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Performer: Montserrat Figueras

CANT DE LA SIBILLA: (Review by J. F. Weber)

soprano 

CANT DE LA SIBILLA: (Review by Martin Anderson)

soprano 

CHRISTOPHER COLUMBUS: LOST PARADISES (Jordi Savall) (Review by Barry Brenesal)

soprano 

DINASTIA BORJA: (Review by J. F. Weber)

soprano 

DU TEMPS & DE L'INSTANT: (Review by Brian Robins)

vocals 

EL CANT DE LA SIBILLA: (Review by J. F. Weber)

soprano 

EL CANTO DE LA SIBILA II- GALICIA, CASTILLA: (Review by J. F. Weber)

soprano 

EL NUEVO MUNDO: FOLÍAS CRIOLLAS (Jordi Savall) (Review by Christopher Brodersen)

soprano 

HARMONIE UNIVERSALE: (Review by Brian Robins)

soprano 

INVOCATION À LA NUIT: (Review by J. F. Weber)

soprano 

LA BARCHA D’AMORE: (Review by J. F. Weber)

soprano 

LUX FEMINAE: (Review by J. F. Weber)

soprano 

MARE NOSTRUM: (Review by J. F. Weber)

vocal 

MONTEVERDI: Arie e Lamenti... (Montserrat Figueras) (Review by J. F. Weber)

soprano 

NINNA NANNA: (Review by J. F. Weber)

soprano 

SETTINGS OF LOPE DE VEGA: (Review by J. F. Weber)

soprano 

SONGS OF OLD CATALONIA: (Review by J. F. Weber)

singer 

TOUS LES MATINS DU MONDE—SOUNDTRACK: (Jordi Savall) (Review by Barry Brenesal)

soprano 

ALFONSO EL SABIO: O ffondo do mar (Review by J. F. Weber)

soprano 

ANON/TRAD: Various works (Review by J. F. Weber)

soprano 

ANONYMOUS: El moro de Antequera. Levantose el Conde Nino. El Rey de Francia. Por alii paso un cavaìlero. Por que llorax bianca niňa. La guirnalda de rosas. Nani, nani. El Rey que tanto madruga. Las estrellas de los cielos. En la santa Helena. A la una yo nací. Improvisation. Paxarico tu te llamas. Yo era niňa de casa alta. Longe di mi tu estarás. Hermoza muchachica. Axerico de quinze aňos. Improvisation on Axerico (Review by Tom Moore)

canto 

ANONYMOUS: Saeta (Review by Haig Mardirosian)

vocals 

ANONYMOUS: Sarabande Italienne (Review by Brian Robins)

soprano 

BACH, JOHANN SEBASTIAN: Liebster Gott, wann werd ich sterben, BWV 8 (Review by Haig Mardirosian)

vocals 

CÁRCERES: Villancicos and Ensaladas (Review by J. F. Weber)

soprano 

CAVALLI: Ercole Amante. ANON. (Le Livre Vermeil de Monserrat) (Review by Haig Mardirosian)

vocals 

CHILESE: Canzon in Echo a 8 (Review by Brian Robins)

soprano 

FALCONIERI, ANDREA: Battaglia de Barabasso (Review by Brian Robins)

soprano 

FONTEI: Pianto D’Erinna (Review by Brian Robins)

soprano 

GABRIELI, GIOVANNI: Canzon III a 6 (Review by Brian Robins)

soprano 

GUAMI, GIOSEFFO: Canzon sopra La Battaglia (Review by Brian Robins)

soprano 

HAYDN, FRANZ JOSEPH: Die Harmonie (Review by Haig Mardirosian)

vocals 

HUME, CAPTAIN TOBIAS: Poeticall Musické. The First Part of Ayres (Review by J. F. Weber)

soprano 

LASSUS: Missa pro defunctis (Review by Haig Mardirosian)

vocals 

MARCABRU: Pax in nomine Domini (Review by J. F. Weber)

soprano 

MARIN: Tonos Humános (Review by Tom Moore)

soprano 

MARTÍN Y SOLER, VICENTE: Una cosa rara (Review by David Johnson)

Lilla 

MARTÍN Y SOLER, VICENTE: Una cosa rara (Review by David Johnson)

soprano 

MENDELSSOHN, FELIX: Die erste Walpurgisnacht (Review by Haig Mardirosian)

vocals 

MERULA, TARQUINIO: Arie e Capricci (Review by J. F. Weber)

soprano 

MERULA, TARQUINIO: Chi vuol ch’io m’inamori (Review by J. F. Weber)

soprano 

MERULA, TARQUINIO: Folle è ben che si crede (Review by J. F. Weber)

soprano 

MERULA, TARQUINIO: Hor ch’è tempo di dormire “Canzonetta Spirituale” (Review by J. F. Weber)

soprano 

MERULA, TARQUINIO: Menti lingua bugiarda (Review by J. F. Weber)

soprano 

MERULA, TARQUINIO: Quando gli ucelli portaranno i zoccoli (Review by J. F. Weber)

soprano 

MERULA, TARQUINIO: Sentirete una canzonetta (Review by J. F. Weber)

soprano 

MERULA, TARQUINIO: Su la cetra amorosa “Ciaccona” (Review by J. F. Weber)

soprano 

MERULA, TARQUINIO: Un bambin che va alla scola (Review by J. F. Weber)

soprano 

MILAN: El Maestro (II) (Review by J. F. Weber)

soprano 

MONTEVERDI: Arte e Lamenti (Review by J. F. Weber)

soprano 

MONTEVERDI: Lamento d’Arianna. G (Review by Brian Robins)

soprano 

MONTEVERDI: Madrigali Guerrieri et Amorosi (Review by J. F. Weber)

soprano 

MONTEVERDI: Ohimè ch'Io cado. Lettera amorosa. SI dolce è II tormento. Lamenta d'Arianna. Quel sguardo. Salve o Regina. O quam pulchra. Exulta f Illa Sion. Pianto della Madonna. Venite vldete (Review by J. F. Weber)

soprano 

MOZART: Requiem, K. 626. Maurerische Trauermusik, K. 477 (Review by J. F. Weber)

soprano 

PERI: Lamento di lole (Review by Brian Robins)

soprano 

ROSSI, LUIGI: Les Pleurs d’Orphée (Review by Brian Robins)

soprano 

ROSSI, LUIGI: Two arias (Review by Haig Mardirosian)

vocals 

SCHEIDT, SAMUEL: Pavan. Galliard Battaglia (Review by Brian Robins)

soprano 

SCHÜTZ, HEINRICH: Die Seele Christi Heilige mich. Was betrübst du dich meine See/e (Review by Haig Mardirosian)

vocals 

SOR: Five Italian Ariettes. Eight Seguidillas Introduction and Variations on “Marlborough,“ op. 28. Andante Maestoso. Andante expressive. Mouvement de prière religieuse, op. 31 (Review by John Bauman)

soprano 

SOR: Italian Arias, Seguidillas, and Variations (Review by David Hurwitz)

soprano 

STROZZI II: Lamento "Su’l Rodano severe" (Review by Brian Robins)

soprano 

 

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