(Sonata) for Violin and Piano. Piece. Projection 4. Extensions 1. Vertical Thoughts 2. The Viola in My Life 3. Spring of Chosroes. For Aaron Copland. For John Cage. (Composition) for Violin |
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2 Pieces [for Danny Stern]. Extensions 5. 2 Instruments. Wind [for Naomi Newman]. Follow Thy Faire Sun. Dance Suite [for Merle Marsicano]. For Stockhausen, Cage, Stravinsky, and Mary Sprinson |
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2 Pieces for 2 Pianos |
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3 Clarinets, Cello, and Piano. Bass Clarinet and Percussion. Clarinet and String Quartet |
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3 Dances. First Piano Sonata, “To Béla Bartók.“ For Cynthia. 2 Pieces for 3 Pianos. Preludio. Self Portrait |
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3 Pieces For String Quartet |
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Bass Clarinet and Percussion |
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Chorus & Instruments I11967 |
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Chorus and Instruments |
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Chorus and Instruments II. Christian Wolff in Cambridge. For Stefan Wolpe |
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Chorus and Instruments. Voices and Instruments 1. Voices and Instruments 2. The Swallows of Salangan |
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Clarinet and String Quartet |
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Clarinet And String Quartet |
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Concertos for Piano and Orchestra. Flute and Orchestra. Oboe and Orchestra. Cello and Orchestra |
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Coptic Light |
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Coptic Light. Piano and Orchestra^. Cello and Orchestra |
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Coptic Light. String Quartet and Orchestra |
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Durations 2 |
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Durations II (1960) |
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Durations l. Coptic Light |
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Early Piano Pieces |
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Extensions 1 For Violin and Piano |
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Extensions 1 for Violin and Piano |
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Extensions 4 for 3 Pianos |
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Extensions 4 for Three Pianos'* |
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Extensions I (1951) |
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False Relationships and the Extended Ending |
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Flute and Orchestra. Cello and Orchestra. Oboe and Orchestra. Piano and Orchestra |
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For Aaron Copland |
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For Bunita Marcus |
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For Bunita Marcus. Palais de Mari |
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For Christian Wolff |
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For Frank O’Hara. Bass Clarinet and Percussion. De Kooning. Instruments I |
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For John Cage |
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For John Cage (1982) |
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For Philip Guston |
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For Samuel Beckett |
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For Samuel Beckett. The Turfan Fragments |
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For String Quartet |
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For Sunita Marcus |
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Four Instruments |
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Four Instruments (1975) |
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Give My Regards to Eighth Street |
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Instruments I |
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Instruments II |
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Intermission 1 |
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Intermission 5. Piano Piece (to Philip Guston). Vertical Thoughts 4. Piano. Palais de Mari |
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Intermission 5. Piano Piece (to Philip Guston). Vertical Thoughts 4. Piano. Palais de Mari (for Francesco Ciamente) |
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Intermission V. Piano Piece. Two Intermissions. Four Last Pieces. Intermission VI. Five Pianos |
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Intermissions 1-6. Variations |
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Intermissions I–IV |
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Intersection 3 for Piano |
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Intersection 3 for Piano. Extensions 4 for 3 Pianos. 2 Pieces for 2 Pianos |
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Intersection IV. Duration II |
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Intersections 2 and 3. The King of Denmark |
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Ixion |
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Madame Press Died Last Week at Ninety |
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Met Heine on the Rue Fürstenberg |
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Music of |
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Nature Piece No. 4 |
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Nature Pieces. Extensions 3. Piano Piece 1952. Three Pieces. Piano Piece 1955. Piano Piece 1956. Last Pieces. Vertical Thoughts 4. Piano Piece (To Philip Guston). Piano Piece 1964. Piano |
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Neither |
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Neither—Opera |
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Oboe and Orchestra. Atlantis |
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Only |
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Orchestra. Elemental Procedures |
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Palais de mari |
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Palais de Mari |
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Palais de Mari. Piano |
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Patterns in a Chromatic Field |
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Patterns in a Chromatic Field (1981) |
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Piano |
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Piano and Orchestra. Flute and Orchestra. Oboe and Orchestra. Cello and Orchestra |
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Piano and String Quartet |
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Piano and String Quartet (1985) |
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Piano Piece 1964 |
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Piano, Violin, Viola, Cello |
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Piano, Violin, Viola, Cello (1987) |
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Piece for 4 Pianos |
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Piece for Four Pianos. Intermission VI. Piano—Four Hands. Two Pieces for Two Pianos. Two Pianos. Five Pianos |
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Piece for Violin and Piano |
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Piece for Violin and Piano (1950) |
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Pieces for String Quartet: 1956; 1954 |
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Portraits of Friends and Relatives, Recuerdos de un Antano Triste |
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Principal Sound |
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Projection 1. Intersection 4. Four Songs to Poems by E. E. Cummings |
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Projection 4 for Violin And Piano |
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Projection 4 for Violin and Piano. Structures for String Quartet. Extensions 1 for Violin and Piano. 3 Pieces for String Quartet |
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Projection I. Composition—8 Little Pieces |
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Projection I. Extension 3. Intersection 4. Duration 2 |
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Projection IV (1951) |
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Rothko Chapel |
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Rothko Chapel. For Stephan Wolpe. Christian Wolff In Cambridge |
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Rothko Chapel. Why Patterns? |
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Routine Investigations |
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Spring of Chosroes |
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Spring of Chosroes (1978) |
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String Quartet |
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String Quartet (1979) |
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String Quartet (I) |
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String Quartet (II): |
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String Quartet and Orchestra |
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String Quartet and Orchestra. Oboe and Orchestra. Atlantis |
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String Quartet No. 2 |
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Structures |
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Structures for String Quartet |
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The Early Years |
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The Possibility of a New Work for Electric Guitar |
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The Rothko Chapel |
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The Straits of Magellan. 2 Pieces for 6 Instruments. Projections. Durations |
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The Swallows of Salangan |
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The Viola in My Life |
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The Viola in My Life I – IV |
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The Viola in My Life III |
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The Viola in My Life IV |
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The Viola in My Life. False Relationships and the Extended Ending. Why Patterns? |
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The Viola in My Life: I |
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The Viola in My Life: II |
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The Viola in My Life: III |
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The Viola in My Life: IV |
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The Viola in My Life: I–IV |
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The Viola of My Life (1970) |
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Three Voices |
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To Philip Guson |
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Triadic Memories |
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Triadic Memories. Cage One |
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Triadic Memories. Piano |
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Triadic Memories. Piano. Two Pianos. Piano Four Hands. Piano Three Hands |
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Triadic Memories. Piano. Two Pianos. Piano Four-Hands. Piano Three-Hands |
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Trio |
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Trio |
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Trio (1980) |
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Trio for Flutes |
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Two Instruments |
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Two Pieces |
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Two Pieces for Clarinet and String Quartet (1961; versions 1 and 2). Clarinet and String Quartet (1983) |
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Untitled Composition for Cello and Piano |
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Untitled Composition For Cello And Piano (Patterns in A Chromatic Field) |
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Vertical Thoughts II (1963) |
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Vertical Thoughts IV; Piano Piece (to Philip Guston) |
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Violin and Orchestra |
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Violin and String Quartet |
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Voices and Cello |
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Voices and Instruments 1 |
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Voices and Instruments 2 |
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Why Patterns? |
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Why patterns? Crippled Symmetry |
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Why Patterns? Crippled Symmetry |
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Works for Piano |
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Works of |
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