Anthems, Motets, and Ceremonial Music |
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Ayre. Saraband |
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Break, distracted heart |
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Consort for Several Friends: Suite No. 3 in D |
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Consort of Fower Parts—Suites: No. 1 in d; No. 2 in d/D; No. 3 in F; No. 4 in F; No. 5 ing; No. 6 in G |
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Consort of Two Parts for Several Friends |
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Curtain Tune in The Tempest |
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Dances, Fantasias, Toccatas by |
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Descende cáelo. How doth the city. Super flumina. O be joyful. Audi Domine. Lord let me know. Jesu auctor démentie. Be thou exalted |
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Fantasy for Two Trebles and Bass |
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For His Majesty's Sagbutts and Cornetts: Pavan-Almand a 6; Suite I in D Minor; Suite II in F. Voluntary in A Minor. Voluntary in D Minor |
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Gavott. First and Second Brawles |
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Harpsichord Suite in F |
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How Doth the City |
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How doth the city sit |
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Melothesia: Suite No. 4 in 0 |
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Music by |
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Music For His Majesty's Sackbuts and Cornetts; |
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Music for His Majesty's Sackbuts andComets |
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Music from The Tempest |
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Music of |
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Psyche |
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Selections by |
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Seven Suites from The Little Consort, The Broken Consort, Tripla Concordia |
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Seven Voluntaries from Melothesia |
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Sonatina |
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Suite for His Majesty’s Sackbuts and Cornetts |
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Suite in B♭, “For Several Friends” |
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Suite in C |
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Suite in c |
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Suite in d |
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Suite in e |
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Suite in E Minor |
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Suite In G. Suite In G Minor |
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Suite No. 3 in F |
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Suite No. 4 |
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Suite No. 4 in D |
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Suite No. 5 in e |
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Suite No. 5 in G minor |
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Suite No. 6 in A |
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Suite No. 7 |
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Suites for Flat Consort No. 1 in c; No. 2 in B♭; No. 3 in d; No. 4 in B♭; No. 5 in a. Duos for 2 Bass Viols in C; in D |
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Suites for Recorder and Continuo |
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The Broken Consort, Part 1: Suite No. 2. Tripla Concordia: Suite |
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The Broken Consort, Part 1: Suites: No. 3 in C, Harding 134, nos. 9-12; No. 4 in C, Harding 134, nos. 13-16; No. 5 in D Minor, Harding 134, nos. 17-20; No. 6 in D, Harding 134, nos. 21-24. The Broken Consort, Part 2: Suite No. 4 in F, Harding 138, nos. 10-14. Tripla Concordia: Suite in G Minor, Harding 156-164. The Little Consort: Suite No. 4 in B♭, Harding 132, nos. 13-16 |
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The Broken Consort, Part I (1661 ). Duos for Two Bass Viols (1652). Fantasia and Corant in D Minor (1665) |
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The delights of the bottle |
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The Flat Consort for my cousin Kemble—Suites: No. 1 in c; No. 2 in B♭. Consort of Four Parts—Suites: No. 1 in d; No. 2 in d/D; No. 3 in F; No. 4 in F; No. 5 in g; No. 6 in G. 2 Canons ‘4 in 2’ |
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The Flat Consort for my cousin Kemble—Suites: No. 3 in d; No. 4 in B♭; No. 5 in d |
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The Little Consort: Suites No. 1 in g; No. 6 in F; No. 2 in C; No. 7 in g; No. 3 in d; No. 8 in a; No. 4 in B♭; No. 9 in B♭; No. 5 in e; No. 10 in d |
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The Little Consort—Suites: No. 6 in F; No. 7 in g/G; No. 8 in a; No. 9 in B♭; No. 10 in d |
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The Tempest: Curtain Tune |
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The Tempest: First Musick Galliard; Second Musick Lilk and Curtain Tune |
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The Tempest: Incidental Music |
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The Tempest: Suite |
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Tripla Concordia, 1677: Suite in G |
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Two Voluntaries |
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Voluntaries: in D Minor; in A Minor; in A Minor |
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Works by |
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