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Performer: Leopold Simoneau

LEOPOLD SIMONEAU AND PIERRETTE ALARIE SING MOZART ARIAS AND DUETS: Duets (Review by Anthony D. Coggi)

tenor 

LEOPOLD SIMONEAU: OPERA ARIAS AND DUETS (Leopold Simoneau) (Review by Ralph V. Lucano)

performance, want list 

LEOPOLD SIMONEAU: OPERA ARIAS AND DUETS (Leopold Simoneau) (Review by James Camner)

tenor 

MOZART: Die Entführung aus dem Serail (Sir Thomas Beecham) (Review by Alan Swanson)

Belmonte 

BACH, JOHANN SEBASTIAN: Mass in B Minor (Review by Peter J. Rabinowitz)

tenor 

BACH, JOHANN SEBASTIAN: Mass in b (Review by Peter J. Rabinowitz)

tenor 

BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Mortimer H. Frank)

tenor 

BERLIOZ: Grande Messe des Morts (Requiem), Op. 5 (Review by ROGER DETTMER)

tenor 

BERLIOZ: Grande Messe des morts, Op. 5. Symphonie fantastique, Op. 14 (Review by Adrian Corleonis)

tenor 

BERLIOZ: L’enfance du Christ (Review by Huntley Dent)

tenor 

BERLIOZ: Requiem (Review by Huntley Dent)

tenor 

BIZET: Les Pêcheurs de perles (Review by Lynn René Bayley)

Nadir 

BIZET: The Pearl Fishers (Review by Leonard J. Brandt)

Nadir 

BIZET: The Pearl Fishers (Review by Leonard J. Brandt)

tenor 

BRAHMS, JOHANNES: Ein deutsches Requiem, Op. 45 (Review by Mortimer H. Frank)

tenor 

BRITTEN: The Rape of Lucretia (Review by James Miller)

tenor 

BRUCKNER, ANTON: Te Deum (Review by Mortimer H. Frank)

tenor 

DUPARC: L'Invitation au voyage, La Vie antérieure. Extase. Testament. Sérénade florentine. Le Manoir de Rosemonde. La Vague et la cloche. Lamento. Élégie. Phidylé. Chanson triste. Soupir. Au Pays où se fait la guerre. Sérénade (Review by Adrian Corleonis)

tenor 

DUPARC: Melodies (Review by Phillip Scott)

tenor 

DUPARC: Mélodies (Review by Adrian Corleonis)

tenor 

GAY/PEPUSCH: The Beggars Opera (Review by James Miller)

tenor 

GLUCK: Iphigénie en Tauride (Review by James A. Altena)

Pylade 

GLUCK: Iphigénie en Tauride (Review by Anthony D. Coggi)

Pylades 

GLUCK: Iphigénie en Tauride (Review by Anthony D. Coggi)

tenor 

GLUCK: Orfeo ed Euridice (Review by James Miller)

tenor 

GLUCK: Orphée et Eurydice (1774 Paris Version) (Review by William H. Youngren)

Orphée 

GLUCK: Orphée et Eurydice (1774 Paris Version) (Review by William H. Youngren)

tenor 

HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson)

tenor 

MONTEVERDI: The Coronation of Poppea (Review by James Miller)

tenor 

MOZART: Così fan tutte (Review by Mortimer H. Frank)

Ferrando 

MOZART: Così fan tutte, K. 588 (Review by Philip Hart)

Ferrando 

MOZART: Così fan tutte, K. 588 (Review by Mortimer H. Frank)

Ferrando 

MOZART: Così fan tutte, K. 588 (Review by Philip Hart)

tenor 

MOZART: Così fan tutte, K. 588 (Review by Mortimer H. Frank)

tenor 

MOZART: Die Zauberflöte, K. 620 (Review by James Miller)

Tamino 

MOZART: Die Zauberflöte, K. 620 (Review by Mortimer H. Frank)

Tamino 

MOZART: Die Zauberflöte, K. 620 (Review by James Miller)

tenor 

MOZART: Die Zauberflöte, K. 620 (Review by Mortimer H. Frank)

tenor 

MOZART: Don Giovanni (Review by Barry Brenesal)

Don Ottavio 

MOZART: Don Giovanni (Review by Raymond Tuttle)

Don Ottavio 

MOZART: Don Giovanni (Review by Ken Meltzer)

Don Ottavio 

MOZART: Don Giovanni (Review by James A. Altena)

Don Ottavio 

MOZART: Don Giovanni, K. 527 (Review by Paul Turok)

Don Ottavio 

MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank)

Don Ottavio 

MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano)

Don Ottavio 

MOZART: Don Giovanni, K. 527 (Review by James Camner)

Don Ottavio 

MOZART: Don Giovanni, K. 527 (Review by Paul Turok)

tenor 

MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank)

tenor 

MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano)

tenor 

MOZART: Don Giovanni, K. 527 (Review by James Camner)

tenor 

MOZART: Don Giovanni, K. 527. Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Die Zauberflöte (Review by Ralph V. Lucano)

Don Ottavio 

MOZART: Don Giovanni, K. 527. Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Die Zauberflöte (Review by Ralph V. Lucano)

tenor 

MOZART: Idomeneo (Review by Lynn René Bayley)

Idamante 

MOZART: Idomeneo (Review by Boyd Pomeroy)

Idamante 

MOZART: Idomeneo, K. 336 (Review by Ralph V. Lucano)

Idamante 

MOZART: Idomeneo, K. 336 (Review by Ralph V. Lucano)

tenor 

MOZART: Lucia Silla (Review by Michael Ullman)

tenor 

MOZART: Requiem in D Minor, K. 626 (Review by Haig Mardirosian)

tenor 

MOZART: Requiem (Review by Henry Fogel)

tenor 

MOZART: Requiem (Review by Ken Meltzer)

tenor 

MOZART: Requiem, K. 626 (Review by Mortimer H. Frank)

tenor 

MOZART: Requiem. Kleine Freimaurer-Kantate, K 623. Mauergesang, K 623a. Die Zauberflöte (Review by Paul Orgel)

tenor 

MOZART: The Abduction from the Seraglio, K. 384. Arlas? (Review by John Bauman)

Belmonte 

MOZART: The Abduction from the Seraglio, K. 384. Arlas? (Review by John Bauman)

tenor 

MOZART: The Marriage of Figaro. Così Fan Tutte. Don Giovanni. Idomeneo (Review by James Miller)

tenor 

OFFENBACH: Les contes d’Hoffmann (Review by James Miller)

Hoffmann 

OFFENBACH: Tales of Hoffmann (Review by James Miller)

Hoffman 

OFFENBACH: Tales of Hoffmann (Review by James Miller)

tenor 

ROSSINI: La Cenerentola. Le Comte Ory. The Barber of Seville (Review by James Miller)

tenor 

 

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