigkeit; Martern alle Arten |
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Die Entführung aus dem Serail: Wer ein Liebchen hat gefunden; Ha! Wie will ich triumphieren. Don Giovanni: Madamina, il catalogo è questo; O statua gentilissima (with Alexander Svéd, baritone). Die Zauberflöte: O Isis und Osiris; In diesen heil'gen Hallen |
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Die Entführung aus dem Serail: Wie will ich trumphieren |
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Die Entführung aus dem Serall: Martern aller Arten. Le nozze di Figaro: Voi che sapete; Dove sono |
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Die Entführung aus dem Serall: Martern aller Arten. Zaide: Ruhe sanft. Don Giovanni: In quali eccessi... Mi tradì. Die Zauberflöte: Ach, ich fOhl's |
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Die Entführung aus der Serail: Overture |
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Die Entfürung aus dem Serail |
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Die Gärtnerin aus Liebe, K 196 |
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Die Hochzeit des Figaro |
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Die Hochzeit des Figaro, K. 492 |
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Die Hochzeit des Figaro: Ich weiss nicht. Sagt, holden Frauen |
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Die ihr des unermesslichen Weltalls. Das Traumbild. Sehnsucht nach dem Frühlinge. Ridente la calma. Dans un bois solitaire. Oiseaux, si tous les ans. Abendempfindung |
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Die ihr unermesslichen Weltalls Schöpfer ehrt, K 619 |
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Die Maurerfreude |
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Die Schuldigkeit des ersten Gebots, K. 35 |
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Die Schuldigkeit des ersten Gebots, K. 35. Ave verum corpus, K. 618. Vespers, K. 339: Laudate Dominum. Exsultate, jubilate, K. 165. Inter natos mulierum, K. 72. Mass, K. 427: Laudamus te. Mass, K. 275: Benedictas. Regina coeli, K. 276 |
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Die Schuldigkeit des ersten Gebots, K. 35: Sinfonia; Mit Jammer muss Ich schauen |
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Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) |
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Die Veilchen, K 476 |
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Die Verschweignung |
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Die Verschweignung. Un moto di giola. Das Veilchen. Als Luise die Briefe. Das Lied der Trennung. Abendempfindung |
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Die Verschweigung |
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Die Verschweigung, K 518 |
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Die Verschweigung. Das Lied der Trennung. Wie unglücklich bin ich nit. Sei du mein Trost |
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Die verstellte Gärtnerin |
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Die Zauber Flöte: Die Hölle Rache |
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Die Zauberer |
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Die Zauberflöte |
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Die Zauberflöte (arr. Heidenreich) |
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Die Zauberflöte (arr. Heidenreich) Die Entführung aus dem Serail (arr. Wendt) |
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Die Zauberflöte (arr. Joseph Heidenreich and Andreas Tarkmann). Cosi fan tutte (arr. Andreas Tarkmann) |
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Die Zauberflöte für Kinder |
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Die Zauberflöte Overture |
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Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön; Wie stark ist nicht dein Zauberton; Priests' March; Soll ich dich, Teurer, nicht mehr seh'n? ; Tamino mein! O welch ein Glück . . . Wir wandeln durch des Tones Macht . . . Triumph! Du edles Paar. Idomeneo, K 367: Passe-Pied. Die Entführung aus dem Serail, K 384: Overture. Così Fan Tutte, K 588: Un aura amorosa; Una bella serenata. Schon lacht der holde Frühling, K 580. Symphony No. 39, K 543: Minuet. Exsultate, jubilate, K 165: Alleluja |
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Die Zauberflöte, K. 620 |
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Die Zauberflöte, K. 620 (complete); Excerpts |
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Die Zauberflöte, K. 620. Die Entführung aus dem Serail, K. 384: Excerpts |
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Die Zauberflöte, K. 620: Dies Bildnis. Die Entführung aus dem Serail, K. 384: Ich baue ganz; Constanze, dich wiederzusehn; Wenn der Freude Tränen fHessen. Die Gärtnerin aus Liebe, K. 196: O geh' nicht fort. La clemenza di Tito, K. 621: Se all'impero. Cosi fan tutte, K. 588: Un'aura amorosa; Tradito, schernito. Don Giovanni, K. 527: Dalla sua pace; Il mio tesoro. Mitridate, K. 87: Quel ribelle e quell' ingrato. Idomeneo, K. 366: Vedrommi intorno; Torna la pace |
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Die Zauberflöte, K. 620: Dies Bildnis; Wie stark Is nicht dein Zauberton. Dle Entführung aus dew Serall, K. 304: Hier soll ich dich denn sehen; O wie ängstlich; Wenn der Freude Trinen Wessen; Ich baue ganz; Im Mohrenland. Don Giovanni, K. 527: Dalla sua pace; Il mio tesoro. Cosi fan tutte, K. 588: Un'aura amorosa; Ah, lo veggio; Tradito, schernito. La clemenza di Tito, K. 621: Del più sublime soglio; Ah, se fosse; Se all'impero |
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Die Zauberflöte, K. 620: Overture |
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Die Zauberflöte, K. 620: Overture '. Le nozze di Figaro, K. 492: Non so più cosa son, cosa faccio (with Rita Streich, soprano). Don Giovanni, K. 527: Madamina (with Donald Gramm, baritone). Concerto No. 3 in E♭ for Hom and Orchestra, K. 447: Finale (with Philip Farkas, horn). Serenade No. 10 in B♭ for Thirteen Instruments, K. 361. Symphonies: No. 28in C, K. 200; No. 31 in D, K. 297(“Paris“); No. 41 in C, K. 551 (“Jupiter“)“ |
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Die Zauberflöte. Symphony No. 41 |
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Die Zauberflöte: Ach ich fühl's |
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Die Zauberflöte: Ach ich fühls |
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Die Zauberflöte: Ach, ich fühl's |
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Die Zauberflöte: Ach, ich fühl's (French) |
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Die Zauberflöte: Ach, ich fühl's (Tiana Lemnitz). Le nozze di Figaro: Deh vieni, non tardar (Elisabeth Schumann) |
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Die Zauberflöte: Ach, ich fühl's. Le nozze di Figaro: Porgi amor |
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Die Zauberflöte: Ach, ich fühls |
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Die Zauberflöte: Ach, ich fühl’s |
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Die Zauberflöte: Arias |
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Die Zauberflöte: Bei Männern (with Emmy Bettendorf, soprano); Ein Mädchen oder Weibchen |
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Die Zauberflöte: Bei Männern (with Heinrich Schlusnus) |
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Die Zauberflöte: Bei Männern welche Liebe fühlen (Margherita Perras, soprano; Gerhard Husch, baritone; Hans Udo Müller conducting; ree. 1935) |
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Die Zauberflöte: Bei Männern; Ein Mädchen oder Weibchen |
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Die Zauberflöte: Bildnisarie. Don Giovanni: Dalla sua pace |
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Die Zauberflöte: Bildnisarie; Wie stark ist doch dein Zauberton |
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Die Zauberflöte: Dein Bildnis ist bezaubernd schön |
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Die Zauberflöte: Der Hölle Rache |
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Die Zauberflöte: Der Hölle Rache (arr. Miles) |
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Die Zauberflöte: Der Hölle Rache (trans. Balsom) |
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Die Zauberflöte: Der Hölle Rache. Don Giovanni: Or sal che l'onore; Non mi dir. Lucio Siila: Dalla sponda tenebrosa. Vorrei spiegarvi, oh Dio, K. 418. Ah, se In ciel, benigne stelle, K. 538 |
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Die Zauberflöte: Der Hölle Rache. Le nozze di Figaro: Non so più; non più andrai; Act IV Finale |
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Die Zauberflöte: Der Vogelfänger bin ich ja |
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Die Zauberflöte: Der Vogelfänger bin ich ja (transcr. Arpás); Ach Gott, vom Himmel sieh darein (transcr. Winklhofer) |
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Die Zauberflöte: Der Vogelfänger bin ich, ja; Ein Mädchen oder Weibchen; Papagena! Papagena! |
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Die Zauberflöte: Die Bildnis ist bezaubernd schön |
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Die Zauberflöte: Die Hölle Rache |
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Die Zauberflöte: Die Weisheitslehre ... Wie stark ist nicht dein Zauberton |
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Die Zauberflöte: Dies bildnis |
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Die Zauberflöte: Dies Bildnis |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schon. Don Giovanni: Dalla sua pace Die. Entfiihrung aus dem Serail: O Wie ängstlich |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön (Schmidt) |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön. Cosi fan tutte: Un'aura amorosa. Don Giovanni: Dalla sua pace; Il mio tesoro. Die Entführung aus dem Serail: Hier soll ich dich denn sehen, Konstanze; In Mohrenland gifangen war |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön; Die Weisheitslehre ... Wie stark ist nicht dein Zauberton |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön; Wie stark ist doch dein Zauberton |
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Die Zauberflöte: Dies Bildnis ist bezaubernd schön; Wie stark ist nicht die Zauberton. Don Giovanni: Dalla sua pace; Il mio tesoro |
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Die Zauberflöte: Dies’ Bildnis is bezaubernd schön; Die Weisheitslehre dieser Knaben; Wie stark ist nicht dein Zauberton! Misero! O sogno…Aura che intorni spiri, K 431 |
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Die Zauberflöte: Ein Mädchen oder Weibchen |
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Die Zauberflöte: Ein Mädchen oder Weibchen; Der Vogelfänger bin ich ja; Bei Männern, welche Liebe fühlen |
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Die Zauberflöte: Excerpts (arr. unknown) |
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Die Zauberflöte: Excerpts from Acts I and II. Erna Berger, soprano (Queen of the Night); Maria Reining, soprano (Pamina); Josef von Manowarda (Sarastro). Live performance: December 4, 1941 |
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Die Zauberflöte: Gli angui d'inferno. * |
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Die Zauberflöte: In diesen heil'gen Hallen |
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Die Zauberflöte: In diesen heil’gen Hallen |
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Die Zauberflöte: In Diesen heil’gen Hallen |
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Die Zauberflöte: Nos. 1,15,17, (arr. for two flutes) |
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Die Zauberflöte: O Isis und Osiris |
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Die Zauberflöte: O Isis und Osiris. Die Entführung aus dem Serail: Wer ein Liebchen hat gefunden; Vivat Bacchus (with Walther Ludwig) |
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Die Zauberflöte: O Isis und Osiris. Don Giovanni: Fin ch'han dal vino; Deh vieni alla finestra |
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Die Zauberflöte: O Isis und Osiris. Don Giovanni: Finch'han dal vino |
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Die Zauberflöte: O Isis und Osiris; Bei Männern welche Liebe fühlen. Don Giovanni: Finch'han dal vino; Deh, vieni alla finestra; Là ci darem la mano. Le nozze di Figaro: Se a caso madama; Se vuol ballare; Non più andrai; Porgi amor; Crudeli perchè finora; Dove sono |
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Die Zauberflöte: O Isis und Osiris; Der Hölle Rache |
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Die Zauberflöte: O Isis und Osiris; In diesen heil'gen Hallen. Die Entführung aus dem Serail: Wer ein Liebchen hat gefunden; Solche hergelaufne Laffen; Ha! wie will ich triumphieren |
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Die Zauberflöte: O Zitt're nicht... Zum Leiden bin ich auserkoren (in Italian) |
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Die Zauberflöte: O zittre nicht |
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Die Zauberflöte: O zittre nicht. Der Hölle Rache |
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Die Zauberflöte: O zittre nicht; Der Hölle Rache |
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Die Zauberflöte: O zittre nicht; Der Hölle Rache. Le nozze di Figaro: Porgi amor |
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Die Zauberflöte: O, zittre nicht; Der hölle Rache |
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Die Zauberflöte: Overture |
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Die Zauberflöte: Overture (3/5/42) |
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Die Zauberflöte: Overture (arr. Hummel) |
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Die Zauberflöte: Overture. Piano Concerto No. 21. Vesperae solennes de confessore, K 339. Mass in C, K 317, “Coronation” |
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Die Zauberflöte: Overture. Symphony No. 40 in G Minor, K. 550 |
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Die Zauberflöte: Overture; O Isis und Osiris (Sarastro's aria); Der Hölle Rache (Queen of the Night's aria). Requiem, K. 626: Tuba mirum. Exsultate, Jubilate, K. 165: Alleluia. Ave verum corpus, K. 618. Le nozze di Figaro: Non più andrai (Figaro's aria). Rondo alla turca, from K. 331. Adagio and Fugue in C Minor, K. 546. Theme and Five Variations in G, K. 501. Adagio and Allegro In F Minor, K. 594 |
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Die Zauberflöte: Overture; Queen of the Night’s Vengeance Aria |
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Die Zauberflöte: Pa-Pa-Pa-Papagena |
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Die Zauberflöte: Pa-Pa-Pa-Papagena! |
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Die Zauberflöte: Pa-Pa-Papagena |
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Die Zauberflöte: Papagena! Weibchen! Täubchen |
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Die Zauberflöte: Papageno/ Papagena Duet. Don Giovanni: La ci darem la mano |
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Die Zauberflöte: Qui sdegno non s'accende |
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Die Zauberflöte: Qui sdegno non s'accende; Possenti numi |
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Die Zauberflöte: Speaker-Tamino Scene (Sándor Farkas, baritone; László Nagypál, tenor); Papageno's song (Ödön Mindszenti, baritone). Don Giovanni: Batti, batti (Gitta Halász, soprano); Finale, Act II, scene 5 (Lajos Tóth and György Losonczy, baritones; Mihály Székely, bass). Le Nozze di Figaro: Dove sono (Júlia Osváth, soprano). Die Entführung aus dem Serail: Solche hergelaufne Latién (Endre Kóréh, bass) |
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Die Zauberflöte: Transcriptions |
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Die Zauberflöte: Wie Stark ist nicht dein Zauberton |
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Die Zauberflöte: Within these holy portals (2). Le nozze dl Figaro: Se vuol ballare, signor contino (2). Don Giovanni: Deh, vieni, alla finestra; Madamina, il catalogo |
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Die Zauberflöte: “Dies Bildnis ist bezaubernd schön” Fritz Wunderlich (ten); 4/12/1959 (4:15) CD 14 |
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Die zauberflöte: “Ein mädchen oder weibchen”. Le nozze di Figaro: “Aprite un po’ gli occhi”. Così fan tutte: “Rivolgete a lui lo sguardo” |
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Die Zauberflöte; Overture |
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Die Zauberföte: Dies Bildnis ist bezaubernd schön. Zaide: Ja, nun lass das Schicksal |
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Dir, Seele des Weltalls |
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Dir, Seele des Weltalls, K 429 |
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Discovering Così fan tutte: An Interactive Journey into the World of Mozart’s Opera (additional CD-ROM) |
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Divertimenti in F, K.213; in F, K.253; in B-Flat, K. 270; in E-Flat, K. 289 (271g). |
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Divertimenti Nos. 3 and 4, K 439b |
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Divertimenti, K 136–138 |
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Divertimenti, K 246, 334 |
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Divertimenti, K 439B: Nos. 1, 2, 5 |
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Divertimenti, K. 136, K. 137, K. 138; Symphony No. 13 in F, K. 112 |
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Divertimenti, Volume 1 |
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Divertimenti: in C, K. 187; in C, K. 188; in F, K. 138. Serenade No. 12 in C Minor, K. 388 |
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Divertimenti: in D, K 136; in B♭, K 137; in F, K 138; in D, K 334; in D, K 251; in D, K 205; in E♭, K 113; in D, K 131; in F, K 247, “London Night Music” No. 1; in B♭, K 287, “London Night Music” No. 2. Serenades: in G, “Eine Kleine Nachtmusik”; in D, K 239, “Serenata Notturna”; in D, K 100; in D, K 204; in D, K 320, “Posthorn”; in D, K 250, “Haffner”; in D, K 185; in D, K 203. Cassations: in G, K 63, “Final Music”; in B♭, K 99. A Musical Joke in F, K522. Notturno in D, K 286. Gallimathias Musicum, K 32 |
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Divertimenti: No. 11 in D, K 251; No. 17 in D, K 334 |
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Divertimenti: No. 15 in B♭, K 287; No. 7 in D, K 205; in D, K 136; No. 17 in D, K 334; No. 10 in F, K 247 |
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Divertimento (Trio No. 1) in B♭, K. 254. Trios: No. 2 in G, K. 496; No. 4 in B♭, K. 502; No. 5 in E, K. 542; No. 6 in C, K. 548; No. 7 in G, K. 564 |
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Divertimento for String Trio, K 563 |
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Divertimento for Two Clarinets and Bassoon: Rondo |
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Divertimento for Violin, Viola, and Cello in E♭, K 563. Duo in G for Violin and Viola, K 423 |
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Divertimento for Violin, Viola, and Cello, K 563 |
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Divertimento in B, K 287 |
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Divertimento in B♭ for Violin, Viola, and Cello, K Anh 229 (439b) |
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Divertimento in B♭, K 137 |
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Divertimento in B♭, K 240 |
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Divertimento in B♭, K 254 |
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Divertimento in B♭, K. 137 |
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Divertimento in B♭, K. 137. Andante and Five Variations, K. 501. Adagio and Allegro, K. 594. Orgelstück in F Minor, K. 608. Andante in F for Organ, K. 616 |
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Divertimento in B♭, K. 254. Trio In D Minor, G, and O, arr. Maximilian Stadler, K. 442. Trios: in G, K. 496; in B♭, K. 502; In E, K. 542; in C, K 548; In G, K. 564 |
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Divertimento In B♭, K. 254. Trios: In G, K. 496; In B♭, K. 502; In E, K. 542; In C, K. 548; In G, K. 564 |
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Divertimento in B♭, K. 287. Serenade in G, K. 525 (“Eine kleine Nachtmusik') |
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Divertimento in B♭, K. 439b: Minuet |
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Divertimento in C for Two Flutes, Three Trumpets in C, Two Trumpets in D, and Timpani, K. 187; Divertimento in C for Two Flutes, Three Trumpets in C, Two Trumpets in D, and Timpani, K. 188 |
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Divertimento in C, K./Kv. 188. Divertimento in C, KJKv. 187 |
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Divertimento in D for Strings, K 136 |
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Divertimento in D for Two Violins, Two Violas, Double Bass, Flute, Bassoon, and Four Horns, K. 131. Menuett in E♭ for Two Violins, Double Bass, Two Oboes, and Two Horns, K. 122. A Musical Joke in F for Two Violins, Viola, Double Bass, and Two Horns, K. 522. Divertimento in E♭ for Two Violins, Viola, Double Bass, Two Clarinets, and Two Horns, K. 113 |
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Divertimento in D for Two Violins, Viola, Double bass, and Two Horns, K. 334. Quintet in D for Two Violins, Two Violas, and Cello, K. 577. Andante for Mechanical Organ, K. 616. Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola, and Cello, K. 617 |
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Divertimento in D, K 136 |
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Divertimento in D, K 136: Mvmt 1 |
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Divertimento in D, K 205 |
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Divertimento in D, K 334: Menuetto |
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Divertimento in D, K. 131. Cassation in B", K. 99 |
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Divertimento in D, K. 136 |
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Divertimento in D, K. 136. A Musical Joke, K. 522. Serenade in G, K. 525 ( “Eine kleine Nachtmusik“) |
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Divertimento in D, K. 136: Presto |
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Divertimento in D, K. 334: Menuetto |
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Divertimento in D, K. 334: Minuet. Eine Kleine Nachtmusik, K. 525 |
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Divertimento in E-Flat for String Trio, K. 563 |
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Divertimento in E-Flat for Violin, Viola, and Cello, K. 563. String Trio in G, K. Anh. 66 |
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Divertimento in E♭ for String Trio, K. 563 |
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Divertimento in E♭ for Violin, Viola, and Cello, K. 563 |
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Divertimento in E♭ for Violin, Viola, and Cello, K. 563. Duos for Violin and Viola: in G, K. 423; in B, K. 424 |
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Divertimento in E♭, K 113 |
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Divertimento in E♭, K 543 |
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Divertimento in E♭, K 563 |
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Divertimento in E♭, K 563. Duo in B♭, K 424 |
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Divertimento in E♭, K. 252 |
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Divertimento in E♭, K. 563 |
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Divertimento in F, K 138 |
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Divertimento in F, K 247 |
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Divertimento in F, K. 138 |
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Divertimento in F, K. 213. Die Zauberflöte (arrangement for flute and clarinet) |
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Divertimento No. 1 in D, K. 136. Serenade No. 13 in G, K. 525 (“Eine Kleine Nachtmusik“) |
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Divertimento No. 1 in D, K. 136. Serenades: No. 6 in D, K. 239 (“Serenata notturna“); No. 13 in G, K. 525 (“Eine kleine Nachtmusik“). Adagio and Fugue in C minor, K. 546 |
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Divertimento No. 10 in F, K. 247. March in F, K. 248 |
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Divertimento No. 10, K 247 |
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Divertimento No. 11 in D for Two Violins, Viola, Double Bass, Oboe, Horn, and Bassoon, K. 25 V. Quartet in F for Oboe, Violin, Viola, and Cello, K. 370. Adagio in C for English Horn, Violin, Viola, and Cello, K. 580A. Quintet in E♭ for Horn, Violin, Two Violas, and Cello, K. 407“ |
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Divertimento No. 11 in D for Two Violins, Viola, Double Bass, Oboe, Horn, and Bassoon, K. 251 (“Nannerl-Septett“). Quartet in F for Oboe, Violin, Viola, and Cello. K. 370. Adagio in C Minor for English Horn, Violin, Viola, and Cello, K. 580a. Quintet in E♭ for Horn, Two Violins, Viola, and Cello, K. 407 |
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Divertimento No. 11 in D, K 251 |
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Divertimento No. 11 in D, K. 251 |
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Divertimento No. 11 in D, K.251 |
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Divertimento No. 11 inD,K.251. March in D, K. 445. Divertimento No. 17 in D, K. 334 |
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Divertimento No. 11, K 251 |
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Divertimento No. 14 in & for Wind Sextet, K. 270 |
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Divertimento No. 14 in B♭, K 270, arranged for wind quintet |
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Divertimento No. 14: Allegro molto; Presto (arr. Baines) |
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Divertimento No. 15 in B-Flat, K. 287 |
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Divertimento No. 15 in B., K 287: Theme and Variations; Minuet. |
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Divertimento No. 15 in B♭ for Violin and Orchestra, K. 287 |
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Divertimento No. 15 in B♭, K 287 |
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Divertimento No. 15 in B♭, K. 287. Ein musicalischer Spass in F, K. 522 |
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Divertimento No. 15 in B♭, K. 287. Serenade No. 13 in G, K. 525 ("Eine kleine Nachtmusik") |
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Divertimento No. 15, K 247: Tema con variazioni; Menuetto |
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Divertimento No. 15, K 287 |
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Divertimento No. 17 in D, K. 334 |
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Divertimento No. 17 in D, K. 334. Serenade No. 6 in D, K. 239 ("Serenata notturna") |
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Divertimento No. 17 in D, K. 334: Minuet |
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Divertimento No. 17 in D. Oboe Quartet in F |
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Divertimento No. 17, K. 334: Menuet |
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Divertimento No. 17: Minuet |
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Divertimento No. 17in D, K. 334: Minuet |
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Divertimento No. 2, K 131 |
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Divertimento No. 2: 5th Movt |
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Divertimento No. 3 in B for Two Clarinets and Bassoon, K. 439b |
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Divertimento No. 4, K. 229A: Rondo |
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Divertimento No. 5 in D for Violin, Viola, Double Bass, Bassoon, and Two Horns, K. 205 (173a) |
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Divertimento No. 7 in D, K. 205; Divertimento No. 11 in D, K. 251 |
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Divertimento, E. 439b |
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Divertimento, K 113. Piano Concerto No. 20. Symphony No. 41, “Jupiter“ |
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Divertimento, K 131: Adagio |
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Divertimento, K 251 |
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Divertimento, K 287/271h |
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Divertimento, K 334: Menuetto (arr. Palmgren) |
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Divertimento, K 334: Minuet |
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Divertimento, K 563 |
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Divertimento, K. 439b: Minuet |
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Divertimentos (originally for two basset horns/clarinets and bassoon or three basset horns.): Wo. 2, K. 439b: Allegro; Wo. 4, K. 439b; Adagio; Allegretto. Wo. 3, K. 439b: Menuet. BACH-RECHTMAN (all originally for keyboard): Prelude, BWV 936. Anna Magdalena Bach Notebook II: Menuett, Anh. 114. Menuett, Anh. 132. Trio, BWV 929. Invention (Sinfonia), BWV 797. Suite, BWV 821: Sarabande. Fuga, BWV 952. English Suite Now. 3, BWV 808: Gavotte II (Musette) |
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Divertimentos for 2 Horns and Strings: in F, K 247; in B♭, K 287; in D, K 334 |
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Divertimentos for 3 Basset Horns in B♭ K Anh 229 (439b): Nos. 1, 2, 4 |
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Divertimentos for Basset Horns: No. 2, K. 439b; No. 3, K. 439b. Five Duos, K. 487 |
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Divertimentos for Six Wind instruments: in F, K. 213; in B♭, K. 240; in E♭, K. 252; in F, K. 253; in B♭', K. 270 |
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Divertimentos for Strings and Two Horns: No. 10 in F, K. 247; No. 15 in & , K. 287 |
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Divertimentos for Two Clarinets and Bassoon, K. 439b, Nos. 1-3; No. 5 |
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Divertimentos for Two Oboes, Two Bassoons, and Two Horns: in F, K. 213; in ß♭, K. 240; in E♭, K. 252; in F, K. 253; in B. K. 270 |
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Divertimentos for Two Oboes, Two Horns, and Two Bassoons: in F, K. 213; in B-Flat, K. 240; In F, K. 253; in B-Flat, K. 270 |
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Divertimentos for Two Violins, Viola, Cello, and Two Horns: No. 17inD, K. 334 (320b); No. 10 in F, K. 247 |
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Divertimentos, Volume 5: No. 15 in B♭, K. 287; No. 7 in D, K. 205 |
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Divertimentos, Volume 7: In D, K. 131; in Eb, K. 113; in F, K. 522 (“A Musical Joke'). Minuet in Eb, K. 122 |
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Divertimentos: [No. 11] in D, K. 251; in B. K. 137; in E“, K. 113 |
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Divertimentos: in B♭, K. 186; in E♭, K. 166; in E. K. Anh. 226; in B", K. Anh. 227 |
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Divertimentos: in D, K 136; B♭, K 137; F, K 138; Sinfonia Concertante in E♭, K 364 |
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Divertimentos: in D, K 136; in B, K 137; in F, K 138 |
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Divertimentos: in D, K 136; in B♭, K 137; in F, K 138 |
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Divertimentos: in D, K. 131; in E♭, K. 113. Menuett in E♭, K. 122. A Musical Joke in F, K. 522 |
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Divertimentos: in D, K. 136; in B♭, K. 137, in F, K. 138. Serenade No. 13 in G, K. 525 ("Eine kleine Nachtmusik") |
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Divertimentos: in D, K. 136; in B♭, K. 137; in F, K. 138; [No. 11] in D, K. 251 |
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Divertimentos: in D, K. 136; in B♭, K. 137; in F, K. 138; Twelve German Dances |
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Divertimentos: in D, K. 136; No. 17 in D, K. 334 |
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Divertimentos: In D, K. 136; No. 17 in D, K. 334 |
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Divertimentos: in Eb, K. 113; in D, K. 334. March in D, K. 445 |
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Divertimentos: in E♭, K 113; in D, K 136/125a; in F, K 247; In b, K 287 (3 performances); in D, K 334 (2 performances) |
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Divertimentos: in F, K 247; in D, K 334 |
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Divertimentos: K 166, 186, 196e, 196f, 213, 240, 252, 253, 270, 289 |
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Divertimentos: K 166, 186, 213, 240, 252, 253, 279, 289; KAnh 227, 229/1–6 |
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Divertimentos: No. 1 in D, K. 136; No. 2 in B“, K. 137; No. 3 in F, K. 138. Adagio and Fugue in C minor, K. 546 |
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Divertimentos: No. 1 in D, K. 136; No. 2 in d, K. 137; No. 3 in F, K. 138. Serenade No. 6 in D, K. 239 (“Serenata Notturna“) |
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Divertimentos: No. 1 in D. K. 136; No. 17 in D, K. 334 |
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Divertimentos: No. 1 in E♭, K 113; No. 10 in F, K 247; No. 15 in B♭, K 287; No. 17 in D, K 334 |
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Divertimentos: No. 10 in B♭, K. 287; in F, K. 138 |
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Divertimentos: No. 10 in F, K. 247; No. 11 in D, K. 251 |
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Divertimentos: No. 10 in F, K. 247; No. 11 n D, K. 251 |
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Divertimentos: No. 11 in D, K. 251; No. 14 in B♭, K. 270. Serenade No. 6 in D, K. 239 (“Serenata notturna') |
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Divertimentos: No. 15 in B♭, K. 287; in B♭, K. 137 |
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Divertimentos: No. 17 in D, K 334 (320b); in F, K 138 (125c) "Salzburg Symphony No. 3"; in B♭,K137 (125b) "Salzburg Symphony No. 2"; in D, K 136 (125a) "Salzburg Symphony No. 1" |
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Divertimentos: No. 17 in D, K. 334 (320b); in B, K. 137 (125b) |
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Divertimentos: No. 17 in D, K. 334 (320b); No. 3 in F, K. 138 (125c) |
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Divertimentos: No. 17 in D, K. 334; in D, K. 136. March in D, K. 445 |
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Divertimentos: No. 17 in D, K. 334; No. 7 in D, K. 205. March in D, K. 290 |
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Divertimentos: No. 7 in D, K. 205; No. 11 in D, K. 251. March No. 8 in D, K. 290 |
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Divertimentos: Nos. 1-4; Nos. 6-17 in D. Marches: in D, K 290/167AB; in C, K 214; in F, K 248; in D, K 251 |
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Divertimentos: Nos. 1–3, K 136–138 |
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Divertimentos: Nos. 1–5, K 439 |
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Dixit et Magnificat, K 193 |
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Dixit et Magnificat, K. 193. Missa brevis in D, K. 194. Missa brevis in F, K. 192. Sancta Maria, mater dei, K. 273 |
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Dle Zaubernöte: Dies Bildnis; Soll ich dich, Teurer, nicht mehr seh'n (with Eipperle and Hann). Die Entführung aus dem Serail: Hier soll ich dich denn sehen; Wenn der Freude Tränen fliessen; Welch win Geschick (with Erna Berger, soprano) |
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Dominicus Mass, K. 66 |
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Don Giovanni |
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Don Giovanni (2 performances) |
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Don Giovanni (arr. Triebensee) |
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Don Giovanni (arranged for wind octet by Josef Triebensee) |
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Don Giovanni (Prague and Vienna Versions) |
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Don Giovanni (with Cesare Valletti, tenor; Herbert von Karajan conducting; Salzburg 1960): Ma quai mai s'offre, oh Dei; Or sai chi l'onore; Non mi dir |
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Don Giovanni K.527, |
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Don Giovanni Overture; London Symphony, Sir Henry Wood (1934) |
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Don Giovanni Wind Band Music |
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Don Giovanni, K 527 (arr. Triebensee) |
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Don Giovanni, K 527: Madamina; Ah! pietà, signori miei! |
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Don Giovanni, K. 527 |
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Don Giovanni, K. 527. Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Die Zauberflöte: Overture |
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Don Giovanni, K. 527. Cosi fan tutte, K. 588 |
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Don Giovanni, K. 527. Le nozze di fígaro, K. 492. Die Zauberflöte, K. 620 |
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Don Giovanni, K. 527. Requiem in D Minor, K. 626 |
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Don Giovanni, K. 527. Thamos, King of Egypt, K. 345 |
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Don Giovanni, K. 527: Excerpts |
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Don Giovanni, K. 527: Non mi dir. Die Entüfhrung aus dem Serail, K. 384: Martern aller Arten (sung in Italian) |
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Don Giovanni, K. 527: Or sai chi l'onore; Non mi dir. Alma grande e nobil core, K. 578. Ah, lo prevedi, K. 272. Ah, se in ciel, K. 538. Misera, dove sono, K. 369. Davidde penitente, K. 469: Tra l'oscure ombre funeste. Il Sogno di Scipione, K. 126: Ah, perché cercare deggio |
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Don Giovanni, K. 527: Overture . Bella mia fiamma, addio, K. 528. Concerto in A for Clarinet and Orchestra, K. 622. Symphony No. 38 in D, K. 504 (“Prague“) |
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Don Giovanni, K. 527: Overture. Motet: Ergo Interest, An Quis, K. 143/73a. Vesperae Solennes De Confessore, K. 339: Laudate Dominum . Coronation Mass, K. 317: Agnus Dei . Il Re Pastore, K. 208: L'amerò, Sarò costante. Concerto No. 2 in D for Violin and Orchestra, K. 211. Symphony No. 31 in D, K. 297 (“Paris“) |
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Don Giovanni, K. 527; Excerpts (sung in Hungarian) |
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Don Giovanni, Op. 527 |
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Don Giovanni. Così fan tutte |
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Don Giovanni. Die Zauberflöte: Act I Excerpts |
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Don Giovanni. Le nozze di Figaro |
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Don Giovanni. Le nozze di Figaro. |
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Don Giovanni. Le nozze di Figaro. Die Zauberflöte |
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Don Giovanni. Madamina, il catalogo è questo |
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Don Giovanni. Sérénade |
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Don Giovanni. The Abduction from the Seraglio |
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Don Giovanni: 10 excerpts |
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Don Giovanni: A zeige dich am Fenster |
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Don Giovanni: Act I duet (with Rosa Ponselle, 1934) and “Il mio tesoro“ (1941) |
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Don Giovanni: Act I Duet (with Rosa Ponselle, 1934); Il Mìo Tesoro (St. Louis, 1941) |
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Don Giovanni: Ah fuggi il traditor! Batti, batti, o bel Masetto. Mi tradì |
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Don Giovanni: Ah fuggi il traditori Mi tradì |
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Don Giovanni: Ah, che mi dice mai; Fuggi il traditor |
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Don Giovanni: Ah, fuggi il traditor; In quali eccessi ... Mi tradi quell'alma ingrata |
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Don Giovanni: Ah, fuggi il traditor; In quali eccessi ... Mi tradì quell'alma ingrata |
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Don Giovanni: Batti, batti |
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Don Giovanni: Batti, batti, o bel Masetto |
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Don Giovanni: Batti, batti. The Marriage of Figaro: Giunse alfin il momento (all with Austrian Symphony) |
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Don Giovanni: Batti, batti; Deh vieni alla finestra; Vedrai carino |
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Don Giovanni: Catalogue Aria |
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Don Giovanni: Crudele! Ah no! mio bene! . . . Non mi dir. The Marriage of Figaro: E Susanna non vien! . . . Dove sono |
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Don Giovanni: Crudele! Ah no! mio bene! . . . Non mi dir. The Marriage of Figaro: E Susanna non vien! . . . Dove sono. WEBER; Der Freischütz: Wie nahte mir der Schlummer. . . Leise, Leise |
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Don Giovanni: Crudele? Symphonies Nos. 35 and 40 |
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Don Giovanni: Crudele? Troppo mi spiace…. Non mi dir; Or sai chi l’onore. Die Zauberflöte: Ach, ich fühl’s |
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Don Giovanni: Dalia sua pace |
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Don Giovanni: Dalia sua pace; Il mio tesoro |
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Don Giovanni: Dalla Sua pace |
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Don Giovanni: Dalla sua pace |
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Don Giovanni: Dalla sua pace (O) |
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Don Giovanni: Dalla sua pace. Così fan tutte: Un aura amorosa. Die Zauberflöte: Dies Bildnis ist bezaubernd schön |
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Don Giovanni: Dalla sua pace. Die Zauberflöte: Dies Bildnis |
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Don Giovanni: Dalla sua pace. Il Mio Tesoro: Excerpts (Tauber's final performance at Covent Garden, September 27, 1947) |
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Don Giovanni: Dalla sua pace; Il mio tesoro |
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Don Giovanni: Dalla sua pace; Il mio tesoro. Così fan tutte: Un aura amorosa |
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Don Giovanni: Dalla sua pace; Il mio tesoro. Così fan tutte: Un'aura amorosa |
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Don Giovanni: Dalla sua pace; Il mio tesoro. Così fan tutte: Un'aura amorosa. Die Entführung aus dem Serail: Konstanze, dich wiederzusehen. The Magic Flute: Dies Bildnis |
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Don Giovanni: Dalla sua pace; Il mio tesoro. Die Zauberflöte: Bildnisarie; Wie stark ist doch dein Zauberton |
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Don Giovanni: Deh vieni alla finestra |
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Don Giovanni: Deh vieni alla finestra; Finch'han dal vino. Le nozze di Figaro: Se vuol ballare; Non più andrai |
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Don Giovanni: Deh! vieni alla finestra |
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Don Giovanni: Deh! vieni alla finestra. Fin ch’han dal vino |
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Don Giovanni: Deh, vieni alla finestra |
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Don Giovanni: Deh, vieni alla finestra (two versions). The Marriage of Figaro: Non più andral |
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Don Giovanni: Deh’ vieni alla finestra (trans. Backhaus) |
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Don Giovanni: Don Giovanni, a cenar teco |
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Don Giovanni: Don Giovanni, a cenar teco m’invitasi! |
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Don Giovanni: Don Giovanni-Leporello Scene (with Max Lohfing) |
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Don Giovanni: Don Ottavio … Son morta! ... Or sai chi l’onore |
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Don Giovanni: Don Ottavio, son morta |
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Don Giovanni: Don Ottavio, son morta! . . . Or sai chi l’onore; Or sai chi l’onore (Version 2 with orch); Non mi dir |
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Don Giovanni: Don Ottavio, son morta!... Or sai chi l’onore; Crudele? Ah no, mio bene!... Non mi dir, bell’idol mio.... Forse un giorno |
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Don Giovanni: excerpts |
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Don Giovanni: Excerpts |
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Don Giovanni: Excerpts (Ettore Panizza, cond; Elisabeth Rethberg (Anna); Richard Crooks (Ottavio); Metropolitan Op O. Live: New York 1/14/1939) |
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Don Giovanni: Excerpts (George London, bass-baritone; Gottlob Frick, bass; Sena Jurinac and Anneliese Rothenberger, sopranos; Nicolai Gedda, tenor) |
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Don Giovanni: Excerpts. Zubin Mehta, cond; Thomas Hampson (Don Giovanni); Ferruccio Furianetto (Leporelló); Edita Gruberova (Anna); Soile Isokoski (Elvira); Michael Schade (Ottavio) |
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Don Giovanni: Feinsliebchen, komm ans Fenster. Die Zauberflöte: Bei Männern; Ein Mädchen oder Weibchen |
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Don Giovanni: Fin ch'han dal vino |
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Don Giovanni: Fin ch’han dal vino |
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Don Giovanni: Finch' han dal vino |
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Don Giovanni: Finch' han dal vino; Deh Vieni alla finestra |
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Don Giovanni: Finch' han dal vino; Deh vieni alla finestra. The Marriage of Figaro: Hai già vinta la causa . . . Vedrò mentr'io sospiro. The Magic Flute: Ein Mädchen oder Weibchen |
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Don Giovanni: Finch' han dal vino; Deh, vieni alla finestra |
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Don Giovanni: Finch'han dal Vino. The Marriage of Figaro: Hai già vinta la Causa |
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Don Giovanni: Finch'han dal vino; Deh, vieni alla finestra |
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Don Giovanni: Finch'han del vino; Deh! vieni alla finestra |
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Don Giovanni: Finch’han dal vino |
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Don Giovanni: Folget der Heissgeliebten; Welch ein graunvolles Bild (with Elisabeth Grfimmer, soprano). Die Entführung aus dem Serail: Konstanze, dich wiederzusehen |
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Don Giovanni: highlights |
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Don Giovanni: II: mio tesoro |
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Don Giovanni: Il mio tesero |
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Don Giovanni: Il mio tesord. Die Entführung aus dem Serail: Ha! Wie will ich triumphiered |
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Don Giovanni: Il mio tesoro |
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Don Giovanni: Il mio tesoro (Richard Tauber) |
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Don Giovanni: Il mio tesoro. The Magic Flute: Dies Bildnis |
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Don Giovanni: Il mio tesoro; Dalla sua pace |
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Don Giovanni: Il mio tesoro; La ci darem la mano |
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Don Giovanni: Il mio tesoro; Ridente la calma |
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Don Giovanni: In quali eccessi . . . Mi tradi |
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Don Giovanni: In quali eccessi . . . Mi tradi quell’alma ingrata; Crudele? . . . Non mi dir |
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Don Giovanni: In quali eccessi ... Mi tradì |
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Don Giovanni: In quali eccessi ... Mi tradì quell’alma ingrata |
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Don Giovanni: In quali eccessi. . . Mi tradì; Batti, batti, o bel Masetto |
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Don Giovanni: In quali ecessi ... Mi tradì; Le Nozze di Figaro: Porgi amor; die Zauberflöte: Du also bist mein Bräutigam? |
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Don Giovanni: In questo loco; Don Ottavio... son morta!; Crudele?Ah no! giammai, mio ben. The Marriage of Figaro: Voi che sapete |
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Don Giovanni: La ci darem (Eberhard Waechter; Graziella Sciutti) |
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Don Giovanni: La ci darem la mano |
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Don Giovanni: La ci darem la mano (Hans Lobel, baritone; Elfriede Troetschel, soprano). Così fan tutte: Smanie implacabili che m'agitate (Ruth Lange, mezzo-soprano) |
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Don Giovanni: La ci darem la mano (with Giacomo Ri-mini, baritone) |
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Don Giovanni: La ci darem la mano. Le nozze di Figaro: Sull' aria |
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Don Giovanni: La cl darem la mano (with Irmgard Seefried, soprano); Act II, sc. 1 (with Sena Jurinac, soprano, Erich Kunz and Walter Berry, baritones); Act II, sc. 5 (with Sena Jurinac, Erich Kunz, and Ludwig Weber, bass). Le nozze di Figaro: Non più andrai |
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Don Giovanni: Là ci darem |
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Don Giovanni: Là ci darem (with Margherita Perras, soprano); Die Zauberflöte: Bei Männern (with Perras). Le Nozze di Figaro: Non più andrai; Vedrò mentr'io sospiro |
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Don Giovanni: Là ci darem (with Patrice Munsel) |
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Don Giovanni: Là ci darem la mano |
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Don Giovanni: Là ci darem la mano (Magda Raskó, Sándor Svéd); Mi tradì (Judit Séndor). Die Entführung aus dem Serail: Frisch zum Kampfe (Árpád Kishegyi); Welche Wonne, welche Lust (Valéria Koltay) |
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Don Giovanni: Là ci darem la mano (with Emilia Corsi, soprano) |
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Don Giovanni: Là ci darem la mano (with Lucy Crowe) |
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Don Giovanni: Là ci darem la mano (with Nicolai Ghiaurov, bass) |
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Don Giovanni: Là ci darem la mano, (with Erna Berger, soprano); Deh, vieni alla finestra |
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Don Giovanni: Ma qualmai s'offre … Fuggi, crudele, fuggi!; Don Ottavio, son morta!… Or sai chi l'onore; Crudele? Ah no, mio bene … Non mi dir, bell'idol mio. Le nozze di Figaro: Voi che sapete |
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Don Giovanni: Madamina |
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Don Giovanni: Madamina (Dene). The Magic Flute: Der holle Rache (Sylvia Geszty, soprano). Der Schauspieldirektor: Trio (Ágay, László, Réti) |
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Don Giovanni: Madamina! |
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Don Giovanni: Madamina! Il catalogo e questo |
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Don Giovanni: Madamina!, il catalogo è questo. The Magic Flute: Ein Mädchen oder Weibchen; Papagena! Weibchen, Taubchen (with Alda Noni, soprano) |
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Don Giovanni: Madamina, il catalogo di questo. Ah! Pieta, signori miei! Die Zauberflöte: In diesen heil’gen Hallen |
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Don Giovanni: Madamina, il catalogo è questo |
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Don Giovanni: Madamina, il catalogo è questo. Le nozze di Figaro: La vendetta: Non più andrai: Hai già vinta la causa!... Vedrò, mentr'io sospiro. Die Zauberflöte: Der Vogelfänger bin ich ja: Ein Mädchen oder Weibchen |
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Don Giovanni: Madamina, il catalogo è questo; Ah, pietà, signori miei; Di rider finirai... O statua gentilissima (with Nicolai Ghiaurov and Dimiter Petkov, basses) |
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Don Giovanni: Madamina, il catalogo è questo; Deh vieni alla finestra; Fin ch’han dal vino |
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Don Giovanni: Madamina, il catalogo è questo; Deh! vieni alla finestra; Fin ch’han dal vino; Meta di voi qua vadano; Ah, pieta, signori miei! |
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Don Giovanni: Madamina, il catalogo è questo; Finch ‘han dal vino |
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Don Giovanni: Madamina, il catalogo é questo |
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Don Giovanni: Madamina; Ah! pietà, signori miei! |
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Don Giovanni: Madamina; Deh, vieni alla finestra; Finch’han dal vino |
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Don Giovanni: Mi tradi quell’alma ingrata |
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Don Giovanni: Mi tradi quell’alma; Non mi dir |
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Don Giovanni: Mi tradì. Exsultate Jubilate: Alleluja |
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Don Giovanni: Minuet |
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Don Giovanni: Minuet. Rondo alla Turca (two versions). Sonata No. 9 In D, K. 311 (incomplete) |
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Don Giovanni: Non mi dir |
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Don Giovanni: Non mi dir (2 takes) |
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Don Giovanni: Non mi dir, bell' idol mio |
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Don Giovanni: Non mi dir; Mi tradi |
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Don Giovanni: Non mi dir; Mi tradi; Vedrai, carino |
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Don Giovanni: Non mi dir; Or sai chi l’onore |
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Don Giovanni: Non ti fidar, o misera. Don Ottavio, son morta!... Or sai chi l’onore. In quali eccessi, o Numi ... Mi tradì quell’alma ingrata |
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Don Giovanni: Nur ihrem Frieden; Folget der Heissgeleibten |
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Don Giovanni: Nur ihrem Frieden; Folget der Heissgeliebten |
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Don Giovanni: O statua gentilissima (with Sándor Svéd, baritone) |
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Don Giovanni: Or sai chi l'onore (with F. D. Graupe); Non mi dir. Le Nozze de Figaro: Porgi amor; Dove sono. Cosi Fan Tutte: Come scoglio; Per pietà, ben mio perdona. Die Zauberflöte: Ach, ich fühl's |
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Don Giovanni: Or sai chi l'onore (with Ian Caley, tenor) |
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Don Giovanni: Or sai chi l'onore; Non mi dir |
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Don Giovanni: Or sai chi l'onore; Non mi dir; In quali eccessi. . . Mi tradi quell'alma ingrata. Le nozze di Figaro: Porgi, amor, qualche ristoro; E Susanna non vien!. . . Dove sono. Die Zauberflöte: Ach, ich fühl's. Die Entführung aus dem Serail: Welcher Weschsel herrscht in meiner Seele ... Traurigkeit ward mir zum Lose; Martern aller Arten. Vorrei spiegarvi, o Dio, K418. Exsultate, jubilate, K 158a |
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Don Giovanni: Or sai chi l’onore; Non mi dir |
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Don Giovanni: Or sai, chi l'onore; Non mi dir. i |
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Don Giovanni: Or sai, chi l’onore; Non mi dir |
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Don Giovanni: Overture |
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Don Giovanni: Overture (LPO) |
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Don Giovanni: Overture. |
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Don Giovanni: Overture. Così fan tutte: Overture. The Abduction from the Seraglio: Overture |
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Don Giovanni: Overture. Symphony No. 35 in D, K 385. Piano Concerto No. 12 in A, K 414: Mvts 2 and 3. Die Zauberflöte: Overture. The Abduction from the Seraglio: Overture |
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Don Giovanni: Overture; Batti, batti, Vedrai carino |
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Don Giovanni: Overture; Dalla sua pace; Il mio tesoro |
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Don Giovanni: Overture; Notte e Giorno; La ci darem la mano; Fin ch'han dal Vino. Die Zauberflöte: Du Jüngling, schön and liebevoll; Der Vogelfänger bin ich ja; O Isis und Osiris; Der Hölle Rache |
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Don Giovanni: Quel casinetto è mio . . . Là ci darem la mano |
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Don Giovanni: Schmäle, schmäle lieber Junge (Batti, batti) |
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Don Giovanni: Selections |
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Don Giovanni: Serenade |
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Don Giovanni: Serenade; Brindisi |
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Don Giovanni: Serenata |
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Don Giovanni: Serenata; Brindisi |
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Don Giovanni: Sextet from Act II (Renée Fleming, soprano; Kiri Te Kanawa, soprano; Hei-Kyung Hong, soprano; Jerry Hadley, tenor; Bryn Terfel, baritone; Julien Robbins, baritone) |
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Don Giovanni: Vedrai carino |
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Don Giovanni: Vedrai, carino |
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Don Giovanni: Vedrai, carino; Mi tradì |
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Don Giovanni: Zitto!...Vedrai carino |
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Don Giovanni: “Io crudel?…Non mi dir” (in German). Così fan tutte: “Come scoglio”;“ Per pieta”; “Seinen armen eil’ich entgegen”. Die zauberflöte: “Ach, ich fühls” |
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Don Giovanni: “Or sai che l’onore”. La clemenza di Tito: “Parto, parto”. Così fan tutte: “Come scoglio”. Le nozze di Figaro: “Dove sono” |
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Don Giovanni] K. 527 |
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Dove mai trovar quel ciglio?, K 420 (424a) |
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Du also bist mein Bräutigam? |
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Duets for Flute and Oboe on Arias from Don Giovanni, Le nozze di Figaro, Die Entführung aus dem Serail, and Die Zauberflöte |
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Duets for Flutes on Selections from Die Zauberflöte and Die Entführung aus dem Serail |
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Duettino concertante (arr. Busoni). Fugue in c. Concerto for 2 Pianos in E♭ |
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Duo for Violin and Viola, K 423: Rondo in G (arr. Scheid for solo violin) |
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Duo in B for Two Clarinets, K. 484d (420), Adagio in F for Clarinet and Three Basset Horns, K.580a, Adagio in B Two Clarinets and Three Basset Horns, K. 439b, No. 1, Six Nocturnes for Singers and Three Basset Horns, K. 436, 439, 549, 437, 438, 439a, Divertimento in F for Three Basset Horns, K. 439b, No. 4 |
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Duo in B-Flat for Two Clarinets (after Violin Sonata, K. 317d). Canonic Adagio in F for Two Bassett Horns and Bassoon, K. 484d (410). Adagio in F for Clarinet and Three Bassett Horns, K. 580a (completed by Raymond Meylan). Adagio in B-Flat for Two Clarinets and Three Bassett Horns, K. 484a (411 ). Divertimento No. 1 in F for Three Bassett Horns, K. 439b |
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Duo in B♭ for Violin and Viola, K. 424 |
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Duo in B♭ for Violin and Viola, K. 424. Divertimento in E♭, K. 563 |
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Duo In B♭ lor Two Violas da Gamba, K. 292 |
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Duo in G for Violin and Viola, K 423 |
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Duo in G, K 423 |
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Duo No. 2 in B♭ for Violin and Viola, K. 424 |
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Duo No. 2 in B♭, K 424 |
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Duos for Violin and Viola: in G, K 423; in B♭, K 424. Divertimento for Violin, Viola, and Cello in E♭, K 563 |
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Duos for Violin and Viola: in G, K 523; in B♭, K 524 |
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Duos for Violin and Viola: in G, K. 423; in B-Flat, K. 424 |
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Duos for Violin and Viola: No. 1 in G, K 423 |
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Duos for Violin and Viola: No. 1 in G, K 423; No. 2 in B♭, K 424 |
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Duos for Violin and Viola: No. 1 in G, K. 423; No. 2 in B-Flat, K. 424 |
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Duos for Violin and Viola: No. 1 in G, K. 423; No. 2 in B♭, K. 424 |
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Duos for Violin and Viola: No. 1 in G; No. 2 in B♭ |
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Duos for Violin and Viola: No. 2 in B♭, K 424 |
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Duos for Violin and Viola: No. 7 in G, K. 423; No. 2 in B-Flat, K. 424 |
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Duos: in G and B |
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Duos: in G, K 423; in B♭, K 424 |
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Early Keyboard Works |
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Early String Quartets |
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Early Symphonies |
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Early Symphonies, Volume 1. Symphonies: No. 1 in Eb, K. 16; No. 5 in Bb, K. 22; No. 6 in F, K. 43; No. 10 in G, K. 74; in G, K. 45a (“Old Lambach“) |
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Early Symphonies, Volume One |
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Eight Variations on a Dutch Song by Christian Ernst Graf, K. 208. Sonata Movement in B♭, K. 400. Fugue in G Minor, K. 401. Seven Variations on “Willem Van Nassau,“ K. 25. Klaviersuite in C, K. 399. Twelve Variations on a Minuet by Johann Christian Fischer, K. 179. Sonata in G Minor, K. 32. Allegro. Capriccio in C, K. 395. Twelve Variations on “Je suis Undor, “ K. 354 |
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Ein Andante für eine Walze in eine kleine Orgel in F, K 616 |
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Ein musikalischer Spass |
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Ein Musikalischer Spass, K 522 |
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Ein musikalischer Spass, K 522 |
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Ein musikalischer Spass, K. 522 |
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Ein musikalischer Spass. Mithridate: “Lungi da te” |
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Ein Orgelstück für eine Uhr in f, K 608 |
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Ein Orgelstück für eine Uhr, K. 608 |
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Ein Orgelstück für eine Uhr, K. 608. Ein Stück für ein Orgelwerk in einer Uhr, K. 594 |
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Ein Stück für ein Orgelwerk in einer Uhr in f/F, K 594 |
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Eine kleine Freimaurer-Kantate |
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Eine kleine Gigue in G |
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Eine kleine Gigue in G, K 574 |
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Eine kleine Gigue, K 574 |
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Eine kleine Nachtmusik |
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Eine kleine Nachtmusik, K 525 |
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Eine Kleine Nachtmusik, K 525 |
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Eine kleine Nachtmusik, K 525: Romanze |
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Eine kleine Nachtmusik, K. 525 |
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Eine Kleine Nachtmusik, K. 525. Serenata Notturna, K. 239. Serenade in C Minor for Eight Winds, K. 388 |
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Eine kleine Nachtmusik, K. 525; Romance |
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Eine kleine Nachtmusik. Adagio and Fugue in c, K 546. Menuet and Trio in C, K 485a. Serenata notturna. A Musical Joke |
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Eine kleine Nachtmusik: Allegro |
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Eine klein» Freimaurer-Kantate, K. 623. Maurergesang, K. 623a. O Helliges Band, K. 148. Maurerische Trauer-musik, K. 477. Zerfllesset heut; gellebte Brüder, K. 483. Ihr unsre neuen Leiter, K. 484. Dir, Seele des Weltal |
